This is why modern metal SUCKS
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- Äas pĆidĂĄn 2. 06. 2023
- Remember that this is satire đ Listen to 'Still Shred' on Spotify ⶠshorturl.at/huUXY
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Remember that this is satire đ Listen to 'Still Shred' on Spotify ⶠshorturl.at/huUXY
Get tickets for my 'Waterworks' tour from Sept 27th - Oct 8th ⶠbit.ly/3Ing8rl
You may *think* this is satire but it rings too true to me. đđ
@@Dead-Eye nope not true at all you just wanna be different so bad.
@@Dead-Eyefound the tard đ«”
@@Dead-Eye tell me you don't how to work a computer or even find good metal because there's dozens of it you're just too lazy to look I swear old people shouldn't have opinions on music or art in general.
Hi, will you play metal songs in this Waterworks tour(Berlin) ? If yes, how many percent? If no, do you plan for a metal tourïŒI am more interested in the metal songs" . Thanks
Tuning should've been lower
Damn right Nik
I will try next time đđ€
GODDAMIT Nik.
Yes lower. I could almost hear what note it was.
scales and arpeggios =/= an original melodic line
I love it! As a bass player I laugh when guys keep tuning lower and lower... end up getting guitars with bass strings and say they hate the bass guitar and it's pointless in Metal. It's called bass envy.
I still tune to E and Eb
@@maxwellblakely7952 I use standard six string bass tuning and I works for guitarist that drop tune. If I needed to drop I would have to use lighter gages for the B.
i dont understand the bass hate, the bass guitar and drums are the key parts of a proper rhythm and groove
So much modern metal has no breathing room. Hyper compressed, digitized, inorganic, and studio wizardry. Theyâre aiming for all the brutal vibes and achieving none. Thereâs nothing heavy about it. The metal by numbers bands that spawned from all the death core drivel sound like South Park parodies of heavy music.
Guitars with bass strings sound extremely muddy.
There used to be a low-tuned instrument called a "bass guitar," with really thick strings and a long neck to resonate the low notes, while the 6-string guitar played riffs closer to the center of the audible spectrum. Crazy times!
That one always gets turned down in the mix though. If you want those notes you need to put them on the guitar people actually hear.
@@Jake-mv7yo Steve Harris and Lemmy never had any problems, though...
@@ericv7720 Lemmy was really a rhythm guitar player who happened to be using a bass.
@@Jake-mv7yo If the shoe fits...
@@ericv7720 He was playing powerchords with a pick and had his amp with the mids maxed and bass treble at zero. I think it is more like playing an 8 string with 4 strings missing than it is playing bass. I actually modified an Ibanez mikrobass to be like this because I didn't want all those silly wire strings on my riff machine.
I died laughing at the "all on one string" bit. A few years back, I was filling in for the guitarist in my friends' band for a tour. One of the local openers at a show in Cleveland had a 9 string guitar tuned as low as he could get it and he literally only played the lowest string for their entire set. He didnt even play a single chord.
I keep waiting for Ibanez to release a one string guitar with a cable from the Golden Gate bridge on it, tuned to like 4hz. Some geologist with a seismograph, a toilet paper roll in his nose and spare tires from a Prius in his ears is going, "You just dont understand it, that's all."
đ
đđ
Huh, nice Randy Marsh, South Park reference.
@@R41ph3a7b6 Feelin good on a Wednesdaaaaaaaay
đ
From what I've personally figured out (from listening to a lot of Invent Animate), is that you need to reserve the low notes to better emphasize the heavy-ness. In simplest terms, less is better because when it shows up, it makes a bigger impact.
IA is awesome.
Invent Animate should be the biggest metalcore band going. They are amazing
100% agree and that's why I love Sleep Token so much
@@XxNoMErcY99xX Yep. They are masters of their craft.
Same goes with Humanity's Last Breath and Vildhjarta (and as mentioned previously in this thread, Sleep Token)
M A S T E R P I E C E
We found himâŠ. The man who asked!
@@jpettltd yes, it's me
BROTHER
My natural born man đ
@@The_Guy_Who_Asked72 NO WAY
"Forever out of style, you can't take this away from me"
As someone who loves Power Metal, I felt this line. Power Metal has never been a popular genre, but I don't care. In fact, it's inspired me to pick up a guitar, at 28. I could only listen to it so much, before I say "I wanna play this stuff". I feel like at 28, I have more disire, and motivation to want to learn, than I ever did as a teenager. Looking forward to become a shredder one day! đ€
You and me both bro
Power metal does have its flaws nowadays (eg. too many gimmick bands playing heavy arena rock and overproduction), power metal for the most part has remained relatively true to its roots.
@@SarimFaruque The only 2 gimmick bands off the top of my head I thoroughly enjoy unironically is Gloryhammer, and Wind Rose. They both just make great stuff. I keep with new releases as much as possible, and I honestly think the gimmick bands are not a plentiful as people think.
Power metal is the best! Good luck on your guitar journey. I've been playing for 25 years and it's still fun to me.
Give Dimhav a try - amazing Progressive/Power Metal.
Takes some true talent to use an extended range instrument to it's full potential.
Very true. Its so satisfying when you make it work, I feel
You can create beautiful songs if you attune yourself to where the bass is going music wise.
Low strings on a guitar and bass have such different sound-textures, so it can really compliment eachother.
Especially when the bass plays in a mid-high register while you're playing low bass notes ĂĄnd the high melody on top. (hybrid picking or just strumming)
then you can switch it around, guitar playing mid & high while the bass goes back down.
But still, that could be aquired with a 6-string baritone and some creativity. (which is very much more comfortable and easy)
Yeah, and it takes to be a true genius to know how to properly compose through it. As Dimebag (R.I.P.) said in some interview about Jerry Cantrell, it's the same about MÄrten Hagström: he doesn't need to play a million notes to be a (rhythm) Guitar God...
YES THANK YOU. Just going from a 6 string to a 7 string opens up countless new doors to explore.
Or just the ability to play said instrument.
Keep shredding Bernth. Never stop for anyone or anything
The legends say that he is still shredding till this day.
Heard him shredding in the woods the other night.
can confirm
â@@thebeatcreeperđđ
My grandpa saw him in the forest..
:D
1:28 I know the lyrics are about how modern Metal sucks but, bro, the lyrics hit me in the feels. And the way he sings it makes me emotional
I have to say, especially for a song that's meant to be just satire, this is absolutely amazing
Well it's not meant to be "just" satire. It nevertheless does sound great, agreed on that! đđ€
Modern metal bands that have songs in standard or Eb tuning is always a plus for me. Tasteful guitar solos, bass that have it's own space in the mix. Breath of fresh air.
Bernth of fresh air.
True
I think that's why I gravitate towards Alice in Chains. It's not metal per se, but Eb tuning is just magical.
@@Chevrolicious. well I don't know what to call them but metal. They have more heavy songs than non heavy. Some call them grunge but it's just an era to me. Grunge has too many different sounds.
Revocation is a prime example of this. You can still be heavy and not have your guitar tone be a mud crusted mess.
This is also probably part of why I found old Megadeth stuff so entertaining when I got back to it recently after a long pause. It's now sounding new when people DON'T downtune af đ
Proto metal is some of my favorite like early Priest where it's still kinda looking like hard rock. If everything is loud then nothing is. Sabbath would have those beautiful melodic bits which just meant the heavy stuff would hit heavier. Early Metallica did the same.
â@@gregorymuir1985 contrast gives it meaning
Metallica is like one of the only metal bands still playing in e standard.
@@MrGrim-ib4ix they play in E flat live
@@michakrzyzanowski8554 yeah but I meant in the studio.
âWhy donât you learn to play your instrument insteadâ
That one hurt Lmao
After listening to this song once it was stuck in my head for days. I have listened to it again and again and have come to the conclusion that you still shred! Love the song and the satire. Just wish I was in Europe for your tour... Keep on shredding my friend!
Thanks for the fun and informative song! I was torn between laughing and head banging, so I just did both. Very awkward. Loved it!
This song is very good
đ€Ł Me three.
This is the most creative thing Iâve seen! Shared⊠I greatly appreciate all the effort you put into all of the free lessons! Exercise, habit training, etcâŠ. I save your videos to watch again when I can focus! After many years of trying some legato technique and other shred stuff, I had to come to grip with myself, realizing Iâll never play like Yngwie! You play so clean I hear everyâŠ. SingleâŠ. Note⊠So whatever your advice Iâm taking it. I look forward to someday making videos, soon. Would love to share the knowledge of percussive acoustic, neo-classical stylings that any acoustic player could benefit from. For my own good I have some fun BOSS pedals to play with. Iâm looking forward to picking up some cleanliness in speed! Thanks to you,dear brother
Hey may you tell us what is the software you using with focusrite ? :)
Thank you ^^
This is AWESOME!!! The satire. The music. The SHREDDING!!! It's all great!!! đ€đ
My old band was playing in drop B which was pretty low. But when we went into the studio suddenly they were like we decided to record in A. I told them it was a bad idea because it would be too muddy for the leads as they stand now and they said no it will be great. After it was mixed and we sat on it for a month, they hated it.
anything past C, for me perosnally, is 7 string territory, simpler to manage then :D (B being 7 string standard, with A being first drop)
@mickkithanu355 honestly although playing with that band was fun in B I prefer to not go any lower than drop C# which I believe is was what Protest the hero started in and comeback kid and I'm sure a million other bands.
@@WeWynne C and C# were classic tunings for most older metalcore back up until around 2014 ish when people started pushing really low. Iâm not sure if itâs because they found gear that would do it or if it had to do with labels.
@@ArcticBlits Yeah My band Treachery Is Your Forte played in C# that was like 2006-09 then Bow To The Fallen in 2014 went B to A. lol I left right after but my son was also born right then too so perfect timing.
Lowest I go is drop D
Funny thing is,
There was a historian specialized in baroque instruments amongst others,
And the trend to fit lower and lower bass strings on their instrument used to be a thing then. Its not anything new.
But I'm pretty sure the guys in the olden days did actually still use their higher strings.
An 8 string is beautiful if you're a hybrid picker of when used to compliment huge chords with low and warm bass notes. (I still prefer my 6-string baritone or 7 string for actually playing heavy rythm guitar)
Epic playlist!! Can you create one including some October Ends bangers? I'd say put in Dark, Of Stars and Play Time!!
Now EVERYtime I close my eyes đđâI see Bernth's face saying "I Still Shred" and this song's been playing in my head all day..đđđđ
I feel like the song will haunt me at least this evening.
Nothing like a troll song that absolutely slaps. Well done, sir.
Is it possible to get tabs for this? I'm not good enough to tell what he's playing yet, kinda need help.
Insane playlist!! Could you please create another one and put in some October ends tunes? Dark is my favourite one and then Play Time, Devil's Den as well !!
Honestly why I cherish the bands who do both, will always enjoy songs with lows, shredding, and heavy breakdowns.
Whitechapel is one of the few bands Iâve found that do that
@@akimbogoats6301 Yea, Shadow of Intent kinda does, and I think Chelsea Grin, there are a few more that I'm forgetting.
Animals as Leaders does this on average like 50% of every album
â@Akimbo Goats there's hardly a "few" bands that do that, its pretty common. just a lot of the more popular alt metal/metalcore is boring chugging, but prog, deathcore etc. have plenty of variety
@@SrgntSprnkls77
I love the old school Neo-classical type shred cause it's what brought me to guitar, but I also listen to a lot of other sub-genres, so I have a hard time differentiating what's what.
Probably my favorite so far. It just gives me the energy to SHRED like never before
As a 7 string player, this hit a personal spot. It really is tempting to just go as low as possible and only use that lowest string
LMAO! True. We got a drop B tuning and that's it. Won't go any lower than that. At that point we can't hear the clarity of the Guitar anymore. đ
In or out of style, quality shredding speaks for itself, and that's no joke!
Love this, laughed so hard đ€Łđ€Ł
Still you rocked it hard!!! Ngl the lowest I dropped was one down to D... that was enigh for me. Cant wait to see you in October
Thanks for listening! See you soon! đ€
Yeah, I play an 8 string with a low F# sometimes E, sometimes on VERY RARE OCCASIONS, would I drop the lowest string down to a C#, and this was too much for even me.
@@crownjewel555 bro that's just an 8 string bass at that point đđđ
@@colescroggins2896 i got a tip for you
bass
Trying to play my 4 string bass behind a riff recorded in drop a on my seven string just doesnât sound sonically correct
Come to Montreal, Canada... would love to see you!!!!
Very in flames at times (vocals), cleanest sweeps - awesome work man. Kudos. Thank you for all your shares đđâ€ïž
That is definitely Dean Lamb at the end. Fuckin shredtastic
Yes. I thought the same thing. Archspire đ€
This is the motivation I needed. Where to get the tabs?đ
Awesome mix! Can you please create one and throw in some october ends tunes? I'd say put in Dark, Of Stars and Play Time!!!
Incredible one here Bernth! Reminds me a little bit of the Brendon Small / Dethklok style where they are somewhat parody but still take the song writing seriously.
The rythm, the solos, the lyrics the vocals...bernth, the man man that turn to gold whatever he touches
I just discovered you and bring me back to the shrapnel shredders but w low tuned chugga chugga. Looove the combination. I still shred đ„đ„đ€đ€
Cool song, & your shredding is nice! I also enjoyed the low tuning business in your playing! (I just grind out low-tuned stuff all dayđ .)
That was pretty awesome! I can't shredd as hard as you do, but I try to make it a point to put a cool guitar solo in every song.đ€
the phraze "I still shred" before the breakdown hits so hard it's hillarious. I love it!
Absolutely beautiful, man! This sounds absolutely lovely! Hey btw, is there a name for that particular kind of yelling vocal? It's quite nice. I like the power behind it. It's not like an angry yell, but a battle cry, eh? I'm actually quite new to metal and so far I'm liking Celldweller and The Enigma TNG, aka am a power and industrial metal fan, but I think I just found a new author to explore.
There isn't a name for it. There should be. Harsh cleans? Devin Townsend from Strapping Young Lad and Joe Duplantier from Gojira do it very well IMO. Check those bands out if you like that kinda thing
@@batastrophic9762 Nice, thanks for the suggestions!
@@batastrophic9762 Honestly, tried but couldn't like them. Anyways, call it power vocals maybe? idk I've heard it in about the only power metal track I've heard. Right now I'm more of a The Enigma TNG fan. Branching out is difficult I find here given there's a number of things that must be avoided morally. Put that on top of my personal taste and tell me the probability distribution isn't needle-thin. Instrumentals are certainly safer.
@@andrewporter1868All good! Sorry to hear they weren't to your liking. I find those kinda vox aren't common in power metal, to my ears anyway. I think they ought to be. I do think some power metal vocal styles are adjacent to it. Russell Allan from Symphony X gets close. He's great, but never been huge in him. I prefer the likes of Tony Kakko from Sonata Arctica or Yannis Papadopoulos from Beast in Black (Beast in Black are pretty sweet, I'd say they're my 2nd fav power metal band currently).
I'm not sure of you moral thresholds, so I can't help you there. I'm quite open-ended if not open-minded, I'll basically try most metal except NSBM (i.e: fuck nazis). Personal taste I can greatly empathise with you there haha. I haven't heard of or listened to The Enigma TNG, maybe I'll check him out.
@@batastrophic9762 Glad to make your acquaintance! For an example of the power metal vocals I'm talking about, consider In the Dawn of the AI by Orden Ogan. So far I'd say my top metal genres are deathcore, power, nu, and industrial.
> moral thresholds
I'm a tradcath sedevacantist who adheres to the Thesis of Cassiciacum đFor reference, in terms of metal, I found a spotify playlist the other day with 532 metal tracks, most of which were death metal from what I recall. Only 18 survived to make it into my daily playlist; another 12 I've saved for further analysis. Most of the issue morally is when it's too excessive in certain respects.
Of the tracks that survived were tracks from Analepsy, Guttural Slug, Fear Factory, and Slaughter to Prevail. Those that did not were because of: excessive glorifying of gory or vulgar things of that nature; the band is into actual occultism or straight up satanism _literally,_ or which merely uses certain such symbols from those false ideologies perhaps "as a matter of style", both the blatant and the unobvious that I'm aware of; poor presentation of suicide and other serious topics that could scandalize the suicidal or otherwise imply it is morally good; or some other sort of problem (always with the lyrics themselves).
Dark topics, horror, and the like are all fine to talk about. It's how they're spoken of that is the issue. Hell by Slaughter to Prevail for instance is one of the said tracks that made it into my daily playlist (eventually; took a while to translate) because it speaks of its horrors without glorifying Hell. A common reason, however, for which any song doesn't end up passing is due to vulgar language, even for just one word, though those that are "off by one" morally I've set aside for future consideration as my knowledge of the Law is not absolutely perfect, and would hope that there's some possibility I failed to cover that would render such _tolerable_ (as opposed to condemned outright which I do in most cases of doubt such as this).
If nothing else, I hope you find this to be an interesting conversation đ
I find it funny how so often songs made to satirize a style end up actually being awesome! Like when people TRY to make something then it ends up just being generic and unoriginal, then someone makes fun of it and sounds awesome!
Fucking solid riffs and vocals, this is a total jam and I appreciate the mix of parody with the solid work! You need a part two though parodying how many modern metal vocalists don't enunciate in their screams and growls, maybe mix it up with those crystal clear screams you've got there but then switch throughout and just make noises but put subtitles to them as if they were actually words while cupping a mic.
I love this more than I thought I would. Keep up the great content!
ĐĐŽĐ” ŃĐșĐ°ŃĐ°ŃŃ ĐŒĐŸĐ¶ĐœĐŸ ŃŃŃ ĐżĐ”ŃĐœŃ?
Years ago with my already big sounding 100 watt tube amp with a 4 X 12" drivers speaker cabinet, I had a lot of fun experimenting with down-tuning, while playing through distortion pedals. I never expected to see the extent to which modern metal styles have also gotten into this lower register realm.
Oh man, I am jamming the 0-0-0-0 riff on my 8-string to this! Great stuff! â€ïžđ
If you have enough strings, you don't need to play anything but 0s
YES! 6 strings in Std E tuning for life!
Good enough for Jason Becker, good enough for me
Hey Bernth, that kicked ass man! Thanks for sharing your gift!
What is that program that allows You to pitch down your Guitar?đ
Wasnt expecting this to go so hard, its catchy and funny. Love your melody and vocal approach.
it was an elegant mix, as I grew listening to shredders from early 80's until the 2000's, I can say that I heard every possible way to "shred", still nice to hear from time to time now, when it's at the right place at the right time, like here for example đ have a good tour!!!
Fuck yeah man please keep bringing the fuckin finger fire my dude! It's not dead just dormant and waiting for a good class of listeners to return.
I was just thinking about this the other day. When I first started playing about 10 years ago, I felt like a lot of heavy stuff was in Drop C. Now you need a 7 or 8 string to be able to play what is coming out nowadays.
I still think Opethâs âBlackwater Parkâ has the heaviest riff ever and thatâs only in drop D. Itâs not the tuning, itâs how you use it
Dude, this is absolutely FREAKING GENIUS!!!! LOVE this!!! Lately, I have gotten back into playing the axe, and I am really into learning Neo-Classical stuff ( I was a music major nerd, I admit). This video is awesome, because 1) It's humorously accurate 2) The playing is INCREDIBLE 3) The arpeggio sweeps are perfect. In fact, I know that Professor Joe Stump had an awesome DVD series about sweeping based on 2-3-4-5-and 6 string patterns and "building". I couldnt find the DVD's so I sent him an e-mail. VERY nice, guy he responded with links to his books, and some ideas which have REALLY helped, and I LOVE how you have mastered those sweep patterns. Incredible. Just awesome. My brain doesn't know whether to be amused, impressed, inspired, or maybe a bit of all of the above. But the infinite low tuning , the endless number of strings, and the lyric about all 1's and 0's had me falling off my ofice chair rolling with laughter. LOL Bro, that was GENIUS,man, LOL LOVE your work. I'm string to figure out "I am a Viking" and "Arpeggios from Hell" a few Tommy Johannson covers, and a few Joe Stump licks. It seems like everyone else needs a 40,000 string guitar using only one of those strings in only 3 frets tuned down to Z# minor. LOL. Thanks for this. The song is actually INCREDIBLE musically speaking. :) Well done.
Z# minor... hahahah mademyday!
In Germany we call it: Ă moll.
@@tol.M_ngo Nice !!! I was a Music Major, so I am familiar with the European spellings. LOL ( although I speak no German, Italian or French). LOL :)
Yeah, we used to jokingly say P flat major or Z# minor. LOL.
Love it , love it how you merged both modern and 80S shred and how it became a fun song and sort of a cpmmentary for and about both
That was dope man sick as always man keep killing it and you know those empty 0âs chug lol đ
:( I saw the thumbnail and was like. Ok nasty bend breakdown.. than was given shred!! Which is equally as exciting
I can only say, Bernth is one of the most creative and technical guitar musician from modern times, every song I have listened from this guy is perfection.
Jesus Christ listen to real players instead of modern metal CZcams darlings
For that "Shred" line on 01:56 you should've hired Shredmaster Scott lol
Great song!
I agree 100%.
Shredmaster Scott is a great guy, and a great player. I love the unity among guitarists now. Glad to see that we've gotten away from the "gunslinger" mindset from the 80s.
We're WAY more supportive now.
Holy shit that Chorus sounded a lot like Pain =O
Great work dude, you shed indeed!
hope it goes well for you pal and i see some day at download
This is sooooo great.....the lyrics had me dying laughing !
Go ahead Bernthđ¶
Obligatory idea for a parody of a parody:
"... I'm still Shrek!"
I love what you did here hilarious! Haha đ
Tbh, I love playing both. I like how rhythmic and syncopated modern metal riffs are, and i also love melodic shredding as well. Both are a lot of fun to do tbh đ
Hahaha that "or is it :)" at the end đ€Łđ€Łđ€Łđ€Ł
This is the definition of gold right here! Catchy as fuck and speaking the truth! Love it!
You said it best bro..
becoming more and more of a fan of you bernth! loved this!! đ€đ€đ€đ€đ€
I'm a very new guitarist 6 months along, and I always love to see Bernth play and hope I can play like that eventually or maybe just kind of close lol
Skwisgaar Skwigelf: Dudes, we can'ts nots toning down any lower.
You've got to be one of the most creative musician on CZcams.
Creative yes, but this idea has already been made into a song years ago (But does it Djent??)
I actually think the Kiffness is the most creative artist on CZcams right now.
@@iamrubenmes I've got to check him out...thanks for the suggestion.
@@yangerjamir0906 And Charles Berthoud the most skilled (but humble) bassist. Also, Polyphia is right now pioneering a new era for music, blending influences from metal, jazz and trap into a whirlwind of virtuoso and catchiness.
as a bassist i will be there when guitars have their funeral
Bro this is actually fire!! The lyrics have meaning and everything instead if people just screaming!đâ€â€
The comment about the 0s is too true, great work homie
Got this on spotify on repeat.... i cant turn it up loud enough! Such a simple masterpeice that speaks all the truth! Coming from someone that can only play killer, deep riffs đ
Finally someone had to say it.
Best of success my friend.
Abrazo Mexicano!!!
đ€đ»đČđœđ€đ»đČđœđ€đ»đČđœđ€đ»đČđœđ€đ»
Say what?
Glad to see a don't have to f%*#k up my float on the old rose!đđ cool shreds ahead!God speed.
I dunno, I like both styles when they're done well -- the low stuff can really accentuate some interesting syncopation and unusual meters, and gets interesting when it plays around with where that lowest note is compared to the root of the scale, so that guitar distortion almost feels like a percussion instrument; the fast stuff can just mesmerize at the same time as it sweeps you away with the force of a tornado. They've both got their own strengths...
And they've each got weaknesses that can absolutely ruin them. The low stuff can become an endless stream of the same patterns in whichever key is rooted on that lowest note when the band isn't being creative about how they use it.
The shredding can start to blur together when it's going too fast to follow without any breaks for the listener to reorient themselves; when it's at its very worst it's got the same effect as a loud motorcycle engine at midnight -- you get annoyed at whoever's making the noise for showing off, and start to wonder if they're even going anywhere. :)
Like with any sort of music it's really down to the player to take those rules, find interesting ways to use them, and figure out the best ways to break them.
TUDO PERFEITO VIREI FĂ SE VIRA QUE AGENTE QUER MAIS, FAĂA UM ĂLBUM E LANCE AQUI NO SEU CANAL , ATĂ EU QUE NĂO ENTENDO GOSTEI Ă SUCESSO COM CERTEZA.
TĂtulo do vĂdeo: PorquĂȘ o metal moderno Ă© uma merda
â@@yagooli750 sim, realmente!
damn man, I remember during the metalcore days how people say shredding and solos are old school.
Thank god they brought it back
what tuning is this in?
Iâm with you bro! Itâs hard to distinguish and hear those low notes for making songs. I like half step tuning the best. Like Alice In Chains did. Itâs dark enough and bright at the same time
đ definitely makes a point. I will say tho that I know for a fact that when it comes to âmetalâ there is most definitely a whole spectrum of how it is viewed. Itâs actually very interesting especially when it comes to what people think of as âheavyâ. In my personal experience it seems people that are more into the classic dad metal just are in no way impressed or excited by the sound of a modern âbreakdownâ I feel like the context of how someone got into metal plays a big role on how they ultimately will view it as a whole.
The older vets that are into the classic sound that you alluded to understand that heaviness comes from CONTRAST, like for example having soft sounding acoustic guitar passages embedded into the entirety of a blistering track. The groove-laden version of Pantera (their post-glam selves) and everything that followed in its footsteps spawned a new generation of listeners and players who are cut from a different cloth. The "core" elements and the breakdown is what defines "heavy" for these (predominantly younger) folks, not CONTRAST. I say this "modern" sound is a different genre of music altogether, not metal, but that'll just fall upon deaf ears around these parts with accusations of me being elitist or some noggin' so it's useless to elaborate further.
@@dreamstorm3297 People get hung up on and possessive of their words, and it devolves into elementary schoolyard shouting matches. "Metal means _this_ - no metal means _that_ ..." Then of course you have the endless parade of adjectives trying out-heavy each other. Thrash metal, black metal, doom metal, death metal, sludge metal, ooze metal, puke metal, prog metal, metalcore, deathcore, punk metal, metal gear solid...Personally I gave up on paying attention to the names. Finding a good band is like finding true love - impossible to put into words, but you know it when it happens, and it hits everyone different.
awesome. you just explained why I prefer older metal, you, and charles berthoud.
couldnt put it in words since I'm not music savvy but that's the nail on the head.
before megadeth, there was cacophony, freaking awesome if you havent heard em'.
as a Megadeth and Cacophany fan (Marty Friedman and Jason Becker are insane) I urge you to check out Pantheum by First Fragment
80s neo-classical shred + modern technical death metal
the classical vibes are NOT cheesy or sparse, they clearly studied this shit and it extends the full length of each of their songs
and while they don't do "modern Metalcore breakdowns" they have their own take on it that they call Swingdowns (which no one else it calls it that, so it's not really a thing LOL but I do love the idea) where their breakdown sections are swung
fretless bass shred all of the place, drummer is insane at gravity blasts and blastbeats, but the guitars are SO melodic and fun but shreddy as fuck
I simp for this band, please check them out LOL
Loving that AZ! I'm thinking an Ibanez is in my future!
I am really tempted to come to the London clinic. Will be my first 1 ever if it is
I generally love the sound of very low tuned guitars, especially if the music is skilfully written with that specific sound in mind.
That being said, this song shreds and I'm all for that, too. đđ€
Man your vocal capabilities definitely match your playing abilities, this was heavy đ€đ»
Bernth I like your musical Arts, metal or acoustic it's always touching. Love from Indonesia
Itâs so cool Meshuggah has been around longer than even the Melvins, I think, & to think how they originally modified six string guitars to make their sounds. I guess I just mention that because itâs like if people are so hardcore, maybe they should try it from the ground up same as the exempli gratia of low tunings & amazing musicianship!
& thanks for your awesome contentđ€đđ€
Meshuggah is one of the only bands that is able to pull off what they do, most bands that try to imitate it suck.
This was amazing. Threw me back into the tunes of my teenaged years
Just bought my first 7 string a few weeks ago, and now I want an 8 string XD
This song is awesome, well done.
As a long time 7 string player who bought an 8 string, I'm just gonna say idk man. An 8 string feels totally different from a 7, and it's hard to find a musical use for that 8th string that doesn't sound like djenty shit.
I finally realized who your playing reminds me of, its early black dahlia mixed with necrophagist
New subscriber here. This was awesome. I am an early 2000s teen and always loved tuning lower. I remember thinking how badass Drop A was(still is) and thinking it was extremely low(still is). The 8 string infatuation went way too far in the metal scene. Too many guitarists didn't know how to really use that range appropriately and now it's become a battle of who can tune down the furthest. Now we have all these Gen Z and young millenials obsessed with playing guitars that sound like a bass.
They don't sound like bass. Most bass players are so lazy to create a stong enough tone to back up the low tuned guitar.
Listen Heart Of A Coward-Severence album.
Meshuggah is probably older than you as a band.
@@KatyaLishchMeshuggah is one of the few who use low tuning and actually make interesting riffs. Orbit Culture does a decent job too. Most Metalcore is just 0-0-0-0 0-0-0-0 with no inflection or variation in rhythm.
âââ@@Metal_junkPhantoms is literally just a 4 1/2 minute long monstrosity of a riff. Unbelievable song