I would like to see a video on expanding past the first A section , expanding your piece into a B section to a C section maybe even a D section and back to the end of a full piece.
... And me.... It's great to see this highly useful content, but not many places do you get to see the development of the theme. Would bé really helpful as I suspect quite a few of us have difficulties with this
As someone else posted below, I would also really appreciate a video focusing on reverb and which reverbs (lengths and amounts) for different sections. Also, WHICH LIBRARY for the WOODWIND RUNS in this video? Game changer having pre-made runs!
Can you do a video on how to compose an action scene with suspenseful pauses in the middle? (Like test drive from httyd) I have trouble with the little "in betweens" in a song
Mare mega Marc, quantissim valor en a quests videos, no puc imaginar la qualitat d’estudiar amb tú i aprendre més de composicó. Lamentablement el dia té 24h i ara mateixa em dedique a tocar el violí de manera professional en orquestres i sempre viatjant, però m’agradaria profunditzar més en el teu món. Crec que seria de gran valor per a vosaltres poder interactuar amb un professional de corda per entendre millor sobre el funcionament de l’arc, el vibrato i les diferents possibilitats. Quan estiga en Espanya estaria encantat de quedar un dia o bé per videocridada. De totes maneres, quan torne pujaré més vídeos al meu canal de CZcams sobre diferents tècniques d’arc amb fins didactics.
Hi Mark, can you explain more about P.R.O music, copyright, and in general about registering songs when making a film, music for commercials, and things like that? thank you very much, and I really appreciate your work!
I was really hearing the French horns come in the second half to support the melody and lift it, but that's just me. Haha but wonderful stuff. I always suffer converting piano sketches to full orchestrations so this was a wonderful video.
Hello Marc, love your vids amd energy! If I could have a suggestion for another video, I would like to see your take on blending ethnic instruments including drums with an orchestra. Thanks! Take care
Dear Marc, as you asked for a good topic for next weeks video. Maybe this could be about reverb. From a small chamber to a big and huge one used in trailers. How to get the right reverb for the right topic, emotion, style. And also how to mix them properly without making it too cluttering and muddy. Keep it up! you are awesome!
Marc, as weird as it sounds could you do a video on how to properly use Marcatos? Also, what about layering spicatto under legato for libraries that may not have it included (I have a lot of OT libraries). I struggle to understand Marcatos in context of using them in a composition.
Hola Marc, estoy haciendo un template de orquesta y tengo una duda respecto a la reverb. Uso Altiverb7, que permite posicionar los altavoces en estéreo, ya sea de forma simétrica o individualmente, así como usar un solo altavoz (mono) y colocarlo donde quieras. Si hablamos por ejemplo del grupo de violines 1, ¿usarías 2 altavoces y los posicionarías un poco hacia la izquierda, o bien un sólo altavoz un poco a la izquierda? Gracias!
Hello, I would like to ask you for advice, currently I have the section berlin strings bundle, cinematic studio strings, pacific strings, spitfire chamber, only strings. My question is, would it be worth buying the view strings to make layers? I look for feeling and romanticism in the strings.
...and can you mention how you use the midi console you have in front of you... sometimes you use 2 sliders for note pitch but one is always lower than the other, and today you use three sliders... why? Thanks.
Will definitely do a more in depth video on that. In the meantime... this one may help :) czcams.com/video/jmRL0n_eKMY/video.html&ab_channel=MarcJovani-CinematicComposing
Some times. Some parts (ostinatos and things like this...)... But I don't quantize at a 100%... I usually quantize at 60% I don't generally quantize legatos and long notes...
How do you get the dynamics like that; I have seen it in so many videos; but don't know how. Example; I took my faders to assign them, but I assigned them to my playhead accidentally.... it's horrible. It's so horrible.
btw, I have for a DAW Logic Pro, and CSS. So, happy happy to see CSS here! Your strings sound so lovely! How do you work with the delay? Do you pre-set the delay before you start recording? (Especially the cello's...) or do you just let them naturally be a slight bit behind the piano, naturally, and touch nothing?
Hola Marc me gustaría mucho ver éste video y muchos más de los que haces, en español para entenderlo a cabalidad, hablas muy rápido!! y nos cuesta trabajo entenderte y el traductor es una porquería. ojalá y puedas atender a tu público hispanoparlante gracias y saludos
I would like to see a video on expanding past the first A section , expanding your piece into a B section to a C section maybe even a D section and back to the end of a full piece.
I was about to leave the same comment, but @shanebullard7995 put it more succinctly then I would have. Great job as always Marc.
yeah me too!
... And me.... It's great to see this highly useful content, but not many places do you get to see the development of the theme. Would bé really helpful as I suspect quite a few of us have difficulties with this
As someone else posted below, I would also really appreciate a video focusing on reverb and which reverbs (lengths and amounts) for different sections.
Also, WHICH LIBRARY for the WOODWIND RUNS in this video? Game changer having pre-made runs!
There aren't many videos about rhythm in orchestral music. How to use orchestra like rhytmic device, or how to use rhytm in background texture.
Can you do a video on how to compose an action scene with suspenseful pauses in the middle? (Like test drive from httyd)
I have trouble with the little "in betweens" in a song
Mare mega Marc, quantissim valor en a quests videos, no puc imaginar la qualitat d’estudiar amb tú i aprendre més de composicó. Lamentablement el dia té 24h i ara mateixa em dedique a tocar el violí de manera professional en orquestres i sempre viatjant, però m’agradaria profunditzar més en el teu món.
Crec que seria de gran valor per a vosaltres poder interactuar amb un professional de corda per entendre millor sobre el funcionament de l’arc, el vibrato i les diferents possibilitats.
Quan estiga en Espanya estaria encantat de quedar un dia o bé per videocridada. De totes maneres, quan torne pujaré més vídeos al meu canal de CZcams sobre diferents tècniques d’arc amb fins didactics.
Great Video Marc
Can you please do a Video on writing for just Strings and emphasizes on String Chord Voicing’s and Spacing
Hi Mark, can you explain more about P.R.O music, copyright, and in general about registering songs when making a film, music for commercials, and things like that? thank you very much, and I really appreciate your work!
Marc, you are awesome 👍. I don't know how to read music or know zero theory, but I can feel you musically. Very inspiring.
Sounds great. Thanks for the demo.
Nice work, Marc! I particularly found how you use the woodwinds insightful.
I was really hearing the French horns come in the second half to support the melody and lift it, but that's just me. Haha but wonderful stuff. I always suffer converting piano sketches to full orchestrations so this was a wonderful video.
THANK YOU SO MUCH FOR THESE VIDEOS!!!!!!
Hello Marc, love your vids amd energy! If I could have a suggestion for another video, I would like to see your take on blending ethnic instruments including drums with an orchestra. Thanks! Take care
Hola Marc gracias por toda la informacion, me gustaria ver mas sobre mezcla y acordes Para MIA y HIA.
Dear Marc, as you asked for a good topic for next weeks video. Maybe this could be about reverb. From a small chamber to a big and huge one used in trailers. How to get the right reverb for the right topic, emotion, style. And also how to mix them properly without making it too cluttering and muddy. Keep it up! you are awesome!
Marc, as weird as it sounds could you do a video on how to properly use Marcatos? Also, what about layering spicatto under legato for libraries that may not have it included (I have a lot of OT libraries). I struggle to understand Marcatos in context of using them in a composition.
cello was my absolute favorite instrument in that little song you made
More videos on rhythm please
More of this!!!!
hey marc! por favor un canal igual pero en español par favaaaar! jaja
Doing this style of video but with a horror/supernatural genre of scoring
Hey marc i want how add expression and dynamics without a controller
Hola Marc, estoy haciendo un template de orquesta y tengo una duda respecto a la reverb. Uso Altiverb7, que permite posicionar los altavoces en estéreo, ya sea de forma simétrica o individualmente, así como usar un solo altavoz (mono) y colocarlo donde quieras. Si hablamos por ejemplo del grupo de violines 1, ¿usarías 2 altavoces y los posicionarías un poco hacia la izquierda, o bien un sólo altavoz un poco a la izquierda? Gracias!
Hello, I would like to ask you for advice, currently I have the section berlin strings bundle, cinematic studio strings, pacific strings, spitfire chamber, only strings. My question is, would it be worth buying the view strings to make layers? I look for feeling and romanticism in the strings.
...and can you mention how you use the midi console you have in front of you... sometimes you use 2 sliders for note pitch but one is always lower than the other, and today you use three sliders... why? Thanks.
How about a video that covers software and hardware for beginner composers to start with?
Will definitely do a more in depth video on that. In the meantime... this one may help :)
czcams.com/video/jmRL0n_eKMY/video.html&ab_channel=MarcJovani-CinematicComposing
@@CinematicComposing Awesome. Thank you very much! Your videos are a great help and inspiration!
How do I finde the right chords for the feeling I want?
Does anyone know what piano VST he is using? It sounds really nice :)
Soundiron Emotional piano
Greetings from Brazil! I'd like to know where/how may I get this book/paper that you use as a reference for orchestration (????)
Is called SKETCH, from Chartwell Books. It's very useful...
Hi Marc. Thanks for your answer! A@@CinematicComposing
Do you quantise all the parts as you go, afterwards, or not at all?
Some times. Some parts (ostinatos and things like this...)... But I don't quantize at a 100%... I usually quantize at 60%
I don't generally quantize legatos and long notes...
How do you get the dynamics like that; I have seen it in so many videos; but don't know how. Example; I took my faders to assign them, but I assigned them to my playhead accidentally.... it's horrible. It's so horrible.
btw, I have for a DAW Logic Pro, and CSS. So, happy happy to see CSS here! Your strings sound so lovely! How do you work with the delay? Do you pre-set the delay before you start recording? (Especially the cello's...) or do you just let them naturally be a slight bit behind the piano, naturally, and touch nothing?
It sounds exactly like a soundtrack from Victoria 3
Hola Marc me gustaría mucho ver éste video y muchos más de los que haces, en español para entenderlo a cabalidad, hablas muy rápido!! y nos cuesta trabajo entenderte y el traductor es una porquería. ojalá y puedas atender a tu público hispanoparlante gracias y saludos
What did you use for the sub percussion?
I mean the sub boom
@@ferdmusic8 any cinematic boom will do. Lots of free sample packs online
@@TakeHit0 I know but I especially loved this one and I think that the modwheel feature is great
Marc, this freebe from teh description just do not work. I submited my credit card and receive nothing (the page shows 404 error) :/
Sorry about that Kamil 🙏🏼 We are working on it
@@CinematicComposing Great!
I’m sorry but that is not a good way to teach orchestration
It's a very good beginning.
I've just become a witness of LotR ost creation)))))