Master Choral Rehearsal Plan - William Weinert

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  • čas přidán 16. 10. 2016
  • Acclaimed educator William Weinert teaches how to create a master rehearsal plan for choirs.
    Explore the full Choral Rehearsal Techniques course with Bill Weinert here:
    musicianstoolkit.com/course/c...
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    About Your Instructor
    Bill is the Professor of Conducting and Director of Choral Activities at the Eastman School of Music of the University of Rochester.
    In addition to teaching, he has conducted ensembles throughout Europe, United States, and the Far East. Ensembles under Weinert’s direction have performed at conferences of the American Choral Directors’ Association, National Collegiate Choral Organization, and Music Educators’ National Conference.

Komentáře • 8

  • @zacharylavender1568
    @zacharylavender1568 Před 4 lety +5

    This is exactly how I do my rehearsals. It works beautifully.

  • @Sibelius101
    @Sibelius101 Před 8 měsíci

    Thank you!❤

  • @carolineandtigger
    @carolineandtigger Před 4 lety +4

    This is great. I learned a lot today. Thank you.

  • @j5555785
    @j5555785 Před 7 lety +4

    Thanks

  • @ezagorianou9837
    @ezagorianou9837 Před 5 lety +1

    really helpful

  • @CritER2023
    @CritER2023 Před 6 lety +4

    Thank you very much! What a wonderful method to plan rehearsals.
    Just a couple of questions out of curiosity:
    1) About how long is each rehearsal?
    2) How often should rehearsals be with this type of plan?
    Thank you very much for addressing my questions. Your feedback would be greatly appreciated.

    • @Musicianstoolkit
      @Musicianstoolkit  Před 6 lety

      Hello Paul, thank you for your interest. You can get those questions and many others answered checking out Professor Weinert's full course. musicianstoolkit.com/course/choral-rehearsal-techniques-bill-weinert

  • @chantegrave
    @chantegrave Před rokem

    Basses can go up to F but tenors need to warm up to go higher Oo! wtf! My F requires the same effort as a tenor to make a counter C. This is symptomatic of the contempt for low voices in our musical culture. Fortunately it seems that young people have a lot more consideration for the bass register and physiology, I hear more and more bass doing nice very low notes without spitting their guts.