Colossal Color Showdown S2 Ep.11 - Burnt Sienna | Comparing 12 Watercolor Brands
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- čas přidán 2. 05. 2021
- Welcome back to the Colossal Color Showdown, in this episode, we take a close look at Burnt Sienna, a strong red brown in terms of mass tone, price, opacity, lift and glaze.
Watch all the Colossal Color Showdown episodes: • Comparing 12 brands! C...
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Amazon US Affiliate: amzn.to/37FQYC9
Blick Affiliate: bit.ly/3sxPamL
Jackson's Affiliate: bit.ly/3bzFgd5
Colors tested in this episode:
+ Daniel Smith Burnt Sienna
Jacksons: bit.ly/3idgXUs Blick: bit.ly/2NnDDrb
+ Holbein Burnt Sienna
Jacksons: bit.ly/338TcGT Blick: bit.ly/3uAjfns
+ Schmincke Burnt Sienna
Jacksons: bit.ly/3m2RsYf Blick: bit.ly/2P8lsq1
+ Sennelier Burnt Sienna
Jacksons: bit.ly/3lZqh0A Blick: bit.ly/2Mk9qZu
+ Winsor & Newton Burnt Sienna
Jacksons: bit.ly/2DCFO54 Blick: bit.ly/3usn0Lk
+ QoR Burnt Sienna (Natural)
Jacksons: bit.ly/2FbHEdI Blick: bit.ly/3aJnaGn
+ M. Graham Burnt Sienna
Jacksons: bit.ly/3jVxuwJ Blick: bit.ly/3pMM2Bi
+ Roman Szmal Italian Burnt Sienna
Jacksons: bit.ly/326Fs01
+ Mission Gold Burnt Sienna
Jacksons: bit.ly/2DK8jOw Blick: bit.ly/2NNN0jE
+ Da Vinci Burnt Sienna
Jacksons: bit.ly/2R71Fok Blick: bit.ly/3qT7jLm
+ Old Holland Burnt Sienna
Jacksons: bit.ly/33hJ0vM Blick: bit.ly/3seb1zc
+ MaimeriBlue Burnt Sienna
Jacksons: bit.ly/35ooSL6 Blick: bit.ly/3qNvfj7
** Other Supplies I used **
+ Fabriano Academia Jackson's: bit.ly/3iYKgKc
+ Cadmium Yellow Light (Holbein)
Jackson's: bit.ly/2FA8blz Blick: bit.ly/3qSgFqI
+ Quinacridone Rose (Daniel Smith)
Jackson's: bit.ly/2H8NJc2 Blick: bit.ly/3kbyaQ8
+ Phthalo Blue Yellow Shade (Holbein)
Jackson's: bit.ly/3j5nQaa Blick: bit.ly/2ZGWDDn
+ Pro Arte Prolene Plus size 10 round brush
Jackson's tinyurl.com/y2vqcejh
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Oto Kano
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Jackson's, Amazon and Blick links are affiliate links in which a small percentage of the sale supports this channel without costing you any extra at all. Thank you so much for supporting this channel grow! - Jak na to + styl
Oh, I also really appreciated how you pointed out the yellow staining from the PY150 in the Mission Gold swatch. That is a PERFECT example of why a multi-pigment paint can sometimes be problematic. Much more accurate than just saying “multi-pigments mix muddy colors.” Well done!
Hello Oto - wow that example of the better watercolor paper is shocking. The difference is significant! I love your channel, your voice, your calm demeanor, and your honesty. I greatly appreciate that you are so generous with your time, energy, creativity, and experience! Also tickled that you crochet too! Hugs from New Orleans!
you probably dont give a shit but if you are bored like me atm you can watch all the new movies and series on instaflixxer. I've been watching with my brother for the last few days xD
@Kase Benton Yup, I have been using instaflixxer for since november myself :D
I gasped at the difference between the cheap and expensive papers! I didn’t expect them to be so different! Thank you for making all these amazing videos 🥰🥰
I expected a difference with papers but i really appreciate seeing it " in the flesh". Always looking for paper differences any more in that it seems to be the most important to the outcome ,,,beyond paints or brushes.
Those beginning swatch comparisons is a very good marker of why I recommend upgrading paper before anything else. Regardless of which hue you enjoy, they all look so much nicer. As for the burnt siennas, I use a lotttt of this color in wildlife paintings so here are a few of my thoughts. Mission Gold is pretty on its own but an abomination for mixing, and I don't like the textural properties of QoRs in actual paintings. I prefer PBr7s for this color slot on my palette (leaving PR101s to either the transparent oxide or opaque indian red-like colors, and I usually have two or all three on a palette). No matter how many I try, I have always gone back to Daniel Smith's softly granulating and pinkish-brown hue. That being said, I'm not sure what I'll be doing after I run out of my current tube given all the recent drama. Da Vinci's is the closest I've tried, so I'll probably move in that direction, though I have a few new versions on order (including one from Roman Szmal) to see if I can find another that is closer. Thanks so much for sharing this while I'm on this new quest, Oto!
What drama? I was just planning to purchase some DS colors and I'm out of the loop
@@trystiancronkwright8771 I think this is the drama: czcams.com/video/sm-mvIQ7rJE/video.html
@@trystiancronkwright8771 inaccurate lightfastness and Primatek controversy.
The best paint comparison videos on YT
Thank you Oto. I like the more transparent and orange color in my burnt sienna. That is why I haven't changed from the Cotman one. 😊💜
Transparent Red Iron Oxide is a transparent Earthy orange brown that is an affordable option offered by several high end paint brands. It's possible that it's the pigment used in cottman burnt sienna. Not sure about that though.
@@benspeeds I have that in a Rembrandt pallet. But Cotman is much cheaper and I really like it.
Winser & Newton, even though it’s actually a synthetic red iron oxide being PR101, is my favorite because it’s so transparent, I can glaze and layer it until I reach the actual mass-tone of the dried pigment in the pan. So deep dark and beautiful. The potential value of a pigment is measured by how dark the mass-tone looks when dry. For my real Burnt Sienna, I prefer Holbein. Love your videos and what you share Oto. Love ya!
Yay! Burnt Sienna! Not my favorite color but sure is nice for painting animals. I have Daniel Smith, Da Vinci , m Graham, and Mai Meri blu. Daniel Smith is my favorite because it’s a little pink. Now I’m interested to see how Qor does next week, it glazes so perfectly here! I’m eyeing that one, Thank you so much for doing the comparison!
I love seeing the swatches on both types of paper. The difference is astounding in the degree at which it shows so much more how different the paints are. I would love to see the same thing in future comparisons.
Really appreciate your time and effort you put into making these videos, Thanks ❤️
Perfect timing! Boy I needed this. I have plenty of them, but they're so very different (esp with mixing). Thank you!
i’ve painted extensively with Sennelier’s version and it was not granulating and was much lighter than DS’s. i remember feeling like DS’s burnt sienna felt almost like a burnt umber compared to the Sennelier’s burnt sienna i was using. maybe either Senn or DS or maybe both have changed their formulations since then. very interesting, thank you for sharing!
Thanks so much for making this series!
I'm only now getting into comparing paint brands, and this was eye-opening! You're doing some amazing science!
Yay! I've been waiting for this one! Thank you. :-)
Your videos are the absolute BEST comparison ones on CZcams. Subscribed! 😁😁Thank you for taking the time to do this for our benefit. I'm a big W&N fan, but their earth tones are not up to par. However, I find I can mix a wonderful burnt sienna with Venetian Red and Cadmium Yellow. It's opaque, but perfect for my style of working.
It's so striking to see the colors on the "good" paper!! The MGraham is GORGEOUS. I also really really love Holbein's :D
This has to be perfect timing. I have a mummy red bauxite by roman szmal that I love but want a tube version of bt sienna for skin tones and a travel palette. My love of granulation makes Sennelier so appealing. But granulating skintones is not my jam so maybe qor instead. Looking forward to next week to see rests of the tests!
Love these Color comparisons 💖 Thanks
when i saw the notification for this video i said "YESSS" out loud :D i love this channel so much and i love all the content you make
(also i don't know if you can get the mission gold burnt sienna #2 in open stock like you can with its yellow ochre, but it's in the pure pigment set!)
i was just looking for getting some replacement burnt sienna for my w&n palette, since i wanted a color made with actual pbr7 and i wasnt sure which one i should buy, so your video will be definitely useful lol, thanks for the help💘
I use both DS and Holbein Burnt Sienna. With Ultramarine I can mix greys/browns very easy. The DS makes more purple mixes, the Holbein more green mixes.
great video!! might be an unpopular opinion, but between old holland and maimeri blue I think Rembrandt deserved their places lol
I want these Burnt Sienna paints they're really beautiful! I love all of your color comparison charts of all your swatches now I know what to buy for myself. I am an illustrator and it's pleases me to see you swatch these colors and compare and speak about it.
Good timing! I'm looking for a replacement for the Schmincke Burnt Sienna at the moment. I thought of buying a small tube to try one of them out. I think the next episode would be helpful to choose one.
Yay! I’ve been watching out for this burnt sienna episode. Thanks, Oto! Based on these specs, the Daniel Smith one looks most enticing to me, followed by Qor, and Roman Szmal (granulation junkie, here). I already have Quin Burnt Orange (PO48) for my orangiest (not a real word) needs.
From Schmincke, I also really like the Transparent Sienna. It's a single pigment (PR101) and feels less muddy than their traditional Burnt Sienna to me.
Great video...very helpful. Thank you
I was not prepared for the huge color difference based on the better paper. Some of the brands I wasn't interested in look great on the better paper.
Very helpful. Thanks!
The Burnt Sienna swatches made me think of nougat bars.
The Qor is so beautiful.
Thank you! 😊
While the whole pigment party in the mission gold one makes it kind of undesirable , that hue looks gorgeous!
for Mijello burnt sienna, i read somewhere someone try to mix it with ultramarine blue to get grey color, it turned greenish grey instead, py150 in it must be the culprit. my Mijello burnt sienna no.2 is made from pr102. Mijello also has another burnt sienna, named as "dark burnt sienna" that use pbr7.
In my opinion burnt sienna should be made of PBR7, not PR 101, let alone those bizarre multi pigment mixes (three pigments MissionGold, to mix a color for which a perfectly fine cheap pigment is available. Really?). I really dislike the lack of consistency in naming colors between brands.
This is a color that goes in and out of my pallet
Could please make a video on Mars violet? I couldn’t find anyone who made a comparison between brands🤧🥲
I love to come back to these swatches, when I am looking for something special. If and what to add to a small essential selection to a set of a special brands for a specific purpose, like expressionist florals and such. Still, then I stuck and look up all the colours usually included in a starter 12 p. set or similar sets. The more I watch these, the more I am a bit sorry, that the rembrandt talens are not included. because my baisc set in general use, consists to 2/3 of schmincke h. and 1/3 rembrandt. and I must say, I like the few rembrandts I have. I would like to see them th
As always great content. I was wondering if you would do a video commentary about the Daniel Smith controversy regarding the Primatek paints. You seem to be very informed about the chemical component of things and the process. I think many of your viewers would love to hear your take on this.
Do you get the Maimeri watercolors on Jackson's? I am shocked to hear you always have issues with them. I really love their paints and enjoy them so much, I buy them in Italy.
I think she mentioned she's been using pan versions? Not sure but the few tunes of maimeri paints I have are really nice. The Mars Brown is a particularly exciting color. Fantastic granulation with some color separation and resets like a dream.
@@benspeeds I have pans of Maimeri Blu and tubes of Maimeri Venezia, and I love them all.
the burnt sienna by schmincke as mixing colour with other easy to lift colours, is actually not that staning. very easy to use actually. I hardly use it pure, and I don't remember, I ever had to lift it. that is maybe, why I find them to be easy going. actually great to use and I love it in mixes to create grays. they always come out lovely. I remember, the first time I watched this, I was a bit irritated, that I made a good decision, having baught that. because you also made the note, it is harder to rewet. and it is true, but not 'that' hard. and now, that I worked with it for a year, I can say, I don't pay much attention. because I learned to handl the different textures or different paints. the moment, something is a tiny bit stiffer, I eiter wait a few seconds or use a different brush. but It may be worth mentioning - if a paint is hard to re-wet or use. because I struggle sometimes with some special transparent paints, that tend to seperate. when I have to stir them with a needle in the tube, so the binder doesn't run out. these - I find sometimes hard to mix up smoothly. alternatives for those, I would take anytime :-)
I'm pretty sure Mahogany Brown isn't in any of the Schminke Super granulating paints. PBr 6 Mars brown and PBr 33 Mahogany Brown are the browns used in the Schminke Super granulating colors.
Why did you only write the bad paper and not the better paper (better as in wc looks better on it) in list? 🤯 I googled, i assume you are saying saunders Waterford? But which paper is it?
The thumbnail look so caramelly yummy...
The performance of the paint was obviously affected by the poor quality paper. You can't expect to test colors accurately without giving them something they can work with properly.