Hito Steyerl Talk: Why Games? Can People in the Art World Think?

Sdílet
Vložit
  • čas přidán 4. 05. 2020
  • Talk by Hito Steyerl for the presentation of the exhibition "Harun Farocki. Empathy" curated by Antje Ehmann and Carles Guerra at Fundació Antoni Tàpies, in the context of LOOP Festival 2016.
    Introduction by Carles Guerra.
    Hito Steyerl gave an insightful presentation on video games, virtual simulations and the “generative fiction of autonomy”.
  • Krátké a kreslené filmy

Komentáře • 11

  • @martin.abelvik
    @martin.abelvik Před 3 lety +8

    Just did a presentation on this subject last week, really wish I came across this earlier. Steyerl's "In Free Fall" is also a great train of thought

  • @hannahcraven916
    @hannahcraven916 Před 3 lety +22

    This shit is what gives my life purpose. Thank you forever, Hito Steyerl for your persevering and sincere approach to these key topics.

  • @JimiCanRead
    @JimiCanRead Před 2 lety +5

    11:30 for Hito’s bit

  • @vocaloidsfan
    @vocaloidsfan Před 3 lety +1

    thank you hito steyerl for the amazing talk! i loved the way you approached the topic!

  • @paularazuri9720
    @paularazuri9720 Před 3 lety +1

    AMAZING. THANKS FOR SHARING.

  • @inuineko
    @inuineko Před 3 lety +9

    11:30

  • @KARTNYC
    @KARTNYC Před 2 lety

    Love it

  • @MonsieurPALOMAR
    @MonsieurPALOMAR Před 6 měsíci

    52:45

  • @AudioPervert1
    @AudioPervert1 Před 2 lety +1

    A ver hablais español a veces? Yet Barcelona itself is an example, where thousands and thousands of Catalan people and even outsiders worship technology. Swear by technology promising greater better futures. Take for example Sonar Festival, as regressive in it's curation of electronic music, as progressive in it's vivid market capitalism of new technology. LOOP itself an example of the same culture, which has no concern about environment, overshoot, collapse and the biophysical limits.

  • @beingintheworld1
    @beingintheworld1 Před 2 lety

    i love ur work hito, but praising ellsberg as an archetypal whistleblower is borderline farcical