Gioachino Rossini: Il Signor Bruschino (1989)

From the Theatre Schwetzingen,
A mixture of saucy elegance, sizzling wittiness, cheeky orchestration and also some touching lyricism.
Alessandro Corbelli - Caudenzio
Amelia Felle - Sofia
Alberto Rinaldi - Bruschino (father)
Vito Gobbi - Bruschino (son)
David Kuebler - Florville
Giuseppe Maria Foppa - libretto
Stuttgart Radio Symphony Orchestra
Gianluigi Gelmetti - conductor
Click here to watch Gioachino Rossini's L'Italiana in Algeri: goo.gl/1uG19L
Click here to watch others operas at the Schwetzingen Festival: goo.gl/zHtZ7m
Subscribe to EuroArts: goo.gl/jrui3M
Schwetzingen is a tiny town near Heidelberg which has a famous palace with magnificent gardens, not unlike those at Versailles. The Schwetzingen Festival is held every Spring in the palace and commissions a small-scale opera for the palace's exquisite Rococo theatre, built in 1752. Il Signor Bruschino is the last of the five one-act operas - farsa giocosa - in which the teenage Rossini first demonstrated his operatic genius. Among the ‘peculiarities’ which caused a sensation at its premiere 1813, was the daring experiment in search of new tonal effects occurring in the overture, during which the second violins are required to tap their bows on their music stands.

[@user-fi8em3zt7e]

love to see young Alessandro Corbelli, thanks for sharing.

[@stefanodepeppo]

Such a refreshing beautifully done traditional production! Everybody is very good. But Corbelli stands out as absolutely fantastic. His technique, his easiness in singing effortlessly the florid music, and on top of all his totally elegant delivery of the character Gaudenzio are really admirable. BRAVISSIMO!

[@vladimirbazyukin7480]

A marvelous production! Thanks!

[@marcellepesek3038]

EuroArtsChannel Thank you for a lovely presentation! I find myself looking up older productions nowadays, (2022), as I
can't stand to watch some of the "modernized" versions of so many fine operas! It's unwatchable in many cases! They lose all sense of realism and what the composer had in mind. There is a reason why a work is written for a specific epoch, as it often can affect the plot. Not only that, but some of the sets are so sparse, you're lucky to get a chair or two, and the costumes can be downright ugly as well as vulgar. It ruins everything. So, again, thank you for a very true-to-composer, delightful performance!

[@antoniocostanza8227]

Grandissimo bravissimo geniale compositore operistico italiano del dramma giocoso teatro opera Giocchino Rossini

[@user-hk2oy6eo3r]

ROSSINI crescendo!!! Rossini era è sarà

[@user-hk2oy6eo3r]

...sempre ricordato!

[@musicaantigua869]

Gracias y saludos cordiales desde Mallorca para vosotros euroartschanell

[@user-hk2oy6eo3r]

Complimenti per l'ottima interpretazione! Mille grazie, Maestri!!!

[@e42502]

¡¡¡Bravo Rossini!!!

[@oboista6963]

Che CALDO!!😂😂

[@toni-65]

Exquisita

[@olanilsson4440]

GREAT!
😃

[@marcomicheletti9957]

8:16, Deh tu m'assisti amore
10:55, duettino con Marianna
12:19, rec. P. 19
13:11, duetto p. 20
14:10, p. 21
17:27, rec p. 25
18:32, entra Filiberto
20:08, duetto Fliliberto e Florville
23:03, rec p. 39
33:48, entra Bruschino
36:00, terzetto p. 59
37:33, p. 61
39:09, Allegro p. 65
41:00, p. 70
41:48, più mosso
42:16, p. 74
56:00, rec. P. 100
57:14, sestetto, p. 102
59:35, p. 107
1:01:35, p. 114 stretta
1:02:18, p.118
1:03:08, p. 119
1:14:58, p. 145
1:15:48, p. 147
1:17:23, Finale p. 152
1:20:59, p. 160
1:22:37, p. 164

[@dirkmannekens]

Thank you very much !🙂

[@user-hk2oy6eo3r]

👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

[@Jordan-fn7nb]

Subtitles please!

[@declamatory]

Opening entrance: "Hey! Born in a barn!"

[@svetlanabelikova9425]

Subtittoli, please!

[@yuta3587]

46:55 Ah! voi condur volete

[@marcomicheletti9957]

13:55

[@juantellotenor9973]

54:51 Comissario