The Compressor Scam Is Itself A Scam? (Part 2)

For the compressor, visit my website: www.apmastering.com
This is part 2 of a 3 part series on compressors.
Music credits:
Firesong by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. creativecommons.org/licenses/...
Source: incompetech.com/music/royalty-...
Artist: incompetech.com/
Infados by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. creativecommons.org/licenses/...
Source: incompetech.com/music/royalty-...
Artist: incompetech.com/

[@APMastering]

if you didn't grab the free comp, you can get it via my website

[@pillowears]

I think it is admirable to try to push the scene to understand what happens behind fancy tools. A good way to get creative. Please persist, my friend. ;)

[@1loveMusic2003]

Having a dozen tools that have predictable results is more valuable than having a thousand that you don't quite understand. I'm on board with this.

[@andreakleiner80]

All his haircuts sound the same.

[@zirconst]

This was an amazing video. The only issue is that I think you handwaved "workflow" too much. I think a great many people value the ability to get a specific sound

[@SloBloLabs]

It is not important how you do it, but THAT you do it.

[@joa1232]

You didn't show that different compressors all sound the same, you only showed that you can program a compressor, that can sound like all the others. That's a huge difference. Nice job though.

[@colindias4820]

A was the teletronix 2A and B was AP mastering and reaper plugins and all .. im guessing,,

[@OscarTroya]

Logic Pro's compressor has a really good approach at having multiple compression types in one single plugin. It even lets you control the saturation.

[@drrodopszin]

I came to hear the apologies but got to see the topologies instead.

[@musiclabtr]

Well explained! Keep busting those Graphics Designer companies lol - They only release same plugins with different designs and re-sell.

[@zachvalenti]

Thank you for your hard work on this channel. You’re doing the lord’s work with this caliber of no-nonsense educational content. Your courses are at the top of my continuing audio education wishlist.

[@TheBeeOBee]

You had a really good sound going with that drum loop at the end. Instantly had me humming melodies over it.

[@Lexxo777]

Great stuff mate, thanks for all the research and revelation.

[@okay1904]

I needed this - like I really needed this. Every mixing and mastering engineer needs to hear this man, AP - you are the real deal, phenomenal knowledge and communication skills.

[@filipeadubeiro]

I've been playing with your comp and it's definitely a wild beast! Add a 3 band parametric eq to the sidechain of your compressor in the same gui and almost everything gets covered by your compressor, except saturation, but that can be added by other means.

[@tangente00]

To have the best of all worlds I always use 10 different compressors in parallel and mix each 10%. 🤣

[@mixmachineanalog]

Loving your vids more and more :)

[@ElCaNeIn]

I'm a beginner on these topics about music production. but it's impressive the missunderstanding about this also with my music production teachers.

[@5adb0iMusicOfficial]

Wow! I'm not really sure I heard any type of major differences that would "make or break" a mix AT ALL... Like, I couldn't reliably tell you which is which on the shootout. Not even five minutes in and I'm blown away. Your channel is really delivering in terms of quality of content, glad to be subscribed!