Excellent video. I'm a huge Charlie Christian fan and his playing never ceases to amaze me. This is one of the best analyses of his playing I've ever seen and you have really taught me a lot. Thanks!
Thank you so much for educating us about Charlie Christian. Your playing is amazing. Charlie Christian died over 80 years ago at the age of 25 but he’s still relevant today.
Great video! I'm a huge Charlie Christian fan. He was a true guitar genius on the same level as Django Reinhardt. Every great jazz guitarist since Charlie and Django has learned their chops either directly or indirectly, from their playing. What's even more amazing about Charlie is his tragically short career. He made all those fantastic recordings in the short space of about 5 years, and then was gone at the young age of 25.
Wonderful lesson. So well explained. The way you break it all down over how Charlie is thinking over each chord is so so helpful to me. Thank you so much for taking time to do/explain this. Guy.
Great lesson Gregg, we learn a lot from these videos. I would greatly appreciate if you could play the chords as well in the style they would have been played because they sound so great. anyway thanks again for the lesson.
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Your lessons are great. I wish I knew how to help you monetize them, but here are some thoughts: My understanding is that Rick Beato is quite open on the success of his channel, but it’s hearsay. What disturbs me is that competent instructors are often over looked for less competent. Patreon also seems popular for those with a clear focus and dedicated following. Anyway, as a consumer of guitar instruction, I really appreciate your efforts. I have subscribed and “hit the bell” to try and help out. Peace.
20:00 that bit about the descending lines and the landing on off notes is gold. To me that is where most of the magic is -- sounds so funky and cool as transitions. The rest of CC's playing is much more mundane, playing on chord shapes. But those descending things are neat. Thanks for your excellent vid!
@@andrewhaddon7689 I always suspected rockabilly and country guitar had a connection to jazz guitar. Chet Atkins and Les Paul confirmed my suspicion lol. Makes it cooler than Jimi Hendrix later plugged more Jazz back into rock music. Jazz and its culture influenced the development (though obviously not the birth) of blues as a genre so much. Blues bands inherit their drum kits from jazz!
Very interesting. Thanks. I'm no expert but, @12:42, when you say "...down a whole step and plays a -7b5," do you mean a "minor triad with added sixth?" (see @11:24). Looks like it would be a -7b5 if you went up to the 5th?
Interesting! I love jazz and I always rated what I heard of Charlie Christian, but understanding it is way above me, I wonder what model Ibanez guitar that is? Sounds really nice!
Thanks for bringing back memories. What you say about the b3 and the 6 reminds me of the head of Seven Come Eleven. Any film of Charlie? All I have ever seen is those same few photos. Always wondered about his right hand technique. This is a pre-Christian guitar solo with Goodman big band 1937 at 8:55. czcams.com/video/OzNTv5y34c8/video.html Christian era photos with other guitarists in big band czcams.com/video/WcopQ8Ub8MY/video.html The Goodman-Christian collaborations all seem to be in the small bands: Sextet, Qutintet. No film.
Hi John, I don't have a link for the transcription unfortunately. But you can see the full transcription towards the last couple minutes of the video. Thanks for watching!
Great stuff. Only issue I have with your lessons is that the full transcription you show while playing the solo in full at the end is at a scale where you cannot make out the numbering. It's mostly a blur. Even if you do a full screen of it, this is the case.
Why would Christian play the same note on two different strings when he had the same note repeating in his phrase? Just for the subtle difference in timbre? To look flashy? To keep himself entertained? I’ve never heard of this before but I am interested!
It's called false fingering, or alternate fingering. "The term "false fingering" is used in instruments such as woodwinds, brass, and stringed instruments where different fingerings can produce the same note, but where the timbre or tone quality is distinctly different from each other. For example, on a guitar, the same note played on a wound string will sound significantly different from one played on a solid wire string, so playing the same note on different strings in short succession can accentuate the different tone colors without actually changing the note. When the note is played in such a way as to draw the distinction from the expected tone quality (which will vary depending on the exact musical passage it appears in) it is often called a "false fingering". The technique is common in jazz contexts, especially on wind instruments such as the saxophone. If the tone quality is not distinctly different between the two notes, the term "alternate fingering" is often used instead". It's used more often than not. especially in Jazz, and sometime in Rock too. Hope this helps! 🙂
Thanks for the reply. I figured it was a timbre thing. I’m actually a pretty accomplished jazz guitarist (I’ve transcribed a handful of Christian’s solos over the years). But false fingering is something I haven’t come across in my education. It’s definitely a next-level sort of detail to add to one’s playing. Very subtle. I’ll mess around with it myself now and see what happens. Thanks!
🎸 FREE transcriptions and backing tracks: store.codabop.com/
Hi my browser wouldn't connect to this URL, I tried Chrome, Firefox & MS Edge, all latest versions
Excellent….more Charlie Christian!!! The more the better!
👍🏻👍🏻👍🏻
So happy that the YT algorithm put your video on my feed.
👍🏻👍🏻👍🏻
Excellent video. I'm a huge Charlie Christian fan and his playing never ceases to amaze me. This is one of the best analyses of his playing I've ever seen and you have really taught me a lot. Thanks!
Glad it was helpful!
Thank you so much for educating us about Charlie Christian. Your playing is amazing. Charlie Christian died over 80 years ago at the age of 25 but he’s still relevant today.
Thanks so much! 👍🏻
Great video! I'm a huge Charlie Christian fan. He was a true guitar genius on the same level as Django Reinhardt. Every great jazz guitarist since Charlie and Django has learned their chops either directly or indirectly, from their playing. What's even more amazing about Charlie is his tragically short career. He made all those fantastic recordings in the short space of about 5 years, and then was gone at the young age of 25.
Yes, to accomplish so much by 25 years old is amazing. Thanks for watching and for the comment Joe!
Great presentation.
Thank you kindly!
Very Precise, detailed and good description. Thank You.
Hi Murat, great, thanks for watching!
Nice approach to detail and very well explained. Excellent work!
Thank you kindly!
Great lesson Gregg, so intersting ideas in his solos!
Riccardo Chiarion thank you Riccardo!! 👍🏻
Wonderful lesson. So well explained. The way you break it all down over how Charlie is thinking over each chord is so so helpful to me. Thank you so much for taking time to do/explain this. Guy.
Awesome, glad it was helpful!
It is very useful how you relate lines to chords in this lesson. Thanks!
Glad to hear that!
Great lesson - so great to have someone explaining concepts rather than just showing licks. thanks!
Glad to hear Tim, thanks for the comment!
thank you so much, words can't express how much I appreciate you.
You are so welcome. Thanks for watching
You got this down. Phrasing is amazing ! Perfect! Way better than wolfs version 😬
Cool, thanks Nicolos!
Thanks for the lesson! Very helpful.
Hi Markus, thanks for watching!
Thank you - that is an excellent tutorial!
Thank you for watching!
Great lesson, thank you!
Hi Alain, glad you enjoyed. Thanks for watching!
Great lesson as always! Thanks
Thanks SoundSharp Music! 👍🏻 🎸 👍🏻
Thank you for this excellent lesson
Thanks for watching Hilmar!
Great video ,thanks.
Glad you enjoyed it
Great lesson, subscribed & liked, thanks
Awesome, thank you!
Excellent lesson!
Thanks! 😃
You sir are the real deal 👍
thank you!
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Hey man! Like this...
I'm seeing you here in Brazil
Excellent! I love Brazil!
excellent presentation
Thanks for watching!
This was an exemplary lesson
Great to hear, thanks for watching Quintin!
Great lesson Gregg, we learn a lot from these videos. I would greatly appreciate if you could play the chords as well in the style they would have been played because they sound so great. anyway thanks again for the lesson.
Hi Siyamcela, thanks for the comment and thanks for watching!
Very helpful thanks
Glad it helped!
Very nice infor………will study……☮️🎶🔛🌎
Thanks for watching Jeanne!
you're really good teacher and player!!!
Thank you kindly!
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Join the "Advancing Jazz Guitarists" community on Facebook, a group of 300+ forward-thinking guitarists
who are sharing playing tips, resources, and advice! facebook.com/groups/advancingjazzguitarists
To subscribe to the channel: czcams.com/channels/WFnxg02ITStRxn4sotkJng.html
When will we see your next video sir?
Gracias, maestro, saludos desde Uruguay 👍🏽
Thanks for watching!
🎸Private Jazz Guitar Lessons with Gregg Fine: store.codabop.com/jazz-guitar-lesson
Just found this. awesome!!
Great, thanks for watching!
Your lessons are great. I wish I knew how to help you monetize them, but here are some thoughts: My understanding is that Rick Beato is quite open on the success of his channel, but it’s hearsay. What disturbs me is that competent instructors are often over looked for less competent. Patreon also seems popular for those with a clear focus and dedicated following. Anyway, as a consumer of guitar instruction, I really appreciate your efforts. I have subscribed and “hit the bell” to try and help out. Peace.
@@lamgefyoutoob thank you, appreciate it! Yeah, Rick is great 👍🏻
Great lessons! Unfortunately the transcriptions aren’t accessible with any browser! Please advise, thank you!
Liked and subscribed.
Great, thanks!
20:00 that bit about the descending lines and the landing on off notes is gold. To me that is where most of the magic is -- sounds so funky and cool as transitions. The rest of CC's playing is much more mundane, playing on chord shapes. But those descending things are neat. Thanks for your excellent vid!
I agree. That's one of the most interesting aspects of his playing. Thanks for watching!
Great lesson, and a very healthy looking Cheeseplant in the background!
Thanks Graham! I never knew that was called a Cheese Plant but now I do 👍🏻
@@greggfineguitar The proper name is even better - Monstera Deliciosa. Could have been a Charlie Christian track.
@@grahamriach3297 Wow, not sure which name I like better...
This definitely reminds me of ragtime and of early rock and roll.
True!
Just what I was thinking before I scrolled down to the comments.You can see/hear the roots of Rockabilly.
@@andrewhaddon7689
I always suspected rockabilly and country guitar had a connection to jazz guitar. Chet Atkins and Les Paul confirmed my suspicion lol. Makes it cooler than Jimi Hendrix later plugged more Jazz back into rock music. Jazz and its culture influenced the development (though obviously not the birth) of blues as a genre so much. Blues bands inherit their drum kits from jazz!
muito bom!
Thanks for watching!
Very interesting. Thanks.
I'm no expert but, @12:42, when you say "...down a whole step and plays a -7b5," do you mean a "minor triad with added sixth?" (see @11:24).
Looks like it would be a -7b5 if you went up to the 5th?
Hi Chris, a minor7b5 is a minor triad with added sixth just as an inversion.
Interesting! I love jazz and I always rated what I heard of Charlie Christian, but understanding it is way above me, I wonder what model Ibanez guitar that is? Sounds really nice!
Thanks! That's an Ibanez Artstar AS200.
@@greggfineguitar Thanks!
Is there any live footage of Charlie playing?
I'm not sure. I don't think so but I could be wrong!
Thanks for bringing back memories. What you say about the b3 and the 6 reminds me of the head of Seven Come Eleven.
Any film of Charlie? All I have ever seen is those same few photos. Always wondered about his right hand technique.
This is a pre-Christian guitar solo with Goodman big band 1937 at 8:55.
czcams.com/video/OzNTv5y34c8/video.html
Christian era photos with other guitarists in big band
czcams.com/video/WcopQ8Ub8MY/video.html
The Goodman-Christian collaborations all seem to be in the small bands: Sextet, Qutintet. No film.
fckn good! thx
Thanks for watching!
Is there a transcription available to download?
No downloadable transcription at the moment. Only what's shown in the video. Thanks for watching!
Thanks for the reply.
Hmmmm....is there a link so I can print the transcription?
Hi John, I don't have a link for the transcription unfortunately. But you can see the full transcription towards the last couple minutes of the video. Thanks for watching!
@@greggfineguitar Hey thanks for letting me know. That was a great lesson. I really enjoyed your playing.
@@MrJohnjellis Glad to hear!
Jim Hall is playing those „ false fingerings“ all the time - I always thought he invented it🤪
Oh yeah, good point! Maybe he got it from Charlie, hmm....
Great stuff. Only issue I have with your lessons is that the full transcription you show while playing the solo in full at the end is at a scale where you cannot make out the numbering. It's mostly a blur. Even if you do a full screen of it, this is the case.
Thanks John. Make sure you have the video quality setting at 720 or higher and you should be able to see the chart clearly.
The tempo and timing in CC’s playing is extremely tricky to learn. It is for me anyway.
Why would Christian play the same note on two different strings when he had the same note repeating in his phrase? Just for the subtle difference in timbre? To look flashy? To keep himself entertained? I’ve never heard of this before but I am interested!
It's called false fingering, or alternate fingering. "The term "false fingering" is used in instruments such as woodwinds, brass, and stringed instruments where different fingerings can produce the same note, but where the timbre or tone quality is distinctly different from each other. For example, on a guitar, the same note played on a wound string will sound significantly different from one played on a solid wire string, so playing the same note on different strings in short succession can accentuate the different tone colors without actually changing the note. When the note is played in such a way as to draw the distinction from the expected tone quality (which will vary depending on the exact musical passage it appears in) it is often called a "false fingering". The technique is common in jazz contexts, especially on wind instruments such as the saxophone. If the tone quality is not distinctly different between the two notes, the term "alternate fingering" is often used instead".
It's used more often than not. especially in Jazz, and sometime in Rock too. Hope this helps! 🙂
Thanks for the reply. I figured it was a timbre thing. I’m actually a pretty accomplished jazz guitarist (I’ve transcribed a handful of Christian’s solos over the years). But false fingering is something I haven’t come across in my education. It’s definitely a next-level sort of detail to add to one’s playing. Very subtle. I’ll mess around with it myself now and see what happens. Thanks!
Its called music
@@jamessidney2851 My pleasure!
Great content. You need to find a way to hide that huge microphone setup in front of your face. You will connect better with your audience. Cheers.
Thanks! I appreciate the constructive criticism.
EL BIEN SON ACCIONES Y NO BUENAS INTENCIONES
To play the "Interactive Jazz Guitar Game", visit: greggfineguitar.com