Video není dostupné.
Omlouváme se.
How to Turn Your IDEA into a MOVIE -- Step by Step (A Brief Overview of the Complete Process)
Vložit
- čas přidán 28. 06. 2012
- In this video, get an overview of the COMPLETE screenwriting process -- from idea to screenplay to the sale -- in 5 minutes.
(The last minute and a half explains how we can help you go all the way... Start for free at fastscreenplay.... !)
Remember: Every movie you've ever seen BEGAN as an idea in someone's head. You CAN make your ideas real, too. Producers NEED screenplays. Write yours. Today.
I like how he's acting like he's actually drawing
It's all in the details. ;) Thanks for noticing.
movie magic
Yes that is true
And drawing incredibly fast even!
Acting is reacting 😂😂😂
Im great with coming up for scenarios for movies, but fail on the human elements, I am going to have to give this a try.
The human elements are our specialty. :)
You got this !
I get tons of ideas but usually dont even attempt writing
@@Diamondraw4Real start bro
@@Diamondraw4Real Trust me you should start writing down your ideas... I just started engaging myself... and now I have a whole binder filled with ideas...
Dang... he went straight to the point. I love this guy.
And thanks for using animation... even though your voice alone is already very clearly explaining. This is so helpful.
*I'm subscribing*
The animation does take a long time to do, which is the only reason I haven't done too much of it over the past year or two. But there are a handful of videos on this channel with some pretty great animation, so do have a look around! :)
@@fastscreenplay How can I make millions with my idea and screenplay?
@@Heartless-oi3sp How many films have you had produced so far, and what were their impacts? (The answer differs depending on how well you’ve done up till now.)
@@fastscreenplay I haven't. Just getting started. Trying to get discovered
@@Heartless-oi3sp Well then the answer is to spend 5-10 years mastering the craft, making yourself a value to the industry, and then moving up the ascension ladder from low budget, proving yourself to be exceedingly capable at every step.
My sincere advice is to strip the idea of “making millions” with your idea and screenplay from your thinking entirely. If all you’re focused on is making millions, you can’t be focused on developing the skills that are desperately needed. And if you develop the skills and can prove it, you will genuinely make the millions you imagine. You just can’t be driven by it or you’ll never focus on doing what you actually need to do, because you’ll be so fixated on shortcuts.
I can go into more detail, but most people duck out at this point, so let me know if this makes sense. Otherwise, I wish you enormous success with it. Take action, whatever you do. There is more opportunity for screenwriters today than could ever be seized. So seize it.
guys I always dreamed of writing a screenplay for years, I wrote a lot of short stories and a big long novel that probably will never end for me but today is the moment of my life that I saw a real shot at this
thank you for the motivation it meant big to me
Ezzeldin Sewilam Happy to help! Check out this channel as there’s a ton of great help and perspective (Producer’s Perspective series, Screenwriting Uncut series, The Feedback Loop series, FAST Story Development series and The Daily Prompt series all have lots of value and insights). We also do a “screenwriting kickstart” (ten days of foundation-building that every writer needs) at fastscreenplay.com/freestart - and that’s free, too. Also be sure to SUBSCRIBE and keep an eye out for new content. Developing these skills during this pandemic is ideal because there’s an opportunity explosion coming, due to a desperate need for great material. You have more than a real shot at this. If you really follow through, there is more than enough opportunity for you to succeed. Enjoy!
Keep going :)
he literally says "what we need to do " , but not "how to do " ..why did i even wait till the end of it. Should have guessed that he would ask to join. What a waste of time. Can't he even hint some useful experiences.
Actually, +Vamsi Krishna, the video explains EXACTLY how to do it. :) What you're referring to are the MECHANICS of it, which is the DETAIL... which takes about a YEAR to learn. I go far beyond "hinting" at useful experiences... I offer 10 full days of the system for FREE... I give away about 4 FREE ebooks with a ton of detail... and I'm here to answer any questions you might have.
But here's the truth: Explaining the mechanics in a video (or a book, or a blog) doesn't really help you. You have to learn writing by DOING it... by taking action and actually WRITING. And that's why I ask viewers to join us. The system gives you a new detailed lesson/exercise every day for about a year... which GUIDES you through the entire process AS you learn and master it... by actually DOING it. If you think it's possible to learn all the mechanics of professional screenwriting in a 7-minute video, then I'm afraid you're underestimating the level of quality required for professional results.
The 10-Day Free Start is free. Why not give it a try? (fastscreenplay.com/10-Day.html) It costs nothing, and you can discover whether or not you're serious enough to go all the way BEFORE you ever spend a cent.
And even if you're not really serious about taking action, keep an eye out for our new 4-part video series we're working on now (have been working on it for over a year)... about How to create detailed, original stories in 1 hour. It'll give you much more mechanical detail. But -- spoiler alert -- I'm still gonna ask you to join us, because no CZcams videos can replace a year of hands-on action and personal writing experience. Hope this helps... good luck!
FAST Screenplay well said.
Because this is a sales pitch- a lead magnet for you to purchase the how!
That’s not how lead magnets work. :) (A lead magnet would capture leads; this video is free to watch on CZcams without giving me any of your details.)
And this is not a sales pitch. This is a birds-eye view of the process - and most people will never fully grasp the 7 phases (or even that there ARE seven phases). After all these years, it amazes me that people still can’t grasp the idea of valuable content followed by an offer to help further. All they see is a pitch and they miss the value of the insight. Ah well. Can’t help the closed mind. Good luck!
yeh
Take it from me, this is a great system, and will take your movie idea forward. I joined FAST screenplay a couple of years back and have learned more about screenwriting than I ever though possible. Jeff is a fantastic support for everyone in the system, but the system itself, doing the steps daily, just... works
Me and my friend come up with seriously great movie ideas I can see as becoming movie. I've been wanting to write some stuff and this video gave some great tips
Love the whiteboard animation! It makes the whole process really clear. Can't wait to see what you do next!!
little did you know this would become the format of every explanation video
Makes perfect sense! Thanks for offering this system. I have long had the dream of being in the business of film productions, a dream I shared with my older brother. When he passed away, I sort of deflated in this area, but never really lost the dream. I have spent the intervening years learning the concepts of screenwriting and story writing, even landing some work on small local projects now and then. I have kids now that have taken an interest in both of these crafts and I have been infused with a renewed desire to work toward realizing that dream with them. I will certainly be joining FAST screenplay. It looks like the perfect place to resume my quest. And it will be so amazing to do it with my kids!
Hi +Daniel Barfield, I look forward to welcoming you (and your family) aboard. I started in the film industry when I was a kid myself (I was a child actor originally), and I never lost the dream either -- I still have the same passion and wonder for filmmaking that I had back then. The truth is that making it a reality takes some effort -- some hard work. But the secret is to always treat the work as enjoyable. Have fun with it, even through the struggles. FAST guides you through the process -- including the challenging parts most people ignore, skip, or overlook -- so you can focus on being creative and improving organically. It really is like nothing else out there, and if you follow through, it will guide you to your goals. Don't hesitate to reach out if you have any questions or problems. We're here to help, every step of the way.
Thank you.
I believe I had a movie script in my head. Finding a professional editor to organize my thoughts into logical and coherent dialogue is my challenge. FAST approach is awesome! Just subscribed.
+Wilz Myob Great, thanks for subscribing to the channel. You might also be interested in the 10-Day Free Start of FAST Screenplay (fastscreenplay.com/10-Day.html). FAST is a year-long program that guides you step by step from idea to the sale -- through story development, writing, rewriting, polishing, notes, feedback and more. A professional editor is great if you have the money, and if they know how to help you specifically. But I'm a huge advocate of finding your own unique voice, and telling stories the way only you can. For that, though, you'll have to spend a bit of time and energy. (Though if you join us, it's fun, every day! ) :) Good luck whatever you decide to do!
I know 8 years ago I commented here. I published two books. One with a publisher, one independently published this year. I don't know if you want to have a look at my works to see if I have what it takes to write a script for a movie😂. I believe with some guidance and a mentor, I can:)
This helped me create the perfect hero movie, I'm starting in 2021! Thank you:D👌🏾
Happy to help!
Me too
I've never seen this approach to screenwriting before. It's very cool. I've had this idea for a movie for years, and I think this could be the way to make it real.
The Good Angel on my shoulder said " yes indeed , you have that skill set , do it " .
Love this video, I thumbed it up!
I've already written a book called Prelude to a Distant Future. I want to create a movie screenplay from it. Do you do things like that?
FAST Screenplay guides writers through the complete process of preparing them for the job of creating material the industry can use, finding effective story ideas, turning those ideas into compelling stories, writing their script, rewriting and reshaping until its solid, polishing it into a page-turner reader experience, aligning the end result with industry needs, and then finding and connecting with the project's ideal producer.
Yes, this does work for original material AND adapted material. It also works for novel writing, television writing, and any other long-form writing, because we guide writers through the complete creative PROCESS of writing and selling their work, and we develop hundreds of skills and techniques along the way that are applicable to any form of writing.
I will say this, though: In order to fully understand our system, you'd have to go through the whole process -- which is released one step at a time, so that writers learn by DOING, and so that the content and experience can fully integrate with your creative subconscious. This is so that the process itself becomes an intuitive, organic part of the writer's creativity.
So the short answer is Yes, but the long answer is that you'd have to determine if you have the patience and interest in learning the whole system. I wish there was a quicker way, but as you know from writing your novel, it just takes time and practice to master the complexities of the craft. Personally, I believe it's well worth your time (and you'd get cross-over value that can be applied to all future projects), but naturally I'm biased. :)
If you're looking at outsourcing the adaptation of your project, then that's not really what FAST is all about. Hope this helps!
00:04 🎬 The process of turning an idea into a movie involves two major stages: turning the idea into a screenplay and then turning the screenplay into a film.
01:38 📝 The screenwriting process involves four phases: exploring and focusing ideas into a story, writing a first draft, rewriting to strengthen the story, and tweaking the words on the page for reader engagement.
03:41 🤝 Understanding what producers need in a screenplay is crucial. It's important to align your idea and screenplay with what a producer wants to make.
04:23 💼 The ultimate goal is to connect with a producer who is perfect for your project and make a deal. This is the payoff of the writer's stage in the complete process.
05:18 🌐 "Fast Screenplay" is a system that reverse engineers the screenwriting process from the producer's perspective. It provides a clear path to guide writers through every phase of the process.
Not exactly how I would’ve summarized it (as I think you’ve missed some key nuances), but for those looking for info only, it’s close enough. For those looking for understanding, check out the video and feel free to ask any questions you may have. Happy writing!
I'm working on a superhero/powers story. I am not good with special effects so I'm not sure how to put this into play. All I can really do is write on an app called watttpad. However, I'm not sure how to turn my book into a script. Also, how many chapters of a book would you need to to make a half an hour video?
The writer doesn't need to do special effects; that's the job of the visual effects department. So there's no need to worry about that.
As for how many chapters of a book you'd need to make a half hour video... I'm not sure what you mean. Chapters are variable length, and the content in a half hour video is variable length, too, so there's no set answer to that question. It all depends on the writer, the story, and what you're trying to achieve.
If you're looking to turn your book into a script, you'll still need to go through the whole process (prep, develop, write, rewrite, polish, align, connect), so you'll still need to learn all the skills of screenwriting. (We've identified at least 300 skills writers need to master.) I recommend to all writers (even advanced writers) to start at the beginning -- which is how my system is laid out. But it's entirely up to you.
thank u for the tips!
I have an idea for a story
now I know the basics of the basics to get it into a movie
a proper script and more
thank you very much
Jeff, your book was a huge help to me, and really inspiring! It's my number 1 Kindle book! I can't wait to do FAST Screenplay, a friend of mine is doing it now and I read his script. I'm really impressed. You are an inspiration! Can't wait to see the paradigm stuff.
I grew up sailing around the world with my Father, Mother, Brother and Sister for almost 14 years from 1967 to 1980. I have interviewed my parents and siblings and have put all the events to paper in chronological order. There is of course stories of whale collisions in a major storm in the South Pacific, Pirates, treasure hunting, different cultures and people and of course countless other things.
I am not a writer. Where would I go from here? Is this story worth pursuing? If you were me what would you do? Thank you.
The key is going to be turning it into a narrative with a thematic purpose. If you have something you want to say that the story lends itself to exemplifying, that’s one way to start. If the events of the story show or reveal some insight about human nature or our purpose, that kind of thing can be valuable. A series of interesting events in chronological order isn’t what makes a story; it’s what it all “adds up to” that matters.
I know that I’m biased, but I would advise learning the FAST Screenplay system. It’s designed to guide you through the whole thing from start to finish, but it takes about a year to learn and another year or two to master. The upside is that you’ll be able to create stories at will in a matter of minutes when you’re done, so you could open up a whole world of stories inspired by the adventures you’re describing. The question is whether you have the desire or persistence to dive that deeply into it.
Alternatively, you could start exploring the ideas and fleshing out narratives with AI. I gave a resource called the Accelerator Launch Bundle that shows you how to use AI to flesh things out quickly, and how to use AI throughout the creative writing process. That’s at go.screenwritingaccelerator.com/thebundle
My goal is to make the very thing you’re asking about fast and fun. And I speak from long experience when I say that it can be a whole lot of fun, and the opportunities on the other side are more extraordinary every year. Hope this helps!
Dear Sir , can you advice me , where should I send my script? On which adress , page?
Screenwriters told me that my movie(idea) should win Oscar ifsome bigger film company take this.
Unfortunately, it doesn't work like that. There are thousands of producers all around the world; your job is to find the one that's perfect for your your project. They are not all sitting in the same place. :) So I can't really advise you on your project because I don't know anything about it (and I don't really have the resources to review every project people contact me about on CZcams -- in fact, this is part of the reason I built FAST Screenplay in the first place... to guide you through the whole process and still have time for my projects, too!)
If you subscribe to FAST Screenplay for one month, we cover all the things the industry will need in your script, and we prepare you for the process of creating it. If you subscribe for 2 to 3 months, we then build upon that knowledge to make sure that you can turn any idea into a compelling screen story producers can really use. If you go all the way, we actually do it -- but I think you would find the first couple of months to be a huge help. There is much more there than I could possibly cover here.
Anyway, I hope this helps! You really can do this, but it will take considerable time and effort to learn how to do it professionally. If your project could win an Oscar if a bigger film company takes it, then you have to turn the idea into a screenplay a bigger film company can REALLY say "Yes" to. And this is more challenging than new writers imagine. It can be done, and FAST Screenplay guides you through the whole process. But you have to actually take the action and follow through. Good luck with your project!
My friend and I have a really great idea for a movie, but are too busy to handle making a full script with school and everyday life. What do you suggest?
Sounds like 99.9% of all great movie ideas. I guess come back to it when you decide it’s a priority. Until then, just have fun talking about it with each other.
you need to put in the work for great out come the universe has system set no work no results
Thanks David! Your efforts within the system are an inspiration!
This is helpful thank you. Ive been trying to do a little story in my head to put it into book someday and also a movie. I wanna become an actress and i would like this story to be my character.
Happy to help!
Good luck! Hopefully your anticipation becomes true :)
Screenwriters have to recognize a bad idea. Know when to give up on that bad idea in order to move on to a better idea.
Completely agree. That's one of the reasons why we show you how to determine it in the first two phases, and then continually give you new and better tools throughout the system. Also, the Alignment Phase will help you use feedback to spot exactly how to make a "bad" idea more effective.
(Incidentally, I recommend against using the phrase "bad idea". The fact is, there's no such thing as a "good" idea or a "bad" idea -- instead, think of them as "effective" or "ineffective" ideas. When we judge something as "bad", we close our mind to improvements, but when we instead call it "ineffective", it triggers the mind to thing "ineffective HOW?" and we jump into solution mode instead. It's one of the most powerful ways to start developing better (i.e., "more effective") ideas -- looking at them as being on a scale of effectiveness. Hope this helps!)
your mum needs to learn that skill too, ROASTED (jk)
How do I connect with producers? I'm just a girl in my apartment writing a script and working in an office. I have no idea how to meet movie people.
It depends on what you mean by “movie people”. If you’re talking about the biggest producers in the industry, who are making $200million tentpole films for the major studios, the answer is that you become a top level screenwriter and build your network so you can get your work to them. Most new writers want to jump to this level long before they have the skills and the projects that those people are actually looking for, though. So if you’re not ready for that yet, you should instead start local.
There are small and independent local producers at every corner of the globe, and even more who aspire to producing or directing films on the same way you aspire to writing them. These people are widely accessible, and as you develop your skills, they develop theirs, and you build your networks together. For those people search your local community for film groups and any film or video industry organizations. Reach out to people doing corporate video work; they often have aspirations of making features. Try finding a local group of enthusiasts and write for them. You’ll hone your craft and have a lot of fun doing it.
Alternatively, join us in FAST Screenplay, where we’re building a network of writers and creatives, as I attempt to build an indie film studio from the ground up. If you go through the whole system, you’ll develop the pro skills 99% of writers simply never develop, and be ready when the opportunities present themselves. We’ll also produce a film you write if you make it all the way to the Writer’s Room. Your call, obviously. But there’s literally unlimited opportunity out there. Keep developing your skills as the one thing that’s truly lacking is great stories and great writers who can consistently craft them. Good luck!
That great advice cheers!! The final piece in the puzzle, got it now thanks!!
I think this is a Great Idea!!! As a writer who has some very good ideas for a movies, why would I not want to make it as easy as possible for the Producer to make that movie? The easier it is for him the easier it will be for me to write the movie that he can make withing his guidelines. Question is how do I make that connection with him BEFORE I waste all this time writing a story that gets shelved? The Old Story Goes As Usual...Its All About Who You Know I And I Do Not Know Any Producers...LOL!! I know for a fact after asking many people (Not Friends) over the years that they would go see my movie if I could actually put it all together. I am taking that step now and if it works great, but if not at least I tried. After seeing some of the stuff lately at the movies I know that good material is very rare right now. My ideas are all fresh with a dose of how could anyone ever come up with something like that? My imagination is infinite and has been for years, from reality to a combination of both? The material that is still on peoples minds 30 minutes after they left the theater. They are asking themselves if that could really happen or Dam that was an unbelievable movie! That Is What People Want!! Keep them interested and they will come, if not you will lose them.
+David Garon, you wrote" "how do I make that connection with [a producer] BEFORE I waste all this time writing a story that gets shelved?" ...You write an extraordinary screenplay. Have a look at my other series on this CZcams channel: The Producer's Perspective. Everyone has great ideas, but producers can't develop relationships with everyone; there's simply no time. So you have to prove you can do it, and you do that with an extraordinary screenplay.
We can't film ideas, and the screenplay is the blueprint for a very elaborate and expensive fimmaking process. So there is no such thing as wasting time writing a story that gets shelved. That time you spend on it is time spent developing your skills so that you're ready when you make the connection. Making a connection before developing the skills is what causes writers to miss their once-in-a-lifetime opportunities. If you have people telling you they want to see your work, then come on and join us and develop the skills producers need to make it a reality.
Thanks for the comment, and keep on writing!
8 years later he's still replying
#commitment ;)
Nice widows peak hair cut. Also this helped me with my stop motion scripts
The drawings are perfect. I never thought about alignment before, but it makes a lot of sense. If only I had a couple million bucks, I wouldn't even need the producer... then you'd be out of a job! Haha... ;)
Very motivating, brief and informative
MMF Happy to help. Check out the rest of the channel for hours and hours of motivating and informative insights. :) And by all means, keep on writing!
I have a idea for a horror movie and I’m going to make a screenplay and summary which should I do first?
There’s no right way to do it. Follow your gut. If it’s only those two options I’d probably start with the summary because it’ll help you crystallize your idea. But that’s not the approach I take (I take the approach mapped out in the video), so if you don’t want to do it the way I suggest, I might not be the person to ask. ;)
the more i watch the more convinced i get that comic book might be the best form, be producer writer and director all n one, talk about showing the idea as a movie experience.. nice drawing!
Have you seen Sora? We’re about to be able to do that with cinema-quality movies just as easily as you could make a comic book. :)
Hey Thank You again for the video, for the the clear message u did step by step...
How can I be in touch with any Hollywood producer, to show my movie idea on a screen play and all the step u mentioned
How can I find them I do not live in USA...
Thank You again.
Hi Arbnor, this is a very big and complicated question. If you watch the other videos on my channel, I explain why producers put walls up around themselves, to avoid being buried under submissions (since most submissions - 99% - are not viable). Your job is to perfect your craft and develop your network to the point where you can get that access.
I'll give you an analogy. Imagine that you wanted to be in a band, but you only started learning to play the guitar. Now imagine that I told you you had to go through a process to become a master of the guitar. Asking how to get in touch with Hollywood producers to pitch an idea is like asking how to become the lead guitarist in U2. Until you are ready for that position (and have met and proven yourself to enough people who can connect you to that opportunity), it's a premature question.
To be clear, you can absolutely do it. (Maybe not U2, but you can reach the top like that.) You just have to be extraordinary. To make a living, guitarists can play in smaller bands, local bands, etc., but they need to practice and practice and develop their skills and get to know people. This is 100% achievable, no matter where in the world you are. But it takes time and effort and persistence, and a willingness to take action every day. It's not just about DOING the steps... it's about doing them at a professional level... and eventually a level of mastery. Start small, start local, and take action every single day. My approach will help you speed up the process, but there's no shortcut to allow you to sidestep the process.
I hope this helps!
I appreciate your enthusiasm, but remember that everyone is enthusiastic about their ideas. I have seen nearly 30,000 project submissions and read approximately 7000 screenplays. And I can tell you that you won't sell an idea. You have to turn it into an extraordinary screenplay. Please watch the other videos on my channel - I have spoken about this at great length.
I am interested in producing films - and I am focused exclusively on the writers who go through my system, because they are the ones who have committed to developing the skills all writers need, but 99% will never develop. We can't do anything with an idea. Take the time and learn the craft, put in the time to develop your skills, and make sure you take consistent ongoing action through the entire process. It is the only way to guarantee results. You may get lucky somewhere, but most do not, and that's why I recommend completing the process. Hope this helps.
The problem with this system is that Movies doesn’t sell anymore, it’s the “series” where the money is. Am I correct? Or am I partially correct? Meaning you need a offering that outlines a system and process to create the “Fast screenplay” for a series that can be on Netflix, Hulu and even HBO and Starz, one that can produce multiple seasons for cable TV and or the “cut the cord” conglomerates. Is that in the works or do you feel this system is the same for series?
Our system is the complete creative PROCESS, from the spark of an idea all the way to the deal. It is applicable to feature films, television series, novels, or any other long-form fiction writing. So if you're writing something for Netflix, Hulu, HBO, Starz or any of the hundred NEW streaming services that will launch in the decade ahead, this system works for it. Why? Because EVERYONE starts with an idea... and EVERYONE ends with the deal. And getting from Point A to Point B is a PROCESS that is the same no matter which form you're writing. We focus on feature screenplays because that's what we we were looking for when we built it, but it it's the PROCESS, rather than some paint-by-numbers story approach.
As for "where the money is" - anyone who tells you the "money" is only in series television is mistaken. Enormous profits can be made at all levels of this industry. It's a business like any other - if you create a product people want, at a price that leaves you room for the sale, you can sell it for a profit. In fact, it is orders of magnitude more difficult for a new writer to sell a series than it is to sell a feature. There are MANY more opportunities to sell a feature. Plus, you need to write a feature to DEMONSTRATE your skills - otherwise a service like Netflix, Hulu or HBO will never be able to buy your project, because they won't be convinced you can successfully execute it.
First, you need to develop skills that enable you to compete at the highest levels. Then, you need to develop skills that enable you to sell (and discover) the most profitable ways to do that. ALL of it is built into the FAST Screenplay system. I hope this helps! Good luck and happy writing.
I see you responding to most of the comments.
I can see this video being well made amd written in order to rise the curiosity.
Do you let people know how to become producers as well or only script writters?
+Pawel, unfortunately, no. To match anything near the scope and quality of what I have created for writers, it would take another decade to craft something similar for producers. I don't have that in me, I'm afraid.
Keep in mind, I only started teaching writers because after receiving thousands of script submissions, I couldn't find anything viable to produce. I was trying to solve a problem, and it led me down the rabbit hole. I created a script development system so that ultimately we could have better quality material to produce.
I have a good idea and an outline of a historic action genre...how should i approach a producer?..that is the hardest part!!
GOPI COOL Unless you're already a proven professional writer (having written bestseller novels or sold screenplays), you can't do anything with an idea and an outline. Why? Because you're putting all the burden of the work on the producer's shoulders -- and they just don't have the time (or the funds) to do it.
What you need to do is turn your idea into a fully fleshed out story, and then turn that story into a production-ready page-turner screenplay. Then you need to get objective feedback from multiple sources to know how well your project is aligned with industry needs. And then you need to find and connect with your project's ideal producer.
If you've never written screenplays before, the process will take a few years (remember: they need mastery-level work, as there will be millions of dollars at stake), or you can condense the action down into a single year by going through FAST Screenplay. But either way -- getting a producer on board is absolutely NOT the hardest part. If you have a legitimately production-ready page-turner screenplay that's aligned with their needs, getting a producer on board happens quickly. The hardest part is crafting the material to that quality level -- and aligning to their needs -- in the first place.
We'd love to have you join us in FAST (you can start the system for free and get the first 10 steps). But whatever you decide to do, I wish you great success.
Sir, I have film story.i want to listen you my story.story about a inspiration.please say me what I do?
Please see our video "How to Sell Your Movie Idea" (czcams.com/video/r01B6mPXMjU/video.html) on this channel. If you're interested in working with us specifically, please watch all of our videos to get a sense of what we do. Cheers.
What if I want to co-direct my movie? I have a screenplay but there's more things that make this writing better than just the screenplay.
Ismael Judá Moraes Reis Dias If you have experience as a director, and the work is compelling, I’m sure that could be negotiated. But if it’s your first screenplay or you haven’t directed before, I’m not aware of any producer that would be comfortable risking that kind of money on an unproven director. (If the follow up is to hire an experienced co-director, I’m not sure why an experienced director would want to share that job; it’s very much the job of a general.)
Keep in mind that both screenwriting and directing are skills that take years to develop. And they are dramatically different jobs requiring dramatically different skills. A writer must inhabit their world and its minutiae alone, whereas a director’s job is to corral hundreds of people to ensure the machinery of production results in an artistic product.
If you really want to direct your own screenplay, my advice is to make it for as close to zero dollars as possible. That way you can learn as you go, and no one will be worried about the money. Hope this helps.
@@fastscreenplay I really seek to co-direct my movie because its something that goes beyond just the screenplay, there's many other details that I wouldnt be able to discuss or do without some authority on the set. And everything seeking to make the best possible to the story while knowing well what will appeal the audience.
Ismael Judá Moraes Reis Dias I understand. The problem is that movie making is a very expensive proposition. Someone will need to invest an enormous amount of money, and the producer’s job is to ensure we end up with an actual product that can recoup that money. A first-time director (or first-time writer) (or both) is very risky. Your idea might not be as viable as you think... or maybe it is, but you might not have the skills required to actually pull it off... or even if you pull it off, there might not be the audience you think there is. This is why I recommend starting small. Develop your skills. Then you’ll know (not from a hunch or a wish but from experience) and you’ll be able to do it to maximum effectiveness.
Keep in mind that through all your questions and comments, you’re only focused on you, and what you want, and what you believe. There’s nothing wrong with that, but if you want to team up with others (which is what all filmmaking is), you’ll need to understand and consider their needs and wants too. This can be done, but few will do what it takes. Time will tell if you are one of those that do. :)
@@fastscreenplay The reason is that all my studies during this long time were being focused on the audience and the Studios to have some interest on my work. I'm kinda focused in me because I'm always afraid and worried with the Industry (to someone like me who is used to interact with just people, be trusting of Studios is quite a hard work).
The only issue is that Studios often refuse to even take a look on a logline, so its quite tasking... It's hard to appeal if no one checks the work. But the motivation is still strong.
Ismael Judá Moraes Reis Dias Why focus on the studios? Why not establish yourself first? Then the studios will come to you.
I have an idea i think that could be nice, but I'm 16 and busy with high school and of course and I'm not a writer. I would like to kind of submit my idea but without a whole script. Any suggestions?
+Nico Strik My suggestion is to hold onto the idea until you've turned it into a screenplay. Ideas by themselves have no intrinsic value -- even if they're "good" ideas (even if they're "great" ideas). The problem is that we can't do anything with an idea. We still need someone to turn it into a screenplay before we can truly assess its worth. So if you try to sell the idea, you won't get much for it, because the value is in the execution of the idea -- and we would need to pay someone to write it.
You say you're busy with high school, but I've taught hundreds of high school students over the years. If you can carve out an hour or two a day, you can learn how to write a screenplay at a professional level. The fact is, everyone is busy with something -- that's just an excuse to avoid doing the work. If you want to see that idea as a movie, you should go for it. The craft is learnable. And if you start at 16, by the time you're in your early 20s you will be an extraordinary writer. That puts you well ahead of the competition.
Good luck, whatever you decide to do.
Always need help to spread the word. Share as far and wide as you can. :) (And keep up the great work inside the system!)
Thank you so much sir, this is exactely the kind of video that I was looking for.
But I do have a question, I'm from Africa and I have a brilliant idea but want to make it a movie by an indien or turk producer, because the kind of story that I have is much familiar with their culture and also they have pretty good talented actors to do that. is that possible sir and how to so? Now again Thank so much for this video
Hi there. Yes, of course that's possible. You'll have the same challenge that someone who is not in Hollywood has when trying to write for Hollywood -- you need to get the script into the right person's hands, and it has to FEEL local. In other words, if there are Indian idioms and cultural norms, etc (if there are ways that an Indian character would handle a situation differently to how an African person would handle it), then you need to make sure the story/screenplay reflects that perfectly. As an example, I have seen many Americans write screenplays for the Australian market, but they don't get the feeling right -- because Australians do things a little differently to Americans.
The point is that your screenplay must deliver the LCOAL experience -- it must feel right to your TARGET audience. This is a skill that takes some time to master. Then, when you have a screenplay that you know for certain is affecting the target audience powerfully, only then should you reach out to local producers. If you're in Africa and you want to connect with an Indian producer (or a Turkish producer), you'll need to research that local market and identify the producers that are perfect for your project. You'll then need to figure out how to get your script to them (it's different for every producer) and you'll need to be ready -- so you can hook them, draw them in, and then exceed their expectations with your project.
That's what you'll need to do. In my experience, it takes several years to learn all the nuances and detail of the process, which is why I built FAST Screenplay -- to create a path that takes only about one year. But whatever road you take, these are the things to do. I know it's only an overview, but every situation (every writer, producer, story, local industry, etc) is unique, so be prepared to take some time with it, and don't get discouraged. It is absolutely 100% possible to do what you are asking. The question is only how dedicated are you to making it happen? :) Good luck!!
@@fastscreenplay I really don't know how to think you enough for your time first and your brilliant explanation. You can't even imagine how much I'm dedicated to make that happen, and I will for sure no matter how long its gonna take.
Thanks a lot, Sir
This is really awesome compared to other videos. Thank you!
Thanks +Kimberly Yusay. It's a unique perspective that has taken many years to refine. I'm pleased you enjoyed it! (Don't forget to check out my new 4-part series on "FAST Story Development"... you'll love it!)
Please keep making more!
+Kimberly Yusay, thanks for the encouragement! To be honest with you, these things are incredibly expensive and time consuming to make, so the only way we can support them is when people join the system. We don't make any money off the system (it all goes to pay for videos like this and all the extraordinary content of the system).
So if you want more (which I'd love to do), check out FAST Screenplay (fastscreenplay.com) and please spread the word about our CZcams channel and the videos you love. Thanks so much!!
So are you saying write the script and send them the whole thing? or just some up your story the best you can quickly so that the person reviewing it doesn't lose interest in the idea?
I have so many ideas that I’ve written & I just have to adjust them. Thank you for this video
Happy to help! Producers will always need great new content, keep at it.
Sure. There's a very extensive video on formatting within FAST Screenplay itself (Phase 1 [SETUP] Step 15), but I'll put together something for CZcams as well. We have several new videos in the works. Be sure to subscribe so you'll be notified. Thanks for your interest.
What if I have a good idea but it has copyrights attached to it? It was a (
foreign) bestseller that hasn't been made into a movie yet. Can I go to a producer after I have adapted the book into a screenplay? (The author is dead by the way.) thumbs up for your video😁
You need to get permission from the rights holder. If the author is dead, their estate will still own those rights (depending on how long ago it was), so you won’t be able to sell a screenplay adaptation, no matter how good it is. But if you’re passionate about it, it’s often worth the trouble to find the rights holder and get the film rights. Especially if the property has a sizable audience.
@@fastscreenplay Now I know what I have to do and what story not to try and sell. I thought if I or a producer company bought the copyright for a temporary license it might have a chance. it is a dutch book but is set in america at least american-ish but I guess I have to come up with something authentic myself. Thanks for the info.😉 subscribed!
@@dusanblagojevic4430 I always recommend learning the craft and starting the journey focusing on original material, so I think that’s a good conclusion. But don’t necessarily rule out existing properties. Once you have the skills, they can be a great place to explore.
Look at you...9 years ago! Great intro video. Did you know you could go back and update the video with description and tags? I'm still learning to tweak YT myself, but I'm happy to share my knowledge. Go, Jeff!
I want to know how to get my screen play to the producer, any help?
Have a look at the Producer's Perspective series: czcams.com/video/rVIhBNHcpeA/video.html It will get you started. Particularly Episodes 1 and 2 (which are videos 3 and 4).
Dude, I thought as I listened to you in the beginning that you were selling something instead of providing ideas on the subject of your video and I was right.
I guess it's unfortunate that you didn't see the value in this video. It is deeply sad to me that so many writers turn off as soon as they hear about a solution to a grand challenge which needs to cover its costs. TO BE CLEAR:
This video explains in overview the 7 steps of the complete process of turning an idea into a script into a sale. These 7 steps are true for ALL writers, no matter who you are, what you're writing, what level you're at, or what your target audience is.
To those who actually imagine that a 7 minute CZcams video could walk you through ALL the complexities of the entire process: You are underestimating the craft of screenwriting. It literally takes a YEAR to cover it all -- and that is after I spent a decade meticulously weaving about 3 years' worth of content to help you learn it that quickly.
This video is not "selling something". This video is explaining the process in overview, and then letting you know how you can take it further. The system I built includes, literally, 100 hours of video content, over 2 million words of articles and exercises with thousands of insights and detailed support through every step of the process, developing nearly 500 different skills in the screenwriter along the way, to ensure professional viability.
Oh -- and it's FREE to start. You get 10 days (up to 10 steps that include more value than some full screenwriting courses) to see if you like it... without paying a cent. fastscreenplay.com has full details.
Hope this clears it up. I wish you extraordinary success.
Jeff. You're just Brillant! This is clear, simple, logical, brillant.
BRAVO!
Let me know if you need any help to spread the words.
Nicolas Simonin
The message has remained clear and consistent. Best wishes to you on the journey, my writer family!
now if i joined and followed your steps until completion would i keep all the rights to my script? also, would I have access to producers outside of you to pitch my script to? Lastly, does this apply to tv series as well as movies?
Hi +bethany williams... absolutely! FAST Screenplay is a SYSTEM that guides you through the complete writing PROCESS (from idea to story to screenplay to the sale). You own all rights to your work (no one else even sees your script until after you've legally protected it), and you learn a step by step system for finding and connecting with your project's IDEAL producer (which, for most people, won't be us).
As for television, yes. Because our system is built on the PROCESS of writing, it's about 95% applicable to ANY form of writing, including television, novels, interactive, corporate... anything. All you have to do is substitute the specifics of movies for the specifics of television (or novels, etc)... and as you go through the process, you'll even understand HOW to do that.
I'm finishing up a 4-part video series that should be online in the next couple of weeks ("FAST Story Development: How to Create Detailed Original Stories in 1 Hour") that will answer these points a bit more clearly. But in the meantime, let me know if you have any questions, or need anything at all. We're here to help... every step of the way.
This video is 8 years old. This guy sounds amazing, so where are they at now?
john lerner Stilll here every day, helping writers. In fact, we’re now working on a new phase of it: I’m building an independent film studio to begin producing projects written by writers who complete the system and develop the skills it builds. (Also about to launch a new weekly series here on this CZcams channel.) Stick around for some truly great content (or join us to be a part of it.) Thanks for the comment!
Honestly this is very helpful
Happy to help! Be sure to explore the channel. There’s over a hundred hours of helpful stuff here. And if you’d like help to get to your target, don’t hesitate to reach out!
FAST Screenplay, i was day dreaming in class about, what is a person doing at the same time as me like the queen, cleaner etc , It would be a great a movie for teens, but the thing is im not a writer or a person that does screenplays im just a 11 year girl that had an idea. How would i extend and publish my Idea??
+Tasha Vlogs, the best advice I have is to learn how! :) Producers can't use ideas (see my other videos to understand why) so SOMEone will have to write it. That someone should be you. If you start learning at 11, you will be an amazing writer by the time you're 16 or 18, and you will truly have the world at your fingertips.
Very informative👍
i currently live in sri lanka but i love to become a film director. i watched a video of the great japanese director kurusavo wich he said a good way to learn directing is learning to write screenplays. so started learning how to do that and your videos have been really helpful. i would like to have your advise on how i can make my career in an international film industry.
your explanations are awesome.... :)
Can I ask what you mean by "can't use?" Is it an issue of the idea is too complex or something for a producer to even make? Can you be a bit more specific so we know what to avoid doing when writing?
Screenplays only exist to be turned into films. So a screenplay that’s not viable - one we would not be able to turn into a film for a variety of reasons - is unusable.
Screenplays can be unusable for hundreds of reasons. Anything from a weak or unmarketable concept to a great concept poorly executed. Stories with concept budget mismatch. Stories that start strong but fall apart halfway through. Or five minutes in. Or in the final act. Stories with flat, cardboard characters, or characters that won’t appeal to name talent. Stories that are misaligned with their target. Or have dull or unimaginative scenes. Stories that are obvious knockoffs, or that are just too similar to existing projects. Or that are identical to something already in development. Or that were written for the wrong format (eg a tv movie concept pitched as a feature). Or that are disconnected from the current moment (which is actually a prediction of the current moment three years from now). Anything that requires a significant rewrite or that would be impossible to get funded. And on and on.
It’s not about what to avoid. It’s about understanding what’s actually needed, and why. And this is something that can’t be summarized quickly. It takes years of effort and experience. Which is why I built a system to cut the time down by about 90%. If you want to do it on your own, just keep writing screenplays and trying to master the craft. Even if you end up writing dozens of projects that are not ultimately viable, you’ll learn and grow as you go. There is no such thing as failure if you iterate your way to success. Good luck!
Thanx for the best information ever
Happy to help!
I just saw a video that gave me a great idea for a movie. What should I do?
Develop the idea into a story, and then write the screenplay. :)
Are you still in Sydney? I have a screenplay and am in Sydney. What can you recommend? Thank you 😃
I’m not currently in Sydney, but will be back when we get the studio underway. As for getting your screenplay made there, I would suggest looking in the film industry directories and researching who’s right for your project and reaching out. The industry is much more accessible in Sydney.
Like a lot of what I hear but will be googling you after this, something strikes me as not quite right, sorry. You USE A LOT of selling techniques and catchy phrases, feels like i'm being sold a car. There's an old saying where I was brought up, Don't buy the story, just the item, if that's good enough, doesn't need to be sold hard.
A lot of what you say here in picture boarding is correct, it's how slick you sell it that alarms me, hope to be wrong : )
Fair enough. But what I've found is that writers need to be INSPIRED if they are to take ACTION. You will not learn to do this by watching videos -- you can only learn by experience. I do what I can to get you to act. (And if being "slick" or "quality" is alarming, then it speaks volumes about this industry -- why do people think someone with a passion for filmmaking can't make quality videos? Why do I need to make lame videos to be trustworthy?)
Check out the new Producer's Perspective video series. I will SHOW you that what I do is worth its weight in gold, in the months ahead. Introducing THE PRODUCER'S PERSPECTIVE -- a new series for screenwriters
But you'll have to take ACTION if you want to actually make the dream real. Good luck, and remember to ENJOY the process!
You assume I don't work in this industry by your answer.
You speak like a salesman defending a sales pitch, Even your reply is one of a salesman defending their product. You assume a great deal not just about my comment but on others you haven't spoken too, you said.. ' if being "slick" or "quality" is alarming, then it speaks volumes about this industry -- why do people think someone with a passion for film making can't make quality videos? '
I don't recall me suggesting this, but I do see you over reacting to push your style and justify your approach, much like a salesman.. I wouldn't let you near my department. However, much of what you describe (out of the sale pitch) is quite accurate. I don't doubt your ability, just your method.
aussiness74 I make no assumptions about your (or anyone's) work history or ability level. I'm merely telling you *why* I present the way I do, in response to your critique. Yes, naturally, I'd like writers to join FAST Screenplay -- I've spent 15 years building it -- putting my own career on hold because I believe it's what's missing in this industry, and it's something EVERY writer will get massive value out of. Does that make me a "salesman"? I cringe at the thought -- but I guess on some level, yeah, I'm trying to sell people on the idea of taking action... so, yes, I'm trying to get you to "buy".
If you don't like what I have to offer, I'm sorry that I haven't presented it effectively enough. I try my best, I express my passion, and that's all I can do. I like making slick, polished videos. I look at the older videos and I cringe at their weaknesses. (Heck, I cringe as some of the technical limitations of the brand new videos.) I'm a film guy -- of course I want it to look good. I do the best I can on the budget I'm working with.
The truth is, though, over the years I've heard lots of reasons why people don't follow through, and most are just excuses. Money, time, they've never heard of me, I sound like a salesman, etc. And I get it. But if, as you say, most of what I say is quite accurate (and it's more accurate than 99% of what's out there, I assure you), then letting my style get in the way of my content would be a mistake for a writer, no? Yet I've been hearing these same resistances for 15 years. "I would do your system, but..." It's frustrating, considering how much I've poured into all this.
So, bottom line, look, I do apologize if I came across as defensive. That was not my intention, and that's not what it's about. It's frustration, pure and simple. What you see is passion and perfectionism, not any attempt to manipulate a sale. I'm not a salesman. I'm a filmmaker who started teaching screenwriting when I couldn't find material to produce. Buy or don't buy, that's not even my concern. What I offer is the real deal, and I offer it from the heart. I'm doing my best to prove it. Whether I do or not is ultimately up to you to decide.
I wish you extraordinary success whatever you choose. And keep an eye on my videos. I've got some great content on its way. :)
Regardless sir, I commend you on your stout belief and I do actually hope you are successful. I just pointed out if felt like I was being sold something rather than invited to take part and learn.
Story boarding is a vital part often ignored by certain courses, you make it look easy and eventful. I found it to be a blue print and proof (at times) of what is to be shot and produced.
My comment wasn't aimed to upset or annoy, so for that I apologise.
I genuinely wish you luck and good fortune, and I enjoyed this debate, which reflected the passion you speak and the point I made equally.
aussiness74 Thanks for your comment, and for the debate as well. But just to clarify, I wasn't upset or annoyed -- really just trying to clarify my position, since you brought to light a common criticism I get.
I think the great irony is that I *hate* selling, and it's the one necessary evil in business (and in screenwriting, for that matter) that's *required* in order to achieve success. I would love nothing more than for every writer to simply see the value of what I offer, and choose to join me -- not for MY benefit, but for THEIRS. I know this will sound "salesy", but it's actually true that I priced my system at about 1/20th of its full value. I did that deliberately -- because I have *always* tried to give WAY more value than writers can get elsewhere, and for as close to free as I can make it. But, since it's NOT free (because I just can't afford to do that -- it costs time and money to build these things), I have to charge for it. And then writers think I'm "selling" them something. And it's heartbreaking for me, because they will never see the enormity and comprehensiveness of what I built -- something I am more proud of than anything else I've ever done. And that just makes me hate the selling part of it even more.
So, I try to create great CZcams videos and encourage people to take action. I don't know what else to do (but for the record, I'm open to suggestion!). So, anyway, whether you join me or just take action some other way, be sure to watch my upcoming videos... and follow through on it. There is so much NEED for great screenwriters and *so much* opportunity, but the only way to seize it is for writers to go all the way. To take ACTION to get there. That's the bottom line. Good luck with it!
You explained this really well, thank you.
thank you so much....really this vid helped me a lot
I'd like to ask something I have multiple scripts that's I've worked on all ready to send to different company's all depending what they produce of course but the problem I'm having is finding the right information so i can send them to the right studio's can you advise me ?
The simple answer is to get a subscription to IMDb Pro and look up the people you're trying to contact. You'll find their contact details there.
The more complicated answer is that most will not look at unsolicited submissions that don't come through an agent or manager, for legal and liability reasons. Without an agent or manager, in order to get them to look at your work, you need either an extraordinary hook that will stop them in their tracks OR (more likely) a referral from someone they know and trust... or you'll need some moment of serendipity where you make some connection by chance.
There are a multitude of reasons studios and production companies don't accept submissions, and I explain it all at length in many of the videos on this channel. Writers misunderstand the process, and think it's a matter of "who do I send it to?", not understanding that every part of the process is tightly interconnected. Check out my "7 Steps to Writing AND Selling Your Screenplay" webinar in a few weeks, where I'll go into much greater detail than in this video (as it's a 90-minute webinar) to help you understand how to do it (with or without me or the system I built).
Hope this helps.
@@fastscreenplay thank you very much this helps alot .
lord
ive had ideas for movies since i was 10
slowly by slowly ive seen them being turned to movies
mostly by micheal bay direceted movies
am not saying he stole my idea but if we think same i think i can be great.
i once thought of benghazi before it happenned
now am thinking of my 32nd movie
but there all in mind
thanks for the help
but how can i be sure my script is good?
"How can I be sure my script is good?" This is a legitimate question -- and one that more writers should ask themselves (especially before submitting their work). The short answer is you need to test it out. Get feedback. This is one of the reasons my system covers the ENTIRE process, and why most approaches to screenwriting fall short. FAST has an entire phase (the Alignment Phase -- over a month of detailed daily action steps) devoted to getting, interpreting, understanding, and USING notes and feedback from ANY source. We show you how to go about getting accurate feedback (not just the nice things your mother would say, and not just horrible things your haters would say either), and how to actually interpret what they really mean. Only then will you know how your project "lands" with the reader/audience. Then, with the tools of the system, you can easily go back and adjust and fine-tune your project so it has exactly the impact you want it to have.
Note that the Alignment Phase is only revealed AFTER you've been through the other phases, though (preparation, story development, writing, rewriting and polishing -- ie., Setup, Focus, Apply, Strengthen and Tweak) -- because without those earlier skills, you won't be able to actually apply the changes. Most writers get tons of notes (often conflicting) and have no idea how to fix their script. They make changes here and there (which create new problems in other areas) and then they get lost in the rewrite. Our Strengthen Phase (the rewrite phase) gives you a clear path through the rewrite, so once you've been through it, the Alignment Phase will show you exactly what to do AND exactly how to do it.
Make sure your script is effective BEFORE you send it out (which we do in the Payoff Phase) is absolutely ESSENTIAL in selling a screenplay or getting your work noticed.
Hope this helps. Join us if you want (fastscreenplay.com), but whatever you choose, I wish you extraordinary success!
Really I like the way you teach
Am so happy and I wanna to say you Thanks.
I have many script I was write before but starting from today I will hope am gonna write best script more than before
Always keep learning, and keep moving forward. It takes time but you can get there if you persist.
I have 34 soon to be 35 books done. I’m told time and again my books are not very good, people love my story lines but say I write to cinematically like watching TV/movies. I do not know the format for a screenplay. Would you be willing to take a look at one or more of my books which is virtually a screenplay not formatted as such though?
Unfortunately, time does not permit, but I wish you success with them. Screenwriting and novel writing are very different mediums, so it's probably not as simple as just making a few tweaks. If you are interested in writing screenplays, it would pay to learn the format, although formatting is the easiest part of the whole process. Sorry I can't be more help.
Lemme check em out
We are going to make a short film
Good luck! Have fun!
fast screenplay.. sir, my director said I have to write about characters first in my screenplay but what I'm thinking is my movie starts in a place after that I can introduce my characters.. how do I write if I wanna write a scene first not about chareters.. and I have a one more question how much producers pay for our first screenplay?? and do you work in Hollywood sir?
1) Yes, you can write a first scene that's not about your characters, and then introduce them afterwards. As long as you're creating a situation that gives the audience a reason to care (and as long as it's relevant to the rest of the story). 2) This can vary widely. Somewhere between zero and a million dollars. It all depends on where, what producer, what type of project, budget of the film, and a hundred other considerations. 3) We've done lots of work in Hollywood over many years, but we don't limit our focus to Hollywood. Some of today's greatest opportunities are international. Hope this helps.
I am working as a Duty Doctor in a remote hillock region in southern Indian state of Kerala.Im into film making/script writing.But don't know where to start.Any help would be appreciated.
Regards,
Karthik.
Start here: fastscreenplay.com/10-Day.html The first 10 days of our system are absolutely free, with no obligation to continue. But they are the foundation every writer needs -- whether you join us or not. They will set you up for the writing journey, and prepare your creative imagination for the process itself. It's all pretty simple, and it's designed so that you have a new breakthrough every day. As long as you take action, you get a new article/lesson/insight every day, accompanied by an action exercise that takes the theory and makes it tangible. In that way, you learn by doing, and you get more out of it than just reading or looking for videos online.
If you decide to continue, our system guides you through literally every step of the entire process, from idea to story development to script to rewriting to polishing, getting feedback, aligning to professional needs, and then finding an connecting with your project's ideal producer -- anywhere in the world. And it all happens one step at a time, rewarding you each day with a new breakthrough as long as you keep taking action.
And, again, if you don't want to go through our system, there's no obligation. The first 10 steps are the foundation EVERY writer needs. So if you don't know where to start, that's where you should start. There's nothing to lose, and we put you on the right path. Hope this helps!
What are the best ways and places to network with producers in Hollywood in your opinion?
Probably the best way is to have a film to show them.
I am starting to write a script and I want to get the word out there ,but how do I do it ?
I don't live around any producers just makeing a movie that God gave me . would love to have some insight anything would be helpful .
+Joshua Donahue, if you're starting to write a script, my advice is to NOT "get the word out there". To have your work taken seriously, it must be able to attract attention at a top tier professional level. Literally thousands of writers have spent decades mastering this craft -- and your project must be even more compelling in order to get noticed (or hold an audience's attention).
Have a look at FAST Screenplay. The first 10 days are free, and you will learn a TON of essential detail (fastscreenplay.com/10-Day.html). Then if you decide you're serious about going all the way, you can continue through the whole process. But please don't send material out into the world before it's ready. If your project is not aligned and viable, it can't be used. I hope this helps.
Thank you sir
For your kind guidance
Happy to help
is it applied to stories based on some video games ?? since i have made a story based on one of them !!
My system guides writers through the process of creation - from finding their idea, growing that into a story, writing it, rewriting and refining it until it's its best version (and the most powerful possible audience experience), testing it to ensure it's what you want it to be, and then finding and connecting with its target.
So, yes, it applies to video game narrative design, too. Just need to make some adaptations for your target.
When you have a screen play done for a producer and you feel in your heart it is an amazing story/movie idea do you pass it in to producers for us or give us connections? How could I proceed if not? You just can't find and contact a big movie producer without contact info.
That’s what the Payoff Phase is all about. You actually can contact the right people if you know how and you understand (and apply) the strategy they want you to apply. It’s a skill just like writing is, and it takes time to learn, but it is part of the complete process - without it, a screenwriter’s skill set will be incomplete, since screenplays only exist to be turned into films. We don’t contact producers on your behalf; we give you the tools to do it in a way that is unique and appropriate to you and your project.
Also note that you won’t be sending it out just because you feel in your heart that it’s amazing. You’ll actually test it and refine so that you’re *certain* it’s ready and right for the producer you will then connect with. Too many writers don’t understand that it’s not just how you feel about it; it’s whether the project itself is actually ready. I hope this helps and if you have any other questions, let me know.
Watch for our new 7 Steps to Writing AND Selling Your Screenplay webinar, starting next week. And have a look at our Writer’s Room program where we’ll actually produce a screenplay you write. We’re building an indie film studio to encourage writers to go all the way.
Hi? How can I write about my childhood history in nomadic life?
Find the central goal of the story and identify the obstacles to that goal, and you’ll be up and running.
I focus primarily on process - how to turn your ideas into a story. Check out my video on “How to Write FAST”, which explains the four-part process. To explore it in detail, see my book “Writing FAST” or in step-by-step depth in my FAST Screenplay system. It’s a very big topic, but if you’re serious about learning it, you can absolutely do it. You have stories only you can tell. Follow through and make it happen.
hi i wrote the story but it in 5 pages but some one writing 30 pages I'm still confusing can help me
Hi +Ravi Power, I don't understand the question. Are you asking about short stories versus longer stories? FAST is designed to guide writers through the complete creative process -- so it works on short stories AND longer stories. Those 7 phases are the complete process, no matter what you're writing. In the full system, we go into enough detail that you have literally hundreds of tools for every phase. So it's quite easy to apply what you need to whatever project you're working on.
I have written a story and I'm pretty confident that it would turn out to be a great film if it's ever made into one. But I'm confused if I should try to contact any producer now because I want the story to be a Triology and have already planned the second and third installments of the story in my mind,so if I contact a producer now,will he/she accept the First part of the story or will they ask me to finish all the parts before they come to a conclusion whether my story will be adapted into a movie? Also,loved how you get straight to the point. Subscribed :D
Welcome to the channel! Have a look around, there’s over a hundred hours of content here so there’s sure to be plenty of help available.
A couple quick things about your note: If your story is designed as a trilogy, that’s a difficult thing to sell, especially for an unproven writer. Sell a self-contained first movie first. If there’s interest, then you can follow up with sequels that were designed upfront, which generally makes for better storytelling.
But the other thing about your note is that you’re confident it would make a great film, but that’s your personal opinion, and you need to understand that your opinion is biased. And depending on how new you are, it may be an opinion that’s way off the mark. So what you want is consensus opinion. Before you reach out to a single producer, make sure you have a consensus of ten or more people who think your script is amazing (at least five but ten would give you justifiable confidence). I found fewer than 1 in 1000 projects (out of 30k) were viable and you don’t want to send producers material that’s not ready as it will close that door. Hope this helps!
Good video. I need to brush up on screenplay format. I literally watched an awesome zombie movie in my dream two.nights ago. I remember the action, the lines said, the fear I felt watching people hide upstairs in a large 2 story house with zombies at the front door and a doctor/scientist working diligently on the cure. I wish I could just project it from my brain onto a screen :)
We're working on that. ;)
elizabeth b When I was a small child I had a vivid dream that there was a mysterious killer at large in our small town. The police didn't know much about him except that sometimes his nose was a foot long. A neighbor kid from down the street was at our house and we were talking about the whole thing in the back yard. It was evening and there was a beautiful sunset. A policeman approached us and asked if we had seen anything suspicious. We said no. His form was silhouetted against the sunset and when he turned his head we could see that his nose was a foot long.
Hello! :Is there any way to represent your idea instead of writing it for someone! I think i have a really original idea for a movie, but i have a problem. My native language isnt english, its swedish, so i would have a really hard time to write my idea ful fledged and with good gramatics. I could make it a short film, but i really wouldnt work. Is there any other way to aproach?
Can i slim out the dialogue since i personally are more for visual storytelling ny face expressions? Like a driveescue movie!
stefan kureljusic We've had many participants whose native language is not English. Folks who speak Italian, Bulgarian, German, Chinese, French, and a lot more. I recommend learning to write in your native language first. What I think you're asking about is selling the story idea rather than the full project -- and this can be done, but it's extremely difficult because it's difficult to get noticed. I recommend writing your script in Swedish, and then working with a writer to translate it to English. If you've created a truly extraordinary script in Swedish, it will get noticed.
Thank you so much :) Subbed immedently
How much would I get paid from giving my idea? Would I be apart of the process when making the movie because I also have some good scenes? Do I have to pay for anything when making the movie? PLEASE ANSWER! I’m 13 and I have a lot of ideas but not sure how to get them out there
When we make movies, we need a blueprint so that all the hundreds of people are working to the same goal. That blueprint is called a screenplay. Producers don’t really need ideas by themselves (or scene ideas by themselves) because we can’t really use them. Instead, we need whole stories. So you have to turn your ideas and scene ideas into a whole screenplay - the whole story from beginning to end in the format we use as the blueprint.
You don’t have to pay anything to anyone (but you’ll probably want to pay some people to teach you how to do it because it’s very difficult to do it at the level we need for production). How much they will pay you for your screenplay depends on a lot of things. It can be zero (because you want the experience or the credit to help you sell the next one) or it can be a million dollars. But don’t worry about the money when you’re just starting out or you’ll never get good enough to make it. (Trust me on this one.)
You might be a part of the making of the film, but it really depends on the production. There are a lot (a LOT) of things to learn and lots of skills to develop before you’re ready for that conversation.
My advice is to learn storytelling and screenwriting, and at the same time, start making some short films with your friends. Get to know how screen stories work (and what works and what doesn’t). You’re young enough that if you put a lot of time and energy into it, you can get really good at it while you’re still young. And that’s how you’ll really succeed at this. I hope this helps!
@@fastscreenplay yes this helped so much. Thank you. My problem is I am not that much of a good writer. Is it possible to hire a screenwriter for me? I am only good at the ideas and scenes. I can’t really make a script.
@@Elynakinn This is the wrong way to think about it. You’re 13. No one is a brilliant writer at age 13. Maybe if you started trying to master this craft when you were 6 - maybe then you’d be a great writer right now - but if you’ve just started, then you’re like everyone else. I know 50-year-old people who are just starting. They have good ideas, too. They need to learn how to do it, too. It will take them a few years to get really good at it, too.
What you’re actually asking for is a shortcut. Is there a way to just sell the idea and have someone else do it? To be honest, not really, no. Producers can’t use ideas; we need whole stories and screenplays.
You can hire a screenwriter, but to get a really good one you have to pay tens of thousands of dollars. Even I can’t afford to just hire writers to write all my ideas! Why? Because I would have to pay them even if I didn’t like the movie they ended up writing. (They still did the work so I (or you) would have to pay, but we’d still be where we are right now.)
To be honest with you, what you’re trying to avoid is the same thing EVERYONE is trying to avoid - the hard work of turning an idea into a great project. And this is the whole reason there is HUGE opportunity here - and why YOU can do it if you really try - because almost no one else does it. I have been in the film industry since I was 12 (I started as a child actor), and I’ve been teaching writing for over 20 years now. And I can tell you that less than one in a thousand people will ever take action and turn their idea into a story a producer can use. You can do it, but if you only focus on the shortcut (or on telling yourself that you’re no good (before you even learn how to do it!)), then it’s always gonna stay as a dream. That’s okay if you’re okay with it. But it’s a lot more fun to learn how to do it and really do it. :)
@@fastscreenplay thank you. I would try!! Once I give my screenplay to a producer, is there anything else I will have to do ?
@@Elynakinn It depends on hundreds of different things. You might have to do rewrites, or change things based on budget or changing it for a different actor or all sorts of things. The thing to remember is that screenwriters are part of a team that makes the movie or tv show. Everyone is there to make the movie. The story and screenplay are one part of it. You’ll want to help in whatever way you can. But focus first on learning to tell stories that affect the audience. That will take time to learn and get good at. You’ll know what to do when the time comes. First things first. Hope this helps.
+FAST Screenplay I've been playing a screenplay that I hope to turn into a movie for months now and once I saw this video to make sure it's a good idea I wanted to here your opinion on it. My screenplay called Outcast is the story about a young middle schooler named Cameron Appell who is a outcast who has lost almost everything. Other than being bullied and threaten like crap, he has lost his parents in a car crash, which was the same car crash which paralyzed him from the waste down, and he was put into foster care. The only people he has is his adult brother (who's in prison) and his only friend Sammy. But when a new school councilor comes he changes Cameron's life around and makes him see the world for the better. So what do you rink do you like or not. And if you do can you give me some pointers to improve it. Thank you and I hope to here back from you.
+ninja_ skippy, I can't comment on ideas, stories or screenplays publicly. And my opinion shouldn't affect whether or not you proceed with it anyway. Mine is only one opinion and the ONLY opinion that matters is the producer's who is aligned with your screenplay. So I would urge you to learn and master the craft of screenwriting to ensure you're telling any and all stories in the most compelling and effective way possible (and the way that's right for the story and its intended purpose), and don't worry about what other people think -- especially during the gestation period (i.e., while you're writing it). Everyone has an opinion, and every opinion will sway you in a different direction. The key is to learn your own unique voice, and then capture it powerfully. It takes time and effort.
I do want to say, though, that if you really want pointers on how to improve anything you write, join FAST Screenplay. I know it sounds like an ad, but the truth is, there are HUNDREDS of techniques for improving your work, all woven into a step-by-step path from idea to the sale. It will help you turn ANY idea into a viable, producible, POWERFUL story and screenplay.
Lastly, I would urge you to NOT post your story in comments like this, because you are putting it into the public domain where anyone can take the idea for themselves. Let me know if you want me to remove it, but I never remove comments on this channel (unless someone gets abusive or offensive), so I'll leave it (and my reply) unless you instruct me otherwise. I hope this helps... and good luck!
Hello. My name is Bryan Thaqi and I have a question about your experience. I have been making movies for 6 years now. Specifically feature films. I do have a few credits now on IMDB which includes a movie that was sold in which I played the role of cinematographer. I also have a reality television show concept that my friend/colleague of 6 years have created and actually filmed two sizzle reels. One that got the attention of a major company in LA and we are just wrapping up the extended version in post. I had a connection that got us there but that person is out of the negotiations now and we are strictly dealing with the distribution company. They have only talked to my client through emails and conference calls but have avoided talking to us. I do have a contract with my client to protect me. I have a few scripts I feel are cutting edge because of the crazy life style I've lived in Detroit. Where can I find a serious agent? How can I get my script to someone who will take it seriously? I'm not here to waist anyone's time and I know the worth of a person's time. I am just gonna be blunt. I understand the business as a producer from the projects I've completed. A sophisticated sociopath would be the words on my tombstone about my writing. I have no walls or boundaries to this reality and all I want to do is make movies until my time is up. Where should I go next with my experience.?
Thank you.
+bryan thaqi, unfortunately, these are all questions that I can't help you with directly. I'm not trying to avoid the question -- it's simply that your path is unique, and I don't know your skills or your stories or your goals. And since I'm not an agent, and we don't offer those kinds of services, my advice would be as empty as anyone else's advice. What we do is guide writers through the complete process of doing it, using the techniques we've developed. If you don't have those skills, then my approach wouldn't help.
(For example, the final phase in the FAST Screenplay system is the "Payoff Phase" -- and this is devoted entirely to identifying and connecting with your projects' ideal producers. But I can't send you directly to that phase (or give you techniques from it), because it uses and builds upon skills we've developed throughout the system. If you haven't developed the specific skills we teach throughout the system, the Payoff Phase process won't work. It would be like skipping to the end before you're ready for it.)
My advice (assuming you don't want to join FAST and learn the process we've built over the past 16 years) would be to look at the response you're getting from your films, and pursue the relationships you have developed along the way. If people aren't getting back to you, then they are not really serious about your project. (Trust me, when someone is interested in your project, you will hear from them very quickly.) In the film industry, "getting someone's attention" doesn't really mean anything because we all have to be optimistic and encouraging. If you don't hear back from them, that means "No". I'd usually suggest moving on and finding someone you're more aligned with. But what exact steps you should take, I have no idea, simply because I don't know how much of the process you've mastered, how much you've skipped, or how you apply what you've learned. My advice can only be general, because I really know nothing about your situation.
I hope this makes sense, and sorry I can't be of direct help. The reason I can help people who have been through my system is that I know exactly what they're capable of -- so it's easier to taylor advice and suggestions to their specific goals. But if you have the persistence and tenacity, just keep improving your craft and keep moving forward, and your path will make itself clear to you. Hope this helps!
+FAST Screenplay That was a suffice explanation to my question. I understand that there are many people like myself and who am I to say pick me pick me. I am a nobody from Michigan who is trying to become something with my art. Even if I ever made it, I would still consider myself nothing but a man with a story. I will continue my dedication as you said. Thank you for the prompt response. I appreciate your advice.
+bryan thaqi, there's no such thing as a "nobody". We're all a "somebody". You have a unique window on the world, which means there are stories only you can tell. Never give up. Good luck!
hi..sir..i am abin isa from India..Cochin. i am a film student ..i wrote a script .one production house interested in that ..but our problem is not a producer ,,the artist.. if they agreed we can make movie ..but i cant write for a particular star or artist,,,now i am working on a script non linear style,,how can i pitch to artist ..pls give a advise
Abin Essa If I understand correctly, you need to write something specifically for a particular artist. This is what I refer to as "Alignment" -- creating something that is *both* what YOU want to create *and* in sync with what THEY need. This is a very complex skill that we devote about 5 weeks to developing in the system (in the Alignment Phase), and then pitching it to them is another skill developed over the following 5 or 6 weeks (in the Payoff Phase). Both require skill in the earlier story development, writing and (particularly) rewriting phases...
There's so simple easy answer I can give you in a CZcams comment, unfortunately. You need to develop a deep understanding of the artist's style and motivations, where they're at in their career and where they're going. And you need to then develop your story in a way that its EFFECT satisfies those needs. So there are about 30 or 40 different layers of skills you need, to do that effectively. We develop all that in the FAST Screenplay system, but it's not like a laundry list of things "to do". Rather, it's a fluid, organic set of skills that you develop through the process of putting it together. You "get a feel" for how to do it, by going through the process of doing. it.
So, much as it will be disappointing to hear as a reply here, the only suggestion I could have for you is to go through FAST Screenplay and learn to develop those skills at a level of mastery. Pitching to the artist is the same skill as pitching to a producer, and I recommend doing it in the same way (grab their attention, and then exceed their expectations). But to actually do this effectively requires a skill set that goes beyond what most film schools teach. If you can't join FAST, just keep using the the principles I talk about throughout these videos, in new creative ways. I hope this helps! Good luck!
Thank you,
Happy to help!
THANKS. DO YOU ACCEPT MOVIE SCRIPT TO BE PRODUCED BY YOUR COMAPNY
+Samuel J, we have had an open submissions form on our website for over 17 years, and anyone is free to submit. However, after receiving 25,000+ submissions and finding fewer than 30 viable projects, we are no longer actively looking for material. We always review what comes in, but 99% of writers don't understand what we need. So we are now generating material in-house, and hoping to work with FAST writers as they develop the skills we need. Good luck with your project.
Will you do a video on the format of a proper screenplay? As in how scene depiction and dialogue are handled? It's something that's never been fully explained to me before and I'd be interested to see it :D
how much would it cost to pay someone to turn your idea into a screenplay/script? I have everything written down.Mines isn't a movie but a series so there split into episodes and I have 50,000 words that I need to turn into a screen play. I have to look up how to write a screen play is I can't afford to pay someone else to do it.
It depends on what "level" you're looking to create. An amateur screenplay (from an unskilled writer) could cost as little as $5,000, but a professional-level screenplay that could actually be used by a producer or production company will cost a minimum of $25,000 and up to about $120,000. Professional level screenwriting is a very complicated skill that normally takes many years to learn, so while I'm sure there will be people out there who offer to do it for a lot less, most low-cost screenplays are unusable by production companies, so it's really wasted money. To do it right will cost on the higher end. Hope this helps.
(This is why I always recommend learning the skill yourself, and why my system is priced as low as humanly possible. Hope this helps.)
once you have a screenplay/idea how can you protect your ideas from copying?
You can't protect an idea because ideas are not subject to copyright. You can only protect the expression of an idea. In other words, put it into tangible form (a short story, a screenplay, a book, etc) and then register that with the Writer's Guild of America West and/or the US Library of Congress. But they need a whole product, and then it's that product that's protected.
I will say, though, that most writers are way too paranoid about their idea being stolen. Firstly, they must steal it exactly, which is difficult to prove. Secondly, it's so hard to find great material that I've never actually met a producer or legitimate production company/studio/etc that was interested in stealing an idea. It's MUCH cheaper to just buy a great idea, and when they find a great writer, they WANT to work with them.
What if I have a screen play (or idea) that is for animated film? Is the process the same or different?
The process is the same for an animated film as for a live action film. It's also the same for television series', short films, and novels. Basically, any long-form storytelling. The end result is different, but you still need to go from idea to story to screenplay to page-turner, to alignment to the deal.
@@fastscreenplay I understand, thank you, I didn't know if the process was the same because of different of different movie types but now I see it's all the same, thank you.
I have a lot of good ideas but my problem is that, I get too much idea that I cannot put it down on a paper or a one whole notebook. It’s all over the place and there are pieces of papers in my room that are half finished.😞 the reason is I feel crappy of what I see when I write it down. I don’t have that much confidence, .
Jam Good If you’re just randomly writing ideas on a page, is natural to get discouraged and lose confidence. You’re not shaping those ideas into a complete and viable story/screenplay. There are four phases to the writing process (what I call Focus, Apply, Strengthen, Tweak - basically planning, writing, rewriting and polishing), and if you’re not going through all of them, you’ll be discouraged. Have a look at FAST Screenplay, as its whole purpose is to guide you through the entire process step by step, to ensure professional results.
thanks alot
New here from Nigeria
Welcome
@@fastscreenplay 🤲🤲🤲
drink every time he says "a story the producer can actually use"
Or... y’know... actually do something about it. Nah, you’re right. Turning it into a drinking game makes more sense. smh
Is this an instruction or an ad? Because I get the feeling it's the latter.
Michael Lauinger It’s an overview of the complete process (whether you join us or do it on your own). To go through the whole thing in detail takes about a year (a little longer than CZcams videos’ max length), so I’ve also included where to go to dig deeper for those who are interested. If all you see is an ad, that’s unfortunate for you. But I wish you success anyway. I would recommend removing the cynic glasses, though, as they obscure the creative process. Good luck!
What about drawings. As well as writing, can drawings be used as part of the screenplay?
Generally, no. There are exceptions ("Arrival", "A Quiet Place"), but they're to help you understand the story - not to give a picture of what the words are describing.
@@fastscreenplay ok thanks. I was just trying to show pictures as illustrations in case I can't somehow describe what is happening in the story or if I'm struggling.
@@fallendemos3847, well, no, that's what the screenplay is for. In fact, we very specifically don't want to show people the images because the creative types who will turn your screenplay into a movie are very good at creating images themselves - that's their job. So we want to support their job, not tell them what to do (which is how illustrations are perceived when they're in a script).
The whole point of a screenplay is to put those images in their mind using words alone. That's the screenwriter's job, and that's what a screenplay is all about. This is one of the reasons I created FAST Screenplay in the first place -- to help writers develop the skill of actually describing what they see (and to make sure you don't struggle doing it). You should considering joining us. In just the first month, I'll get you further toward your goal than most writers get in a year on their own.
Let me know if I can be of any help with it. Cheers.
yo, if i wanted to write AND direct the movie then how could i get that job of director?
Be able to demonstrate to the producer that you have the skills for it. For example, an amazing showreel of past projects (short films, tv shows, other movies), etc. If you're just starting out, keep in mind that you're asking someone to invest millions of dollars. They're not going to risk it on someone who might not be able to pull it off successfully. You just need to be able to prove to them that you can. And if you can't yet (if, for example, it's your first project), then develop THOSE skills, too. So, for example, put about 10 years into developing a truly extraordinary screenplay, and another 10 years or so into becoming a top shelf director. That's the answer. Hope this helps!
How can i write bullet line or out line before first draft script
+anish kuttan, I'm sorry but I can't advise on that because that's not how I recommend doing it. In my system, you would spend about 2 months on your project *before* you created an outline (then subsequent projects would take as little as an hour), so I'm afraid it's not possible to explain all that in a CZcams comment. I would encourage you to go through my system if you want to learn the most powerful way to do it. But if not, I'm sure there are other suggestions online.