Dobrinka Tabakova - Dawn
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- čas přidán 6. 02. 2011
- London Festival of Bulgarian Culture - closing concert at St James's Piccadilly, London, 26/11/2010
Sofia Soloists Chamber Orchestra, Plamen Djouroff - Conductor
Cristine Blaumane - Violoncello
Ivo Stankov - Violin - Hudba
The sun coming slowly up, bursting the sky with light and warmth, the dew rapidly departing, the trees shimmering in the heat, the diamonds of silver glimmering on the waters...a single lark soaring into the horizon...poetry in sound.
One of the most beautiful pieces I've heard lately. Bravo, Dobrinka!
Exquisite, soulful, beautiful, lyrical, innovative, spellbinding, revealing, subtle, deep, immense, mesmerising.
That is incredibly beautiful!
Beautiful!
Wonderful! So rich and melodic!
Lovely
Have dolce e amabile moments
Welcome to Bali
Welcome to Indonesia
Meditative, thoughtful, peaceful and sensitive music which is much appreciated in these alarming and dangerous times. I shall follow her compositions and recommend her music to all who are interested in classical melodies.
Magnifique
Note that this is not Golden Dawn:) God bless you!
Wonderfully atmospheric - slightly reminiscent of The Lark Ascending.
Браво на нашенката! Гордея се, че съм българин. I'm proud to be Bulgarian like her. Lately I knew she's nominated for Grammy!
absolutamente maravillosa música. Sin palabras
Толкова е красива тази пиеса...
lovely pastoral music first rate
I love this piece. Reminds me of the Lark Ascending.
recently discovered Dobrinka Tabakova
To like !
It would be nice if a composer came along and did something genuinely original.... from the first notes of the piece I do not hear an imaginative mind
So late to the party. I blame YT recommendations. At least it’s not tintinabulism. I like the cello concerto tho.
The problem I have with 'neo romanticism,' especially that coming from the Russians and east Europeans, is that it is inevitable they are 'infected' from having grown up with, been exposed to, the more saccharine romantic stripe of 'romanticism' from mid-20th century and later film scores: no matter how lyrical, pretty, 'expressive,' it all sounds cheesy, and even if truly heartfelt, it sounds insincerely manipulative, just as were the aforementioned film scores.
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