Evaristo Felice Dall'Abaco (1675-1742) Concerto a più Istrumenti No.5, Op.5
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- čas přidán 25. 04. 2011
- 00:00 - Allegro
04:46 - Grave
07:30 - Allegro Assai
10:17 - Rondeau
Concerto Köln
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Evaristo Felice dall'Abaco (12 July 1675, Verona, Italy - †12 July 1742, Munich, Bavaria) was an Italian composer and violinist.
Dall'Abaco was born in Verona, the son of renowned guitarist Damiano dall'Abaco. His father, after seeing his son's musical talent in school let him take on violin and cello lessons. He is thought to be Torelli's pupil from whom he would have learned violin and cello. He launched his musical career as a violinist with Tommaso Antonio Vitali in Modena, in 1704 he joined the court of Maximilian II Emanuel, elector of Bavaria as Kammermusiker. Abaco was only a few months in Munich, when he was forced to flee with the court to Brussels, following Maximilian's defeat at the Battle of Blenheim. On Maximilian's restoration and return to Munich, in 1715, dall'Abaco was appointed Concert-meister. He continued to compose chamber music at the French and Dutch courts until 1740 when he retired.
While in Brussels, dall'Abaco fathered a son named Joseph Abaco (1710--1805).
Dall'Abaco's music is especially indebted to Vivaldi and Corelli. However, when he went into exile with the Munich court, he spent time in France and absorbed some of the influences there.
[en.wikipedia.org/wiki/Evaristo...] - Hudba
Excellent. Indeed it gives a feeling walking or riding in nature !!
So glad I found out about this composer a while ago.. vividly charming music!
Bei der Musik von DallÀbaco spürt man, daß man damals über Feld und Wiesen galoppiert ist, wunderschön !
Wonderful!!!!!
Bellísimo !!
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@Ahmed Raiden yea, I have been using instaflixxer for years myself :)
Evaristo Felice Dall'Abaco
Cet article est extrait de l'ouvrage Larousse « Dictionnaire de la musique ».
Compositeur italien (Vérone 1675 - Munich 1742).
Violoniste réputé, il vécut quelques années à Modène ¬ sans doute à partir de 1696 ¬, puis s'établit à Munich, où il devint maître de chapelle de l'Électeur Max Emmanuel (1704). Il accompagna la Cour à Bruxelles et dans divers déplacements, notamment, à plusieurs reprises, à Paris. Il fut peut-être l'élève de Torelli et certainement l'un des premiers à fixer l'ordre des pièces de la sonate préclassique. Son œuvre, destinée à son instrument et publiée en grande partie à Amsterdam, compte des exemples des deux genres de la sonate : Sonate da camera pour violon et basse continue op. 1 (v. 1705-1706) et op. 4 (1714), 12 Concerti a 4 da chiesa op. 2 (v. 1712-1714), deux recueils de 6 Concerti a più strumenti op. 5 (v. 1717). Vers 1712-1715, il publia à Paris XII Sonate da chiesa e da camera a tre op. 3, et vers 1730, Concerti a più strumenti op. 6.
En savoir plus sur www.larousse.fr/encyclopedie/musdico/DallAbaco/167097#rQTqLhODAB9eVkQ8.99
Grande Evaristo, sobre la pintura, obra de arte. al verla digo. Los vencedores cabalgando cuentan la hazaña de su victoria y los que entregaron su vida nadie los recuerda. ( 25 de octubre 2019 en chile ) comentario al margen
Non massacrate più questa splendida musica con gli orrendi e stonati strumentacci originali. Non ne possiamo più, BASTA,BASTA!!