No one plays Kinderszenen like her (actually, no one plays Schumann as well as she does), but I have to say this rendition is the most absolutely beautiful and moving of all (including hers), in my opinion.
Schumman did have many children around (his own) when he composed this piece, and you can tell these are such story telling as much as an instrumental piece can say anything at all...Just love them.
Come on Jackson! More beautiful colorful piano sound than Argerich=Wilhelm Kempff Emil Gilels Artur Rubinstein Radu Lupu Vladimir Ashkenazy! More Powerful Louder than Argerich=Mikhail Pletnev Supernova Explosion Power!( Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest was Lazar Berman! More Genius than Argerich=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!
Argerich always plays with impetuosity due to her personality. I could never imagine that she could play the beginning in such a delicate and warm way.
Come on Jonathan! More beautiful colorful piano sound than Horowitz and Argerich=Wilhelm Kempff Emil Gilels Artur Rubinstein Radu Lupu Vladimir Ashkenazy! More Powerful Louder than Argerich and Horowitz=Mikhail Pletnev Supernova Explosion Power!( Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest pianist was Lazar Berman! More Genius than Argerich and Horowitz=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!
this music just makes me cry now, for the time that has passed and I can´t play anymore...but I did play this whole album and this is such delicate and at the same time laborious work; a masterpiece of simplicity and beauty...and Martha remains, thank God!
Esta peça é. talvez o mais belo conjunto de pequenas peças temáticas de toda a música. Uma das peças musicais que eu mais ouvi em toda a vida. Não me canso de ouvi-las novamente... Em cada audição, sobretudo quando a interpretação é magistral como a de Martha Argerich, descubro algo novo, uma sonoridade nova. Aí está Schumann, no seu melhor!
Martha a toujours un jeu fantastique et une grande technique: quelle émotion à travers ces scènes d'enfant que Schumann avait composées pour sa femme Clara, brillante pianiste.
I've read that Schumann intended to write notebook of "easy" pieces for young people to learn. In the process he created a bridge for all of us to return and reflect on our own childhoods. So beautifully played here by Martha Argerich.
je viens de la réécouter une deuxième fois.... C'est bien sûr magnifique avec toujours ce côté rageur que l'on trouve dans toutes les interprétations de Martha Argerich .
BEAUTIFUL VERSION AND INTERPRETATION OF THIS PIECE BY AGERICH, TRULY CONVEY THE MUSIC OF THE COMPOSER TO THE LISTENER.IT sOUND SIMPLE YET SO MUSICAL.I LOVE LISTENING TO THESE PIECES IT IS RELAXING.
I don’t know why many “experts” try to turn it as a difficult thing. For me, Schumann’s Kinderszenen is about innocence. And maybe it’s very hard for some people to understand it... I think Martha Argerich can take it.
I find these personally to somehow transfer scenes of childhood of old Germany, not of my own childhood, it's hard to believe Schumann's music could be so incredibly specific in that way but these wordless sounds manage to do such a thing in a very clear manner.
I heard her do the first one after a (magnificently performed) prokofiev piano concerto as an encore. And she did it loud and rushed it like she had to do it. It's so nice to hear it here where she really cares about it.
but Brahms didn't have her,,, :) that is corect, I so admire Clara for staying true to her husband, how sad it is to think of her loneliness from Robert when he was away at his facility where he spent his last days. Just so sad about Robert, but God gave us all the gift of music, and He certainly was generous with Robert.
Amo a la dama martha argerich...logra una cadencia emocional...espiritual...mas alla de las partituras....ella es unica...abrazos fraternos d mendoza ARGENTINA🇦🇷🎹
01. Of Foreign Lands and Peoples 02. A Curious Story 03. Blind Man's Bluff 04. Pleading Child 05. Happy Enough 06. An Important Event 07. Dreaming 08. At the Fireside 09. Knight of the Hobbyhorse 10. Almost Too Serious 11. Frightening 12. Child Falling Asleep 13. The Poet Speaks
a un stage nous l avion jouer pour un orchestre d une flûte un clarinette un alto un violoncelle une contrebasse un cor et n hautbois.. le résultât étais superbe mais la j en ai eu les larmes aux yeux !
Marta Argerich her mothers name was Bronfman.These Bronfman`s were from Odessa i believe.How is it possible that the all the major stars comes out from Odessa(Ukrainian town 300000 population) like E.Gilels S.Richter David Oistrakh.What is wrong the rest of the world 7 billion people.Why they can not play like these.My home town Oulu is the friendship town of Odessa.But we have the best skaters like the hockey player Reijo Ruotsalainen and the fig.skater SusannaPöykiö she skated like a butterfly
d2d4e6 The Bronfman’s came from Ucrania during the late1800 firsts 1900 and they were the So named Gauchos Judios from Argentina. Martha received a grant from the Jewish Community of Argentina last years.
Schumann- piano, orchestral or vocal- demands performers with plenty of technique to make sense of the tempo, rhythmic and melodic changes. And when it comes to structure of any of his major compositions, it crumbles without the former qualities.
Kinderszenen (Schumann 1838) - Martha Argerich, klavier:
1. Von fremden Ländern und Menschen - 0:00
2. Kuriose Geschichte - 1:43
3. Hasche-Mann - 2:52
4. Bittendes Kind - 3:19
5. Glückes genug - 4:16
6. Wichtige Begebenheit - 5:15
7. Träumerei - 6:05
8. Am Kamin - 8:45
9. Ritter vom Steckenpferd - 9:32
10. Fast zu ernst - 10:12
11. Fürchtenmachen - 12:08
12. Kind im Einschlummern - 13:49
13. Der Dichter spricht - 15:55
No one plays Kinderszenen like her (actually, no one plays Schumann as well as she does), but I have to say this rendition is the most absolutely beautiful and moving of all (including hers), in my opinion.
For me Martha plays this wonderful music with so much feeling, tenderness, understanding and love
Schumann and Argerich, always such a happy combination.. Enchanting!
Every time you listen to this, you discover something new.
Feeling her heart in every note.
She plays with a delicate tenderness and sublime beauty. This is making music - to go inside the mind of the composer.
Heather Batey Studio I cannot agree with you more
Martha you have touched the Robert Schumann's Soul,
Congrats, amazingly beautiful
This really takes me back to my childhood in a very nostalgic way
+Aron Tesfay me too !3rd grade in Comly school ! Marvelous Martha , brilliant and tender Schumann
That's what it's supposed to do
Martha est, depuis plus de 50 ans, la plus grande interprète de Schumann. Ne cherchez pas ailleurs. ...
This piece of music really makes me imagine the scenes from childhood.
a very privilged childhood...
Schumman did have many children around (his own) when he composed this piece, and you can tell these are such story telling as much as an instrumental piece can say anything at all...Just love them.
Schumann and Clara were not married yet when he wrote these pieces, they did not have children yet, but inspiration was at its top!
i love martha , she channels the musical soul of every composer >
Frank So do I I challenge you to a duel at sun rise by the apple tree, For her affection.
Now you do know i am joking.
She owns time and mood...simply incredible!
Always ..the best performing
Come on Jackson! More beautiful colorful piano sound than Argerich=Wilhelm Kempff Emil Gilels Artur Rubinstein Radu Lupu Vladimir Ashkenazy! More Powerful Louder than Argerich=Mikhail Pletnev Supernova Explosion Power!( Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest was Lazar Berman! More Genius than Argerich=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!
So bright, light, and with such wondrous feeling and emotion. Brilliant and masterful artistry!!!!!
Played so lovingly. Wonderful performance!
The most peaceful version ever.
Argerich always plays with impetuosity due to her personality. I could never imagine that she could play the beginning in such a delicate and warm way.
She had the touch. She and Horowitz. Sublime.
Come on Jonathan! More beautiful colorful piano sound than Horowitz and Argerich=Wilhelm Kempff Emil Gilels Artur Rubinstein Radu Lupu Vladimir Ashkenazy! More Powerful Louder than Argerich and Horowitz=Mikhail Pletnev Supernova Explosion Power!( Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest pianist was Lazar Berman! More Genius than Argerich and Horowitz=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!
just wondeerful. I feel deep connection with the music. I love schumann and martha.
Best version of all i´ve heard... just.... beautiful.. and amazing..
Schöne Lieder sind das. Einfach nur fantastisch.
this music just makes me cry now, for the time that has passed and I can´t play anymore...but I did play this whole album and this is such delicate and at the same time laborious work; a masterpiece of simplicity and beauty...and Martha remains, thank God!
Esta peça é. talvez o mais belo conjunto de pequenas peças temáticas de toda a música. Uma das peças musicais que eu mais ouvi em toda a vida. Não me canso de ouvi-las novamente... Em cada audição, sobretudo quando a interpretação é magistral como a de Martha Argerich, descubro algo novo, uma sonoridade nova. Aí está Schumann, no seu melhor!
Her phrasing is to die for
Max Lima you’re pianist also?
delicate and warm melodic beauty. ❤
She merges with Schumann's "soul" in this music. What a privilege to hear it
She really opened my eyes to Schumann.
Von fremden Ländern und Menschen and Träumerei are sublime.
Love from first hearing, great pianist.
Sweet sweet Schumann and Argerich !
Wouldn't Schumann have loved hearing her performance of Kinderszenen !
Maravillosa música!! Descubrí algo nuevo!! excelente interpretación de Martha Argerich, gracias
Martha a toujours un jeu fantastique et une grande technique: quelle émotion à travers ces scènes d'enfant que Schumann avait composées pour sa femme Clara, brillante pianiste.
I've read that Schumann intended to write notebook of "easy" pieces for young people to learn. In the process he created a bridge for all of us to return and reflect on our own childhoods. So beautifully played here by Martha Argerich.
Une grande sensibilité peu égalée.Merveilleuse Martha!
Beautiful playing and thank you...Jack Baker NYC
Impressionante a sensibilidade de Argerich!
je viens de la réécouter une deuxième fois.... C'est bien sûr magnifique avec toujours ce côté rageur que l'on trouve dans toutes les interprétations de Martha Argerich .
oui elle boude toujours un peu ,ce qui je trouve la rend encore plus désirable :)
Her "Reverie" is perfect.
For real
so beautiful!
Martha was totally gorgeous when she was young.
BEAUTIFUL VERSION AND INTERPRETATION OF THIS PIECE BY AGERICH, TRULY CONVEY THE MUSIC OF THE COMPOSER TO THE LISTENER.IT sOUND SIMPLE YET SO MUSICAL.I LOVE LISTENING TO THESE PIECES IT IS RELAXING.
Martha Argerich es definitivamente mi amor imposible.
LvJols Eneas Claro, deberías matarme primero.
LvJols Eneas Claro, deberías matarme primero.
+LvJols Eneas Deberia ser declarada como una de las mujeres mas bellas y talentosas de este y el siglo pasado, una joya unica dificil que se repita
Děkuji----krásné !
Martha, no importa cuantos años tengas, siempre eres hermosa y elegante!
My piano teacher wants me to play Kinderszenen as well as this.... There's gonna be a mad piano teacher next week. Too good
Very difficult pieces. They may sound easy, but they are not child's play!
I don’t know why many “experts” try to turn it as a difficult thing. For me, Schumann’s Kinderszenen is about innocence. And maybe it’s very hard for some people to understand it... I think Martha Argerich can take it.
Amazing Martha!
Чисто, свежо, тонко, сердечно, с большой любовью и невероятным мастерством!!!
so beautiful!!! I just heard this while playing brain age and had to hear it again!
I find these personally to somehow transfer scenes of childhood of old Germany, not of my own childhood, it's hard to believe Schumann's music could be so incredibly specific in that way but these wordless sounds manage to do such a thing in a very clear manner.
I heard her do the first one after a (magnificently performed) prokofiev piano concerto as an encore. And she did it loud and rushed it like she had to do it. It's so nice to hear it here where she really cares about it.
Au divin SCHUMANN et la beauté de sa musique
About 6:00 for the classic Kinderszenen
Excellent photo.
Like her version of Chopin´s preludes the essence of the music is evanescent but beautifully inmaculate(.The photo very,very nice! )
Por lejos una de las interpretaciones mas logradas ...alta expresividad de esta magnífica mujer virtuosa
Martha Argerich and Schuman what a pair!!! No disrespect to Clara though :)
that's funny (: lol
She had Brahms though.
But Brahms didn't have her... :(
but Brahms didn't have her,,, :) that is corect, I so admire Clara for staying true to her husband, how sad it is to think of her loneliness from Robert when he was away at his facility where he spent his last days. Just so sad about Robert, but God gave us all the gift of music, and He certainly was generous with Robert.
Excellent!!!
martha is the best
the slow pieces are played just perfect (and i mean PERFECT), although i dont understand for now interpretation of few fast pieces.
delicada y hermosa interpretación, llena de inspiración y talento
masterful!
Bellísima la escena que empieza en el minuto 6:04 !
i love this my grand son plays this
wunderschön!
Marvelous
It's beautiful!!!
Milo and Otis
Martha is cool
Необыкновенно поэтично!!!
Anyone who says Argerich plays without feeling should listen to this!
Amo a la dama martha argerich...logra una cadencia emocional...espiritual...mas alla de las partituras....ella es unica...abrazos fraternos d mendoza ARGENTINA🇦🇷🎹
l'âme de Schumann toute entière vibre dans cette version...
I can never seem to play it like this.
Magnífico, Fue un acontecimiento
Brilliant! How does anybody get such a bell-like tone out of a piano?
Well, it has to be there in the first place. Many pianos simply don't have it.
I'm a violist, not a pianist, but I've seen her do a very fast up and down thing with the right pedal.
bravo !
just to dream
hmm?
sempre unica..
Martha Argerich : from Argentina, the same as the " îles Malouines"
ㅋ정말 유명한건 이유가 있는 듯^^;; 음악이 넘 영롱하면서도 깊어서 정말 좋음~ 타고난건 이런거다 라는 느낌^^;;; 미지의 나라 넘 좋아!
10:11 Fast zu ernst. The best I have heard.
hermoso!!!
bello
victoria viola
Bravo!
Herrlich!
01. Of Foreign Lands and Peoples
02. A Curious Story
03. Blind Man's Bluff
04. Pleading Child
05. Happy Enough
06. An Important Event
07. Dreaming
08. At the Fireside
09. Knight of the Hobbyhorse
10. Almost Too Serious
11. Frightening
12. Child Falling Asleep
13. The Poet Speaks
a un stage nous l avion jouer pour un orchestre d une flûte un clarinette un alto un violoncelle une contrebasse un cor et n hautbois.. le résultât étais superbe mais la j en ai eu les larmes aux yeux !
Marta Argerich her mothers name was Bronfman.These Bronfman`s were from Odessa i believe.How is it possible that the all the major stars comes out from Odessa(Ukrainian town 300000 population) like E.Gilels S.Richter David Oistrakh.What is wrong the rest of the world 7 billion people.Why they can not play like these.My home town Oulu is the friendship town of Odessa.But we have the best skaters like the hockey player Reijo Ruotsalainen and the fig.skater SusannaPöykiö she skated like a butterfly
d2d4e6 The Bronfman’s came from Ucrania during the late1800 firsts 1900 and they were the So named Gauchos Judios from Argentina. Martha received a grant from the Jewish Community of Argentina last years.
LIPATTI from Odessa? CORTOT from Odessa? SOFRONITZSKJ from Odessa? L. KOGAN and MENUHIN from Odessa ?
Gorgeous
To this music
6:06 to 8:40 - BLISS
Anyone know when and where this,was recorded.....?
Nice
Schumann- piano, orchestral or vocal- demands performers with plenty of technique to make sense of the tempo, rhythmic and melodic changes. And when it comes to structure of any of his major compositions, it crumbles without the former qualities.
0:44 falling in lovee with you! Genial.
やっぱりくっそ美人
❤️
I danced