I am incridible estonished to hear rubatos, accelerandos, ritardandos never written by the composer and I did't know that Poulenc was a romantic composer ....
Captivating and pristine performance. The two pianists exert the power of dynamism at the introduction. The orchestra and the soloists display the intricacy of the Concerto in symmetry and contrasts. The intensity and technicalities of the Concerto for two pianos underpinned this brilliant rendition.
True the red dress performer is overly theatrical for me (as another mentioned), but this is after all a performance. The two play beautifully together and their expressions show a love for music and each other (sisters). The energy and humor of Poulenc are well demonstrated here - making this quite enjoyable. Poulenc was not Debussy or Faure, but his own unique style which you get a good taste of here.
Every performer and performance has its fans. But for comparisson I would recommend to listen to the brothers Arthur en Lucas Jussen. They're control and articulation of the pièce is awesome. The pièce fits them as a glove. They enjoy themselves visibly and that resonates in the music. If you want to be taken for a ride, listen to their performance
Quelle belle interprétation !... Mais faut-il vraiment courir aussi vite sur le clavier ?? Est-ce pour rivaliser avec Mme Argerich ? L'enthousiasme de Francis Poulenc et Jacques Février est plus mesuré...🤔
Sorry, I'm not buying this performance. There is way too much self-indulgent rubato, rushing, foot stamping, hair tossing, face making, etc. If the performance were immaculate, I'd ignore all that, but it simply isn't. An example of that is the sloppy start of the third movement - admittedly hard to coordinate, but it can be done, and these two have been playing long enough to know how.
One of the best version by Labeque sisters. Bravo !
I am incridible estonished to hear rubatos, accelerandos, ritardandos never written by the composer and I did't know that Poulenc was a romantic composer ....
Captivating and pristine performance. The two pianists exert the power of dynamism at the introduction. The orchestra and the soloists display the intricacy of the Concerto in symmetry and contrasts. The intensity and technicalities of the Concerto for two pianos underpinned this brilliant rendition.
True the red dress performer is overly theatrical for me (as another mentioned), but this is after all a performance.
The two play beautifully together and their expressions show a love for music and each other (sisters). The energy and humor of Poulenc are well demonstrated here - making this quite enjoyable.
Poulenc was not Debussy or Faure, but his own unique style which you get a good taste of here.
I love this music
Son fabulosas, les he seguido los pasos desde hace muchos años. Son igual de perfectas. Felicidades.
I love the part right after the Beethoven/Tchaikovsky quote at 4:00 those thrills. And the part at 5:50 is just magical.
洋阿相
この20世紀の傑作協奏曲集には絶対欠かせないプーランクの協奏曲。中でもこの2台ピアノの為の協奏曲でしょう。コンサートでは殆ど聴く機会がないのですがもっと多くの人々に聴いていただきたいものです。特にこのラベック姉妹の動画は最高の傑作です。私も放送録音では聞いた経験があり大変印象に残った演奏でしたが、まさかネットでこの動画に出会おうとは思いもよらないことでありました。秀でたピアノテクニックと艶やかな美貌に恵まれた彼女らの動画は軽妙洒脱な傑作をより惹き立たせるものとなっております。
Istrionismo allo stato puro!!!!!!
In che senso????????
Hoy es piano. 🇮🇷🎶🎶💯. ❤️❤️
J’adorerai vous écouter en Jazz 🥰
J'aurai aimé connaître le nom de l'orchestre, et du chef, merci.
洋阿相
プーランクの才気あふれる名協奏曲の類まれなる名演の動画です。マルタ・アルゲリッチの名録音もUPされておりますが、残念ながら動画ではありません。この動画のバック・プレーヤーについての記述がないのですがラヴェック姉妹の熱演によく答えていて素晴らしい感動を生み出しております。第二楽章のガムラン音楽に触発されたというミステリアスな雰囲気がとてもよく表現されております。第三楽章のモーツアルトへのオマージュのような作風も大変興味を惹きます。終楽章はプーランク的作品の典型。あふれ出る楽想がまるで走馬灯のように通り過ぎウイットに富んだエッセイを読んだような爽やかな後味を残す名楽章だと思います。
👍
More than 10 thousand views. Only 132 likes. Something's wrong.
Bien joué
Every performer and performance has its fans. But for comparisson I would recommend to listen to the brothers Arthur en Lucas Jussen. They're control and articulation of the pièce is awesome. The pièce fits them as a glove. They enjoy themselves visibly and that resonates in the music. If you want to be taken for a ride, listen to their performance
Пуленк - французский Кабалевский. Кабалевский - советский Пуленк. Увлекают.
Found these players by accident
🐎
A 2 pianos.
Nice . Ma perché così veloce il primo tempo . Nn si capisce nulla
perche' e' esattemente cosi che il pezzo e' stato composto....
@@francescoelia.marino nella versione dal vivo di poulenc nn è così veloce
@@goldberg72 sono 144 bpm e’ abbastanza veloce - questa è la mia preferita czcams.com/video/AOON1VpQ5MQ/video.html
Quelle belle interprétation !... Mais faut-il vraiment courir aussi vite sur le clavier ?? Est-ce pour rivaliser avec Mme Argerich ? L'enthousiasme de Francis Poulenc et Jacques Février est plus mesuré...🤔
Nursery crimes
Sorry, I'm not buying this performance. There is way too much self-indulgent rubato, rushing, foot stamping, hair tossing, face making, etc. If the performance were immaculate, I'd ignore all that, but it simply isn't. An example of that is the sloppy start of the third movement - admittedly hard to coordinate, but it can be done, and these two have been playing long enough to know how.