The Berliner Philharmoniker perform Strauss's Till Eulenspiegel / Horn tutorial
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- čas přidán 21. 10. 2010
- Watch the Berliner Philharmoiker playing a CZcams Symphony audition piece! Richard Strauss / Beginning to 1 / Radek Baborak, horn / Daniel Barenboim, conductor
Horn tutorial for the CZcams Symphony Orchestra 2011
Learn more at / symphony
Watch the complete performance at
www.digitalconcerthall.com/con...
The official CZcams channel of the Berliner Philharmoniker:
/ berlinphil
The Berliner Philharmoniker's Digital Concert Hall:
www.digitalconcerthall.com
Website of the Berliner Philharmoniker:
www.berliner-philharmoniker.de
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Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a CZcams Symphony Orchestra. - Hudba
Thanks for this tutorial. Now I instantly play as good as him.
lol
Lmao
😂😂😂
I could listen to this over and over all day
That mid-low G is just perfect man
It's actually an F; the solo line is shown on the Wikipedia page for the piece.
its C
It's already really hard to play this well, then there's Baborak making this sound like it's a walk in the park
.in repetition, he changed the timbre... I LOVE IT!!!
I think it's because he was playing louder, I don't think it is intentional... When you play louder the timbre changes always, nothing to do against it.
@@gon9684 even at that volume however, few horn players could get that gritty, metallic timbre in this particular solo that Baborak manages to achieve
That's because it is marked louder
Hi! Trumpet player here! Radek Baborak is my *favorite* horn player!
Yes a nice tutorial to humiliate and discourage any student haha
Lol
This will never in the future of humanity, EVER, be played better than this...
Disagree, yes, it was great, but the G was too loud compared to the low G for example and it was a bit too harsh in that note... You can always improve everything. Just cause Baborak is great doesn't mean there isn't and isn't gonna be anything better... It likely will, and tbh this might not even be the "best" interpretation, whatever that even means...
Ugh Flawless as usual, go Radek!
Thanks for the tutorial
Best Till solo ever
NO ONE else even comes close!
Awesome Horn Playing!
Passed the test...
Bravo!
Perfection!!!
baborak!!! best
Radek Perfect !!!
Splendid!! ♫♫♫ - Too short....
solo estan mostrando el solo de corno como forma de un tutorial. Para ver la obra completa hay que ir a la pagina de la filarmonica y pagar para verlo. Saludos!
Besser gehts nicht.
@davidhan96 That, my friend, is the joke. The description reads, "Sir Simon Rattle, conductor." I'm just having a little fun with meinen Freunden at BerlinPhil!
...perfect haha
This is one of the chair audition songs... well I'm getting 4th chair
@davidhan96 No need to apologize! I hope I didn't come across as rude.
FreackZz Did you mean the conductor IS Daniel Barenboim lol?
0:16 0:16
0:16 0:16
Is this tutorial…?
conductor should be daniel barenboim
man, radek seriously makes other professionals sound like crap...
Man, Sir Simon Rattle sure looks funny...
trill eulenspiegel.
@jacobflaschen lololololol
Seriously. Even in this performance (/watch?v=VComW3RJqg8) around 0:35 or so, Radek puts the other horn player to shame. Radek's ridiculous.
And thats a tutorial because...?
0:16 0:20
cual es el interes de presentar apenas un minuto del video???????ridiculo
Not Stephen Dohr
Reduce the playback speed to 0.25 and count the eighth notes. Regardless of any accelerando, this rendition is objectively inaccurate to what is written on the page. Students steer clear; seek a rendition where the eighth note subdivisions are accurate to what is written on the page - orchestral musicians will hear it and thank you for it.
No thanks--I prefer to listen at normal speed so I can enjoy Baborak's stunning performance.
Jordan Miller As long as it is.
Typical comment from someone who’s maybe had chance to perform this piece once or twice and now they are “experts” in how the rythm and phrasing of this solo should be. I’ve been playing professionally for over fifteen years now, which means that I’ve lost count of how many times I’ve performed this piece, what Baborak does is a 100% perfect if you take into account that rythmically and musically it fits flawlesly into what the other musicians of the BPO are doing. In my experience, everytime that you play this with a diferent conductor some things will need to be modified slightly in order to actually make music! if you’d like to listen to a “perfect” version of it write the whole thing in finale and listen to how the computer does it.
@@TheGigiparce0 Disregarding the pettiness, if what you claim is true, then why does the oboist then play it as written? See my comment also pertains to auditions which the jury will be counting subdivisions.
I was looking for this comment, thank you.