Synchron Brass Review by Anne-Kathrin Dern
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- čas přidán 2. 08. 2021
- Anne-Kathrin Dern shares her view of our new Synchron Brass with a great mockup she did for this video (Hymn to the Fallen - "Saving Private Ryan", by John Williams): www.vsl.co.at/Synchron_Brass
Check out what the new "Timbre Adjust" feature can do for your arrangements and see which aspects are most important for Anne-Kathrin in this brand-new product!
#vsl #synchron #brass #trombones #trumpets #horns #lowbrass
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Vienna Symphonic Library is one of the leading developers of orchestral sample libraries and award-winning music production software for all genres. For over 20 years, we've been recording high-quality samples of almost every instrument of the symphonic orchestra in the city of music, Vienna. Driven by our passion, we've built by far the largest sample database ever created by a single company. For our users worldwide, we continue to innovate and develop the most advanced virtual instruments. Our goal is to inspire artists and excite them to turn their musical ideas into reality.
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![VSL Synchron Brass [REVIEW]](http://i.ytimg.com/vi/zAXXrz7zwnE/mqdefault.jpg)
![VSL Synchron Brass [REVIEW]](/img/tr.png)
VSL is wise to have asked A-K D to promote their product. She has quickly established herself as one of the top virtual orchestra CZcams faces--and with good reason. Ms. Dern is top drawer talent.
Hi Anne-Kathrin, welcome to the worldwide VSL family!
You just sold me on it, Anne-Kathrin. Beautiful mock-up!
I am also very grateful for your videos on string, woodwinds and brass. How would you rate Synchron Brass vs the ones you mention in your brass video?
Awesome review Anne! Thanks for doing this
So cool that VSL teamed up with her.👍 Well done @Anne-Kathrin.
Synchron Brass is probably superior to others especially when writing for concert band. It sounds much more like the brass sections here in Austria. Super flexible product it seems.
I picked this up the day it came out and its really nice. Great Review!
Love your mockup. Finally something different!
Wonderful Composer & A Great library :):)
Thanks for such an informative review. I notice from the video that your negative delay setting for legatos is -60, would you be kind enough to share the settings you used for shorts and longs?
Sounding good. Are you planning on doing a review that covers more action-filled musical styles, making more use of shorts and so on?
That is a lovely piece that you wrote. It reminds me a bit of John Williams’ lovely score to The Patriot.
I did not write this piece. As mentioned in the description it's the brass part of "Hymn To The Fallen" from Saving Private Ryan.
I have the Vi Brass and still hesitate to switch but damn this sounds good
Very nice mock-up. Even so; versatility is one thing, actual sound quality something else. How would you compare this library to, say, Cinematic or CineBrass, in respect of sound quality?
Hard to find info on VSL vs these libraries. I get the feeling she isn't over the moon about it for her needs. It is hard to find fault with the sound ,available articulations and detail in the programming. However, the price of their products is tough to swallow vs the competition. I am trying to make a decision before black Friday
Thanks a lot for this review. I recently bought this beautiful product and now I have a better understanding of what "Timbre Adjust" actually does :) It's always a pleasure to work with VSL libraries because they have the highest quality standards I know - I have a ton of libs from other companies as well and there are almost always some problems with strange legato transitions, unclean programming etc. but that never occured to me in any of VSLs products.
Anne, thanks for your lovely and enlightening presentation of the new Synchron Brass. Sounds like another typical superb VSL product. Am getting my copy.
So is this going to be your main brass library now?
Library aside, I'm jealous of those perfectly matched computer monitors. I wish one of mine would kaput so I can excuse getting a matching pair.
I wonder what they are ....
@@mrcoog3k832 They are BenQ EW2750 - got them mainly for the gaming setting a few years back. I'm sure they are outdated now though.
@@AnneKathrinDernComposer Thank you for your reply! All the best!
Can someone explain or point me to more info about 'negative pre-delay'?
I explain this in my second template video on my channel in case you are interested.
@@AnneKathrinDernComposer Thank you! Makes sense. czcams.com/video/AznRiT9o1pM/video.html
I don't think this is a starter edition: is it?
You can buy their BBO versions, most of them are subsets of Synchron libraries. I have the Brass
To be clear, and explain easily, the Timbre adjust is just like a lip-pressure adjuster.
Or it's just like moving velocity a certain direction and volume in the opposite way...
It’s more like a filter that gets applied. You could do this manually by setting up an EQ and automating the different frequency bands but having it in a CC is much handier and simpler than that.
@@AnneKathrinDernComposer Yes, this description fits pretty well. To my knowledge the filters used are adjusted to each instrument/ensemble individually. - Ben
I wonder if every patch needs its own instance of the synchron player….!?🤔
Hi! The Synchron Player is designed to manage all your articulations for one instrument or section on one MIDI channel and in one instance.
However, a few composers prefer to work with separate articulations on separate MIDI channels, so you will need more Synchron Player instances for this workflow.
- Paul
@@ViennaSymphonicLibrary ok…. thanks for the info! „one instrument one instance“! Ok, git it! I have to try the demo first how much performance it needs… I am interested about the prime product! greetings from berlin germany
Floppy disk
Drink coaster.
you're looking quite lovely today Ann.