Ellende - Making of: Rückzug in die Innerlichkeit (Part 2)

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  • čas přidán 28. 05. 2024
  • This is a timelapse video sped up by 1000% of the digital painting of Ellendes re-release "Rückzug in die Innerlichkeit" from 2018 by AOP Records. The original photo used for the digipack in 2012 was taken in styria, austria which had a special feeling to the artist he wanted to capture.
    order: ellende.bandcamp.com/merch
    order: shop.aoprecords.de
    Personal Statement:
    "Rückzug in die Innerlichkeit is a very special release to me as it was my first attempt putting my ideas out there anonymously and let people enjoy an EP that is deeply rooted in the harsh desolation of black metal and the beauty that lies in nature, loneliness and misanthrophy. It is an important initiator of what Ellende is and may become, walking down a burrow I couldn’t stop exploring until this very day."
    L.G.
    Songs in the video:
    Ellende - Rückzug in die Innerlichkeit (0:00)
    Ellende - Pfad der Endlichkeit (5:29)
    www.ellende.at
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Komentáře • 8

  • @lucanhenrique7457
    @lucanhenrique7457 Před 5 lety +6

    Ellende is so inspiring. I love this painting

  • @brunoandreu3627
    @brunoandreu3627 Před 4 lety

    Beautiful works, i love this álbum, AND all your arts come to México please

  • @luksgustavo666
    @luksgustavo666 Před 5 lety

    Great work! Brazil are waiting for you :)

  • @pattyisdoomed7704
    @pattyisdoomed7704 Před 5 lety

    Love it as always!

  • @cucumbers3989
    @cucumbers3989 Před 5 lety

    very nice work , glad to see how masterpiece is creating , (please release something from new album i cant wait )

  • @lukasmisanthrop8557
    @lukasmisanthrop8557 Před 5 lety

    Awesome!

  • @inhumansilence8140
    @inhumansilence8140 Před 5 lety

    Was the acoustic part in the middle of Rückzug in die Innerlichkeit rewritten? The previous one feels more appropriate to my mind, but still like for a great job

    • @EllendeAustria
      @EllendeAustria  Před 5 lety

      what do you mean, this is the recording from 2012, nothing edited or changed.