Patti was terrifying in this part. Her Everything’s Coming Up Roses is the most disturbing interpretation I’ve ever seen, and here in Rose’s Turn we truly see a psychotic breakdown before our eyes. She earned every best actress award that season on Broadway, each one so deserved.
@@ACinemafanatic Saw Patti live. Saw video of Angela. Respectfully disagree. Patti goes deeper emotionally and seems truly psychotic. A lacerating performance. And, in some ways, accurate. According to stories, Rose Hovick wasn't just a "stage mother", she was deeply disturbed and may have killed a woman. At any rate, I am sparing with standing ovations, but leapt to my feet for this performance. I don't know how actors throw themselves into roles like this night after night.
@@jlasf I see what you’re saying but Angela’s approach first did it where rose seems like she’s snapped for a bit with her bowing like there’s an audience cheering for her and she’s smiling almost psychotically and then Patti I think really went more deranged with it a bit darker as well with her portrayal
I saw this production and after this number I immediately stood up and started cheering - she paced the stage and walked right over to me and pointed! My little gay ass was sent to heaven.
@@kaitlynrowena5463would’ve been a bad way. Patti is notorious for stopping her performances to call out people she feels are disrespectful of the atmosphere of a theatre. Show filmers, talkers, etc.
Yes, I think it really was. I saw Patti in this twice - a matinee and an evening performance on the same day (I know - mad!) and her evening performance of this was very different to the way she had performed it a few hours earlier. I thought it was quite strange at the time (and still do, I think). In London, I saw Imelda Staunton in the role three times and her performance seemed completely identical each time - exactly the same intonations, gestures etc… Staunton’s performance was my favourite, but it seemed identical each time. Patti’s performances were quite different on the day I saw them.
Patti still gives a fresh take on her roles, even after decades. Moreover, she's truly splendid for sparing the life of the bootlegger during the time of this filming. I only hope she was quick and merciful with their demise thereafter.
Having worked on Bway for many years and met the legend that is Patti Lupone … yes she is an alien in that she is otherworldly in her capacity to strike equal parts of complete fear and utter joy with every performance. She is a stellar star. Period.
I saw this production so many times back then that I actually lost count. Gypsy is a great show but there will NEVER be another production like this one everrrrrrr!
I saw the show and I got the feeling she was playing everything that came before at a level 7 intensity. We know she can blast it whenever she wants. So, I was a bit surprised so much seemed a bit muted. But then I realized she was saving it up for the end. She turned its up to 11, as they say in "Spinal Tap."
Bless you for risking your life like this! And thank you! So many of us live over seas or well years have passed. Never would we have been able to see this live. So seeing this really means a lot
The literal manifestation of a "no holds barred" performance! I'm literally shaking, thinking about everything that ran through Momma Rose's head in this moment. It can be, either, traumatizing or liberating, and PLP took from BOTH columns!
Why did I do it? What did it get me? Scrapbooks full of me in the background. Give 'em love and what does it get ya? What does it get ya? One quick look as each of 'em leaves you. All your life and what does it get ya? Thanks a lot and out with the garbage, They take bows and you're battin' zero. I had a dream. I dreamed it for you, June. It wasn't for me, Herbie. And if it wasn't for me then where would you be, Miss Gypsy Rose Lee? Well, someone tell me, when is it my turn? Don't I get a dream for myself? Starting now it's gonna be my turn. Gangway, world, get off of my runway! Starting now I bat a thousand! This time, boys, I'm taking the bows and Everything's coming up Rose! Everything's coming up roses! Everything's coming up roses this time for me! For me! For me! For me! For me! For me! For me!
Wow... I didn't watch this, because I assumed it was from one of the other 2008 boots (you know what assuming does!), but someone informed me I was wrong, so I skipped right over here. This is AMAZING! Truly wonderful. Thanks so much for sharing it!
This number always reminds me of Garland for some reason I always wonder if Judy Garland had been born into an era where her talent had been better looked after maybe in her 40s/50s she could have done Mama Rose I think she would have been incredible No disrespect to LaPone who is clearly a genius that's been established
@@user-gz9uk4rn5p so sad for her that she just became too troubled as a person to be reliable but equally sad for the public in general We were robbed when she died at 47 But from day one Garland never really stood a chance Even when she was a child her own mother was cashing in
@@matthamilton875 or maybe Rose is just a woman coming to terms with her life and finally realizing what motivated her for all those decades. . . one doesn't need to go psychotic and scream to do that
Every performer brings their own interpretation to the role of Madame Rose. Merman created it and it was a powerhouse performance. Lansbury gave a performance that was a masterclass in acting. Daly also acted the role brilliantly. LuPone brought forth the desperation and manic energy of the role. Staunton was another masterclass in acting. As for Peters, I will draw the curtain of charity over her performance. She just wasn't right for the role. I like her in almost everything else that she's done, but not in Gypsy. And not as Dolly. Just not right for her.
Does anyone else think Patti is not really playing Mama Rose by this point? It's more...DIVA LA LUPONE....WATCH ME!! It's overblown... exageratated. Okay, LA LUPONE IS LA LUPONE, but I'm not particularly impressed. Angela Lansbury, Tyne Daly, and even Bernadette Peters, had more subtlety and humanity in the role. Betty Buckley (Paper Mill Playhouse: 1998) was an exploding volcano. Okay, LA LUPONE-- it's YOUR turn-- but she just seems to be showing off and screaming here (just my opinion).
thank you! somebody finally said it cause I wasn’t brave enough to… i get what she’s doing but it doesn’t t hit for me! It’s the very end of the show and defines her whole performance. I would’ve been disappointed seeing this live.
This person risked their LIFE getting this footage
For real. The suspense in recording and the performance itself sent me down a confused state of suspense and intensity XD
@@FlyBoyMT LuPrath 😭💀
Lololol
“AND IF IT WASNT FOR ME- excuse me is that a camera?..” 💀💀💀💀
@@westley5735 That part is beatiful, innit?
Whoever filmed this is braver than any US Marine
🫡
KKKKKKKKK
Not the cameraman risking is life to get this bootleg. Patti Lupone is vicious😆
Patti was terrifying in this part. Her Everything’s Coming Up Roses is the most disturbing interpretation I’ve ever seen, and here in Rose’s Turn we truly see a psychotic breakdown before our eyes. She earned every best actress award that season on Broadway, each one so deserved.
Angela did it first in 1974
@@ACinemafanatic she did what first?
@@fountainchain126 I meant to say did it where she had the mental breakdown part of roses turn it’s genuinely terrifying if you find it on CZcams.
@@ACinemafanatic Saw Patti live. Saw video of Angela. Respectfully disagree. Patti goes deeper emotionally and seems truly psychotic. A lacerating performance. And, in some ways, accurate. According to stories, Rose Hovick wasn't just a "stage mother", she was deeply disturbed and may have killed a woman. At any rate, I am sparing with standing ovations, but leapt to my feet for this performance. I don't know how actors throw themselves into roles like this night after night.
@@jlasf I see what you’re saying but Angela’s approach first did it where rose seems like she’s snapped for a bit with her bowing like there’s an audience cheering for her and she’s smiling almost psychotically and then Patti I think really went more deranged with it a bit darker as well with her portrayal
I saw this production and after this number I immediately stood up and started cheering - she paced the stage and walked right over to me and pointed! My little gay ass was sent to heaven.
I would passout just having that woman even LOOK in my direction
Pointed at you in a bad way? Or good
@@kaitlynrowena5463would’ve been a bad way. Patti is notorious for stopping her performances to call out people she feels are disrespectful of the atmosphere of a theatre. Show filmers, talkers, etc.
Lord bless you if Patti sees this...
Wow it’s really a different performance every night huh. How thrilling.
Yes, I think it really was.
I saw Patti in this twice - a matinee and an evening performance on the same day (I know - mad!) and her evening performance of this was very different to the way she had performed it a few hours earlier. I thought it was quite strange at the time (and still do, I think).
In London, I saw Imelda Staunton in the role three times and her performance seemed completely identical each time - exactly the same intonations, gestures etc… Staunton’s performance was my favourite, but it seemed identical each time. Patti’s performances were quite different on the day I saw them.
@@scswp6945 thats how you know she is the best Rose. She can improvise so well and her versatility is impressive
@@scswp6945 LuPone was great and so was Staunton.
Patti still gives a fresh take on her roles, even after decades. Moreover, she's truly splendid for sparing the life of the bootlegger during the time of this filming. I only hope she was quick and merciful with their demise thereafter.
the cameraman is a national hero🫡
omg chuu im such a big fan
Having worked on Bway for many years and met the legend that is Patti Lupone … yes she is an alien in that she is otherworldly in her capacity to strike equal parts of complete fear and utter joy with every performance. She is a stellar star. Period.
You dare not even blink when Patti Lupone is performing!
I saw this production so many times back then that I actually lost count.
Gypsy is a great show but there will NEVER be another production like this one everrrrrrr!
I saw the show and I got the feeling she was playing everything that came before at a level 7 intensity. We know she can blast it whenever she wants. So, I was a bit surprised so much seemed a bit muted. But then I realized she was saving it up for the end. She turned its up to 11, as they say in "Spinal Tap."
I don't know how can anyone watch this and not love musical theater, that was incredible she was born to play this role
Bless you for risking your life like this! And thank you! So many of us live over seas or well years have passed. Never would we have been able to see this live. So seeing this really means a lot
Patti was incredible. She gave a complete performance. This was the 8 1/2 minute breakdown, combined with the scene she just did with Laura. Superb.
The literal manifestation of a "no holds barred" performance!
I'm literally shaking, thinking about everything that ran through Momma Rose's head in this moment.
It can be, either, traumatizing or liberating, and PLP took from BOTH columns!
I saw this on Broadway, it was awesome. Standing ovation at the end. Most of the audience was overcome with emotion, many in tears.
I saw this live in 08 and it was easily one of the most impactful theatrical experiences I’ve ever had
I love how this night’s portrayal was different from the other bootleg iykyk
Why did I do it?
What did it get me?
Scrapbooks full of me in the background.
Give 'em love and what does it get ya?
What does it get ya?
One quick look as each of 'em leaves you.
All your life and what does it get ya?
Thanks a lot and out with the garbage,
They take bows and you're battin' zero.
I had a dream.
I dreamed it for you, June.
It wasn't for me, Herbie.
And if it wasn't for me
then where would you be,
Miss Gypsy Rose Lee?
Well, someone tell me, when is it my turn?
Don't I get a dream for myself?
Starting now it's gonna be my turn.
Gangway, world, get off of my runway!
Starting now I bat a thousand!
This time, boys, I'm taking the bows and
Everything's coming up Rose!
Everything's coming up roses!
Everything's coming up roses
this time for me!
For me! For me! For me! For me! For me!
For me!
Bruh, tears, literally, this woman is soo powerful.
What a delight!
Holy damn. Great quality!
OH MY GOD!!!!!!!!! Astoundingly amazing!!!
100 years from now, they'll be referencing this performance. Mark. My. Words......
If they're smart...
Try 2 years it’s a tik tok sound
Best quality I've ever seen ❤️
Yessss high quality 🥳🥳
Full body chills, she is insanely good.
Saw this production….brilliant
And That ladies and Gentlemen is what a hurricane feels like. (includ. the eye of the storm).
Sem imagem ou com câmera tremida... ela é sensacional!! Maravilhosa!!!!
ABSOLUTELY PHENOMENAL!!
Wow... I didn't watch this, because I assumed it was from one of the other 2008 boots (you know what assuming does!), but someone informed me I was wrong, so I skipped right over here. This is AMAZING! Truly wonderful. Thanks so much for sharing it!
Absolutely phenomenal !!!!!! I love Patti
Forgot how good she is. Patty Lupon INVENTED the belt. Holy Moses anD WOW.
Everything people said about Patti LuPone in "Gypsy" was true. I bet she's secretly pleased that these hoary, bootleg clips of her performance exist.
Absolutely stunning performance. thank you much to whomever recorded this.
First time seeing her or this. She is AMAZING
caught during this song??? dead
thank you for this omg
So good
I’d like to see what Jodi Benson does with the part of Mama Rose. She was cast in a production last year I think.
Thanks for this video
This number always reminds me of Garland for some reason
I always wonder if Judy Garland had been born into an era where her talent had been better looked after maybe in her 40s/50s she could have done Mama Rose
I think she would have been incredible
No disrespect to LaPone who is clearly a genius
that's been established
garland auditioned jerry they all wanted her BUT couldnt risk...
@@user-gz9uk4rn5p so sad for her that she just became too troubled as a person to be reliable but equally sad for the public in general
We were robbed when she died at 47
But from day one Garland never really stood a chance
Even when she was a child her own mother was cashing in
Patti é incrível meu deus
hello everybody! My name's *ROSE!!!!!!!* What's yours!
As a Hocus Pocus fan this finally makes sense lol
She is just the best!!!
3:36 Rose's turns
wow
Sing it, Seabiscuit!!!!
Holy shit, so this is where the Avenue Q song came from. hahaha
❤
2:24 The day you are tired of pretending to like some people
The way I like to see it - if Ethel Merman was like a charging rhino in this role, Patti is a tigress about to pounce.
Geez.....shook.
Eat your heart out, Bernadette.
Who did it better? Kurt or rose?
Patti, probably.
STOP THAT FILMING!
Kind of rude to not credit Kurt Hummel on the song he wrote 🙄
Jules Styne? Stephen Sondheim? Who? (I know it’s a joke, just wanted to put it out there.)
Give me Angela Lansbury any day.
Jesus Christ …
I really like Patti as a person and she’s done some great work - mostly on roles she originated - but sometimes I wish she’d stop ACTING so hard.
Painful!!!
Love Ms lu pone but she is no Rosalyn Russell
Thank god, as the actress you're referring to was actually spelled Rosalind, and she could barely sing.
Literally no one but musical theater people think she can sing. She's loud, but it always seems like the same note.
Ethel Merman was more believable & better voice.
This interpretation is over the top.
It’s a woman having a mental breakdown like cabarets title song it’s meant to be an over the top portrayal of an absolute psychotic break
@@matthamilton875 or maybe Rose is just a woman coming to terms with her life and finally realizing what motivated her for all those decades. . . one doesn't need to go psychotic and scream to do that
@@marybethkuznik6118 I Agree.
Every performer brings their own interpretation to the role of Madame Rose. Merman created it and it was a powerhouse performance. Lansbury gave a performance that was a masterclass in acting. Daly also acted the role brilliantly. LuPone brought forth the desperation and manic energy of the role. Staunton was another masterclass in acting. As for Peters, I will draw the curtain of charity over her performance. She just wasn't right for the role. I like her in almost everything else that she's done, but not in Gypsy. And not as Dolly. Just not right for her.
@@SymphonyBrahmsi do agree… also in the peters fact, her voice was to little for the role, she needs more fierce or power I guess.
Does anyone else think Patti is not really playing Mama Rose by this point? It's more...DIVA LA LUPONE....WATCH ME!! It's overblown... exageratated. Okay, LA LUPONE IS LA LUPONE, but I'm not particularly impressed. Angela Lansbury, Tyne Daly, and even Bernadette Peters, had more subtlety and humanity in the role. Betty Buckley (Paper Mill Playhouse: 1998) was an exploding volcano. Okay, LA LUPONE-- it's YOUR turn-- but she just seems to be showing off and screaming here (just my opinion).
You never saw this live. You're judging this on a video. Sit down.
thank you! somebody finally said it cause I wasn’t brave enough to… i get what she’s doing but it doesn’t t hit for me! It’s the very end of the show and defines her whole performance. I would’ve been disappointed seeing this live.
Um, she's having a nervous breakdown.
Worst Rose Ever.
Best Rose Ever
Never.
@@Broadwaybuff-pi1qg
terrible
Simply awful.
Comical
Patti Lupone is the only actress who had to act LESS CRAZY than she really is to play Mama Rose