Gibson SG Special Restoration - Part 5: Restoring the logo

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  • čas přidán 9. 01. 2024
  • In this video we try and save the original Gibson screen printed logo with a series of questionable and somewhat unorthodox tricks... can we pull it off?!
    We also wet sand our initial clear coats, before applying a final round of Microtone MIROCAT pre-catalysed lacquer.
  • Jak na to + styl

Komentáře • 18

  • @iyona14granturismogt6gtspo7
    @iyona14granturismogt6gtspo7 Před 5 měsíci +4

    Absolutely worth to save original logo,just taught us all an amazing technique.

  • @markdalton6662
    @markdalton6662 Před 5 měsíci +1

    Your alot braver than me because I would not have tried to do what you did with that logo . BRAVO .

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 5 měsíci

      Thanks very much! Ultimately there was nothing to lose here. It either worked or it didn’t. And if it didn’t then I’d have used a decal which I’ve done before with great success. But it’s nice to keep things original. Thanks for your support!

  •  Před 5 měsíci +7

    The 1967 pickguard is not my preference. I much prefer the small 'half-wing' style, even with a small tenon cover.

    • @remembertheblacksabbath
      @remembertheblacksabbath Před 5 měsíci +2

      I’m with you. I don’t like the batwing pickguard.

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 5 měsíci +2

      Yeah I think the tenon cover is what puts me off. Sort of feels like an afterthought on Gibson’s behalf. I think they both look great though.

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 5 měsíci +2

      Tony Iommi seemed to sit in the fence here!

    •  Před 5 měsíci +1

      @@BeardsworthGuitars I get it. I have both, but I like to see as much of the wood as possible and the batwing covers so much up.

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 5 měsíci +3

      Yeah that’s very true. I’d love a P-90 SG with no guard at all. Maybe I should make one!

  • @sandrawest2105
    @sandrawest2105 Před 13 dny

    Hello! Just a thought about working around the logo. Would printing out a copy of the logo, and then placing the temp cutout logo over the original logo make it easier to work around it? I am new to your videos and am enjoying them. Thank you. Peace💫

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 12 dny

      That’s actually a great idea and I actually ended up doing something similar-ish after putting the headstock in a photocopier! All will be revealed…
      Thanks for supporting the channel!

  • @oliviermilani3949
    @oliviermilani3949 Před 3 měsíci

    hi! do you sand with 600 grit between each coat?

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 3 měsíci +1

      Hi, no you’d end up taking too much off. In this instance I did around 4 coats before levelling off and shooting another 4 or so coats, from memory. Hope that helps!

  • @epec20
    @epec20 Před 19 dny

    600 grit is way too low. That why you kept having to spray. Should be looking at 2400 for super fine finishes

    • @BeardsworthGuitars
      @BeardsworthGuitars  Před 18 dny

      Hi thanks for your comment. It’s not that easy to see from my footage here but the surface was quite uneven due to the way in which I had to shoot the black base over the headstock and then remove it from the logo lettering, and the multiple coats was actually due to slowly building up the colour just until it was even. Hardly any paint was actually being applied. The 600 was used to level out the drop fills and touch ups necessary through this process before clear coating. 2400 grit would have sadly been futile. Regardless, I wouldn’t use it on a base coat or even between clear coats. It’s far too fine. Even when shooting a satin top coat where you have to get it as good off the gun as possible you only sand with 800 grit and this is the manufacturer’s guidance. I guess everyone has their own approach. Some guys sand up to 8000 grit, PRS only take it to 1200 before buffing. Thanks for watching!