Manitas de Plata, 1963: Malagueñas Flamencas - Recorded at Arles, France, October 1963
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- čas přidán 26. 08. 2024
- Manitas De Plata performs Malagueñas Flamencas. This is one of the first US recordings ever made of Manitas De Plata -- October 1963, in Arles, France, produced by E. Alan Silver of the Connoisseur Society (the recording engineer was David B. Jones). It was initially released as an LP ("Manitas de Plata aux Saintes Maries de la Mer") on the Philips and Connoisseur Society labels.
Se llama malagueñas a un palo del flamenco que es tradicional de Málaga; de ahí su nombre. Procede de los antiguos fandangos malagueños. Se convierte en estilo flamenco en la primera mitad del s. XIX. Este cante no tiene baile propio, pero tiene un gran registro melódico. Se acompaña con la guitarra por arriba, y es un cante ad líbitum.
La malagueña est un rythme ternaire traditionnel espagnol et particulièrement de Malaga. Elle a été créée à partir d'une danse accompagnée de chants au XIXe siècle.
A malaguenha é um canto e uma dança típicos da região espanhola da Andaluzia (em especial na área de Málaga), enraizador no canto flamenco (flamengo). Não possui uma estrutura determinada, e requer da parte do cantor uma imaginação e expressividade muito pessoais. É acompanhada de violão e castanholas, chama-se resgueda ou punteada, conforme o acompanhamento de violão; engloba-se na designação genérica de fandango, que abrange a rondenha, a granadina e a murciana.
Malagueña je španski izraz za žensko, ki živi v španskem pristaniškem mestu Málaga v provinci Andaluzija. Dejansko je malagueña ženska oblika pridevnika malagueño/malagueña, ki se nanaša na samostalnik Málaga.
Малагенья (исп. Malagueñas) один из традиционных стилей фламенко, вышедший из раннего фанданго района Малага, песня имеет восточные корни. Народная по происхождению, малагенья стала стилем фламенко в XIX веке. Песенная мелодия обычно не используется для танцев в связи с тем, что не имеет четкого постоянного ритмического рисунка, ее относят к типу «свободных песен» (cante libre). Однако малагенья славится богатой мелодией с использованием микротонов. Первоначально гитара использовалась совместно с другими музыкальными инструментами как часть народных малагских мелодий фанданго. В то время функции гитары заключались лишь в создании ритма мелодии и ограничивались использованием одной техники, называемой «abandolao». В процессе эволюции этого музыкального стиля, темп Малагеньи замедлился и гитаристы получили возможность включать в свою игру короткие сольные проигрыши и другие музыкальные приемы. Революция в гитарном исполнении Малагеньи пришла вместе с трансформацией последней в тип «свободная песня»: виртуозы фламенко, как Рамон Монтойя, начали применять в мелодии Малагеньи классические техники гитарной игры (напр. арпеджио, звукоряд, тремоло) и обогатили ее более разнообразным положением аккордов. Они также начали вводить в промежутки между куплетами короткие гитарные соло, названные фальсеты, следуя за песнями других стилей фламенко.
"David Hertzberg"
Un genio
The legendary maestro and bible of flamenco guitar
Apparently he could neither read nor write and some say he was self-taught. Nonetheless a genius.
This man has the fingers of an an angel. I have been following him since 1963
should have mentioned that I was 8 years old when I first fell in love with his guitar playing
the genius.....czcams.com/video/PCfSCRcr0Gc/video.html
je suis Agnès. Mon compagnon est en fin de vie à l hopital. je suis confinée chez moi. Je l entends au téléphone. Toute la détresse du monde dans la voix. Manitas est le seul à m apaiser par la musique. Je l ai toujours écouté dans les moments difficiles. Tu es mon réconfort.
What a talented way of playing his guitar sounding is unique....I simply love it
We're just truly thankfull for these timeless recordings. Thanks very much!
freddy villalba - Escuché por primera vez a Hector Bayardo hace casi medio siglo. Me entusiasmó y me sigue inclinando hacia la buena guitarra española. El, junto con Paco "El Grande" y otros inrenunciables, constituyen la buena historia de la música hispánica. Gracias a este productor por volverme a mis tiempos mozos a través de esta excelente regeneración musical.
The best song ever played
Se las compro todas.
What a musician !
Thanks
Le plus grand , la technique au service de l’âme ..
The scintillating sound of guitar is really impressive!
Mon oncle était un ami de manita c'était vraiment un génie il est irremplaçable, ❤️❤️❤️❤️❤️❤️
Hi again David. The date I see eveywhere for the Arles recording is October 1963, but it wasn't the first time Manitas was recorded, since E. Alan Silver, in his recollection of the recording published with the Vanguard records, says that he discovered Manitas through recordings made by his friend and colleague sound engineer Marc Aubort, in Saintes Maries, as early as 1955. Aubort wanted to publish them and wrote to Manitas to obtain his authorization, but addressed his letters to "Mr Manitas de Plata, Saintes Maries de la Mer". They all were unresponded. No wonder! Manitas didn't live at Saintes Maries, and if even he had been known by the French post office, it would have been under his real name, Ricardo Baliardo. Whatever became of Aubort's tapes must remain a riddle and a quest for the Indiana Joneses of Flamenco guitar.
Images are unbelievable!
Thank you for sharing! My favorite guitarist!
Best rumba guitarist in the world, no doubt. But flamenco is quite a different thing, though both may sound alike to the common. Like diesel and gas engines: at first sight they're the same, but experts will tell you they have very little in common. Anyway, his music deserves to be enjoyed forever.
Le sublime !!
Merci !!
Du grand MANITAS tel qu'on le connaissait à cette époque...!
thank you very much for sharing. wonderfull !
Thank you very much...
I DIDNT KNOW IT IS POSSIBLE TO PLAY LIKE THIS ON GUITAR
MAGNIFIQUE MORCEAU DE MUSIQUE ....MERCI
Bravo ViVA MANITA..., Pékélé
é mto lindo e maravilhoso
Sublimo.Manitas.
dear david tahank you for sharing - extraordinary manittas de plata - silver hands - love it - goes to my pc for sure tks a lot. fantastic channel - you have given to me a real treasure of music this last 3 months. love yo too my sweet friend.
viva Manitas
c la guitare qui parle quel talent legendaire
I have the LP. Treasured.
touché par la grâce
Excellent guitarist no wonder they call him manitas de plata...
I have the LP collection of this!
Dear David , I listened this tape 50 years ago . Unfortunately I lost the tape but I am always in search of those pieces Manitas had recorded on it . Would you please please send all of the pieces on that tape . Especially that Malaguenia of Ernesto Lacouna .
He made the ultimate decision not to perform for 10 years in public after the death of Django Reinhardt (his musical guru), and than when he finally appeared he was awarded from above. The rest is history...
Excellence ritmo...
Olala,...SUBLIME...J'adore ! Merci pour ce partage. CLB
Die glänzenden Töne der Gitarre ist echt eindrucksvoll!
How many guitars is this man playing.... Que un Buen Musico!
R.i.p
bravo Ricardo
Brilliant!
Manitas de Plata, um francês clássico em recriar o flamengo.
The recording isn't as rich as we are used to now, but it's still wonderful to hear,
je me rapelles la premiere fois a la television ...
C’est un monstre
The guitar audio is clear and bright . This must have been a 1:1 dub from a copy of the master tape?
Por los compases y la improvisación esto suena como una "granaina" flamenca. De todos modos Manitas tenia algo especial en su toque, hacía estusiasmar a los auditores y asistentes.
Great performance!!!! Hugs Perla.
toufik merci pour la vidéo de ce grand guitariste au talent je dis légendaire
Oléé 🎵 Maestro 🎶
Il n'y a pas de fausse note..c'est parfait
suena granaina la malagueña no tiene ese sonio pero muy bonito !!!
This particular piece was published on E. Alan Silver's Connoisseur Society CS 263 "Manitas de Plata Flamenco Guitar" in 1963 and licensed to Philips in Europe. Philips issues included 840.581 PY, 849.474 BY, P 70361 L, all titled only "Manitas de Plata", see for instance www.ebay.fr/itm/MANITAS-De-PLATA-FR-Press-Philips-840-581-LP-/160824987757 or www.priceminister.com/offer/buy/59565577/De-Plata-Manitas-Manitas-De-Plata-Bulerias-De-Plata-33-Tours.html
The French Philips release titled "Aux Saintes Maries de la Mer" (an absurd title given that it was recorded in Arles, some 40 kilometers away), 844.539 PY, was the equivalent of Silver's Connoisseur CS 965 "Manitas de Plata Flamenco Guitar vol. 2", released in 1966.
Mais Ca c'est la musique du soleil, c'est la musique de la verite! Soyez attentif bordel de merde! Pas besoin de mots pour entendre ....
♫
This is a Granaina not Malagueña.
La ramira me tiene loco.
Umanità de Pllata faceva Cantare la chitarra!!
Also, I like Carlos Montona y Poco De Lucia
the genius.....czcams.com/video/tY4FeGejsp8/video.html
Nice, but why does he call it malagueñas? it is granaínas.
I'm sure he's mistaken. /s
His music needs no name, he plays for the soul.
eso es granaina de malagueña nada,Manitas ha tenido buenas cualidades lo que pasa es que metia una cosa con otra y la mezclaba lo que el escuchaba lo metia igual en un tema y lo mismo al final terminaba por rumba lo bueno de Manitas es que amo la guitarra española y el sentir español y transmitio lo nuestro LA GUITARRA ESPAÑOLA bravo Manitas
Alfonso Alegría
!!!
ecstasy better than sex the mind flies away into the mistery of life
What you don't want to understand is that he was playing on cat gut
PICASSO E' PICASSO RAFFAELLO E' RAFFAELLO raffaello non e' picasso e picasso non e raffaello pero tutti e due geniali. lo la stessa cosa per segovia e manitas a modo loro tutti genius come teodorakis,jobim.billie holiday.piaf. aznavour djiango. miles davis hendrix etc etc
!!!