The Trumpet Shall Sound feat. Bongani Kubheka & Mike Blake - Handel's Messiah

"Behold I Tell You A Mystery", "The Trumpet Shall Sound"
Bass: Bongani Kubheka
Trumpet: Mike Blake
Cape Town Youth Choir & Junges Vokalensemble, Hannover (Dirigent: Prof Klaus-Jürgen Etzold).
Lyrics:
I Corinthians 15 : 51-53 Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet. The trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. For this corruptible must put on incorruption and this mortal must put on immortality.
Live performance on 24 March 2018 at the Sarah Baartman Hall, UCT, Cape Town.
Soloists: Levy Sekgapane (Tenor), Magdalene Minnaar (Soprano), Minette du Toit-Pearce (Alto), Bongani Kubheka (Bass). Treble: Lorena Marais
CTYC Festival Orchestra.
Leader: Suzanne Martens
Harpsichord: Erik Dippenaar
Trumpet: Mike Blake
Conductor: Leon Starker
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Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the "Hallelujah" chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven.
Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart (Der Messias). In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times. - Wikipedia
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[@andreacatzel8259]

Very beautiful. Remembering dear Mike with great affection and admiration for his superb playing and for the gentle man he was.

[@jennylea8687]

Remembering... And loving the music.

[@wildunbar4658]

Bongani, you make us proud as South Africans. Do keep more eye contact with audience.

[@cat_mac271]

Bongani is MAGIC

[@carloCGN]

what an amazing voice ! BIG COMPLIMENT. Only one thing : please do not read EACH NOTE from the music-sheet like you do in this video, this is distracting both yourself and the audience. Of course you can always take a glimpse, but you should focus on keeping more eye-contact with your audience instead of looking down to those pages... or alternatively just close the eyes and enjoy every tone of your wonderful voice yourself :)

[@ceceliahopemanleylpc7462]

Beautiful thank you!