Tom Delonge has a really fun and exciting guitar tech. Most guitar techs are either rude or don't explain much. Like if you seen Green Day's rig rundown, Billie joes guitar tech was chewing his gum louder than a frickin gun
Watch that video and even after so many years Billie’s guitar tech just look uninterested and yeah the chewing gum thing just gets annoying. I say only Mike Dirnt’s bass tech look genuinely interested plus looks really friendly
Ryan Fears his current tone is fine in the studio, but live, not so much, partially because he doesn't mic his amps. And I think that his old setup blows the doors off his current one. And I don't understand why he didn't go back to his old setup with the Strats and Mesas and Marshalls when Blink got back together. Because, that setup fit Blink pretty well, and his setup with the Voxes and Fenders is more suitable for AVA
His guitar sounds like crap now since he runs straight to PA. He’s not getting the full tone of the AC 30 and because of that, and he is losing low end. Now it sounds like he is playing through a radio with a crappy mic the whole time. Some times so band that you can’t even hear the guitar.
thanks for asking about the mesa's. I miss the old days of the 2 channel triple rec and JCM 900 with his mesa cabinets. I wish he was back in the band and used his old rig for any songs from the pre break up era. I don’t care what he plays on new songs.
I missed it when Tom’s guitar would feedback, and Tom actually knew how to control it. If you listen to them play I miss you around 2004, he would feedback his guitar with a flanger after the first verse and it would sound BADASS!
@@xander4644 thats nonsense. I have his hollow body. if anything that thing can feedback even more. he made a conscious choice to be lame. fucktionality. pff.
Love seeing a fellow masonic brother sporting the square and compasses at an arena! We love you and we are proud of you Brother DeLonge! Greetings from an Ohio Mason!
My friend worked on the road for 10 years. Roadies have such an unhealthy lifestyle and a lot of them party harder than the band themselves. It's a side of the business no one talks about. After a tour ends the band gets to go home, but most road guys will go straight onto another tour. There is no break from the madness, mental and physical health issues are very common.
I like the sound on "Dude Ranch" much more than "Buddha" or "Cheshire Cat" but he actually used and recorded the entire "Dude Ranch" album with his Gibson les Paul and on their album "Enema of The State" he recorded most if not all the songs with that same les Paul.
Kde jste byli na podzim když v Lucerně hráli HIM??? :D za tohle video s Mikko Lindstromem bych vám líbal nohy :D každopádně konečně i tato móda dorazila do čech a za to vám patří obrovský dík!!!
He’s one. Some of his guitars have the logo taped on them. One of his old strats has Freemason logo inlays (the black strat with the white race stripes).
@ 2:26 'and what will happen' is you'll get an amprig that sounds like shit.. Getting the sound from an actual speaker is a big part of how an amplifier sounds. They could have gone with those 'iso-boxes' where they have a speaker miced up in a closed box so you won't have any bleed from anything at all and just get a nice isolated guitar sound... DI works for acoustics and maybe a blend signal for bass, dont hook up a bunch of legendary amps up to it to bypass the speakers on them. That would be like replacing an iconic member of a band or something
Raymon those palmer DI's have analog speaker simulation. Granted it doesn't sound as good as micing up the amp but it's a good solution to avoid problems with the guitar. Matt skiba doesn't even use real amps live. He uses as kemper, as does Mark.
Tak jdem na to, než zase pustí nějakou sc*čku. Ok, tak pojd'me na to! Tom kombinuje tyto dva páry komb dvě Fender Twin komba a dva Vox AC30 Jsou písničky, třeba začátek Violence, které zní jakb staré AM rádio - jsou hodně zkreslené. To hraje pouze na tyhle dva Voxy se speciálním efektem Jinak jde většinou zkreslený i čistý zvuk ze všech čtyř najednou Ale na začátku některých písní slyšíte jen 2 z nich... Většina kytar jde přes tenhle G-Force v něm je spousta efektů, ale máme tu i tenhle Eddie Van Halen Flanger. Takový ten vlnivý zvuk je z něj. Dále je tu A/B box, takže mohou běžet obě vysílačky najednou. Tom rád dělával to, že říznul do kytary, když jsem mu podával jinou, takže jsme nikdy neztratili signál. Brnkne, já mu podam druhou a nikdy tam není hluché místo. Není to složity rig, ale zní naprosto skvěle. Toto jsou hlavní DI, a třeba když hraje na akustickou kytaru, jede to přes tohle. Hlavní ale je, že poberou reproduktorový signál, takže před ně nemusíme dávat mikrofony. Tím pádem nechytáme zvuk z pódia -z činelů, basy atd. Máme tak pěkný, čistý kytarový zvuk. Který jde rovnou do odposlechů a do lidí. -Takže už nezvučíte aparaty mikrofonem? -Vůbec ne, tohle se o to postará. Protože, tady máš mikrofonní vstupy. Tom tak má zřetelný zvuk pro sebe a stejně tak to jde i do lidí. I když strčíš mikrofony dovnitř Travis hraje tak nahlas, protoze je monstrum, že se tam ty činely stejně dostanou. Kdyz se koukneš sem, to je jack, který by normálné vedl do repráků. -Cím simulujete zvuk reproduktorů? -Pořád mám věrohodný zvuk preampů, jenom to přes reproduktor nejde ven. Ale pořád tam je ten pravý zvuk Voxe i Fendera, aniž by to řvalo ven. Další věc je, že tyhle komba dáváme hodně nahlas, takže by se dělo, že by zpíval, pak by popošel na stranu a zpěvové mikrofony by nabraly všechen ten rámus. -Jasně. Tom dřív hodne hrával na aparáty Mesa Boogie, je to tak? -Anó na Mesa Boogie a Marshall. -Proč uz je nepoužíváte? Došlo k tomu, že když jsme natáčeli, začal se mu líbit zvuk těchto komb. A Vox má tak pěkny zvuk. Vzpomen třeba na Briana Maye z Queen -jeden z nejlepšich zvuků na světě. Takže jsme začali používat tohle ve studiu a Tomovi to prostě sedlo. Většinou jsme použili do Angels and Airwaves, ale pak to prošto i sem. Opravdu se mu ten zvuk líbí. Samozřejmě nic proti Mese a Marshallu stále jsme skvělí přátelé a vždycky je budeme k smrti milovat. Ale můžeš si všimnout, že nová tvorba Blinků už není tak drsná a Mesa je prostě metal. Máme je rádi. Už zase.. Všechny jsou jako Gibson, akorát byly upravené přímo pro Toma, takže mají jeden snímač, jeden potenciometr. Velmi "hot" zvuk. Ani bys nevěřil, jak s tím pracuje. Trochu jsme si pohráli s designem, takže nějaký ten sprej a trochu pálení. Jedna z mých nejoblíbenějších je tahle. Má na sobě dost modřin a lepicí pásky, Tom se na ní podepsal tímhle symbolem. Vždycky je trochu spálíme. A znějí skvěle. Akustiky tu nemáme ty ma většinou v šatně, aby se mohl rozehrát před koncertem, rozezpívat se s nimi a tak. Dříve jsme stavěli ještě druhou stage, na které zahráli 3-4 písničky jen akusticky věci, které nehráli roky jako třeba "Going away to college", "Dysentery Gary", "Dick lips" všechny ty oblíbené skladby. Zde je jeho pedalboard. -Přepíná si zvuky sám, nebo to děláš za něj? -Ne ne, přepíná si je sám. Tohle je "Custom Audio Electronics" od jednoho z největších géniů v hudebním průmyslu Boba Bradshawa. Je v tom 36 bank a 4 presety pro každy z nich. Nastaví se tedy jednotlivé songy -s tím souvisejí tato čísla na playlistu. Každá písnička má své vlastní efekty jako Delay, Flanger, Chorus a tak. On najde číslo daného songu a díki MIDI signálu tam má efekty, které potřebuje. Takže se to snadno používá naživo. Kolik presetů tedy naživo využije? -Zhruba okolo deseti. Dříve používal dvě banky a 4 presety ale ted' má asi 10 bank a 4 plné presety, které jdou po sobě: Dirty, Clean, D+ je Dirty a ještě je k němu přidaný Flanger a C+, což je Clean s Flangerem. Dále je tu extra Distortion a extra Boost, když mu přijde, že to dost netlačí. -Super, to byl Doug, díky za tvůj čas, moc si toho ceníme. -Díky, kluci, že jste přišli. Přijdete na koncert, ne? -Jo, jo. -To byste teda měli! Díky kluci, cením si toho...
Absolutely insane that Tom/his tech don't use cab sim technology. Now I understand why his guitar sounded horrible after he came back to blink. Wow. Guitar amp line out straight into load box and then into the board? That's rough.
I don't think he understood the question or didn't want to give away any secrets but yeah that explanation sucked balls. Mind you I don't know what their sound is like now, but this looks a shit pretentious rig....
I love Tom, but I hate how he just ruins the fuck out of the exterior. I get it doesn't affect to tone whatsoever, but just the thought that he sat down and started ripping the grill and beating and tearing the outside just makes me cringe.
Even though it somehow ruins the looks of his guitars and amplifiers and yes looks incredibly destructive. though it looks cool. But at least it's his rig,he can do nasty stuffs on his gear to add a little bit of visuals.
Guys i am really new to playing electric guitar and no nothing of how amp works. I recently am trying to purchase peavey studio pro 112 from one of my mates as i really liked how clean the sound is, i have been playing acoustic guitar for almost 19 years. Can someone reading this comment please guide me to know the basic of the amps and how to build a rig like this one?? Thanks.
Rest In Peace to the legend Doug :(
What happened to him?
@@jeff7764 he died :(
@@nickgames7120 thank you Captain Obvious
RIP Doug. Thank you for everything!!
Rest In Peace doug😢😔
Rest in Peace, Doug 😢
RIP THE GOAT. ❤️❤️
Tom Delonge has a really fun and exciting guitar tech. Most guitar techs are either rude or don't explain much. Like if you seen Green Day's rig rundown, Billie joes guitar tech was chewing his gum louder than a frickin gun
Mission-13 I saw that video it was so fucking annoying.
Keane Coquete I know right!!
Take a shot every time he’s rude or his gum chewing breaks the sound barrier
Watch that video and even after so many years Billie’s guitar tech just look uninterested and yeah the chewing gum thing just gets annoying. I say only Mike Dirnt’s bass tech look genuinely interested plus looks really friendly
Hahahaha yes ! I was looking for a gum comment 😂😂
RIP🖤 We also took a fair share of knowledge for equipment from this man in this single video, Thank you Doug🙏
His guitar tech is such a sociable and well spoken fellow. Seems like a cool dude
Crazy timing on this comment man, sadly Doug passed away not long after.
@@SamJLance I’m so bummed to hear that. I saw Tom’s Instagram post and it sounds like Doug was a great guy and friend to everyone.
@@ObiWanKenobi at least he’s having another happy landing in heaven 🙏🏼
@@magicD53 He's probably hanging out with Jerry,just talking abt Blink and his impact:)
THATS WHAT I CALLED GUITAR TECH!!!
Rest In Peace Doug and also Robert(Mark’s bass tech) truly one of the main MVPs of Blink-182’s live sound on stage
TY VOLE KONEČNĚ NĚKDO V ČESKÝ REPUBLICE KDO TOHLE DĚLÁ! Big Like!
RIP, Doug Reesh. 😢
It's crazy how much tech work is behind for such simple songs. Good songs though
RIP Doug :( ❤
i like the sound man. he seems nice. like santa clause. rock n roll santa clause... :D
lol
He's super nice, I met him after an AvA gig. I added him on Facebook and he wished me happy birthday on my birthday
Rest in peace Doug :'(
Rip legend
Rest in Peace Doug!
rest in peace doug :(
Za tohle Vás miluju! :)))
Wow amazing interview! What a nice guy the technician, and good interviewer also, asking the right questions!
He sounds fine now, but I miss the Mesas and strats :(
the mesa's were awesome, remember going to their show at wembley in 2004, couldn't hear for a week after
+Dylan Burton182 It did suit AVA. During WDNTW and I-Empire, Tom still used Mesa/Boogie and Marshall amps.
***** for the newer stuff but anything from I-Empire and WDNTW sounds weak with the vox/fender twins
Ryan Fears his current tone is fine in the studio, but live, not so much, partially because he doesn't mic his amps. And I think that his old setup blows the doors off his current one. And I don't understand why he didn't go back to his old setup with the Strats and Mesas and Marshalls when Blink got back together. Because, that setup fit Blink pretty well, and his setup with the Voxes and Fenders is more suitable for AVA
His guitar sounds like crap now since he runs straight to PA. He’s not getting the full tone of the AC 30 and because of that, and he is losing low end. Now it sounds like he is playing through a radio with a crappy mic the whole time. Some times so band that you can’t even hear the guitar.
Paráda, víc takových videí ! :-)
thanks for this!
thanks for asking about the mesa's. I miss the old days of the 2 channel triple rec and JCM 900 with his mesa cabinets. I wish he was back in the band and used his old rig for any songs from the pre break up era. I don’t care what he plays on new songs.
Vox is just better. That simple.
yeah i also preferred his old tone. not just the enema-toypaj, but also the self titled, all mesa and marshall blends.
Gerard Champagne oh.
Very informative video, thanks for the upload
Out of all the guitar tech driven rig rundowns, Doug is the most down to earth.
Rest In Peace to Doug
Velkej palec nahoru, tohle je paráda :)
I missed it when Tom’s guitar would feedback, and Tom actually knew how to control it. If you listen to them play I miss you around 2004, he would feedback his guitar with a flanger after the first verse and it would sound BADASS!
Evil Angel yes! I miss that, it kinda pittles out now when he’s not playing, it’s kinda weak
He can't do that anymore because he refuses to play anything but hollowbodies lol. It's so dumb. He traded all his functionality for feel and look
x a n a x he still got a lot of feedback with the hollow body with the mesas, watch anything from 03’-‘04’
x a n a x czcams.com/video/NHorok2W_2Q/video.html at 1:03-1:17
@@xander4644 thats nonsense. I have his hollow body. if anything that thing can feedback even more. he made a conscious choice to be lame. fucktionality. pff.
Rip to the legend
tom warms up his vocals?
Throughout the span of an entire tour maybe
@@talentedhack520 it sounds like he has never sung before
Prosím viac a viac rig rundowns! Váš kanál ste rozbehli úplne skvelým smerom v poslednej dobe :)
rip doug 😔
RIP DOUG❤️
Love seeing a fellow masonic brother sporting the square and compasses at an arena! We love you and we are proud of you Brother DeLonge! Greetings from an Ohio Mason!
amazing video
RIP Doug. What a cool guy.
I would love his Vox amp setting but those damn lights
I think if the sound right it will be exactly when blink182 play in las vegas, tom's best performance was there, that's my opinion
Is this in Prague ?
RIP Doug you are missed.
Doug is cool
RIP DOUG 🙏 🥺😞♥️
How is this AM Radio sound effect done?
What kind of effect is at the beginning of "Violence"?
The effect that he said makes the AM radio sound
I believe its just the settings on the AC30
@@woooyeahfunkytime4088 yes, he says its VoxAC30 (2x) clean signal + audioprocesor
2 years later woops lol but the Boss SD-1 mixed with the Full Drive Mosfet 2 through an AC30 can get those Violence tones!
RIP
Dougem seems like good company.
I fucking love this video
Thanks. now i know he uses alnico blue speakers
as a British biker, i love this guys shirt :L
Is that sourpatch kids in the end ?
Yeah, probably vodka soaked. haha.
S.M.I.B Brother 🤘🏼💯
RIP Doug
What kind vox ac30 are these?
Doug :) Haven't seen him in donks!
R.I.P Doug 😔
RIP Doug.
For the love of god turn the captions on
Dude was out of breath the entire interview... Damn...
bmxxxxxxxx well he’s setting up and talking, they have a timeline
My friend worked on the road for 10 years. Roadies have such an unhealthy lifestyle and a lot of them party harder than the band themselves. It's a side of the business no one talks about. After a tour ends the band gets to go home, but most road guys will go straight onto another tour. There is no break from the madness, mental and physical health issues are very common.
This guy just died. Rest his soul.
back when tom's guitar rig was cool...
Ugh I wanna learn how they designed or spray painted the amps to looked burned like that (as if he probably did actually burn them lol)
i would of like to see this on the dude ranch tour because i love that old chesire cat / dude ranch tone
I like the sound on "Dude Ranch" much more than "Buddha" or "Cheshire Cat" but he actually used and recorded the entire "Dude Ranch" album with his Gibson les Paul and on their album "Enema of The State" he recorded most if not all the songs with that same les Paul.
@@loganlight7758 yeah i know but thanks.
Cool
@@loganlight7758 now i have done a bit of research gibson gave tom the les pauls on the dude ranch tour
Dont ask why i replied
@@dygrizzly4221 back before Gibson went to shit
keby ste tak boli aj na metallice :/ ......... ale blink 182 je tiez mega a vidiet ich backstage a co pouzivaju noo krasa like :D
rip doug
Kde jste byli na podzim když v Lucerně hráli HIM??? :D za tohle video s Mikko Lindstromem bych vám líbal nohy :D každopádně konečně i tato móda dorazila do čech a za to vám patří obrovský dík!!!
***** 8.3. v Roxy bude možnost :)
chci Toma kytaru!!! :(
What’s with the Freemasons symbol?
he's one of them
He’s one. Some of his guitars have the logo taped on them. One of his old strats has Freemason logo inlays (the black strat with the white race stripes).
@ 2:26 'and what will happen' is you'll get an amprig that sounds like shit.. Getting the sound from an actual speaker is a big part of how an amplifier sounds. They could have gone with those 'iso-boxes' where they have a speaker miced up in a closed box so you won't have any bleed from anything at all and just get a nice isolated guitar sound... DI works for acoustics and maybe a blend signal for bass, dont hook up a bunch of legendary amps up to it to bypass the speakers on them. That would be like replacing an iconic member of a band or something
Raymon those palmer DI's have analog speaker simulation. Granted it doesn't sound as good as micing up the amp but it's a good solution to avoid problems with the guitar. Matt skiba doesn't even use real amps live. He uses as kemper, as does Mark.
his live sound is awesome check him out
there is a reason Blink's live shows have sounded like shit for over 10 years
Tom's stash of sour gummies
watch those sour patch kids be the edible gummies lol
I prefer Mesa Boogie + Fender
Tak jdem na to, než zase pustí nějakou sc*čku.
Ok, tak pojd'me na to!
Tom kombinuje tyto dva páry komb dvě Fender Twin komba a dva Vox AC30
Jsou písničky, třeba začátek Violence, které zní jakb staré AM rádio - jsou hodně zkreslené.
To hraje pouze na tyhle dva Voxy se speciálním efektem
Jinak jde většinou zkreslený i čistý zvuk ze všech čtyř najednou
Ale na začátku některých písní slyšíte jen 2 z nich...
Většina kytar jde přes tenhle G-Force v něm je spousta efektů, ale máme tu i tenhle Eddie Van Halen Flanger.
Takový ten vlnivý zvuk je z něj.
Dále je tu A/B box, takže mohou běžet obě vysílačky najednou.
Tom rád dělával to, že říznul do kytary, když jsem mu podával jinou, takže jsme nikdy neztratili signál.
Brnkne, já mu podam druhou a nikdy tam není hluché místo.
Není to složity rig, ale zní naprosto skvěle.
Toto jsou hlavní DI, a třeba když hraje na akustickou kytaru, jede to přes tohle.
Hlavní ale je, že poberou reproduktorový signál, takže před ně nemusíme dávat mikrofony.
Tím pádem nechytáme zvuk z pódia
-z činelů, basy atd.
Máme tak pěkný, čistý kytarový zvuk. Který jde rovnou do odposlechů a do lidí.
-Takže už nezvučíte aparaty mikrofonem?
-Vůbec ne, tohle se o to postará.
Protože, tady máš mikrofonní vstupy.
Tom tak má zřetelný zvuk pro sebe a stejně tak to jde i do lidí.
I když strčíš mikrofony dovnitř
Travis hraje tak nahlas, protoze je monstrum, že se tam ty činely stejně dostanou.
Kdyz se koukneš sem, to je jack, který by normálné vedl do repráků.
-Cím simulujete zvuk reproduktorů?
-Pořád mám věrohodný zvuk preampů, jenom to přes reproduktor nejde ven.
Ale pořád tam je ten pravý zvuk Voxe i Fendera, aniž by to řvalo ven.
Další věc je, že tyhle komba dáváme hodně nahlas,
takže by se dělo, že by zpíval, pak by popošel na stranu a zpěvové
mikrofony by nabraly všechen ten rámus.
-Jasně. Tom dřív hodne hrával na aparáty Mesa Boogie, je to tak?
-Anó na Mesa Boogie a Marshall.
-Proč uz je nepoužíváte?
Došlo k tomu, že když jsme natáčeli, začal se mu líbit zvuk těchto komb.
A Vox má tak pěkny zvuk.
Vzpomen třeba na Briana Maye z Queen -jeden z nejlepšich zvuků na světě.
Takže jsme začali používat tohle ve studiu a Tomovi to prostě sedlo.
Většinou jsme použili do Angels and Airwaves, ale pak to prošto i sem. Opravdu se mu ten zvuk líbí.
Samozřejmě nic proti Mese a Marshallu
stále jsme skvělí přátelé a vždycky je budeme k smrti milovat.
Ale můžeš si všimnout, že nová tvorba Blinků už není tak drsná a Mesa je prostě metal.
Máme je rádi.
Už zase..
Všechny jsou jako Gibson, akorát byly upravené přímo pro Toma,
takže mají jeden snímač, jeden potenciometr.
Velmi "hot" zvuk.
Ani bys nevěřil, jak s tím pracuje.
Trochu jsme si pohráli s designem, takže nějaký ten sprej a trochu pálení.
Jedna z mých nejoblíbenějších je tahle.
Má na sobě dost modřin a lepicí pásky, Tom se na ní podepsal tímhle symbolem.
Vždycky je trochu spálíme.
A znějí skvěle.
Akustiky tu nemáme ty ma většinou v šatně, aby se mohl rozehrát
před koncertem, rozezpívat se s nimi a tak.
Dříve jsme stavěli ještě druhou stage,
na které zahráli 3-4 písničky jen akusticky
věci, které nehráli roky jako třeba "Going away to college", "Dysentery Gary", "Dick lips"
všechny ty oblíbené skladby.
Zde je jeho pedalboard.
-Přepíná si zvuky sám, nebo to děláš za něj?
-Ne ne, přepíná si je sám.
Tohle je "Custom Audio Electronics" od jednoho z největších géniů v hudebním
průmyslu Boba Bradshawa.
Je v tom 36 bank a 4 presety pro každy z nich.
Nastaví se tedy jednotlivé songy -s tím souvisejí tato čísla na playlistu.
Každá písnička má své vlastní efekty jako Delay, Flanger, Chorus a tak.
On najde číslo daného songu a díki MIDI signálu tam má efekty, které potřebuje.
Takže se to snadno používá naživo.
Kolik presetů tedy naživo využije?
-Zhruba okolo deseti.
Dříve používal dvě banky a 4 presety
ale ted' má asi 10 bank a 4 plné presety, které jdou po sobě:
Dirty, Clean, D+ je Dirty a ještě je k němu přidaný Flanger a C+, což je Clean s Flangerem.
Dále je tu extra Distortion a extra Boost, když mu přijde, že to dost netlačí.
-Super, to byl Doug, díky za tvůj čas, moc si toho ceníme.
-Díky, kluci, že jste přišli. Přijdete na koncert, ne?
-Jo, jo.
-To byste teda měli! Díky kluci, cením si toho...
Absolutely insane that Tom/his tech don't use cab sim technology. Now I understand why his guitar sounded horrible after he came back to blink. Wow. Guitar amp line out straight into load box and then into the board? That's rough.
Totally agree. There is a reason no one else does it.
These auto-subtitles though xD
What on earth?
he doesn't sound like he knows what he's talking about lol.
2:25 , podle me to je ten problem proc uz nezni blink jak ma. :-/ Ty messabogie co mel predtim.. Nemluve o uplne ztisene kytare toho noveho..
When he said Dick Lips I lost it. When nice people say filthy things it always gives me a giggle.
skoda ze uz tom nrni v blinkoch
what did he say? haha
He didnt even show us which pedals he uses
He did...
@@starlord9956 which pedals did you see? i am not a pedel expert. thx michael
Soundman talking drivel. On that set up they're not getting any 'cab sound' unless the DI boxes are feeding a cab sim box.
I don't think he understood the question or didn't want to give away any secrets but yeah that explanation sucked balls. Mind you I don't know what their sound is like now, but this looks a shit pretentious rig....
Ha breathing hard
no le entendi :)
I love Tom, but I hate how he just ruins the fuck out of the exterior. I get it doesn't affect to tone whatsoever, but just the thought that he sat down and started ripping the grill and beating and tearing the outside just makes me cringe.
+Avery Brooks never thought of it like that but yea its like hes 12 thinking it looks cool
Even though it somehow ruins the looks of his guitars and amplifiers and yes looks incredibly destructive. though it looks cool. But at least it's his rig,he can do nasty stuffs on his gear to add a little bit of visuals.
20 years ago, there was just a clean/destortion pedal... no digital shit
Ok boomer
That dude is really out of shape...he’s gasping for air just talking regularly...
Guys i am really new to playing electric guitar and no nothing of how amp works. I recently am trying to purchase peavey studio pro 112 from one of my mates as i really liked how clean the sound is, i have been playing acoustic guitar for almost 19 years. Can someone reading this comment please guide me to know the basic of the amps and how to build a rig like this one?? Thanks.
RIP Doug
RIP Doug.
RIP Doug