Zildjian Alchem-E - Hi-Hats - Sound Demo (Version M1.0.5)

Join James G as he ventures into the world of electronic drumming with the Zildjian Alchem-E series. In this video, James highlights the Alchem-E's Hi-Hats, showcasing their tactile response and diverse sonic capabilities in the electronic domain.
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🎬 Credits:
• Host: James Gilliland
• Executive Producer: Brad Tarpley
• Director: Brad Tarpley
• Writer: James Gilliland
• Cinematographer: Brad Tarpley
• Audio Engineer: James Gilliland
• Editor: Brad Tarpley
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🎥 Gear We Use:
• Main Camera: Sony FX3
• Main Lens: Sony FE 50mm F1.2 GM
• Secondary Camera: Sony FX3
• Second Camera Lens: Sony FE 24-70 F2.8 GM
• Lens Filters: PolarPro Shortstache Filter (2x)
• Recording Computer: Apple M1 iMac (2022)
• Editing Computer: Apple M2 Max 14” MacBook Pro (2023)
• Audio Interface: Focusrite Clarett+ 8Pre
• Shotgun Microphone: Sennheiser MKH416-P48U3
• Dynamic Microphone: Sennheiser e 906
• Ribbon Microphone: sE Electronics RNR1
• Small Diaphragm Microphone: sE Electronics RN17
• Recording Software: PreSonus Studio One 6+
• Video Editing Software: Blackmagic Design DaVinci Resolve
• Audio Monitors: PreSonus Studio 5 (x2)
• Controller: PreSonus Faderport
• Power Conditioner: FURMAN M-8LX
• Lights: Apurture 120d II (x3)
• Secondary Lights: Phillips Hue Play Light Bar (x4)
• Guitar Amplifier: Fender Tone Master Deluxe Reverb (Blonde)
• Guitar Amplifier: Blackstar St. James 50 6L6 Combo
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Overview 00:00
Hi-Hat Demos 00:30
Takeaways 04:10
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#zildjian #hihats #cymbals #alcheme #unlockingthevault

[@galgogergo]

Near 3:40-3:55 it strangely feels as if it wouldn't register every articulation, would it?
Looks incredibly promising this drumset, but I hope they iron out the kinks.

[@tarpley-music]

Yes, it missed some of the articulation with that particular sample. What’s interesting is that some of the other samples don’t have that issue and respond appropriately. It’s sure to get better as they update the software and improve the sensitivities.

[@aaronsudasna]

They need to add some 15” and larger hats

[@tarpley-music]

@aaronsudasna Agreed!

[@LeakyJAZZ]

@@tarpley-musici definitely saw a lot of missed hits with the other samples too

[@JosephArruda-fq8ot]

I wonder they will sell a cymbal set and module seperatly for an existing quiet kit.

[@Ripperx121]

I am going to say 3500$

[@davodrums]

I was asking the same question. They would need some sort of interface to avoid using the Zildjian module. I would be happy enough with just the hats into a TD30. They are the hardest cymbals to get a realistic feel from. Other cymbals, not so much.

[@ssvillcYt]

⁠@@davodrumsI think it’s safe to say that will never happen where they’re CAT cables.

[@davodrums]

@@ssvillcYtThat’s why I was suggesting an interface which has Cat5 in/6.5mm socket out to connect to a different module.

[@RTPGCO]

If zildjian could release the cymbals with cymbals module only (like gen16 concept), that could be plugged to other modules as slave, or direct to the mixer, that would be epic.