NEUE STIMMEN 2017 - Final: Svetlina Stoyanova sings "Parto, parto", La Clemenza di Tito

Svetlina Stoyanova from Bulgaria sings "Parto, parto" from La Clemenza di Tito by Mozart in the final concert of NEUE STIMMEN 2017.
Further information about NEUE STIMMEN can be found here: neue-stimmen.de/en.html and www.bertelsmann-stiftung.de/en...

[@LossyLossnitzer]

so expressive - great musicians and a great singer

[@TheVaughan5]

Wow. Here is a genuinely great singer, all too rare now but reassuring that the art of opera singing is not completely dead. Outstanding.

[@helenaiv7830]

Amazing!

[@gustavogrande6537]

I love it

[@fernandoleitao4469]

Wow!

[@chatbud]

Bravo!

[@pedror.m.chavesneto6265]

Brava !

[@Prof_Rob_Music]

El clarinetista tbn es seco!!! bravíssimo!!!

[@demadesgomes76]

Straordinaria,grande.

[@christophebaudeau9614]

Brava

[@Vulkania7]

Прекрасна!

[@marikateeaar3403]

Fantastic !!! Brava !

[@mathiashagin9372]

Was für eine Stimme,einfach traumhaft.

[@Bellinilove]

very deserving 1st place winner!

[@Prof_Rob_Music]

pero qué buena voz... hermoso timbre y buenísima técnica!!! no oscurece nada y el aria le queda como anillo al dedo... es como un pez en el agua... bravíssima!!!

[@Corellibg]

Браво!

[@user-mc7vv7ps6q]

Замечательный голос, сильный и красивый!
🌷🍓🍒

[@ivanstambolov6098]

Bravo ,she is unique

[@helgateplova7902]

Может кто- то разъяснит, почему в полуфинале и в финале исполнялась одна и та же ария?

[@BertelsmannStiftung]

Please try to comment in English. We can't answer questions in cyrillic script.

[@elizabethmarinova9358]

Жюри определяет каждому что спеть. Такие правила конкурса.

[@fanakiosmarketopolous5351]

@@BertelsmannStiftung You can uise deepl for automatic translation

[@Frederic1406]

Wow, such a nice voice and interpretation! That makes me want to hear if she sung also some Fiordiligi arias from Cosi fan Tuttle!

[@draganvidic2039]

Very soprano sounding for being a mezzo, right? Sounds good for Rossini higher mezzo roles.

[@kellyxus]

Dragan Vidic honestly. Get a life.

[@user-en2fx3vl6h]

@@kellyxus It's so damn rude from you. Opera is a complex art form, and apparently you have no acknowledge about voices. Indeed she's a soprano. She is good by the way, approaching this repertoire. Agnes Baltsa did it her entirely career, and she's also a soprano. So read before sending someone to get a life

[@draganvidic2039]

로보 티니콜라스 Thank you

[@celibidache1000]

@@user-en2fx3vl6h Agnes Baltsa ruined her voice. Have you heard her lately?

[@celibidache1000]

This is an underdeveloped soprano with a depressed larynx.

[@Zva26]

Absolutely beautiful and technically right on target. It's a lyric mezzo, much like Teresa Berganza was.

[@davidmuller9938]

*lyric soprano much like Berganza was.

[@MrAlexsegal]

Berganza was not a lyric soprano.

[@KrebSDani]

great project but still sounds plain. wanna listen to her in a couple of years

[@andrewyarosh1809]

All the basset horns were out for repairs? Appalling that such a prestigious competition cares so little about the composers original intentions.

[@likemariane]

Is she Krassimira Stoyanova's daughter?

[@skemanad]

No, just matching surnames. It's actually a common surname in Bulgaria.

[@MartinYankov]

No

[@vocmas1]

huk!!!

[@susanfilip2286]

she is an undeveloped Traviata. not even close to a mezzo. Where are your ears, Bertelsmann-Jury ?

[@terryyooncountertenor4041]

be out of tune

[@bodiloto]

Soprano .
Vocalità ingolata poco adatta al repertorio .
il vecchio