Oh my god, that cadenza in the 2nd movement... Can't stop hearing it. It is as the most beautiful cadenza Ive ever heard for the concerto. Brava Martha, bravissima...
I must say I really put Mozart as THE greatest composer of piano concertos of the period. However - this work is simply superb. A work of a master, the slow movement is especially breathtaking as wonderfully perfomed by Argerich
@@loganfruchtman953 Absolutely incorrect and misleading. 1. This concerto (c.1780) was written before Mozart and Haydn met (c.1783). 2. Haydn before they met, knew next to nothing about Mozart nor his music. 3. Apart from CPE Bach, Haydn was ‘influenced’ by virtually nobody. 4. Et cetera.
Que feeling tan único y asombroso le da Martha a este concierto de Haydn. En el rondó su interpretación es fuera de serie en virtuosidad. He escuchado este concierto en versiones con otros muy buenos intérpretes pero como Martha no hay una que se parezca. Bravo Martha !!!
Pletnev The Brighter piano sound! Pletnev stronger vital rhythmic vitalness! Grigory Sokolov With The cotton candy tone! Sokolov played like White yellow gas risen from The piano! THE REAL SHOCKER by Sokolov!! IT was a live concert!!
The orchestra can't really match MA's verve (not that it's their fault)...wonder what this could have been had she been accompanied by a more daring ensemble (I'm thinking specifically of the fire-breathing Berliners, although by 1993 their Klang had definitely been weakened by Abbado...but Levine was still coaxing Karajan-worthy performances out of them in the late 80's- early 90's so who knows?)...there are some moments where I don't think they're answering her with the same depth and intensity in the outer movements. Not their fault so much as an impossible challenge to keep pace with an artist who was blazing and with such spontaneity too. Still, a brilliant performance. More of a statement of how transcendent and powerful Martha Argerich could be than an indictment of the Wurttembergers, who play sweetly and with tight ensemble. She just sets this concerto aflame - wow. And credit where it's due: the JF and the Wurttembergers DO manage to match Martha for tone, subtlety and intense feeling in the heavenly adagio. Magnifique! And the Adagio, with the wonderful Landowska cadenza...a thing of rare beauty. Kudos to DG for the sound here - they nailed it. Great resonance and detail on that Steinway. Again - WOW! Definitely not another Haydn Great D Major out there like this one. And love how little Martha seems to care for "period practice" - she's just out to do glory and honor to this immortal music and she succeeds. In art, can there be a higher purpose?
Regale, appassionata , secondo le indicazioni, suggerisce al contempo personalizzando l'anelito alla sublimazione, nonostante l'accattivante legatura tra abbellimenti e ripresa. Conoscenza approfondita dello sparito ed esecuzione mnemonica quasi senza conoscenza di note. Mai troppo fuoco nella scelta mozartiana del tocco.
Oh my god, that cadenza in the 2nd movement...
Can't stop hearing it.
It is as the most beautiful cadenza Ive ever heard for the concerto. Brava Martha, bravissima...
First time I've heard that Landowska cadenza. It IS special.
Haydn is a great composer...second to almost none! Have loved his music for the last 40 years!
Brava Marha!! Rigurosa, emotiva, genial. Me pongo de pie.
Joseph Haydn:D-dúr Zongoraverseny
1.Vivace 00:00
2.Un poco adagio (Kadencia:Wanda Landowska) 07:28
3.Rondo all’Ungherese. Allegro assai 14:50
Martha Argerich-zongora
Württemberg Heilbronn Kamarazenekar
Vezényel:Jörg Faerber
Unique work of Hydn especially with Argerich.
I must say I really put Mozart as THE greatest composer of piano concertos of the period. However - this work is simply superb.
A work of a master, the slow movement is especially breathtaking as wonderfully perfomed by Argerich
This is an example of where Haydn was influenced by Mozart
@@loganfruchtman953
Absolutely incorrect and misleading.
1. This concerto (c.1780) was written before Mozart and Haydn met (c.1783).
2. Haydn before they met, knew next to nothing about Mozart nor his music.
3. Apart from CPE Bach, Haydn was ‘influenced’ by virtually nobody.
4. Et cetera.
Haydn's best
Beauty beyond words. Another great selection, Mr. Carvalho. Thank you!
Thank you, Karen. Hope all is well with you.
One can accidentally ascend by simply listening to this marvellous performance😳✨
Immense plaisir de l'ouïe et de l'émotion d'une musique qui coule comme un fleuve.Mais le réveil est difficile à chaque publicité.
what a sublime cadenza in the 2nd movement !!
Really! Anyone knows by whom is it composed? Armonically it is very recent.
The cadenza was composed by Wanda Landowska (1879-1959). It’s indicated in the info about the recording...
Que feeling tan único y asombroso le da Martha a este concierto de Haydn. En el rondó su interpretación es fuera de serie en virtuosidad. He escuchado este concierto en versiones con otros muy buenos intérpretes pero como Martha no hay una que se parezca. Bravo Martha !!!
Bellissima esecuzione !
MUY BELLA LA MUSICA DE HAYDN Y EXCELENTE COMO SIEMPRE MARTHA !
A moment in time. Thnx. !
Maybe she is the best... Wonderfull feeling and technique!
sublime
La mejor version..!!!
Pletnev The Brighter piano sound! Pletnev stronger vital rhythmic vitalness! Grigory Sokolov With The cotton candy tone! Sokolov played like White yellow gas risen from The piano! THE REAL SHOCKER by Sokolov!! IT was a live concert!!
Very nice, I enjoyed this a lot..
La meilleure ... et de loin !
HERMOSO Y TALENTOSA MARTHA, LA MAS GRANDE
beautiful
Wow!
hermoso
아름답다!^^
💖💖💖💖💖💖💖💖
Gleaming!
14:50
15:30
The orchestra can't really match MA's verve (not that it's their fault)...wonder what this could have been had she been accompanied by a more daring ensemble (I'm thinking specifically of the fire-breathing Berliners, although by 1993 their Klang had definitely been weakened by Abbado...but Levine was still coaxing Karajan-worthy performances out of them in the late 80's- early 90's so who knows?)...there are some moments where I don't think they're answering her with the same depth and intensity in the outer movements. Not their fault so much as an impossible challenge to keep pace with an artist who was blazing and with such spontaneity too.
Still, a brilliant performance. More of a statement of how transcendent and powerful Martha Argerich could be than an indictment of the Wurttembergers, who play sweetly and with tight ensemble. She just sets this concerto aflame - wow. And credit where it's due: the JF and the Wurttembergers DO manage to match Martha for tone, subtlety and intense feeling in the heavenly adagio. Magnifique!
And the Adagio, with the wonderful Landowska cadenza...a thing of rare beauty.
Kudos to DG for the sound here - they nailed it. Great resonance and detail on that Steinway. Again - WOW!
Definitely not another Haydn Great D Major out there like this one.
And love how little Martha seems to care for "period practice" - she's just out to do glory and honor to this immortal music and she succeeds.
In art, can there be a higher purpose?
Regale, appassionata , secondo le indicazioni, suggerisce al contempo personalizzando l'anelito alla sublimazione, nonostante l'accattivante legatura tra abbellimenti e ripresa. Conoscenza approfondita dello sparito ed esecuzione mnemonica quasi senza conoscenza di note. Mai troppo fuoco nella scelta mozartiana del tocco.
太神啦
Goot
Unreasonably fast tempo in Rondo