Listening to Bruckner, the passage of time is visible to me . There is time when I can see eternity. I am a wanderer through time, who is a lover of Bruckner’s symphonies
I agree with you OP-Bruckner’s symphonies have a way of evoking “the eternal,” tapping into the universe’s mysteries if not solving them. That’s why I love his symphonies too.
@@spoders92 Thankyou Your wonderful comment Bruckner’s symphies are a breath of air in our transiet life of less than100 years of so much hassle and annoyabces Japanese Rita of Spring begins 🍘🍡🥟🗼🍜🍥🍢🍙🍱🍚🎴⛩️🎋🎏🎎👘🎑🇯🇵 Tokyo is busling with Cherry Blossom in full bloom everywhere 🌸💮🌸💮🌸💮🌸💮🌸🌸🌸🌸🌸🌸👘👘👘👘👘👘👘🌸💮🌸💮🌸💮🌸 Someday Please come to Japan of Cherry Blossom in full bloom and is full of Brucknerian
Bruckner’s symphies, like widow blowing Cherry Blossom in full bloom, gentle touches everything in this transiet world with warm, religious, graceful and comfortable feelings
I will never be tired of listening to Bruckner‘s symphonies again and again. Whenever I listen to Bruckner`s symphonies, I feel Bruckner‘s aesthetics and greatness and universality From Tokyo of the Land of the Rising Sun 🇯🇵 🌼⛩️🎑🎴🌲🍂🍁🏵️💐🎀🍄🎏🗼🎍
Eschenbach and Kent Nagano are both masters of the 6th. The first movement is so difficult to hold together, with all of the sudden digressions along the way. Eschenbach and this young, talented orchestra manage to keep the main energy flowing all the way through, which is something even Karajan could not do. Watching this video, I was impressed with how important the role of the lead flute is, and how well she played her part. I have been listening to Bruckner's symphonies for more than fifty years and am now ready to call this one of my favorites, alongside the more complex 5th and the sublime 7th.
I must respectfully disagree! Young and talented orchestra… Of course, talented! Young? Maybe, with respect to some of the musicians playing the piece, but not the orchestra! This is celebrated Frankfurt Radio Symphony Orchestra, which the historical Alte Oper in Frankfurt is the home of. This powerful orchestra has always been one of the most important columns holding German symphonic music tradition with quite a number of celebrated music directors. And this very orchestra recorded all 11 symphonies by Anton Bruckner, yes, it is not a typo, eleven symphonies by Bruckner, along with complete symphonies by Gustav Mahler and Dmitri Shostakovich very successfully for the Japanese recording firm “Denon”, in early 1980s, under the direction of Eliahu Inbal, it was about 40 years ago, those recordings has kept being issues by other companies up until now. The important points with those recordings are: They include first ever, world premiere recordings of first versions of Bruckner’s 3rd (1873), 4th (1874), and 8th (1887) symphonies, all in Leopold Nowak Editions. Also, this orchestra were among the pioneers of recording complete performing versions of Bruckner’s 9th and Mahler’s 10th, again, under the direction of Eliahu Inbal. With such a rich history of tradition behind, this orchestra cannot be considered “young”. Thank you. 🤗
@@aysaraktimur2064 Sorry, I did not mean "young orchestra" in that sense, but was referring to the relative youth of the musicians playing in this performance.
This is a very controlled performance of this highly inventive work. Bruckner is not everyone's favourite and it takes patience and musical understanding to fully appreciate his music. I urge others to listen. There are rewards to be had.
14:49-14:41 When the principal hornist smiles - YES! So beautiful! I love that trade-off between 1st and 3rd. I'm totally going to smile there too when we perform this tomorrow!
If I'm not mistaken, it's fake recapitulation in Eb major fortissimo in 8:33 (letter M), onto pretend recapitulation in A major, triple-forte at 9:04 (letter N), and then finally the formal recapitulation beginning 20 bars later, piano with the woodwinds added, at 9:47. One of the most ingenious constructions of Bruckner's, festive with a twinkle in the eye. And then that coda, and then that slow movement...
5:45 such a quiet place with such beauiful melodies, so intense and quiet. it might be one of my favourite parts of this piece. Same thing with 8:07 but this grows into something incredibly grand in Brucknerian style. 13:29 start of climax 15:25 climax of first movement.
Also, dass man beim ersten großen Fortissimo-Einsatz Kirchengemäuer und Publikum statt dem Solopauker sieht, schmerzt schon sehr. Hiernach habe ich den Laptop weggestellt und nurnoch gehört. Eine fantastische Interpretation des Stücks.
I am a Japanese old boy`s Brucknerian. This solemn and majestic melody encourage ｍy tired mind , This stellar and paramount performance invites me into the wonderful world of comfort Thank-you very much to your excellent and powerful performance from Japan
There is a true Bruckner´s orchestral sound: Some soft beautiful theme coming from the woods, while doble basses turn into disharmony, and, suddenly, you´ll find yourself in the middle of a stormy (main) theme - with all brass climbing onto a -false- fermata . . . And all starts again with innocent variations . . . ! It is a challenge to listeners and - naturallly for interpreters and conductors of the best !
Totally agree. Klemperer invited me into this experience, and now I'm enjoying the excellence of other conductors by simply refusing to assume that there's only ever just one recording that is the "best".
That sustained conclusion is like nothing else. I still prefer the 8th and 9th’s 3rd movements just because of the grand scale they achieve, but this still manages something else entirely.
Presque d'accord avec vous quant au chef et au fantastique HR Frankfurter. Presque car, dû à l'acoustique très reverberante du lieu, j'eus préféré un tempo un brin plus lent. Mais ce n'est que mon avis, ou plutôt ma sensibilité.
Die Musik beginnt gerade! Da ich aber diese Interpretation schon zig male gehört habe, sage ich schon mal: Ein großartiger Christoph Eschenbach, der ein großartiges HR Sinfonie Orchester leitet! Ich denke besonders an das Horn und die Percussion! Viele Grüße Bernd.
Bruckner hat es schon drauf gehabt. Diese Musik kommt natürlich erst live zur vollen Entfaltung. und hier 15:47 deutet er so nebenbei das "star Wars Thema" an. heute wäre er wahrscheinlich der meistgebuchte Filmkomponist Hollywoods.
The greatness of No,6 is unfathomable, immeasurable and beyond description, and is full of admiration , tribute and deep emotion, and is comfortable to the ear and the mind I will never be tired of listening to Bruckner's symphonies again and again
This is a great performance. I once saw Karajan conduct Bruckner's 5th in the 1980s which was magisterial and this is as good if not better. Eshenbach has a powerful but restrained conducting technique that can be so subtle. The church is the ideal venue for Bruckner.Lucky audience.
Wonderful and most appropriate rallentando by Maestro Eschenbach starting at 1:00:01 for the surprise return of the first movement's first theme at the end the Finale, now radiant in a glorious and majestic A Major. Bravo!
The 6th is my personal favorite !! The most inventive, personal and surprising. Of course it doesn't mean i dislike its more famous sisters like 5, 7, 8, 9 :)
To me, this and the Third are the most immediately accessible and ingratiating of Bruckner's symphonies; I can't understand why the Sixth is considered by many to be atypical and inferior. It somehow seems more relaxed, less profound than, say, the Fourth or Seventh, but still full of life and meaning. The 'adagio' has the sweetest and loveliest of melodies, but then the whole score reflects some of Bruckner's finest inspirations. Conductor Eschenbach presents the music beautifully, as does the Orchestra. Sometimes I've found his view of a score to be somewhat turgid, but not here.
The heart of this symphony is the adagio ,and its every bit as profound as I can possibly imagine. Its also deeply..sensual..I think it indicates a strong sense of longing,unrequited love and unfulfilled existence. Its truly achingly beautiful and nostalgic music. It rips your chore apart. Yeah, Bruckner was a ROMANTIC!
In my opinion, the 6th's Scherzo and Finale are not as convincing as its first two movements which are wonderful. Despite some enchanting passages, the Scherzo seems like a dream of unrelated musical images passing by and the Finale is ever so disjointed with its jerking stops and starts. Bruckner's next symphony, the Seventh in E Major, balanced his inspiration out well among its four movements, as posterity's testimony to its popularity indicates. Alas, the 6th appears destined to always remain a select wine for certain devotees of the composer that included Leonard Bernstein, as it is one of only two Bruckner symphonies that he ever recorded.
There's a lineage that runs through this: A major is the key of Beethoven 7 and Mendelssohn's "Italian", and also of Reger's Sinfonietta, along with Franz Schmidt's First String Quartet, Third Symphony and Quintet for Clarinet, Strings and Piano (Left-Hand).
Tout est dans le sourire du 1er cor, cette symphonie est ma préférée, les musiciens sont parfaits, Eschenbach est complètement animé par l'œuvre, la prise de son est merveilleuse, juste ce qu'il faut de réverbération, ce qui est étonnant dans une grande église ! Je l'écoute en boucle sans me lasser... Merci !
The most underrated of Bruckner's masterpieces. And yet its his most original symphony. This with the 9th were the only two symphonies of Bruckner that another Bernstein loved and recorded. Some of the great film score composers for Blockbuster films . In the past Alfred Newman in the past . And the likes of John Williams would of or will tell you how much they are indebited to Bruckner. In this symphony it is fun to suss out some of these. I will give you two for a start . Then try and find some more and you will. The sonata form second movement's main theme is the main theme for Alfred Newman's " Song of Benadette" Nine minutes into the opening movement think of the main theme of Maurice Jarre's " Lawrence of Arabia" And carry on from there. The second movement is near heaven for me. BUT with the chorale coda of the first movement with more than thirty modulations we are into Bach territory. What does amuse me is that Hans Zimmer doesn't rate Bruckner. May I suggest to Mr Zimmer that his finest film score music Chevaliers De Sangreal from " The Da Vinci Code" has more than a resemblance to some of Bruckner's final notes he composed before dying without completing his 9th symphony. The minimalism before the coda we hear in the completed versions.
Моя первая из услышанных симфоний Брукнера (еще на пластинке, в исполнении Рождественского)... И потому, как первая любовь, незабываемая! Прекрасное исполнение, спасибо!
I counted 30 modulations in the chorale coda in the first movement and stopped counting . This has to be Bruckner's most original symphony and the inspiration for quite a few blockbuster movies. Including Lawrence of Arabia, The Big Country, The Song of Bernadette to name a few.The only disappointment in my opinion is the trouble Bruckner has in getting back to A major in the last movement finale. Bur not every finale coda can give you the goose pimples of say the 3rd, fifth or 8th.
For me the final coda of the 4th gives me the most goose pimples and simply makes my body shudder.( Inbal conducting the 4th with this great Frankfurt orchestra on You Tube) . By the way this performance of the 6th is terrific.
Une disposition très particulière de l'orchestre vu la singularité des lieux.... mais une très belle direction d'Eschenbach, qui semble ici très inspiré.
I wish that the engineers had set up a pair of M150's in wide A-B out in the free field (say, 14 feet above the first row of audience seating) and mixed that in with all their modern close-miked manipulation.
This performance is consistent to Eschenbach's rendering in his recording with London Philharmonic in 2010, and I like it a lot! There seems to be a minor glitch by the oboist in the coda of second movement (33:05). He added a grace note to the B flat on bar 158 (sounds like a blip of just one octave above, could be just fingering...). It would be negligible if it were other places, but not here, this is the last recall of the main theme, the final touch, specifically written for solo oboe.
There is nothing better than being able to listen to Bruckner‘s symphonies, especially No6, 7, 8, 9 God will be listening this work while smiling . This work and performance are incomparable and exquisite
Ich weiß nicht, wie es anderen damit geht, aber: Die Kamerafahrten durch die Kirche und über das Publikum empfinde ich als störend, genauso wie eine Orchesteransicht von schräg oben an der ein oder anderen Stelle auch schön wäre (statt Kamerafahrt z.B.). Besser geworden ist es (nicht ausnahmslos allerdings), dass tatsächlich die Musiker im Bild sind, die gerade auch etwas hörbares spielen.
Was, welche Teile oder welche Aspekte finden Sie denn langweilig? Und welche Aufnahme dieses Werks wäre denn eine ohne Langeweile eingespielte Aufführung?
race wief ggl translation I do not know how others are concerned, but: The camera movements through the church and the audience I find disturbing, just as an orchestral view of one or the other place at an angle would be nice (instead of camera movement, for example). It has become better (but not without exception), that in fact the musicians are in the picture, who are also playing something audible.
Wonderful performance, but... the cathedral acoustics don't help, and neither does Eschenbach's jerking around with the tempi (last example just after: 59:57 )
günter wand is to me far the best interprete of bruckner, all other often are too slow, too fast or playing with the sound (bruckner is maybe no romantic, although Schumann was a contemporary) At Eschenbach the cornets sounding too romantic i think
私は 聴いて喜んでいるだけのド素人ですが ブルックナーは 自分の好みの作曲家です。
６番は 特に お気に入りです❤
私が 中学生か高校生の頃 ピアノを弾いていると 近所の小さな男の子が 庭で 聴いていたので 少しびっくりしましたが その子は クラシック音楽が好きということでした。こんなに小さな子を夢中にさせるきっかけとなった音楽は 何だったんだろう？と 思ったことを 時々 思い出します。その日以降 その子の家から ピアノの音が聴こえてきて その子が弾いているのだとわかりました。私より余程 上手でした😂😊
ユーチューブに 感謝です。
Listening to Bruckner,
the passage of time is visible to me .
There is time when I can see eternity.
I am a wanderer through time, who is a lover of Bruckner’s symphonies
Bruh get some help.
@@kleipriftiviolin2576
Thankyou
From
A corner of Tokyo
🗻🍜👘⛩️🎑🎎🍣🇯🇵🍱🎏🍙🗼🏯🚅🎍🌊🍘🥋🍚🥢🇯🇵
I agree with you OP-Bruckner’s symphonies have a way of evoking “the eternal,” tapping into the universe’s mysteries if not solving them. That’s why I love his symphonies too.
@@spoders92
Thankyou
Your wonderful comment
Bruckner’s symphies are a breath of air in our transiet life of less than100 years of so much hassle and annoyabces
Japanese Rita of Spring begins
🍘🍡🥟🗼🍜🍥🍢🍙🍱🍚🎴⛩️🎋🎏🎎👘🎑🇯🇵
Tokyo is busling with Cherry Blossom in full bloom everywhere
🌸💮🌸💮🌸💮🌸💮🌸🌸🌸🌸🌸🌸👘👘👘👘👘👘👘🌸💮🌸💮🌸💮🌸
Someday
Please come to Japan of Cherry Blossom in full bloom and is full of Brucknerian
Bruckner’s symphies, like widow blowing Cherry Blossom in full bloom, gentle touches everything in this transiet world with warm, religious, graceful and comfortable feelings
I will never be tired of listening to Bruckner‘s symphonies again and again.
Whenever I listen to Bruckner`s symphonies, I feel Bruckner‘s aesthetics and greatness and universality
From
Tokyo of the Land of the Rising Sun 🇯🇵
🌼⛩️🎑🎴🌲🍂🍁🏵️💐🎀🍄🎏🗼🎍
完全に同意します。自分は個人的には、5番、6番、7番が特に素晴らしく、フランクフルト放送交響楽団の演奏でしょちゅう聴いています。
@@naomasaki9
お便りありがとうございます。
ブルックナーの交響曲は魂の乾きを癒やしてくれます。
@naomasaki9 そして8番と9番はどうですか、個人的には8番がいつも私のお気に入りです
Greetings from Tokyo to Tokyo!!! You are perfectly right... Bruckner carries some majestic power and mystery in it.
@@pdiegroup
Thankyou
I am a old Japanese Brucknerian
See youtube again
Good luck
Colossal🎎🎏🎋👘⛩️💮🌹💐🌳🌿🌵🍀☘️🇯🇵
Bruckner's dynamics - swelling and hushing always amaze me. Often as delicate as clouds passing over the sun varying in the shade of shadows cast.
Nice analogy.
Well put .
You couldn't be further than the truth! In fact I have enjoyed all his symphonies. Surely a brilliant Composer!
Well put.
Eschenbach and Kent Nagano are both masters of the 6th. The first movement is so difficult to hold together, with all of the sudden digressions along the way. Eschenbach and this young, talented orchestra manage to keep the main energy flowing all the way through, which is something even Karajan could not do.
Watching this video, I was impressed with how important the role of the lead flute is, and how well she played her part.
I have been listening to Bruckner's symphonies for more than fifty years and am now ready to call this one of my favorites, alongside the more complex 5th and the sublime 7th.
don't forget about Klemperer
Also William Steinberg in 1972
I must respectfully disagree!
Young and talented orchestra…
Of course, talented! Young? Maybe, with respect to some of the musicians playing the piece, but not the orchestra! This is celebrated Frankfurt Radio Symphony Orchestra, which the historical Alte Oper in Frankfurt is the home of. This powerful orchestra has always been one of the most important columns holding German symphonic music tradition with quite a number of celebrated music directors. And this very orchestra recorded all 11 symphonies by Anton Bruckner, yes, it is not a typo, eleven symphonies by Bruckner, along with complete symphonies by Gustav Mahler and Dmitri Shostakovich very successfully for the Japanese recording firm “Denon”, in early 1980s, under the direction of Eliahu Inbal, it was about 40 years ago, those recordings has kept being issues by other companies up until now. The important points with those recordings are: They include first ever, world premiere recordings of first versions of Bruckner’s 3rd (1873), 4th (1874), and 8th (1887) symphonies, all in Leopold Nowak Editions. Also, this orchestra were among the pioneers of recording complete performing versions of Bruckner’s 9th and Mahler’s 10th, again, under the direction of Eliahu Inbal. With such a rich history of tradition behind, this orchestra cannot be considered “young”. Thank you. 🤗
@@aysaraktimur2064
Sorry, I did not mean "young orchestra" in that sense, but was referring to the relative youth of the musicians playing in this performance.
This is a very controlled performance of this highly inventive work. Bruckner is not everyone's favourite and it takes patience and musical understanding to fully appreciate his music. I urge others to listen. There are rewards to be had.
GREEEAAAT symphony, excellent performance!
I love number 6, one of my favourites, although all Bruckner symphonies are magnificent.
you know for me Bruckner 6 took me straight to heaven, I love it, thanks
It's under-rated, for sure.
14:49-14:41 When the principal hornist smiles - YES! So beautiful! I love that trade-off between 1st and 3rd. I'm totally going to smile there too when we perform this tomorrow!
I noticed that, too!
A very beautiful Bruckner Sixth! Danke schon.
WOW!!! This is as good as it gets!!! ...and the gate of Heaven opened and Bruckner appeared!!
beckr11 o
08:33 , 09:04 a glorious recapitulation. 13:29 the sublime start of Coda and 15:24 the victorious ending.
If I'm not mistaken, it's fake recapitulation in Eb major fortissimo in 8:33 (letter M), onto pretend recapitulation in A major, triple-forte at 9:04 (letter N), and then finally the formal recapitulation beginning 20 bars later, piano with the woodwinds added, at 9:47. One of the most ingenious constructions of Bruckner's, festive with a twinkle in the eye. And then that coda, and then that slow movement...
Adagio 21:56 !!!!!!!
Excellent and exciting performance of this monumental work. "Jean-Luc Picard" was just great!
5:45 such a quiet place with such beauiful melodies, so intense and quiet. it might be one of my favourite parts of this piece. Same thing with 8:07 but this grows into something incredibly grand in Brucknerian style. 13:29 start of climax 15:25 climax of first movement.
Aram, allow me to agree with your comments, and furthermore to thank you for your emotionally stirring Gayane adagio.
Also, dass man beim ersten großen Fortissimo-Einsatz Kirchengemäuer und Publikum statt dem Solopauker sieht, schmerzt schon sehr. Hiernach habe ich den Laptop weggestellt und nurnoch gehört.
Eine fantastische Interpretation des Stücks.
From a former member of the Cleveland orchestra......better than this, it does not get. Wonderful performance, bravo!
BBC philharmonic with Juanjo Mena
I am a Japanese old boy`s Brucknerian.
This solemn and majestic melody encourage ｍy tired mind ,
This stellar and paramount performance invites me into the wonderful world of comfort
Thank-you very much to your excellent and powerful performance from Japan
Une sorte d'état de grâce... comme c'est juste et comme c'est beau ! J'en ai les larmes aux yeux.
great musical feeling ... for my choice, the phrasing and the tempi are almost perfect.
It's a pleasure to listen to it!
0:17 - Maestoso
16:46 - Adagio
35:51 - Scherzo
44:48 - Finale
Thanks
時空間を完全に超越してしまってます。
特にアダージョ。
こういう芸術に出会えて本当に生きていて良かったと。
本当にそう思います😊
心を豊かにしてくれます😊
I performed in this very church in Germany with Zubin Mehta in1979. Wundebar!
There is a true Bruckner´s orchestral sound: Some soft beautiful theme coming from the woods, while doble basses turn into disharmony, and, suddenly, you´ll find yourself in the middle of a stormy (main) theme - with all brass climbing onto a -false- fermata . . . And all starts again with innocent variations . . . ! It is a challenge to listeners and - naturallly for interpreters and conductors of the best !
That Adagio is one of my favorite Bruckner slow movements.
Totally agree. Klemperer invited me into this experience, and now I'm enjoying the excellence of other conductors by simply refusing to assume that there's only ever just one recording that is the "best".
I believe it was Brahms' favorite among Bruckner's symphonic movements.
That sustained conclusion is like nothing else. I still prefer the 8th and 9th’s 3rd movements just because of the grand scale they achieve, but this still manages something else entirely.
And mine, fantastic music 😊
Agreed. My first B6 adagio experience was with Keilberth. He doesn't get mentioned much nowadays, but I feel his rendition is worth discovering.
Magnificent! Great performance, great orchestra, great conductor, great location!
I love the way Eshenbach fully luxuriates in the sound of the slow movement, letting it bathe us.
This orchestra never fails to please. My old boss on the podium. His Bruckner is not to everyone’s liking, but I always felt it transformative.
Cette interprétation est extraordinaire. Elle est d'une hauteur de vue, d'une justesse de style et d'une majesté exceptionnelles.
Presque d'accord avec vous quant au chef et au fantastique HR Frankfurter. Presque car, dû à l'acoustique très reverberante du lieu, j'eus préféré un tempo un brin plus lent. Mais ce n'est que mon avis, ou plutôt ma sensibilité.
Die Musik beginnt gerade! Da ich aber diese Interpretation schon zig male gehört habe, sage ich schon mal: Ein großartiger Christoph Eschenbach, der ein großartiges HR Sinfonie Orchester leitet! Ich denke besonders an das Horn und die Percussion!
Viele Grüße Bernd.
Bruckner hat es schon drauf gehabt. Diese Musik kommt natürlich erst live zur vollen Entfaltung. und hier 15:47 deutet er so nebenbei das "star Wars Thema" an. heute wäre er wahrscheinlich der meistgebuchte Filmkomponist Hollywoods.
Nichts star wars sondern Lawrence von Arabien xD
The greatness of No,6 is unfathomable, immeasurable and beyond description, and is full of admiration , tribute and deep emotion, and is comfortable to the ear and the mind
I will never be tired of listening to Bruckner's symphonies again and again
spectacular rendition!!
Love the acoustics too.
Would love to have been there to see it and hear it in that church the acoustics must have been unique!
13:18 I really love the ending of the first movement
This is a great performance. I once saw Karajan conduct Bruckner's 5th in the 1980s which was magisterial and this is as good if not better. Eshenbach has a powerful but restrained conducting technique that can be so subtle. The church is the ideal venue for Bruckner.Lucky audience.
church is worst place
The blond flutist is lovely, and plays beautifully too.
To say nothing of the ever-so-cute, dimpled oboist sitting next to her.
@@hrh2842 😊
Great performance. An unforgetable symphony to me.
I love number 6 one of my favourite, although all Bruckner symphonies are magnificent.
Wonderful and most appropriate rallentando by Maestro Eschenbach starting at 1:00:01 for the surprise return of the first movement's first theme at the end the Finale, now radiant in a glorious and majestic A Major. Bravo!
Bravo! Bravo! Bravooo!!!
Muito bom poder ouvir as diversas sinfonias de Bruckner. Um raro privilégio.
The 6th is my personal favorite !! The most inventive, personal and surprising. Of course it doesn't mean i dislike its more famous sisters like 5, 7, 8, 9 :)
To me, this and the Third are the most immediately accessible and ingratiating of Bruckner's symphonies; I can't understand why the Sixth is considered by many to be atypical and inferior. It somehow seems more relaxed, less profound than, say, the Fourth or Seventh, but still full of life and meaning. The 'adagio' has the sweetest and loveliest of melodies, but then the whole score reflects some of Bruckner's finest inspirations. Conductor Eschenbach presents the music beautifully, as does the Orchestra. Sometimes I've found his view of a score to be somewhat turgid, but not here.
The heart of this symphony is the adagio ,and its every bit as profound as I can possibly imagine. Its also deeply..sensual..I think it indicates a strong sense of longing,unrequited love and unfulfilled existence. Its truly achingly beautiful and nostalgic music. It rips your chore apart. Yeah, Bruckner was a ROMANTIC!
In my opinion, the 6th's Scherzo and Finale are not as convincing as its first two movements which are wonderful. Despite some enchanting passages, the Scherzo seems like a dream of unrelated musical images passing by and the Finale is ever so disjointed with its jerking stops and starts. Bruckner's next symphony, the Seventh in E Major, balanced his inspiration out well among its four movements, as posterity's testimony to its popularity indicates. Alas, the 6th appears destined to always remain a select wine for certain devotees of the composer that included Leonard Bernstein, as it is one of only two Bruckner symphonies that he ever recorded.
The incredile flutist......Excellent performance.
2楽章素晴らしく美しい
There's a lineage that runs through this: A major is the key of Beethoven 7 and Mendelssohn's "Italian", and also of Reger's Sinfonietta, along with Franz Schmidt's First String Quartet, Third Symphony and Quintet for Clarinet, Strings and Piano (Left-Hand).
Thanks for your comment---you have depth!
nice!
sublime!
Tout est dans le sourire du 1er cor, cette symphonie est ma préférée, les musiciens sont parfaits, Eschenbach est complètement animé par l'œuvre, la prise de son est merveilleuse, juste ce qu'il faut de réverbération, ce qui est étonnant dans une grande église ! Je l'écoute en boucle sans me lasser... Merci !
32:59 The most divine pedal point you'll ever hear
I like Bruckner's sinfonia
The Adagio is pure heaven.
I can't imagine how music sounds in the cathedral...
Cup your hands behind your ears while you listen to good speakers. You'll be surprised. :)
@@willy1486 I see. I'll try that later. Thank you for your reply!
The most underrated of Bruckner's masterpieces. And yet its his most original symphony. This with the 9th
were the only two symphonies of Bruckner that another Bernstein loved and recorded. Some of the great film score composers for Blockbuster films . In the past Alfred Newman in the past . And the likes of John Williams
would of or will tell you how much they are indebited to Bruckner.
In this symphony it is fun to suss out some of these. I will give you two for a start . Then try and find some more
and you will. The sonata form second movement's main theme is the main theme for Alfred Newman's " Song
of Benadette" Nine minutes into the opening movement think of the main theme of Maurice Jarre's " Lawrence of
Arabia" And carry on from there.
The second movement is near heaven for me. BUT with the chorale coda of the first movement with more than
thirty modulations we are into Bach territory. What does amuse me is that Hans Zimmer doesn't rate Bruckner.
May I suggest to Mr Zimmer that his finest film score music Chevaliers De Sangreal from " The Da Vinci Code" has
more than a resemblance to some of Bruckner's final notes he composed before dying without completing
his 9th symphony. The minimalism before the coda we hear in the completed versions.
Excelente interpretación. Clásica y mesurada.
Pero la iglesia encoge el alma. Parece un garage.
Моя первая из услышанных симфоний Брукнера (еще на пластинке, в исполнении Рождественского)... И потому, как первая любовь, незабываемая! Прекрасное исполнение, спасибо!
SECOND MOVEMENT IS SO GOATED 😍😍😍😍😍😍
Bravo!
Alan Arkin conducts so well.
From since i remember myself, I adored Bruckner more than any other musician
That great timpanist really nailed that last note at the end of the first movement!!! 16:04
I counted 30 modulations in the chorale coda in the first movement and stopped counting .
This has to be Bruckner's most original symphony and the inspiration for quite a few
blockbuster movies. Including Lawrence of Arabia, The Big Country, The Song of Bernadette
to name a few.The only disappointment in my opinion is the trouble Bruckner has in
getting back to A major in the last movement finale. Bur not every finale coda can give
you the goose pimples of say the 3rd, fifth or 8th.
For me the final coda of the 4th gives me the most goose pimples and simply makes my body shudder.( Inbal conducting the 4th with this great Frankfurt orchestra on You Tube) . By the way this performance of the 6th is terrific.
If the theme starting at 15:44 wasn't used for the Lawrence of Arabia epic movie starring Peter O'toole and others, they are twin themes.
You are so right, I always thought this. I think bruckner generally was a big inspiration on movie theme tunes.
from 49:59 incredible harmony &b modulation
25:54 to 27:57. God
Oh Yes
Une disposition très particulière de l'orchestre vu la singularité des lieux.... mais une très belle direction d'Eschenbach, qui semble ici très inspiré.
I wish that the engineers had set up a pair of M150's in wide A-B out in the free field (say, 14 feet above the first row of audience seating) and mixed that in with all their modern close-miked manipulation.
GREAT
This performance is consistent to Eschenbach's rendering in his recording with London Philharmonic in 2010, and I like it a lot!
There seems to be a minor glitch by the oboist in the coda of second movement (33:05). He added a grace note to the B flat on bar 158 (sounds like a blip of just one octave above, could be just fingering...). It would be negligible if it were other places, but not here, this is the last recall of the main theme, the final touch, specifically written for solo oboe.
There is nothing better than being able to listen to Bruckner‘s symphonies, especially No6, 7, 8, 9
God will be listening this work while smiling .
This work and performance are incomparable and exquisite
Ich weiß nicht, wie es anderen damit geht, aber: Die Kamerafahrten durch die Kirche und über das Publikum empfinde ich als störend, genauso wie eine Orchesteransicht von schräg oben an der ein oder anderen Stelle auch schön wäre (statt Kamerafahrt z.B.).
Besser geworden ist es (nicht ausnahmslos allerdings), dass tatsächlich die Musiker im Bild sind, die gerade auch etwas hörbares spielen.
JaAA!!!
Genau!
The flute player is an attractive young lady.
It's Clara Andrada de la Calle
A 14,12 che intenso lirismo raggiunge vette estreme che neppure Pindaro con i suoi salti pindarici !
13:53 - eine andere Dimension wird geöffnet
Merkwürdig. Ich habe das immer genauso empfunden!
YUL!
Mi piace
Very good. And a remarkable church. Is it part of Kloster Eberbach?
my god .... the slow mvmnt coda .....
15:25 - 1:00:00
Es ist sehr schwierig, dieses großartige Meisterwerk ohne Langweile aufzuführen. Diese Leistung ist leider nicht eine seltene Ausnahme davon.
Sorry, I don't know German language. Are you saying that this performance is enthralling or quite boring?
Sorry, the latter.
I get it
Was, welche Teile oder welche Aspekte finden Sie denn langweilig? Und welche Aufnahme dieses Werks wäre denn eine ohne Langeweile eingespielte Aufführung?
Alles gehöht meinem persönlichen Geschmack. Mir gefällt die Aufführung des New Philharmonia Orchesters unter der Leitung von Otto Klemperer.
I SEE THAT KNOW ONE UNDER 80 WAS ALLOUD AT THIS PERROMANCE
21:56 is most tragic
Beatiful
Fletcher conducting, Mahler as concert master
I think to begin with Bruckner, the 6th is the best. As Dvorak with the same number.
13:29
13:53
21:56
Oh yeah!!!! 21:56!!¡!!¡!¡
I can't believe
59:19
Does anyone know what skin that is on the timpani at around 50:00? Doesn't look anything like calf.
27:10
49:20
31:36 There is Furtwangler.
21:56 !!!!!!
47:27 mild und leise
race wief ggl translation I do not know how others are concerned, but: The camera movements through the church and the audience I find disturbing, just as an orchestral view of one or the other place at an angle would be nice (instead of camera movement, for example). It has become better (but not without exception), that in fact the musicians are in the picture, who are also playing something audible.
Is this Tristan ans Isolde Liebestod 48:00
Apart from being a world-class bass singer, Rene Pape also plays horn in the FRSO.
Wonderful performance, but... the cathedral acoustics don't help, and neither does Eschenbach's jerking around with the tempi (last example just after: 59:57 )
Where is this church?
Eberbach Monastery
"Not quite my tempo"
Tempo continuity in the first movement not good.
günter wand is to me far the best interprete of bruckner, all other often are too slow, too fast or playing with the sound (bruckner is maybe no romantic, although Schumann was a contemporary)
At Eschenbach the cornets sounding too romantic i think
No cornets in this piece - do you mean trumpets?
Gerald Ginther I think he means the french horns..
This performance is excellent with the adagio sounding quite sublime. It's a pity you don't like it, but to each his own.