Beethoven, sonata op. 31 No.2 "The tempest" - Sergey Kuznetsov
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- čas přidán 9. 09. 2024
- Beethoven, piano sonata No. 17 in D minor "The tempest", op. 31 No. 2.
Sergey Kuznetsov, piano, live at the Rachmaninov hall of the Moscow conservatory. Click to expand.
I. Largo - Allegro - 00:02
II. Adagio - 09:11
III. Allegretto - 16:57
Бетховен, соната № 17 ре минор, «Буря», соч. 31 № 2
Сергей Кузнецов (фортепиано). Запись с выступления в Рахманиновском зале Московской консерватории
Beethoven, Klaviersonate Nr. 17 d-moll »Der Sturm« op. 31 Nr. 2
Sergey Kuznetsov (Klavier), Liveaufnahme eines Soloauftritts im Rachmaninow-Saal des Moskauer Konservatoriums.
Beethoven, sonate pour piano n°17 op. 31 n° 2 en re mineur, « La Tempête ».
Sergey Kuznetsov, piano. Enregistrement en direct d'un récital solo à la salle Rachmaninoff du Conservatoire de Moscou.
ルートヴィヒ・ヴァン・ベートーヴェン作曲 ピアノ・ソナタ第17番ニ短調作品31-2、『テンペスト』。
演奏： セルゲイクズネツォフ（ピアノ）。
モスクワ音楽院のラフマニノフホールでソロリサイタルからのライヴ録音。
Namumyohorengekyo
I am Buddhist monk from Japan.What a perfect passionate precise spontaneity.Your musicality seems captured by live sprit of Beethoven.
Your 3 movement is perfectly right speed not too fast
When I watch you play, I see a passion in your playing that I don't see in many others. You look like you enjoy playing with a passion.
Thank you very much!
Please come back to New York soon, and by all means, bring Beethoven with you. This is magnificent!
+David Rogoff Thank you!
Me comí un chocolate viendo esto y los disfruto mucho ambos. Gracias!
¡Gracias tambien!
I'm playing this piece right now. It is very well done.
Thank you!
Me too :) not easy with this fast!...Jennifer
Well, your interpretation is incredible! Thank you!
MrShyn8 Thank you!
Beethoven, Sonata op. 31 No.2 "The tempest"
Magnifique interprétation ! Le final est juste parfait. Merci !
Merci beaucoup!
Одна из самых любимых Сонат,Спасибо!
Спасибо!
Сергей, спасибо за запись!Прекрасное исполнение любимейшей моей сонаты!
Thank you, Sergey, for this wonderful performance.
My pleasure!
Amazing sir!
vetlerradio Thank you!
Wonderful performance, Sergey! I shared this on Facebook!
Nathan Davis Thank you!
Beautiful performance!
Thank you!
Mr.Sergey, this time famous well-known Beethoven's Sonata "The Tempest" (Der Sturm), yesterday's I've heard on your channel all 24 Chopin's Preludes Op.28, as always MAGNIFICENT MAESTRO!!!!! I'm looking forward to your concert in my country Poland, mainly in Szczecin (it's a big city), in a great own concert hall. Lately every day I listen to
your wonderful performances, mainly Chopin's and Beethoven's music, although only sometimes I write my comments, my wishes for a happy weekend and as always heartfelt
warm greetings from Poland.
Awesome performance of the Beethoven "Tempest."
Thank you!
Спасибо! :)
Wonderful performance! Bravo! 👏👏👏
Andrea Ulisse Thank you!
ملك البيانو .... سلمت يداك
نجاح باهر، شكرا جزيلا لك!
22:40 and 23:13 only mistakes I could find.
Amazing!
Thank you!
nice to listen to - well-done
Thank you!
@@sergeypiano I think you play this as Beethoven himself would have played this work - with heavy keys and unbridled raw emotion - your sound is big - which is what I think Beethoven demands in his work - I personally like it but others may find it too much - too many play young pianists in particular play it way too fast and literally run through the garden to try to get through it as quickly as they can or so it seems - others play it sweetly ( Kempff ) and it does sound nice then as well - but I prefer your approach and I would play it like this too - attacking and aggressive because I think Beethoven intended it that way - re: its a Tempest after all - it is not meant to be soft and cuddly - one of the best interpretations I have heard - the other interpretation that is appealing is Valentina L. - to play such a masculine work like Beethoven for a women is difficult and I think she does well - the only other comment is that you seem to genuinely enjoy playing the work yourself which comes across to the listener - playing it for yourself first and foremost ..
Oh my god that's really nice, congratulations
Thank you!
very very very good!!!!!
+러브지유 Thank you!
very good
Thank you!
Do the 3rd mvt presto agitato of Beethovens Moonlighsonata please.It is hard work I know....
Well done maestro. But if the Moskow conservatory could paint a little the wall behind it would be respectful for the splendid artist and piano
Thank you! :-)
The hall has already undergone a complete renovation since this recording was made. It looks way better now. :-)
wow!! perfect~~ good^^
+러브지유 Thank you!
super
Teşekkür ederim!
this is magnificent.......Is so beautiful....Better than Valentina Lisitsa, is the best performance on this that i have heard ...Thank´s you
:)) Thank you very much!
神乎其技
谢谢！
I am learning this sonata myself and had trouble in the beginning because I was not used to the particular phrasing used especially in the first movement. Are there any pointers on what to focus on? Also note that I do repeat the exposition myself on this first movement but I would not on the Waldstein
Also my repertoire now consists of this sonata, the Mozart sonata K310, and the Schubert Impromptu #1 op. 90. Have you played the K310 by Mozart before
It's difficult to give a ready-made piece of advice suitable to anyone. However, pay attention to the three tempi in the first movement (the two slow tempi should differ from each other) and to the original pedal indications in its reprise. As for the finale, on average, wherever you see extra stem on the 2nd note of a bar in the left hand, try to hold it with finger and refrain from catching the 1st more on the pedal, and, conversely, to take the pedal at the bar start when there's no such stem on the 2nd note. And staccato dots on the end of a slur means just reduced weight for the note, i.e. no accent.
@@sergeypiano I was actually able to get through the 1st movement at a slightly faster tempo than this (my performance of the first movement took around 7 and a half minutes with the repeat of the exposition) and also got halfway through the second movement. The rhythm in the second movement is tricky
Dang!!
I remember playing this in a recital.nearly as good as you ;)well done
)) Thank you!
Merry christmas and look forward to new videos of yourself.x
저 이거 연주회곡이예요^^ 겁나 잘친다~~~!!!!!!!!!!
The "Rachmaninov Hall of the Moscow Conservatory" needs a little freshening up! An artist of this caliber should not have to perform on a dirty, seedy old stage that has not had a paint job in 50 years!
Hehe, thank you! 50 years is a bit of a stretch. The previous renovation had been there some ten years earlier. Since my recital, the hall has been fully revamped and looks much better now.
16:57
At 10:49 the video jumps!! This makes me wonder whether the performance is in fact "live", as claimed (my assessment: there is no real evidence of an audience - just prerecorded applause at the end, but otherwise not a single cough or sneeze throughout the whole course of the performance) - or as more likely, this video has been carefully (but imperfectly) edited, based on the best "takes" of several rehearsals. This is a difficult piece, and I can understand that several takes might be necessary to achieve a satisfactory result. But, please, be honest about this! At least with Glenn Gould's recordings from studio performances, the producers were honest enough to admit that the result was the optimal outcome of many repeated recordings.
I'm afraid that your assumptions are mistaken. Firstly, what appears to you as a complete abscence of any sign of public presence isn't such, there still are many public noises, for instance at 12:56, 14:14-14:20, 15:45, 16:46 and many more. Indeed, many noises have been cleaned away, such as a cell phone ringing, chairs cracking etc., but this is not a ground to assume a non-live recording, all the less a separately made recording that corresponds note-by-note to live finger movements on the video.
Secondly, the jump of the video is due to the video camera finishing writing one file and starting writing another one at this point. Consumer-grade video cameras are known to have such issues at times: at the file switch, several frames may be lost. If you happen to be badly interested, I can provide you with fragments of the original video files.
I want to be a pianist^^~~
Too slow, and what's up with the trills?
With all respect, this doesn't have to be any faster.
@@sergeypiano I didn't mean any disrespect, and what I said was only regarding the 3rd movement. I measured your tempo for the first 14 bars and it comes to exactly 12 seconds, a tempo of 105. From what I've read, allegretto went through a transformation in the early 19th century and somewhat sped up to 102-110, which your performance falls right in the middle. It is possible that when Beethoven wrote the movement, he intended for it to be even slower than 100, perhaps 80-85, which is mind-bogglingly slow for me. But your speed is correct.
Personally, having listened to this sonata by various artists, I prefer a faster pace of perhaps allegro moderato, but that's just my personal taste.
Thank you. Indeed, one feels the temptation to make the finale faster flowing. But had Beethoven wanted this effect, he might just as well have written Allegro or Presto: he was never afraid of extreme tempi. In the cases where he used Allegretto in 3-beat measures, he indicated fairly moderate metronome markings, e.g. 56 measures per minute in the 6th and 9th sonatas and 69 in the Moonlight sonata (my tempo is approx. 70-73). By the way, Czerny who had studied the sonata with Beethoven suggests a metronome of 74 for this movement.
All in all, I think this tempo better suits this music than an Allegro and allows one to highlight better its subtleties.
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