Sehr schön, ähnelt in vielen Passagen auch Haydn hat trotzdem auch wieder Italienisches Flair und militärische Straffheit und Rhythmus. Ein sehr gelungenes Konzert mit einem schönen und ruhenden Andante.
Give Dvorak's Ninth Symphony a listen. I have a CD with an old recording of it, with the CSO, Fritz Reiner conducting. When Ray Still and his oboe come in during the Largo movement, it's so beautiful that it always brings tears to my eyes.
I'm missing something. The music starts in C major. The oboe's first solo should begin in C major and end in G major. But the oboe enters by simply entering while the orchestra is in G major and electing to stay there and present new material (rather than going back to C major to elaborate on the orchestra's opening theme). The first movement is completely devoid of thematic material shared between orchestra and soloist.
The first oboe entrance in the first movement sounds like it is entering halfway through its solo. Where is the A Theme statement? No wonder we haven't heard of Druschetzky.
Fortunately, the composers of the time didn't worry about composition teachers 250 years later insisting on some schematic "correct form" for their music. I would guess, based on how much I like how the oboe enters, he felt it made more sense to move the music forward in this way--like how Aristotle suggested a story should begin "in the middle of the action" to convey urgency.
Sehr schön, ähnelt in vielen Passagen auch Haydn hat trotzdem auch wieder Italienisches Flair und militärische Straffheit und Rhythmus. Ein sehr gelungenes Konzert mit einem schönen und ruhenden Andante.
0:00- 1st mov't
9:44- 2nd mov't
17:21- 3rd mov't
thanks.
I hear many similarities to the music of Mozart and the Wranitskys. A very Czech and symphonic concerto as well. Definitely a delight to the ear!
How can I ever tire of listening to such lovely music ? And the painting conveys just the right mood for the musuyc. By whom ?
Yes: frustrating when the post doesn’t identify the picture.
Looks Italian to me, 18 th century
@Sys Dia THANK YOU!!!
Cornelia, Mother of the Gracchi, Pointing to Her Children as Her Treasures by Angelika Kauffmann (1780-1790)
Excellent moment musical. Concerto à la fois "très enlevé" et mélodieux. Merci pour ce partage.
for those not familiar with the composer (1745-1819)
Georg Druschetzky, en tchèque Jiří Družecký, né le 7 avril 1745 à Jemníky et mort le 21 juin 1819 à Buda, est un compositeur et hautboïste bohémien.
Wonderful work. I love oboe.
Give Dvorak's Ninth Symphony a listen. I have a CD with an old recording of it, with the CSO, Fritz Reiner conducting. When Ray Still and his oboe come in during the Largo movement, it's so beautiful that it always brings tears to my eyes.
Timpani and oboe, both instruments used by millitairy musicians. Great combination.
Bravo! Cheers from Brazil
Quite beautiful.
The music and the painting are beautiful.
very nice music, thank you very much !
I would say very beautiful.
El 2º movimiento es la PAZ .Asi en mayúsculas
czcams.com/video/bK0M_WruomU/video.html this is the 2nd movement on my channel
I'm missing something. The music starts in C major. The oboe's first solo should begin in C major and end in G major. But the oboe enters by simply entering while the orchestra is in G major and electing to stay there and present new material (rather than going back to C major to elaborate on the orchestra's opening theme). The first movement is completely devoid of thematic material shared between orchestra and soloist.
The motives of the orchestra are supposed to contrast that of the solo oboe.
The first oboe entrance in the first movement sounds like it is entering halfway through its solo. Where is the A Theme statement? No wonder we haven't heard of Druschetzky.
Fortunately, the composers of the time didn't worry about composition teachers 250 years later insisting on some schematic "correct form" for their music. I would guess, based on how much I like how the oboe enters, he felt it made more sense to move the music forward in this way--like how Aristotle suggested a story should begin "in the middle of the action" to convey urgency.