Pressure + Ink: Intaglio Process
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- čas přidán 20. 04. 2011
- Produced in conjunction with the exhibition German Expressionism: The Graphic Impulse. Find out more at moma.org/germanexpressionism
Special thanks to Phil Sanders, Director and Master Printer, Robert Blackburn Printmaking Workshop. A program of The Elizabeth Foundation for the Arts.
Created by Plowshares Media
PlowsharesMedia.com
© 2011 The Museum of Modern Art, New York
Awesome! Thanks for a detailed demonstration of the technology
Thank you for the great educational video. You are very talented teacher.
And this is why I'm sticking with Relief Printing!
I have not done this with acid . I do etch on to plexiglass and use akul inks a much simple process
So much work for such a little reward!
not being able to replicate is a big reward. that is why such processes are used in currency notes.
what is the formula for making the asphaltene ground?
how many pounds of pressure does the damp paper need to lift up the ink?
Where can I get a hard ground?
What about copper plate engraving? One of the oldest, most demanding processes. It also makes the most beautiful line work.
What happens if the blankets are not used? Like with rotogravure? What do the blankets do?