HOW CINEMAS WORK - IMAX 70mm OPPENHEIMER FROM THE PROJECTION BOX, BFI IMAX
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- čas přidán 13. 08. 2023
- A comprehensive look at the lacing up and running of the 10am screening of OPPENHEIMER in genuine 15/70 IMAX from the projection booth at the BFI IMAX with Michael Ford, the Chief Projectionist. Michael takes us through the whole process and tells us all the details along the way, including the infamous IMAX rolling loop and the requisite vacuum to ensure each frame is sucked into place on the flattener at the rear element of the lens to ensure the best definition movie presentation format ever devised has the sharpest possible resolution in the resultant projected image on the 85 foot wide screen. This is surely a video for film lovers everywhere and with less than 30 cinemas screening OPPENHEIMER in its original format, this is a chance to see how the whole magnificent process operates. In addition, the BFI IMAX has just about the best sound system known to man so for anyone wondering where to ever view any genuine IMAX films the BFI IMAX is the place to head for.
As mentioned in this video, Kim at bored_tech created this fabulous video of the 15/70 print at the Ronson Theatre in the Science Museum being assembled and if you haven't seen it, it should be compulsory viewing: • OPPENHEIMER 70MM IMAX ...
Beau at Terminator Juice went on a bit of a road trip to see OPPENHEIMER at his nearest genuine IMAX theatre and it has an interesting lobby which allows the public to see into the projection booth with the 15/70 operating. Beau's video can be seen here and you'll feel like you're on the journey to see the film with him: • Seeing Oppenheimer in ...
Clark Teddles shot a wonderful video of the standard 70mm print being laced and projected at The Ritz in Sydney and the abridged version of this is being screened before every showing at The Ritz. Fortunately for all us film enthusiasts, Clark's video playing on screen at The Ritz, Sydney can be seen from the audience here: • @ClarkTeddles Oppenhei...
Clark's channel can be accessed here: / @clarkteddles
Thomas Piccione has made a wonderful video of himself projecting OPPENHEIMER in standard 70mm where he talks us through the entire process. Highly recommended viewing: • Projecting Oppenheimer... - Krátké a kreslené filmy
John this is wonderful. I was a projectionist and it was very different back in my day (late 70's, early 80's). Michael was so kind to take the time to share this with your and us. The sheer scale of this set up is formidable. Unfortunately, it's not hard to see why most exhibition companies go digital. We are lucky to have IMAX, Michael and you!
They've just screened their 100th sold out show Rob. There was a bit of a problem a couple of days ago which meant two shows had to be video projected (they did let everyone know by email beforehand) while the part was replaced but that film has been through 100 times now and new screenings have been announced taking them into mid-September. This is their top grossing IMAX film ever. Wonderful. Let's hope that genuine IMAX cinemas around the world are doing just as well because it may generate a 'reel' film renaissance. John.
@@moviecollector5920 I watched your experience with envy. We saw Oppenheimer in Oregon and had a dreadful experience. We saw a digital 35mm . The theater seats were sticky and disgusting. The screen had blotches on it where people must have thrown food and it had not been properly screened. the sound system could not cope with the dynamic range of Oppenheimer and people talked loudly throughout. one elderly couple were actually having a conversation!! I complained to the management and they offered me a free ticket to come back - never again! We will buy Oppenheimer on 4K and watch it properly. Yuk!
Seeing this on IMAX 70 mm was a special experience
No one will argue with you there Caleb. John.
But could you understand then dialogue better? Because I saw it in regular imax and I don’t know what was wrong, but I couldn’t understand half of that they said.
@@jaredf6205 I personally didn’t have a problem with understanding dialogue. I saw it on digital and 70mm and both showings the dialogue sounded fine. There may have been one or two moments where I missed something but that’s about it. It could have been the theatre you went to? Or maybe the accents used in the film played a part in you not deciphering certain words?
@@calebc7858 I assumed it was my theater’s sound but it seems like many people online had the same issue all around. The voices were so muddy sounding.
@@jaredf6205 I didn't have a problem with any of the dialogue that I can recall. Maybe others will offer an alternative position. Some claimed to have trouble with TENET too but again, no problem through my ears. John.
I've never seen anyone show the 3D mechanisms before - INCREDIBLY grateful for that. Thank you thank you!
Thank you and you're welcome. John.
Wow, incredible engineering and human effort involved with this, thanks for sharing. Now that’s what I call physical media!
Sadly there's not enough room in our house for an IMAX GT setup!!! John.
A fantastic video, such a great insight into exactly what goes on and the work and expertise involved. Thank you so much.
Thank you Carl. Glad you enjoyed it. John.
I've seen a number of videos featuring Michael on CZcams demonstrating his work when he was a projectionist at other cinemas. He is truly a master of his craft.
I expect they were shot by Fred over on Spoolbox. A brilliant channel that captured cinemas around the nation and a few other countries showing the art of film before the big downgrade in 2011. Michael is probably the most experienced projectionist in the UK today. Absolutely brilliant to still have someone of his capability and the BFI do appreciate that fact. John.
Great job both of you. I am running 5 perf 70mm Oppenheimer at the Varsity Cinema in Toronto Canada. I did train in 15/70 Imax but my local Imax closed down.
Oh that's exciting Victor. You much shoot a video of yourself at work projecting and get it on your channel. Clark Teddles shot something rather special at the Sydney Ritz and they're screening a minute long cut down before every 70mm screening of OPPENHEIMER. Food for thought perhaps?
John.
Greetings from the states,
I live on the east coast and flew all the way over to California to see Oppenheimer in 70 IMAX openeing preview night at the AMC Citywalk and then again at the Regal Irvine Spectrum in 70 IMAX the next day. I had never seen anything in 70 IMAX before so missing this was not an option. My friend over in California is the only person who appreciates film and these formats in the same way that I do and we had an absolute blast. I was comepletely blown away. The IMAX sequences were like nothing my eyes had ever seen before. Bright, crisp; it really felt like I could just reach out and touch and feel the characters faces. You really do see how high of resolution 70 IMAX is in comparison to standard 70 with the format switches. It is such a shame that a format like this exists and we don't have more theaters around the world to present it in. Thank you for this awesome presentation as these incredible projectionists show so much love, care, and dedication to this art. Maybe one day things will change thought it's doubtful. The film was incredible; it simply took my breath away. Going to see it in standard 70 for the 8th time over here on the east coast this Saturday!
Cheers,
Josh
What a wonderful trip that was Josh. You must go back to see Mr. Nolan's previous three films now because I think they are even more successful being as they're action/adventure films. TENET and DUNKIRK might look better than INSTERSTELLAR overall but the nature of INTERSTELLAR means you get taken out of this world and I don't believe I've ever had a better cinema experience. But I haven't seen 2001 A Space Odyssey on a louvred, curved Cinerama screen so that might just pip it. As for the standard 2.20:1 70mm prints the reports I'm getting are that they are making a mockery of modern video projection cinemas too. Apparently those prints are also incredibly well defined.
Best news of all is that I've heard that IMAX Corporation are enthused by what has happened and want to get more 15/70 projectors out into the world again. All the former genuine IMAX cinemas who abandoned the format in favour of low quality, push button 4K video must rue the day. What a ridiculous downgrade to make but they've all just paid a big price for it. The BFI IMAX is still selling out; not every show now but many of them I think. The first 100 screenings of the film print were sellouts which can't be a common occurrence for any movie these days.
John.
The speed of those platters at 0:30 is frightening. Great presentation all around.
It's even more frightening when you're there. But Michael and everyone else who works in that booth takes it in their stride.
John.
Saw this on 15/70 per your suggestion, John, after watching your videos of 15/70 for Tenet and Interstellar. I had to drive 3 hours to get to the theater in Pennsylvania, but it was so worth it. I’m still in my 20’s, so I have only really experienced a few 35 mm screenings, and mostly digital ones. While digital is easier to project, it cannot be understated how much better it looks on this format compared to digital presentations. I now know why you say that “you’ve never really seen any of Nolan’s work if you haven’t seen it on 15/70”. It’s unfortunate how many people are going to miss out on this special presentation of this film. If it weren’t for you, John, I would have never known about it. Thanks!
-Tim
That's brilliant to hear Tim and I'm so glad you've experienced the real deal. If you ever get the chance to see any of Christopher Nolan's other three masterpieces in the genuine article then grab it because as much as I'm still on a high from OPPENHEIMER last Friday I think the other three are even better. OPPENHEIMER may be the better of the four from a critical standpoint but for sheer impact then TENET is the one. INTERSTELLAR is the most incredible cinema experience of all time and DUNKIRK has to be seen in 15/70 otherwise you really haven't seen it... oh deal, I'm repeating myself there. I'll get my cocoa and hit the sack now I think.
So glad to learn that you had a good time Tim. Take care.
John.
wow, so much behind the scenes stuff, big up to that guy for all the work he does.
He's the head honcho of projectionists here in the UK. The top dog, the big cheese, the numero uno honcho! Yes, he's the top man with the top job in the top cinema. And the right man for that job too. John.
Let's hear it for the people behind the booth! 👏
I've just seen your channel as a result of this comment. Let me know if there is any way I can help. Just watched 'Behind The Scenes With The Projectionist' from six days ago - excellent! It's good to know there are other experienced IMAX 15/70 projectionists besides at the BFI IMAX and the Ronson Theatre in the London Science Museum.
John.
Hi John, This has to be the best Projection video ever. What a star Michael is. He explains everything so well, and is fully on top of his subject. Michael made it all look so easy, but you and I know, it's a great skill that Michael has. He is a fantastic showman. He is the best at what he does. Love the construction of your video. Everything was perfect. A joy to watch. Thank you. Spoolbox
Well that means so much to me coming from you Fred. I'm still watching your videos regularly and I never tire of them at all. As you know, The Empire was my favourite cinema of anywhere I've ever been in the world - and I've been to many of the top cinemas but nothing ever came close - and it was you entertaining my wife and I for so much of the time we were in there in row R. I was invited into the booth once but you weren't on duty. I still have the strip of 70mm I was given during that brief visit. My parents were with me and while my father is fast losing his memories right now, he still remembers and speaks about that day. He always says it is something he'll never forget.
If you haven't seen my previous video I've had a neon sign made that is sitting above the swing doors into our home cinema. The sign reads 'EMPIRE'.
We should meet one day and talk about all things film. I'd love to get your memories on camera even if you never wanted them to appear on-line anywhere. The Empire was a big part of my life and I thank you for the wonderful, top quality entertainment you gave so many of us for so long. Michael and the BFI IMAX have taken up the mantle now but I'd say the BFI and The Empire were/are two of the best cinemas in the world... ever.
John.
What an amazing video thank you ! Came across your channel recently, love your work and your film knowledge is second to none.
One of the reasons I started this at the beginning of the pandemic was because I could find anyone talking about home video that knew much, if anything, about film. My opinion was and still is that you can't judge a video without understanding how the film came to look the way it did originally. It's been a lot of fun ever since and none more so than being offered the opportunity of shooting in the BFI IMAX projection booth. That was a bit of a dream for me for many years after it first opened but no one used to get in there. A colleague used to shoot in the Science Museum IMAX but it wasn't quite the same kudos as the BFI where I was a member for many years while living in central London. John.
That was amazing. Thank you so much, and to Michael and the team too. I could watch this all day 😊
I'll probably include more in the next video because I did ask Michael what he thought of the print quality so I have got to include his summing up of that along with a few of the audience members. OPPENHEIMER is a cinematic event so it's a treat to be able to record something during its initial release. John.
I’m sure Mr Nolan is very grateful for your skills in showing his film to the masses.
It would be nice to think this video has come to his attention. You never know. John.
It always stuns me how much effort and dedication by the staff that goes into these projections.
Also the noise back of house to keep it ticking over nice and cool etc. is wonderful.
I wonder how much it costs to actually project the film in terms of power, maintenance and staffing.
Thank you for filming this and giving us a peek behind the curtain.
I can tell you that the screening we filmed at cost more than most other screenings and this was because before we did anything the three of us had to put the kettle on! Seriously though, the staff at the BFI IMAX are wonderful - all of them. The chap who did the introduction this time winged it and he was hilarious. Just a member of the staff who came out to say a few words and he received a big round of applause afterwards. The team supplying the popcorn and drinks were all smiling. Gordon welcoming everyone at the entrance to the auditorium. The helpful people on the front of house desk... the cafeteira... the manager. Amazing really. I think they're all enjoying being the top dog in the UK once more and screening the ultimate format to continuously delighted, astounded audiences.
John.
The best IMax projection booth video I’ve seen. Thank you both for making it.
Thank you for saying so Ray. It's all down to Michael really Ray. All I had to do was point the camera and know just enough to ask some [hopefully] relevant questions. John.
This is absolutely fascinating.. pure magic in the making. Thank you for sharing🍿🎥🎬😍😍😍
Glad you enjoyed it Android and thank you. John.
Wow! It makes you really appreciate just what goes into each showing. Great insight.
Yes, we tend to take it all a little for granted at times. Film always did require more skill and concentration but 15/70 IMAX takes it to the extreme. John.
Remarkable video John as usual! What a fantastic insight.
I have seen some other very informative IMAX videos Cisco but none of them have Michael Ford and he's the secret weapon for this subject. John.
Thank you for this video! I'm amazed by the amount of machinery involved.
It is an engineering marvel. But just like classic cars, if you don't use it, it can throw a tantrum. John.
Thank you very much for this video. What an incredible process.
Morning Cody. It does make us appreciate what goes into getting the largest format film on screen. No wonder people are flying in from all over the world. John.
Thank you so very much for sharing this. It's fascinating and I love the technology of film projection. The 3-D set up is like nothing I've seen before. Wonderful!
Glad you liked it. It was rather special to have Michael Ford talk us all the way through the process. With regard to 3D, 3D films were twin projection years ago. Not sure if the 1920's 3D fad used twin prints but the 1950's did. Then in the 1970's both images were printed on the single print and a lens brought them together. I think I have all that right but don't take it as gospel. My opinion of IMAX 15/70 3D is that is spoils the quality of the projected image and doesn't need it anyway because 15/70 is inherently three dimensional without the glasses. John.
This is something very special!! Thank you, john!!
I was rather pleased with how it went Dmitri. Michael was/is brilliant but I cocked up a couple of things. Still, it did force me to cut some bits that I wouldn't have done which means the finished product was tighter than it would have been. John.
Thanks for all these info's John!. You are a very genuine guy , I appreciate it alot!!
If I can help IMAX get around the world - the genuine, real McCoy, full Monty IMAX that is, then I will do what I can. John.
Thank you so much, this video is definitely for people who do not appreciate the hard, hot and loud work of projectionists especially under those demanding conditions as shown here.
I am living in Germany and in my country there is no operating 70mm IMAX anymore. I went to a former IMAX cinema in Nuremberg to see the pic - unfortunately it was only a digital 4K projection. However there are still some cinemas in Germany showing 70mm prints. I think I will travel a little farther to enjoy the visuals of Oppenheimer if not in full grandeur but close to.
Thank you Torsten. Why don't you see if you can fly over to London for a few days. Heathrow is a train, bus or tube journey into the centre and the BFI IMAX is just along from the London Eye on the River Thames. Struth, you could even do a day trip to see OPPENHEIMER in the Full Monty. But I bet the 70mm prints are beautiful too. Not sure I'd want to see a video projection in a cinema but will undoubtedly get the 4K disc for home. John.
Hallo Torsten, bin aus München und dieses Jahr schon mehrmals genau deswegen nach London geflogen um das alles zu erleben. Nürnberg ist ein Thema für sich, ich glaube sogar das größte (ehem.)IMAX in Europa, doch die Betreiber stören sich an dem Aufwand und an der Arbeit… die 4x4K Projektion dort hab ich einmal gesehen und fand sie grottenschlecht.
Die 5/70 mm Vorführungen können leider nicht mit den 15/70 mm Vorführungen mithalten, aber in der Schauburg sollen sie ganz gut sein:)
@@mixdown78 Shame we didn't manage to meet when you were over for one of the 15/70 movies Michael. Hope all is well with you over in Munich. Take care. John.
@@mixdown78 Hi, yes Schauburg, home of the annual Todd-AO festival. That is exactly the place I am thinking of. A former Cinerama theater with a curved screen.
@@moviecollector5920 I'm fine John thank you, i hope you too! Such a warming Video seeing you and Michael. I've met Michael twice now, he knows me and we've had good time and conversations.
I really hope that we will meet some day John, next i will be at 6th Sept. at the BFI for Oppenheimer, maybe last time this Year. I was waiting long for affordable connenction and Tickets. I wish you the best, Michael from Munich
Simply beautiful! Thank you Movie Collector for share this experience with us, regards from Mexico
Graham (Hilda Montes) is over from Mexico at the moment and was at this very screening. You should have joined him! Glad yo enjoyed the video. John.
That is some serious kit right there. Brilliant video John thanks very much indeed.
I've always been amazed at the engineering for 15/70 IMAX. It's incredible to me that it actually works... and in this case for three hours for show after show! John.
Absolutely fascinating John,thank you 👍🏻
Glad you enjoyed it Gary. John.
Finally someone who explains certain parts and what they do. Thanks!
Yes Kris, I knew Michael be able to enlighten us all. Amazing man. John.
Fascinating stuff. I've been to the BFI IMAX many times and saw Oppenheimer there twice. Wonderful to see so much of what goes on behind the scenes, right down to the laptop running the slideshow of upcoming movie posters.
It's the most interesting and amazing projection booth I've ever been in. I did get into the CineramaDome in 2011 but the four Cinerama projectors weren't being used at the time otherwise that might have pipped it but even so, there's nothing quite like seeing a massive IMAX print rushing through the projector. Quite daunting the first time you see it.
John.
Fascinating, thanks for posting.
You're welcome Peter. I need to try to get back up there next week sometime to see the 15/70 blow-up prints of DUNE TWO. John.
I was at this 10 am screening! Fabulous experience. My favourite Nolan movie now, for the sheer skill involved in transferring the dense book into a wonderful movie. Although, Interstellar is the more visually inspiring cinema experience.
Thanks for making this video, John!
It was my pleasure to make this video Mehul. An unbelievable experience and what an opportunity to make something like this with the top man. Incredible. I'm so pleased that you enjoyed the film too. It's the fourth Christopher Nolan masterpiece on the trot but I'm with you regarding INTERSTELLAR. That film really is out of this world. John.
Greetings from Ireland, John. This is a great video. Brilliant to see the hard work that goes in to art of projecting a monster size IMAX film. Kudos to Michael and his colleagues for sharing their knowledge. Great stuff. I hope to see Oppenheimer in IMAX soon, though I think it isn't going to be 15/70 here. Thanks again, great stuff.
Morning Bonnet. Maybe a quick jaunt over to Manchester or London is in order just so you can see the real deal. There isn't a single IMAX cinema in Ireland, either north or south, so you're going to have to hit the road if you want to see the best. A few days break in London might just be the answer and you'll have the choice of two genuine IMAX cinemas.
John.
That was an experience thank you ,John. Once again one that yours truly can only dream about. Michael = SA
There are less than 30 cinemas in the world showing OPPENHEIMER in 15/70 Michael and with three of them here and eighteen in the USA, plus I think six in Canada, that doesn't leave a lot around the rest of the world. Melbourne is another one. But I suspect that is going to change a bit over the next year or so given what has happened with this cinematic event. John.
Fascinating. Thanks for this.
You're welcome Jasen. John.
Fantastic insight of the IMAX projection process..... Have to say i enjoyed the film myself.... Thanks again John 👍
It's not a bad film eh Roy? There's the understatement of the year for the cinematic yearbook.
That was so good to watch and the best 'how do they do that' I've seen, amazing thank you!
The most excited I've ever been to shoot a video with the possible exception of when I was first invited into that booth on February for TENET. To get the top man for genuine IMAX projection on camera in this one was a bit of a dream though. Michael has had a lifetime of cinema and film projection and quite possibly the most experienced left in the world today. We invited him to Film Is Fabulous! next Sunday in Leicester but he can't get off work so his boss is coming! John.
What a fantastic job he has, and I love when he laces (if the correct term) the film on the big receiving reel. Excellent mini documentary, with impressive camera control! @@moviecollector5920
It was crazy seeing that the imax system utilizes Miller welding machines as the rectifiers. Awesome piece of engineering and is even more amazing to know this system was designed before computer aided design became a thing. I really miss watching movies in the 70mm format. You really miss something that was very unique about the movie going experience.
Cinema needs work at the moment to thwart what looks like a general demise in all but the top cinemas such as the BFI IMAX and other cinemas who offer something special or different. We showed off a D-150 lens at Film Is Fabulous yesterday because we think that something from the past that could well be the solution for today. It works with any projector as long as the beam fires straight and not up or down like most home video projectors. A curved screen would be the biggest expense but imaging active 3D in Dimension-150. It would be amazing as would any widescreen movie shown in the format.
John.
What an impressive machine!
With an impressive projectionist too Landon. John.
Wonderful, John. For those of us who are/were projectionists this is a love letter. I've since become a teacher of film analysis and criticism, but my entire undergraduate (and some of my graduate) career was doing just this (though I never showed an IMAX print of this magnitude). Amazing work as always.
Thank you James. I'm sure Michael is going to be pleased to read your post too. So many projectionists and former projectionists have told us they've enjoyed this one so far which is a wonderful reward. John.
Thoroughly enjoyed that .
Thank you Unal. John.
The complexity of what goes on in the projection booth is phenomenal with Imax film.
To watch the actual process to the film screening I was present at is truely amazing.
I look forward to the next part of Oppenheimer.
I've been away on a trip hence my late reply to what was a memorable day.
I do hope we soon have another film bearing the words shoot in Imax. Also projectionists who can perform such wonders.
"Yours Graham" Many thanks John.
Morning Graham. Are you home now? It was lovely to meet even if it was far too brief. The next video with your starring role should go live this evening assuming I remember to change it to 'Public'. John.
Quite a while ago I hung out with my buddy many nights as he was a manager at a local theater. Seeing the process brings back memories. Well done!
Film seems to be even more special today than it ever was. The magic of the movies I suppose because video just doesn't have the same interesting equipment to look at. Moving parts is probably why vinyl records are back in fashion.
John.
Great video John! Really captures the slightly terrifying rate at which IMAX film flies off the platter and through the projector. I've had the pleasure of watching this film in IMAX 15/70 and standard 5/70, and even projecting it in 5 perf 70mm for a few days. With any luck I'll have a video up this week about it ;)
And you had better let me know when you do get something up Thomas. Clark Teddles in Australia shot a 70mm booth video and the Ritz asked for a minute long version which they're screening before every presentation. Clark is only 15 years old so you should maybe do something similar to let the audience know they are about to see something special.
John.
Incredible video, John. I always love seeing the inner workings of a 70mm IMAX projection booth. Lots of detail and much to learn in these videos.
Thank you Finlay. Glad you like it. John.
Good Day, Just seen Oppenheimer, what a classic movie. Clearly the best movie of the year.❤
@@gurdipvirdee7176 Yes. Somehow I don't think Barbie is going to rival it Gurdip! John.
Absolutely fascinating! Saw Oppenheimer last week in Melbourne, Australia in 15/70 Imax and was blown away. I sure hope Christopher Nolan doesn't give up his love for making movies on film like this anytime soon ~ such a great way to enjoy movie making at it's best ~ thanks for the great video, John!
Apparently the IMAX Corporation are enthused by what has happened with OPPENHEIMER that they are looking to get more 15/70 projectors out into the world. That may well mean that Mr. Nolan will actually generate more fabulous quality movies in the future and hopefully many of those will be genuine IMAX 15/70, shot and finished in the format. That's how film making should always be done - shot and finished on film. Then the video masters should be created from the negative to ensure the best quality in sub-standard cinemas who only have video projection. Just my opinion but it's my favourite! John.
Love these insights into what goes on inside the projection booths.
I so wish there was an IMAX cinema anywhere near where I live...
Same here but it's worth the trip every single time. I only go to a cinema when I know there's a genuine film print being exhibited owing to the low quality being presented over the past [almost] 20 years but these days it seems that only Christopher Nolan finishes his films on film. 2005 was when I could see the downturn in quality took a jump further into the depths in cinemas. John.
An amazing and, in a way, a scary video in which you and Michael have contrived to show us what goes on in the projection room for a 15/70mm IMAX screening. I would be at my wits' end with all that film travelling through the gigantic projector and then on its return journey to the platters for fear that it would break or the mechanism would seize up. It just goes to show how robust and reliable the equipment must be to survive multiple daily screenings. I get nervous projecting 16mm! Well done to you both for such an enlightening video!
Thank you Stan. Glad you enjoyed this peak behind the scenes at one of the world's top venues. John.
Fascinating video!
Glad you liked it. Thank you. John.
I'm amazed about how much manual work goes on in the projection booth. I imagine the heat in that room would unbearable without aircon. Eye opening and fascinating.
Without the air conditioning and just the right level of humidity all manner of things can go wrong in there. Even I find it hard to believe some of the things they've told me. The lamp exploding one night during INTERSTELLAR almost ten years ago was the most harrowing. It's water cooled so just imagine the work that went into that catastrophe.
John.
Thanks for blessing us with this.👊🏾
Very kind of you to say so. Thank you. John.
@@moviecollector5920 thank you,.glad I found this channel.
Really fascinating. I never knew the process and care required to project a film of this scale in IMAX. Absolutely amazing.
The best is usually the most complicated. Look up three-strip Cinerama and you may find that is/was even more cumbersome. Only the Pictureville can screen genuine Cinerama now but I think Seattle is coming back or may already be back. The third, the Cineramadome on Sunset Boulevard went at the beginning of the pandemic.
John.
@@moviecollector5920 Will do and thanks for the reply. Keep up the great videos John!
i'm sure like yourself and everyone watching can watch loads of video's like this.The projection booths were always so exciting. When I had time I would always ask for a tour. Thank you. - Toronto, Canada.
You're in the right city for IMAX Mike. Apparently due to the success of OPPENHEIMER, IMAX Corporation in Toronto are looking to get IMAX back out into there. There were only 29 cinemas able to run this in the entire world and I think 6 of them were in Canada, 18 in the USA, 3 in Britain, 1 in Eastern Europe somewhere and 1 in Australia. John.
@@moviecollector5920 One of our first great and true IMAX theatres along with the attached park was closed. And I can't find the video of someone walking around inside. Showing what it looks like right now. But I hear they might be opening again. We have a few others, but going to this place was an event. Search Ontario Place Cinesphere. It was beautiful and over looked Lake Ontario. Honestly if you don't know what it looks like. Do a search on youtube. Thank you!
A very interesting video, it's great to see how things work behind the scenes. Thank you, John.
Thank you Sin Gin. There really isn't anything quite like a genuine IMAX presentation and particularly when it's one of the top IMAX houses in the world, if not the top IMAX house. John.
Great video John, love seeing how it all works
Morning Paul. Fortunately we'd been in for TENET a few months ago so it wasn't anywhere near as daunting this time. Even found time for a cup of tea which was why the 10am show started three minutes late. Sorry about that! John.
Wonderful, thank you so much!!
No problemo! Wonderful to be able to make this with Michael Ford. One of the most experienced film projectionists working today. John.
Thanks for posting this " in the projection box " video for the IMAX film format John . You may recall that i am a former now retired Chief Cinema Projectionist . I was surprised and glad to read that in this digital day and age they are still using the title of " Chief Projectionist " . I have never worked with the IMAX film projection system but a friend of mine did . Slightly off topic however for me personally seeing all those lace up rollers reminded me of the times we used to show films on a 35mm film projection interlock set up at the multiplex i worked in . One print on a feed film platter could be shown in a number of screens at the same time . We needed a very very long leader for that . One projector was the "master" and the rest were "slaves" . Not fun lacing up all those projectors though when it was a tight turn around time between performances . No room for any errors when lacing and setting up the shows . Another problem with interlocking was if one machine went faulty for any reason in any screen then all the other screens went down too. I can see that Chief Michael Ford and his team have to be fully concentrated and alert at all times when projecting those IMAX prints . I salute them all for their hard work. Cheers ! 👏👏👏
Great to hear from you David. I have often wondered about the multiplexes screening the same print through multiple projectors and using tubes and tunnels to get them into the correct booth and through the relevant projectors but never seen it done. I don't suppose I ever will now that video projection is the cheapo, boring, lower quality solution. But when film went wrong in such a multiplex it must have been awful and a bit of a catastrophe. When I first saw the IMAX GT all ready to project for TENET back in February I was nervous just standing there with video camera in hand because I could see how precarious the whole system is. Just the slightest thing could prove disastrous... but it doesn't happen. Amazing.
Thank you for another great post. What a great bunch of film enthusiasts we have on here.
John.
@@moviecollector5920 - I have seen a few interlock 35mm performances laced up. Don’t recall any occasions when there was a problem or fault which caused multiple screens to go down at once. 35mm was the norm back then with dozens of performances per day.
@@cheekster777 I don't think I can recall ever being in a cinema when there's been a breakdown. Had a few projectionists put the reels on in the wrong order a couple of times back in the mid-1970's.
Thanks John . Yes projecting a film in multiple screens on interlock mode could be a nerve wracking and nail biting experience for any skilled projectionist at times . Cheers and i look forward to more of your video posts . Dave @@moviecollector5920😅
Ive seen many IMAX Projection videos, and no one ever said what the Palm Pilots did! thank you its a brilliant video
Glad you like it Darren. I knew to ask about the Palm Pilot even though it had been replaced because so many people had asked me about it since my TENET IMAX video which I think was early in March. John.
I saw it 3 times in IMAX. Worth every penny 🙂
Our seats were £28 each and I consider that a bargain. To see it in a video projection cinema would average around £10 over here now but the whole experience would be immediately forgettable. This is a day that will live with me until the end so I'm with you - worth every penny.
John.
Admittedly, I think I might love cinema a bit too much. I have had MANY conversations stating that I do believe there are sacred films that CANNOT be re-booted or revived or redone, movies like Wizard of Oz, Casablanca, Godfather, Star Wars (New Hope), Schindler's List, E.T., or Silence of the Lambs. 2 or 3 years ago, I would probably put 1 more film on that list of DO NOT TOUCH, EVER !! - Lawrence of Arabia. But after seeing Oppie ... I actually believe Nolan has proven himself worthy (in my impossible-standard eyes) of being able to revisit David Lean in a fresh, new (I would DEFINITELY cast Cillian Murphy or Tom Hardy) role in all the IMAX glory, BRING BACK Hans Zimmer PLEASE !! And full-steam ahead, go for 3 hours 10 or 15 minutes, give us an Entr' acte and Intermission. Thank you for your videos, John. Cheers @@moviecollector5920
Awesome video John that demonstrates the mastery of the IMAX 15/70 mm film projection craft. I finally watched Oppenheimer on a 70 mm film print at a downtown theater that had dusted off their legacy film projector for the occasion. Infortunately the closest IMAX 15/70 film theater to me is located in the neighbouring province of Ontario 550 km away. As I told you before, we have an IMAX with Laser theater located in a science centre that had retired its IMAX 15/70 mm film projector some years ago but it doesn't even screen feature films, only documentaries.
Oppenheimer is a remarkable work of art that I thoroughly enjoyed. To me it didn't even feel like it ran for three hours. Knowing most of the historical scientific figures portrayed in the movie, I would usually guess who they were from the surrounding context, even before they were introduced to Oppenheimer. All the actors were fantastic with Cillian Murphy delivering an Oscar worthy performance. Great cinema indeed! Cheers!
I feel like I've watched the fourth Christopher Nolan masterpiece on the trot Jesus. A fabulous film with a quite amazing cast. Oscar winners in fairly minor roles speaks volumes about Mr. Nolan's work. I think most of them would work for him for free. Standard 70mm is still better than anything else and the prints, from what I've seen, look about as exceptional as cinema comes and ever did come. IMAX is still a pretty big step up but I'd be happy to see any film in 70mm. Actually, I'd be happy to see any film in 35mm and I do think cinema needs to get back to offering film on occasion to entice people off their sofas or away from their smart phones and back into theatres.
John.
Thanks for another great video. John.
We saw it the day before and luckily a technical hitch from an earlier showing had been fixed. The print looked amazing but the sound design was equally as beautiful. Telling the story as much as the images did.
Thanks again.
I'm still on a high the sound and image was so good. I've only just heard about the problem on the Thursday but now we've all been able to see how the systems works and hangs together I suppose the odd hitch is to be expected. Actually, I'm amazed the whole thing doesn't explode it's so fantastical. An engineering marvel in fact. John.
@@moviecollector5920
The scale of what goes on in the background is incredible.
It makes the entrance fee seem fantastic value for what is over 3hrs of entertainment in the middle of London.
Fascinating 😮
An engineering marvel I think. John.
Great job mate, historic video!!
Thank you Kyle. John.
@@moviecollector5920 You’re most welcome! I have followed you for a while now, and was delighted to see your video! I can’t afford to fly to Melbourne to see it in IMAX myself, but I did catch a nice 3perf 70mm screening in Brisbane Australia. I’m 33 so this was actually the first time I’d seen one. Even on standard 70mm I thought it looked wonderful, and the black and white film stick Kodak developed for Nolan looked beautiful and bright, well worth the effort and worth seeing on film. I hope more IMAX theatres open, but I adore any celluloid film screening, and when done right, it really shines!
Very nice! I watched this in preparation for seeing the 70mm print at Universal City theater today in LA!
Is that the 15/70 IMAX print Alec? I think it is but even if it's a standard 2.20:1 70mm have a great time and come back and tell me about it please. John.
I think it was 15/70 but I couldn't find anyone to ask in person. The 1.43 scenes had much much finer grain and more detail than the 2.20 scenes.@@moviecollector5920
Thank you so much for this great piece. And Michael Ford for letting you film him work. He seems to still enjoy it a lot!
I am a long time viewer of your channel and simply love your content. Always excited when I get a notification you have uploaded a new video.
I search CZcams from time to time to find videos about 15/70 and was very pleased when with Oppenheimer approaching, videos started to pop up left and right.
So when I got notified that you uploaded a new video about Oppenheimer 15/70 at the BFI, I knew I was in for a treat. And yes, I loved every bit of it. And although having watched a lot of projection booth Imax videos before I e.g. never have seen the compression unit and the massive rectifiers! It´s truly amazing seeing all the parts working together. Engineering at it´s best!
Thank you so much for this eye opening insight and your endless enthusiasm creating such great content!
Thank you for taking the time to write such a nice long comment Silverwing. It was a pleasure making this one but I'm always a little on edge shooting things like this because it's not like you get a second chance. Fortunately, everything went okay... almost!
John.
@@moviecollector5920 And thank you so much for taking the time to answer so many of your comments, including that super nice answer to mine. That´s true dedication!
Greetings and a great evening to you!
@@SilverwingVFX I try to answer everything as that's just common courtesy and the way I was raised but sometimes I don't have an answer to a question. I love film and have been around it almost my whole life but I don't know all there is to know. John.
As a teenager I worked with film but this is on another level. Not many people know to do this correctly anymore.
Michael has three others and they're all rather young. The knowledge is being passed on. John.
@@moviecollector5920That is every good news. Thanks for another good video.
That takes me back working on a Imax GT system while I was at Birmingham and on one day it was IMAX in the day and Super 8mm in the evening.
A bit of a contrast there Westrex. We'll have to work out the percentage size difference between the two formats one day. I wouldn't be surprised if IMAX is more than 100 times the size. What a terrible shame that Birmingham lost its IMAX. Maybe it will return now that OPPENHEIMER has shown the industry the errors of their ways.
John.
Fantastic video , thanks for the upload.
Thank you Kovalveli. John.
This video lit my brain on fire. Love your content man :)
That's a good turn of phrase. I must try to remember that and steal it to use myself in future. Thank you! John.
Great video A masterclass
That's down to having someone of the experience, knowledge and capability of Michael Ford on camera Malcolm. John.
Hi John! I am back and glad to see this video waiting. Thanks so much for this I really enjoyed looking in on this. I have seen the film here in our Langley BC imax and I enjoyed the film. It was simply a great experience . Your work on this video for us to see is appreciated and again reminds me of Cinema Paradiso hahh( my tongue is in cheek ) I know we have spoke of this film before but seeing you guys in the room brought back that memory. The Imax experience is so great i may spend to see it again lol my best to you guys cheers D!!
Oh yes, Cinema Paradiso - what a wonderful movie that is Dave and I do recall us discussing it a while back on my 4K review video I think. Back in the days that masterpiece was set in we didn't really appreciate the quality of the film prints so much but now that we're mainly presented with sub-standard video projection genuine film prints that have been shot and finished on film are so very clearly special. None more so than a genuine 15/70 IMAX print where the movie was actually shot partially or mainly in 15/70 IMAX. OPPENHEIMER doesn't have the most IMAX of any of the Christopher Nolan films but the sequences there are look absolutely beautiful. I'm working on my review video today which will have more from the projection booth, Michael's opinion of the quality of the print and some audience reaction. If it all goes to plan that is.
John.
Very cool! I work on the Digital projectors currently. Like the Christie CP series behind this guy. I threaded many 35mm projectors when I was younger. It was cool that you got inside the IMAX booth. I bet it would be great to talk to this fella. He seems very enthusiastic about his work. I wish I could work on the UK. Currently I’m here in the states. I service and maintain digital projectors and theater audio systems. Been doing this for years!! Thanks for this 😍
Morning Boo. Well if you ever get over to London you should contact the BFI IMAX and introduce yourself. It's just possible they'll give you access behind the scenes but whether or not you'll be lucky enough to be there on a day when they're screening a real film is the question though. I'd been in before for TENET a few months ago so I had got to know the team a little thereby facilitating this video record of OPPENHEIMER. I'm delighted to have been able to make it. John.
Thanks for putting my video in your description! I appreciate it :)
My pleasure Rhett. I hope it gets you a few views and some attention for young Clark. But I do intend to try and actually mention the whole saga of Clark's video being up on the big screen at the Ritz in a future video and if I remember, that will be the next one.
John.
Great insight and a video as epic as the movie itself.
Thank you, John. 🙏
There you are Cheekster. I think yo went to see the film at The Empire. If I'm right, what did you think? I can't imagine seeing it video projected but that's how most people are having to see it which is a terrible shame. I expect the standard 70mm print screenings are pretty special though.
John.
@@moviecollector5920 - Yes, watched an 11am performance of Oppenheimer at Empire, LSQ in IMAX on Friday as part of a quadruple-bill. There was a lot of information to process so perhaps another viewing is needed.
I enjoyed it but putting all of the hype to one side I personally don’t feel it was in the Top 3 Christopher Nolan movies I’ve enjoyed the most. Not sure it has the same rewatching factor of those either.
@@cheekster777 I agree with you Cheekster but it's likely from a critical point of view that it's the best film. I like TENET best, then INTERSTELLAR, then DUNKIRK and then OPPENHEIMER. But they're all masterpieces. Four of 'em on the trot. John.
Thanks for an excellent video showing a fascinating insight into the BFI IMAX. We visited it to watch Oppenheimer yesterday and it was outstanding. I still have lasting memories of seeing Nolan’s The Dark Knight at the Sydney IMAX, and this will join it.
I'm still on a high from our visit on Friday. Another Nolan masterpiece. The fourth on the trot as far as I'm concerned. John.
@@moviecollector5920 Absolutely, I’m looking forward to whatever he does next…as usual 😄. Definitely a 4K pickup for me.
Really enjoyed this video, John.
Thank you Sean. Glad you enjoyed it. We enjoyed shooting it, I can tell you! John.
That was excellent, cheers man, just subbed.
Thank you Zami. Glad you enjoyed it. John.
Wonderful John. Boy if anyone wants to understand engineering, how about the people responsible for design and calibration of that beautiful machine. A true work of art.
Well said Joseph. IMAX has developed from its original conception back in 1967 to 1970 but it is an engineering marvel. Maybe it should officially be labelled the eighth wonder of the world! John.
Fantastic to watch IMAX lace up again, check check check and check check check it’s just drilled into you as a projectionist especially with the big 70mm stuff, I was on edge running the 40 minute shorts on the odd occasion I covered all those years ago at Bradford can’t imagine what it’s like for a 3 hour picture… living on your nerves!
I'd be a complete wreck Graham but Michael, Tiana and Cesar each seem to take it in their stride. That's the appearance they give anyway. To be relaxed enough to talk me through it and answer questions too takes someone rather special I think.
Don't suppose you shot any videos while you were working the Bradford 15/70?
John.
@@moviecollector5920 Sadly I didn’t.
@@grahambird4135 You must try to do better in future Graham!!! 😁 John.
One summer in the 80s, my father was a projectionist for a small theater in Southern California. They showed old Chinese flicks. The prints weren't very well taken care of though; they would break constantly! He had to splice the film while everyone in the auditorium booed. However, it was so satisfying hearing the cheers when the film started rolling again! It was stressful at times, but he gained much respect for the projectionist job. It's not as easy as it looks.
As a child I did see some minor disasters in cinemas such as reels going on in the wrong order and although I'm sure breaks did occur on occasion I don't remember anything definite. Polyester film replaced acetate and then breaking film was pretty much a thing of the past. John.
Go figure what an experience has to be watch this masterpiece this way..... a very very interesting video.
Nice work as usual, John.
Glad you enjoyed it Juanjo. We're still on a high from the day shooting the video and watching the film. One of the best ever cinema experiences and I've had quite a few memorable ones in my time. John.
@@moviecollector5920 I agree with you. When I walked off the cinema last week simply I couldn't believe it. One of the most powerful and extraordinary experiences I have felt with a film.
Left me thinking for days.... still I do.
Thanks John...as always great video... Michael is an icredible guy who walked us through his entire process...wish I could watch the movie in 15/70 IMAX f ...i have to adjust with normal laser imax projection
'Normal' IMAX is actually the original 15/70 from 1970 Rahul. All these video projection versions that have appeared more recently can't really be compared as there is no comparison. You're just going to have to meet us in London one day. I think more genuine IMAX is going to find its way out into the world following this runaway success so that might be a possibility at some point. Start saving! John.
John i also wanted to thank you for showing the Imax projector setup process.
Thank you Steve. It's a bit of a dream being able to shoot something like this. Who ever would have thunk it?!? John.
2:16 Oh man that is one awesome "Current Film Formants" picture 😍
If that's the posters on the wall you're talking about then they were done by a chap by the name of Grant Lobban and he often comes to our British Film Collectors Conventions. We had him do a talk all about Cinerama at one of them years ago. A lovely man and those film frame posters should be put back on sale. There's not been anything else quite like them. John.
Fascinating video! Thank you so much for it! Brought back some memories from my days as a 35mm projectionist in my local theater when I was a teenager. But this looks way more complicated 😅
Michael has spent his whole life in projection so he's able to deal with it. I'd be so stressed if it were me that I wouldn't really be able to cope. 35mm is always good fun but 15/70 IMAX is another level entirely. John.
This skill is talent and art. I did watch Oppenheimer in 70mm IMAX and it is glorious! Although my favourite Nolan 70mm IMAX movie is still Dunkirk. I have no issues with digital projection but film just adds that cinematic quality with the grain and it's perfect imperfections. Film forever!
Well said Chris. I think the previous three Mr. Nolan films were even more impressive than OPPENHEIMER on that huge screen but they were action/adventure films and therefore better suited to it for that reason. Amazing to see a drama with IMAX scenes though. John.
Superb video as always @Movie Collector ! Thanks for this excellent insight into the projection of this IMAX masterpiece.
Seen it in my regular cinema and loved it so you surely must have been in for a treat.
Now let’s wait and see what the 4K disc will be like!😊
The 4K disc is going to be one of the very best Pieter. You've only got to look at the quality of the genuine IMAX print to know that. However, there's not as much IMAX in this as TENET so that's probably still going to pip it to the top spot.
John.
@@moviecollector5920 yes bought this on advice of @Movie Collector and can’t wait to have time to watch ot.
Great video. I’m going to the bfi imax for the first time to see Oppenheimer I’m really looking forward to it
Oh, you're in for a treat. There isn't so much IMAX in it as previous films such as TENET (if you ever get the chance to see that one there then grab it) but every time the genuine IMAX sequences appear it's incredible. The opening has a collage of IMAX shots and the most incredible sound effects and music. We were giggling when it quietened down because we were in a group of eight and five had never seen [or heard] genuine IMAX before. That was one heck of an introduction.
Have a great time.
John.
@@moviecollector5920 thanks man I’m really looking forward to it Love all Nolan’s films
Absolutely amazing video John, love your channel and your passion for this. Someday I will travel and go to see 70mm IMAX, here in Latin America we don't have the pleasure to have one of these theaters. Keep it up Jhon, awesome content and job. Greetings from Colombia 😎
Good to hear from you José. I don't know if it's viable but Columbia into Heathrow and then it's just a bus, train or tube into central London and the BFI IMAX is just by the London Eye - that big wheel on the River Thames. Start saving your pennies as I'm trying to talk them into an annual 15/70 IMAX long weekend festival. Imagine that, all the genuine IMAX films in three days. We'd all be in our element. John.
@@moviecollector5920 omg that sounds amazing! it would definitely be a dream 🔥
@@jdavid1801 I've been badgering everyone I've met there José so one day the seed I've planted may come to fruition. Relying on just the one IMAX GT projector would be the thing they'll be concerned about so maybe they'll have to establish a backup somehow just in case because if people fly in from all over the world, you've got to have a backup and they won't be flying in for video projection. John.
Size of those negs and that projector!
Insane. Thank you for a wonderful behind the scenes vlog.
IMAX 15/70 is incredible. These are actually prints off the original camera negatives and it's only the photochemical process when a movie has been shot and finished on film that can achieve such quality. NOPE and NO TIME TO DIE were shot largely in IMAX but they weren't edited on film and thus no film prints were struck. I think that was a huge mistake in the case of the Bond film because IMAX prints of NO TIME TO DIE would have been a major draw for Bond's 60th anniversary. But what do I know?
John.
@@moviecollector5920 simply amazing to see behind the scenes.
Thanks John!
@@TravelHonestlyYou're welcome.
Enjoyed the video John.
Thank you Craig. John.
Fascinating John! Thank you so much for filming this documentary. Really detailed and interesting. The projectionist must have had a lot of trust in you to allow you to film him during the intricate looping up, loading and running the film. I was amazed at all the many pieces of ancillary kit needed to run the projector (lamp water cooled loops, vacuum compressor, inverters, 12 channel sound system, etc.). Would have been interested in hearing more about the projector bulb (e.g. Xenon? Wattage?). See they also have an IMAX laser projector for shoring certificate - can it also be used as backup if the film projector goes wrong (or god forbid, the film breaks!). Great to see the incredible skill of the projectionist - knowing how to loop up the film, what checks to do, the various software and hardware settings (including palm pilot speed simulator on the iPad) - the guy certainly deserves his salary! Was amazed at the automation and the size of the film & laser projectors. BTW, on a separate note, I was devastated to hear of Harris Mann’s passing. I’m so grateful that you introduced him to me at the BL show in Gaydon - very interesting guy.
Harris was a good pal George and it's going to take a while to get used to living in a world without Harris Mann in it. I have many great memories and adventures with him though including when we all went over to the USA for the TR7 40th anniversary. That was wonderful.
Now then, the IMAX. I did a video in February there when TENET was getting a couple of screenings and Cesar (senior projectionist) got an old lamp out to show us. It was in a plastic case for safety but it's enormous. The big IMAX video projector with the laser lamp in it does most of the work normally as it's used to screen all the movies that are only available as videos which is just about all of them now. OPPENHEIMER has set the cinematic world alight because it's a genuine IMAX film which means it's a 15/70 film that was shot in the format (and standard 70mm too) but it was also then edited on film and the prints were struck directly from the completed, edited camera negative. I don't know the last time we had a true film anything like it - might have been TENET three years ago.
A few days ago the vacuum motor had a problem and so two of the shows had to be replaced by the IMAX video projector. Everyone was notified by email first so I expect a few people got a refund instead. The motor was swapped out and the IMAX GT 15/70 was back to work. Yesterday was the 100th screening of the film print and every one of them has been a sell out. I don't know when anything like this last happened but it's got to be a bit of a sensation in the cinema industry. Let's hope the IMAX Corporation learn from it and upgrade many of the former genuine IMAX cinemas back to 15/70 IMAX film. The biggest IMAX screen in the world is in Germany and they must be kicking themselves right now because they don't have the true IMAX format to reap all the money it would have brought in right now. And boy do cinemas need the money after the pandemic and so many box office failures over the past three years or so.
Right, time for bed.
John.
Watched Oppenheimer in IMAX 15/70mm at BFI as well on opening weekend! Huge props to the projectionists, because the presentation was incredible :D
I didn't try to get tickets early on because I was trying to get a few of my cousins to join us. We only tend to see each other at funerals these days so it was nice to get together at something else for a change. And I wanted to hassle Michael into letting me make something like this video. I think it turned out as well as I could have hoped but I'm never entirely satisfied with anything I do which is probably a good thing. John.
That projector is insane! What a wild design. No wingin it with that machine 😆
Nerves of steel required. I think you should be trained up for it Stephen! John.
That was very interesting and very informative.
Good to hear (or read!). Thank you. John.
A long time ago, I saw Baraka in 70mm. incomprehensible!
I've never seen a 70mm print of that one Robert but I have seen videos of prints running and they do appear to be exceptional. Not even standard 70mm matches 15/70 IMAX though. John.
BRILLIANT b.t.s. video. Loved it! I saw Oppenheimer in Imax but that was digital 4k Laser Imax at my local dutch Imax screen. I did not have the opportunity to see a 15/70mm Imax film projection where I live. Thank you very much for this video, John. I'll find the other video with your Oppenheimer cinema review. regards, Roland.
There is just a possibility that your faux IMAX cinema may get IMAX reinstalled if it ever had it in the first place. This is because apparently IMAX Corp. are enthused by what has happened with OPPENHEIMER and want to get genuine 15/70 IMAX back out into the world. I think the laser lamps aid the reproduction of better contrast with video projection but my thinking is that using the word 'laser' with the IMAX name is a publicity thing because you can get home video projectors with laser lamps now. I have one and it's very good but there's not that much difference as a result of having a laser lamp. The big screen video projections at the BFI IMAX with the laser lamp projector are very good but I don't think they're quite up there with the 35mm blow-up sequences contained within the 15/70 print of INTERSTELLAR. Punching that much light through a standard 35mm print may not be possible but nevertheless I haven't seen anything on that huge screen from the video projector that's up there with the quality of 35mm yet. I'm sure it's out there I just haven't seen it. John.
@@moviecollector5920 Hello John. Thanks for the replies to my reactions. In response to your suggestion about true Imax being restored in Imax digital theatres, I looked up the history of Imax in NL were i live and grew up after 1976. My local Imax screen is there only since (dec) 2012 and was Digital Imax from the start. It has never been Imax 15/70 film. The first Imax film screened there was The Hobbit (1) An Unexpected Journey. I saw that one there. I remember the audio being VERY loud and it was a good size screen. But maybe not the best Imax film, LOL.
Actually, reading up, I remember being in what was apparently the first european Imax screen , in amusementpark The Beekse Bergen in Hilvarenbeek, NL. It was built in 1981 and i went there in '81 or 82 and that was my very first Imax experience as a boy of approx. 11 or 12 years old. It was of course, Imax 15/70 (film) and it was a stunning, glorious experience. No commercial hollywood films then, but a impressive docu. I was totally in awe of the immense size of the auditorium and screen, and wow, when that film had finished, i was awestruck. Unfortunately, later on (i read, in 1986 already) the amusement park got a new owner, who did not want to exploit the Imax screen and it closed. Also the other original Imax screen in Rotterdam NL (i never visited that) has closed in 2001.
If i ever read that one of the Imax screens in NL gets a 15/70 film "upgrade" , I will surely travel there one time to view a good Imax film. I've got a couple of cinema enthusiast friends, but if need to be, I may even go on my own.
But as far as my local (Tilburg) Imax screen, and it having been recently modernized and was , to start with, never a Imax 15/70 film cinema, it is unlikely they will convert this to 15/70 film Imax. But you 'never know how a cow catches a hare', as they say in NL (translated to english, LOL) . (meaning You just never know, the unexpected can happen...)
regards, Roland.
@@dalekslookgood Most of the cinemas bearing the great IMAX name around the world today have never been genuine IMAX. Some are only 2K video projection so they probably haven't done the name any favours. But those cinemas that were built as IMAX originally and had the film format do stand a chance of getting it back now. A lot depends on film makers having the clout to insist on using IMAX to shoot on. It's a shame that so many people think they've seen something in IMAX when they haven't but to be fair to the IMAX Corporation it's all about staying in business. Cinerama tried something similar but at least their downgrade was standard 70mm film. By contrast, IMAX have taken a huge leap downwards but it has kept many of their cinemas open and so as you say, you just never know - the unexpected can happen. John.
What a brilliant and fantastic enjoyable CZcams video this is
Very interesting john to see this 👍
Glad you like it Jason. I need to have a look for any others that may be similar as I don't think I've seen IMAX in such detail previously. Michael was - and is - brilliant. John.
I really enjoyed John
I love to see things like this and how it all works
Really interesting video thank you