Pietro Pompeo Sales (1729-1797) - Missa Solennis ex D (c.1775)
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- čas přidán 23. 07. 2024
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Composer: Pietro Pompeo Sales (1729-1797)
Work: Missa Solennis ex D (c.1775)
Performers: Suzanne Cаlаbra (soprano); Elke Burkеrt (alto); Axel Reichardt (tenor); Tobias Schаrfеnbеrgеr (bass);
Triеrеr Kammerchor; SWR-Rundfunk-Orchester Kaiserslautern; Manfred Mаy (conductor)
Missa Solennis ex D (c.1775)
1. Kyrie 0:00
2. Gloria 6:35
3. Credo 22:53
4. Sanctus 31:03
5. Benedictus 32:33
6. Agnus Dei 36:21
Painting: Gregorio Guglielmi (1714-1773) - Apotheosis of the Reign of Catherine II
HD image: flic.kr/p/2pW4mNs
Further info: www.amazon.de/Musikland-Rhein...
Listen free: No available
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Pietro Pompeo Sales [de Sala]
(Brescia, 1729 - Hanau, 21 November 1797)
Italian composer. After the early death of his parents in an earthquake he went to Innsbruck, entered the service of Baron Pircher and studied at Innsbruck University. In 1752 he composed a school drama for the Jesuits. Two years later he became conductor of an Italian opera troupe, with which he visited Cologne, Brussels, Lille and other cities. In 1756 he took charge of the court chapel of Prince-Bishop Joseph, Landgrave of Hesse-Darmstadt, in Augsburg and Dillingen an der Donau. He travelled widely as a performer and composer, becoming a member of the Bologna Accademia Filarmonica (1758) and composing an oratorio for Mannheim (1762) and operas for Munich (1765) and Padua (1767). After the landgrave’s death in 1768, Sales, taking with him some of the Augsburg musicians, moved to the court of the Trier Elector Clemens Wenzeslaus (who had succeeded to the title of Prince-Bishop of Augsburg) at Ehrenbreitstein am Rhein. There he headed the court chapel, one of the largest in Germany, although he was not appointed court Kapellmeister until 1787, after the death of Konrad Starck. He maintained his connection with the Munich court by composing the carnival operas in 1769 and 1774. In 1774 he married the court singer Franziska Blümer. In 1776 he appeared in London as a viol player (according to Choron and Fayolle: Dictionnaire historique des musiciens, Paris, 1810-11/R, this was his second visit), and in 1777 he performed a Passion in Frankfurt. In 1786 he moved with the elector’s court to the newly built castle at Koblenz, which the court had to abandon twice (in 1792 and 1794) during the wars of the French Revolution. In 1797 he again had to flee the French and died before he could return. Sales was a versatile composer in the current Italian style, but the care with which he wrote also reflects developments in Germany. He was well regarded as a composer in his lifetime, but a promise he had made to the elector not to publish prevented any wider distribution of his work. Schubart thought highly of Sales, although he expressed some reservations about his work in the Ideen zu einer Ästhetik der Tonkunst. It must be assumed that many of his compositions are lost. His most important surviving works are his oratorios, particularly Betulia liberata. - Hudba
🙏🏻🙏🏻🙏🏻🎼🎶🎶🎶🎶
Dear Pau, I am always surprised where you find all those hidden gems ! Thank you so much the upload.🙂
I couldn't agree more! A biiiiig thank you!🎉
💐💎 STUNNINGLY DIVINE masterpiece 🌅💐❤️💐❤️💐❤️💐❤️💐❤️ A big heartfelt THANK YOU Mr.Pau NG for the GREAT video!!!!🎉🎵💞🎶🎶💎🌟💎🌟💎🌟 This a DIVINE voices.....🎵🎶🎶🎶🎶☕️⚘️🍷I wish you a happy Sunday....🎇☀️
Here enjoying my Sunday with this divine music. Thank you very much for sharing this baroque gem. ❤
Bella musica sacra dolce e soave.
Un ricamo musicale celestiale.
Messa davvero molto bella... Pietro Pompeo Sales è uno dei molti autori italiani operativi in Germania di cui si sono perse le tracce...
Ho recentemente trascritto due sue antifone, di ben più modeste dimensioni di questa messa, e le ho trovate altrettanto deliziose e convincenti: trovo parziali analogie con Andrea Luchesi, comunque più ispirato, che negli stessi anni si dedicò con profitto a questo tipo di repertorio.
Grazie per la bella riscoperta!
Cada vez que no puedo ver tu canal, por una razón u otra, se me encoje el alma.
Soul uplifting masterpieces. Thank you very much
A great discovery ! An outstanding beautiful Missa Solennis with magnificent and very moving performances. Many thanks !!
Não conhecia este compositor. Hoje eu estou a ouvir a sua 'Missa Solennis ex D'. O Kyrie é simplesmente soberbo. Toda obra é simplesmente cativante.
Credo's chorus and Alto part ( in the duet ) are fantastic. 💞
Excelente compositor y obra musical. Ojala que pueda componer algo así de bello.
Great stuff my friend...hears like a congruent string musical story or tell tale
Nice video and beautiful classical music and songs. Thanks for sharing. I've liked it 💙💙
Extremely beautiful. Ernst Ludwig Gerber: " Pietro Pompeo Sales- A great master, who knew how to blend German precision with the elegance of Italian singing and with a wise treatment of the accompanying instruments."
Ernst Ludwig Gerber - German composer, organist, cellist, and author of a famous dictionary of musicians (his father, Heinrich Nikolaus Gerber /1702-1775/, a pupil of J. S. Bach!
Facts, how A.Mozart was made a myth and a taboo: Determinant: y "Pietro Metastasio La Betulia liberata". We read the text: "La Betulia liberata (The Liberation of Bethulia) is a libretto by Pietro Metastasio which was originally commissioned by Emperor Charles VI and set to music by Georg Reutter the Younger in 1734. It was subsequently set by as many as 30 composers, including Niccolò Jommelli (1743), Ignaz Holzbauer (1752), Florian Leopold Gassmann (1772),[1] Joseph Schuster (1787), and most famously Wolfgang Amadeus Mozart (1771)". 30 composers composed, some of their La Betulia liberata were very popular, Mozart's was not performed at all. But they concluded: " most famously Wolfgang Amadeus Mozart (1771)". Who decided when and where? From 1950., until today, at least 20 of Mozart's La Betulia liberata were recorded, long composers were not recorded. Us ordinary listeners cannot hear those other Batulios - and compare them to Mozart's. We should take the creators of taboos and myths "at their word".
Não conhecia este compositor. Hoje eu estou a ouvir a sua 'Missa Solennis ex D'. O Kyrie é simplesmente soberbo. Toda obra é simplesmente cativante.
@@marianoalvesdemoraesmoraes2100 I knew about Pietro Pompeo Sales from music history, but I couldn't find any recordings of his music anywhere. Thanks to Pau NG we can hear: Veni Sancte Spiritus (he set: 2 years ago); Symphony in D-major (c. 1755) (he set: 3 years ago); and now: Missa Solemnis (c.1760). Many thanks to Pau NG for this wonderful music.
This one's a Keeper
Stunning Mass with beautiful soul filling music and singing to the Lord with cheerful voices.
I have never heard of this Italian composer before I see why Schubert thought highly of him and he must have been a serious rival to the big Vienna Classical and Romantic music composers Mozart and Schubert Masses perhaps this is better than theirs? ❤it !
31:46 35:35
Yet America's ex sec of state Mike Pompeo can't even read a single note