How to make laminated linings for classical or flamenco guitars

Here in this video I show how to make laminated linings for your Spanish guitar. In this case I am using cypress but you can use pretty much any wood you wish using this method.
If you are interested on my courses here in Spain visit:
guitarmakingcourse.org
For my guitar making course on video format go to
onlineguitarmakingcourse.com

[@richardwilliams7768]

Dear Pablo, I find your videos very enjoyable to watch. The guitar you made for me in 2009 is still with me and sounding fabulous.
Best wishes from London.

[@redkitekk]

Hi Richard, thank you for your message, it’s great to hear that you are still enjoying your guitar. I hope you are well. All the best.

[@hoytbasses]

You produce the best videos for building classical guitars. Thank you. I have built many, many steel string guitars, but am starting to build classicals, and your videos really clarify some steps that are different in classical building.

[@andrewmundenandcadfellmast4624]

Great instructional video - thanks very much Pablo 👍🏼

[@jpb5385]

Awesome! Thank you!

[@adrianogomes1871]

Great instructional video

[@christophd8531]

Thank you for sharing your method.

[@scottreeves1226]

Thank you!

[@barrychristian4050]

Good to see another video from you it's been a while, your method is very similar to that used by driftwood guitars (worth checking out they're channel) although they use a vac bag for the glue up. Watching you use the old seat belt I was thinking a ratchet strap maybe a good alternative if someone couldn't source a belt. Thanks for another great video 👍

[@walterrider9600]

thank you Pablo

[@uv357raz]

I have a question dear Pablo .. I have a gerundino flamenco guitar and my problem is the saddle at the bridge seems to be stock and is hard to get out .. I wanted to take it out and put another one slightly lower in height .. do you have any suggestions as to how I can get it out without damaging the guitar?

[@mandrak049]

Thanks Pablo. I use to laminate linings for my guitars. Usualy I use mahogany veneers (0,5 mm) so they are laminated from 9 strips and no need to bend them - I just glue them together in the mold (negative and poostitive). I use them both for the back and the top. What is your "philosophy" to use them only on the back side? Thanks.

[@redkitekk]

Thanks for your comment.
I use linings only for the back. For the front I prefer individual blocks, peones.

[@mjrami]

Maestro, que usted piensa de los precios tan altos de algunas guitarra classicas hechas por luthiers como Stephen O'Connor, Smallman para mencionar algunos

[@redkitekk]

Que puedo decir…. Si venden a esos precios es porque hay gente que lo paga. Ahora bien, es una Smallman mejor que otra guitarra de 7,8 o 9 mill euros, o dólares, no necesariamente pero las cosas tienen el valor que le dan las personas.

[@mjrami]

@@redkitekk gracias Maestro por la contestación

[@JoseRamos-zy4od]

Todo muy bien ,en español mucho mejor.

[@bbb12228]

Put a ratchet on the belt

[@bbb12228]

Love the idea !

[@redkitekk]

For a belt this wide I would need a very big ratchet. I prefer this tensioner.