George Frideric Handel | Brockes Passion HWV 48
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- čas přidán 22. 08. 2024
- Brockes Passion HWV 48 by George Frideric Handel performed by NDR Choir and Le Concert Lorrain under the direction of Stephan Schultz
Sarah Wegener, Sopran - Tochter Zion, 3. Magd
Joanne Lunn, Sopran - Gläubige Seele, Maria, 2. Magd
Christopher Ainslie, Countertenor - Judas, Jakobus, Gläubige Seele, Kriegsknecht
Tobias Hunger, Tenor - Petrus
Markus Schäfer, Tenor - Evangelist, Johannes, Gläubige Seele
Matthias Vieweg, Bass - Jesus, Gläubige Seele
Fabian Kuhnen, Bass - Pilatus
Gesine Grube, Alt - 1. Magd
Dávid Cszimár, Bass - Caiphas
Christoph Liebold, Bass - Hauptmann
BRIXNER INITIATIVE MUSIK UND KIRCHE
15.04.2019 Dom zu Brixen
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#GFhandel # #earlymusic #baroquemusic
Magnificent, not enough known. Barthold Heinrich Brockes was an influential German poet who re-worked the traditional form of a Passion oratorio. The most famous musical setting of Brockes' text is that by George Frideric Handel, (1719) HWV 48. Other composers who set this text are Reinhard Keiser (1712), Georg Philipp Telemann (1716), Johann Mattheson (1718), Johann Friedrich Fasch (1723), Gottfried Heinrich Stölzel (1725), Johann Caspar Bachofen (1759), and several others. Johann Sebastian Bach took the trouble to copy out large portions of Handel's Brockes Passion in his own hand. Bach also performed Handel's and Telemann's settings of the Brockes Passion In Leipzig, and included arias from Handel's setting in a St Mark Passion pasticcio.
Excelentes datos. Te he dado like.
"Haendel est le plus grand, j'irais m'agenouiller sur sa tombe." (Beethoven)
"Entre los músicos de otros tiempos, solo Haendel, el alemán y Sebastián Bach, tenían genio" (Beethoven)
Vive youtube qui me fait connaître depuis 10 ans des oeuvres que je ne connaissais pas jusqu'à maintenant. C'est toujours avec joie et émerveillement que j'ecoute ces nouvelles oeuvres. Merci beaucoup.
That opening is a splendid vision of eternity. Händel is huge. After I've played Bach on the piano Händel is there to lift my mood again.
handel is a much more important composer with respect to the course of music than bach; handel innovated, whereas bach perfected
@@johnholmes912 Bach is more profound, technically difficult and often somber. The intellectual level is very high. Händel is simpler and happier, their life styles were very different. Händel was famous and had money, Bach wasn't and had little money.
@@johnholmes912 Handel may have been a happier tunesmith than Bach, but Bach was a stronger builder. His mathematics was better. Just about every subsequent composer has studied Bach more diligently than Handel. Don't get me wrong - I love em both, and am delighted to get to know this masterpiece
@@richardscrimger3969 Handel mixes his native German style with Italian style and with French influence as well. His music is more dramatic and melodious than Bach's, which for my taste always sounds stiff and rough to me, too mechanical. Handel's music is more descriptive, due to the strong influence of the opera.
@@FighterFred Handel is also very profound, you just have to listen to his Dixit Dominus (one of the most difficult choir works ever composed) or the oratorio Theodora. The difference with Bach is that Handel had a more versatile style, being so cosmopolitan and influenced by the opera, so his compositions sound very different from each other. Bach was always attached to his German tradition, so it always sounded the same, that is, more mechanical and structured.
An excellent performance of an overlooked Handel composition.
Qué música tan espléndida. Desconocía esta obra magistral de Händel. Es todo un lujo escucharla. Gracias
I'd never heard this work before. It has too many beautiful choruses and arias. Thank you so much. Handel was a master 🙌🏻
He was 19 when he compose this.
@@nil.anet1 Handel wrote Brockes-Passion in 1712, when he was nearly 30. You probably confused Brockes-Passion with a Johannes-Passion, doubtful work from 1704, which is only attrubutted to Handel.
And he wrote his thrilling Dixit around 1707 at the age of 22 . Astonishing.
La música és formidable, com tota l'obra de Händel, Les veus al seu lloc, els músics meravellós i el director reconec que sap com es fan les coses davant una formació com aquesta encara que pel meu gust les àries tenen que entrar just després dels recitatius, espera massa. És el meu criteri.
Gràcies per aquesta gravació tant genial.
I love Handel's music. Thank you
Out of this world!!
Thank you for performing and sharing this wonderful work. I wish it were better known and more often performed here in the UK. Handel was already living in England when he set Brockes’ libretto. I heard an excellent performance in Wigmore Hall last year and never tire of listening to recordings. There are now three complete versions available on youtube, for which I am truly grateful.
Lovely performance. Handel is one my favourite composers. I was introduced to Baroque via Handel and J.S. Bach.
Genius Handel in his native tongue....großartig!
Superbly performed, thank you.
Wunderbare Aufführung! Grüße aus Brasilien!
Thank you so much for the video! Magnificent execution!
I concerti di questa splendida manifestazione dovrebbero essere registrati su cd. Questo è il miglior Handel ascoltato di recente.
Excellentissime. Bravo.
Super! Loved the soloists, great balance between the choir and the orchestra!
Eine wunderbare sensible aufführu g
If counterpoint was invented simply to make music more pleasing to the ear, the it was God who did the honours
The video, recording was excellent. Bravo!
Very nice voices❤❤❤❤❤❤❤
Thank you, very much. Nice, beautiful
Thank you!
Bravo pour ce que tu fais ❤❤❤❤❤❤❤❤
Lovely performance🎶Thanks
Herzlichen Dank für die Aufführung dieser Passionsmusik von G.F.Haendel an das Südtiroler Konzert.Es Grüßt euch euer Musikliebhaber Joachim Ehlers aus Schallstadt südlich von Freiburg
Beautiful singing & clear. Never heard of it but must look for a recording of it on CD.
magnifique travail de la basse continue....!
C'est au singulier: "basse continue". C'est la traduction de basso continuo, qui est un terme d'harmonie et contrepoint. Il ne se rpporte pas aux instruments.
@@jeanghika7653 j ai modifié le texte merci pour cette remarque intéressante
trop mignonne la violoncelliste!!!
Chut,on ne parle pas pendant un concert .
Bach copied all this work with his own hand, and it was his inspiration to compose his own passions. He knew perfectly Händel's music and tried to get to know him 3 times.
You mean he tried to meet him thrice? Aha! I thought only once.
they met through the hands of their eye doctor ;)
i found this work because i was shown the parallels in the "eilt ihr angefochtnen Seelen" to Bachs version. Seems as if Händel had more Soloists at his disposal than Bach...
41:55 to 45:48, beautiful and intimate dueto between voice and cello.
Magnifique !
Es kribbelt bei mir von Anfang an - obwohl ich das Stück soeben zum ersten Mal höre... ;-)
Outstanding
Fantastische Darstellung
Maravilhoso eu amo
IMMENSO:
Magnifica interpretazione! ❤❤❤
Gran obra! Lamentablemente, poco difundida. Excelente versión.
Very good ❤❤❤❤❤❤
An excellent performance of an unjustly neglected work. Too many sublime arias and choruses to pick out 'the best'.
Totally agree with you!
Quelle puissance!!
Polyphony never sounded better.
15:16 sublime choral.
As good as any Bach choral cantata ending.
Also my favorite
Great
37:17 These kinds of arias are what I like about Handel ... vigorous, virtuous and fast. Much coloratura. Bach was much more inclined to slow and contemplative arias, which is why his works are heavy and bitter. Personal opinion.
"Gift und Glut, Strahl und Flut."
Забыл кто сказал о Генделе "неистовый саксонец"
1. 0:00 - симфония
2. 2:46 - солисты и хор
3. 8:16 - речитатив Евангелиста
4. 8:50 - аккомп. речит. Иисуса
5a. 9:44 - ария Дочь Сиона
6. 11:41 - речитатив Евангелиста
7. 11:57 - аккомп. речит. Евангелист
5b. 13:01 - ария Дочь Сиона
8. 15:05 - хор
9. 16:40 - речитатив Евангелиста
10. 17:22 - хор
11. 19:05 - речитатив Иисуса
12. 19:11 - ариозо Иисус
13. 20:28 - речитатив Петра и Иисуса
14. 21:40 - ария Иисус
15. 23:10 - речитатив Иисус
16. 24:06 - ария Иисус
17. 25:40 - ариозо Дочь Сиона
18. 27:20 - речитатив Евангелиста
19. 28:13 - ария Дочь Сиона
20. 32:33 - речитатив Евангелиста
21. 33:06 - ариозо Иисус
22. 34:56 - речитатив Евангелиста 23. 35:09 - хор
24. 36:06 - речитатив Евангелиста 25. 36:28 - хор
26. 36:57 - речитатив Иуды
27. 37:16 - Ария Петра
28. 39:04 - речитатив Иисуса
29. 40:23 - хор
30. 41:09 - речитатив Петра
31. 41:55 - Ария Петра
32. 45:55 - речитатив
33. 47:23 - Ария Дочь Сиона
34. 50:39 - речитатив
35. 52:05 - ариозо Петра
36. 52:48 - речитатив Евангелиста и Петра
37. 54:20 - Ария Петра
38. 56:57 - речитатив Петра
39. 57:32 - Ария Петра
40. 1:00:03 - хорал
41. 1:01:20 - речитатив
I had never heard this work before and I loved it. Handel's passion is like Bach, but on fire. I mean, it has a more vigorous and cheerful style. Bach's passions bore me too much
Never heard of it either,pls what’s the name of the book being performed?
@@ebenezeralaye9516 It was written in 1712 by Barthold Heinrich Brockes, a Poet from Hamburg. Based on all 4 Evangelists.
HERMOSO Y ARMONIOSO COMIENZO ALGUNA RZON HABIA QUE bACH QUERIA CONOCER A hAENDAEL...
ME EQUIVOQUE..PERDON ES HANDEL..
Bach transcribió esta obra completa y fue su inspiración para componer sus propias pasiones
Gutds idel
Gutes video danke
great
핸델 주님의 27 살 시절에 그 넘치는 젊음의 열정이 경건함으로 폭발한 브로케스 수난곡입니다. 한국 핸델교 교인 200만명은 주님의 고혹한 선율에 완전히 전도되어 광분하고 있습니다, 이전에도 없었고 앞으로도 없을 음악의 신 나의 주님 핸델 이시여 그 유업은 지구의 인류사에 영원히 기록될 것 입니다.
bravo !!
lovely performance - and so much work done by the cellist on continuo - has anyone got a name for her?
Die Bassistin rockt, da könnten sich die Bassplayer von AC/DC und Deep Purple ne dicke Scheibe von abschneiden.
she is amazing, love her expression at the end of it 1:23.01
That opening chorus is at least as intense and accomplished as either of Bach's John or Matthew choruses!
Bach copied all this work with his own hand, and it was his inspiration to compose his own passions. He knew perfectly Händel's music and tried to get to know him 3 times.
4:30 von der Laster Eiterbeulen mich zu heilen
To heal me from abscesses, ...
💖🌹💖
Je viens d'écouter celle de GP Télémann que j'ai beaucoup aimée mais cela n'a rien à voir!! Ils sont pourtant allemands tous deux mais...l'un a franchi la Manche, l'autre pas, il est allé voir Zélenka mais pas plus loin que Dresde. Est-il allé jusqu'en Italie au moins?
Après vérification, Télémann n'est pas allé en Italie ni Zelenka d'ailleurs..
Petrus' number "Nehmt Mich Mit" is the emotional climax of the first half...why is the tempo so fast? It isn't a march. It's a gut wrenching plea.
1:47:23 👌🎶
1:17:07 Sprichst du denn auf dies Verklagen
Does anyone know the name of the soprano aria that begins at 10:12?
15:05
After listening to the passion of Bach's St Matthew and this Brockes Passion of Händel, I have come to the conclusion that Bach's style is contemplative and boring, while Händel's style is more dynamic and influenced by Italian opera.
1:02:42
Has the bass player really got cable ties around his fingerboard to act as frets?
It's a violone which is the bass version of a viola da gamba. Members of the viol family always have frets, which like lutes, can be loosened and adjusted to match up with the different temperaments of the day.
Notice also it has five strings, most basses have four. All the string players are playing baroque period style instruments ie the bows curve up instead of down and no chin rests, some are using shoulder rests. To be totally baroque the violin necks should be slightly shorter and angled differently for gut strings. Steel strings were invented about 1800.
ABRSM Grade 8 vibes...
😅
No encuentro traducción para "Brockes Passion"¿alguien lo sabe?
No existe traducción ya que se trata de un nombre propio, el de Brockes quien fue el libretista de esta pasión (por eso el titulo de Brockes Passion). Lo mas aproximado seria Bruck, que significa puente. Al parecer JS Bach transcribió esta partitura de su propia mano y habria encontrado inspiración en esta obra temprana de Handel para su monumental Pasión según San Juan
Transcription in German with English translation. (No puedo encontrar la español)
issuu.com/academy-of-ancient-music/docs/aam__handel_brockes-passion_librett
.
that indifferent girl in the back ( 56:30) is pretty cute
Plutôt fatiguée. Elle attend son "entrée" et, probablement, il y avait encore beaucoup de mesures sans elle.
She plays bassoon, watch her entrance just after one hour.
Again, someone that never went to conducting school.
Dreadful gestures.
Your entire notion of conducting is anachronistic. 'What ever works' is just as valid. And this is a tight, exciting and valid performance.
Great