Where the Truth Lies: The Art of Qiu Ying // Exhibition Highlights

Few artists in Chinese history have proven as enigmatic as the great Ming dynasty painter Qiu Ying (c. 1494-c. 1552), whose life and art reveal a series of paradoxes. Though one of the most famous artists of the Ming period, almost nothing is known about his life. He is said to have been illiterate, yet surviving evidence demonstrates elegant writing. He is said to have had few followers, yet he was the most copied painter in Chinese history. In addition to masterworks by Qiu Ying, the exhibition includes works by his predecessors and teachers, his daughter Qiu Zhu, and followers from the early 16th through the mid-20th century.
In this video Stephen Little, LACMA’s Florence and Harry Sloan Curator of Chinese Art, shares highlights from the first exhibition on Qiu Ying ever organized outside of Asia.
00:00 Introduction
01:54 Artwork "The Emperor Guangwu Fording a River"
03:35 Artwork "Mahaprajapati Nursing the Infant Buddha"
05:21 Artwork "Harp Player in a Pavilion"
06:40 Famous copies of Qiu Ying's artwork
07:02 Artist Zhang Daqian copies Qiu Ying
Learn more about the exhibition at:
www.lacma.org/art/exhibition/...
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Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of nearly 140,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.
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[@MotownDan]

Thank you for your informative and passionate talk.

[@anatims9573]

So glad the LACMA made a video about this exhibition. Thank you.

[@dbadagna]

Congratulations on this wonderful and unprecedented achievement.
One question about Chinese silk painting about which I have long wondered: many silk paintings dating to the Song or Yuan dynasties are very yellowed, sometimes even with the backgrounds being a golden-brown in color. When the silk was new (before the painter painted on it), would it have been pure white, off-white, light yellow, or some other color, and did the painter apply a base coat of some neutral color before executing his/her painting?

[@andrecardoso7825]

Tks from Brazil ❣️

[@user-mw1du8bs9o]

Chinese here

[@XX-gy7ue]

IT'S ' BC ' OR ' AD ' ANY OTHER CHOICE IS AN ACT OF BIGOTRY , AND HISTORICALLY INCORRECT !