SMART Adjustment Layers in Adobe Premiere Pro
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- čas přidán 6. 09. 2024
- SMART Adjustment Layers in Adobe Premiere Pro
Standard Adjustment layers are simply placeholders for effects, but this tutorial will show you how to increase their functionality by adding effects as Master Clip Effects. SMART Adjustment layers retain all the effects applied to them making them drag & drop easy.
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Nice video sir. I learned a lot of things from this video.
Could you make a video about export settings in premiere pro?
Which export settings should i use to export video in highest quality or upload on the internet or to show video to the client.
There are a lot of export settings in premiere pro like h.264, avi, mov, etc so which setting should I use in which cases?
Please help me. I am struggling with this problem.
If you root around in his library, I believe you'll find it as he's been doing this for quite a while and covers everything as he can. That is your first step.
Here ya go: czcams.com/video/Ticu0O2RTis/video.html
I got it for him. 😀
@@VideoRevealed thank you sir.
@@johnhpalmer6098 thank you.
interesting. when i have two or three clips to string together i had been adjusting the lumetri color correction of the first clip then manually applying the settings to each subsequent clip. it seems that working with what you covered in this video will save me a lot of time. thanks for the info.
yep, it's a huge time saver.
Thanks, this is exactly what I was looking for! I was searching on google, and people said to right click and save as a preset, but really? That's not user friendly. This is perfect!
Always helpful 💙
Thanks!
Oh, I didn't know that about the Master Clip application! Thanks!
Yep, Master Clips are very powerful.
Great tips. I could have used this just recently. I had the adjustment layer cut into multiple pieces to fit a project - but the adjustments were all clip effects. I then decided on a whole new look and had to change each clip individually. Would have been much better to be able to do it in the master and change all instances of it at once. Going to reset my project up like that now :) Thanks
Yep, that's a great workflow.
Thanks a lot, Colin! That was very helpful. Take care
Glad it was helpful!
Thanks a lot! I couldn't find answer to my problem anywhere and this video was exactly what I was looking for :)
Great explanation of creating a smart adjustment layer. It seems like there are some effects you can create with the gaussian blur in the clip (like a mask) that you can't copy into the source of the adjustment layer. Are there any workarounds for that
the start of the video is a little bit tight hahaha now I will watch the rest ;-)
Thanks again Colin..!
Was wondering about commenting on this. The content is still there, it's just, he's in a hurry!
I guess I did rush the intro...🤔
It was "one of those days" I guess.
@@VideoRevealed we love you Colin :-)
Thanks
No problem
Question if I may: Colin, you work with a nvidia 5000 card, if I recall. Do you output it to a 10bit or higher monitor, so your color-correct with bigger color-profile?
I don't output to a 10-bit monitor. My footage is all 8-bit and my output is also always 8-bit so I really don't need anything more.
Hi. I was trying to get your methodology to work for having canon clog3 to rec 709 LUT applied as a master adjustment layer. But I could not seem to get it to work. Am I missing something?
Hi there!
First of all great video.
But what suprised my most we seeing footage of my hown town.
Where you visiting Ljubljana during the lockdown?
Duude I was actually wondering if this was something you can fix in premiere! 🙏
Thank u so much. Ur a good teacher 👍
You are welcome
Great help! Thanks a lot, Colin.
Happy to help!
I edit a TV series where each episode is on a different hard drive, and I create a new project for each. Once I've created the Master Clip Adjustment Layers on Project #1 - since the same cameras are used on every episode - can they be saved or exported in any way so I don't need to rebuild them each time? (Yeah, I know, they take seconds to add one Lumetri effect, but maybe, as in your example, you have a LOT of effects on one layer.) Many thanks, as always.
Maybe create a Project as a template and import that into a new Sequence. That template could have all the stuff you need regularly like Adjustment Layers, titles, music, etc. That's what I do for my show. Here's a tutorial:
czcams.com/video/UKuNTPXmfnA/video.html
Can I use this? Yes. Will I use this? Hell, I have! Thanks for the info.
I'm glad you found it useful.
dude that was EXACTLY what i needed! thank you.
I'm glad you found it useful.
Hey, You´ve been to Ljubljana! Do you like it? Best wishes..
No, I've never been there. These amazing video clips are from Artgrid:
artgrid.io/
Great info. Thanks so much!
Glad it was helpful!
Thank you! 👍👍👍👍
You're welcome.
Thank you so much sir
You're welcome.
Thank you!
You're welcome!
For some reason I can't automate effects in adjustments layer
Some effects won't be available as Master Clip effects, so if you don't see it, then it won't work.
Thank You...
Thanks for watching.
People DON'T USE CROP THAT WAY. IT LOOKS STUPID ON ULTRAWIDE DISPLAY/PHONES! Instead, create a new sequence with the aspect ratio you want and export that way. (or it's meant for traditional TV network that's fine)
Cinematic crops are an industry standard. They have absolutely nothing to do with phones.
@@VideoRevealed but when you watch those videos on CZcams with 18:9 or 21:9 display it's small video in the middle of a screen, with 4 sides cropped. This is driving the ultrawide community nuts.
Just to add some examples in case I'm not explaining good enough:
proper cinematic encode for youtube
czcams.com/video/Ns-NO9_Nj3k/video.html
bad encode that's driving ultrawide people mad
czcams.com/video/isges2l3qaY/video.html
(you won't see a difference if you watch on 16:9)
I just want the mainstream media to do it more that's all. It's much better to experience watching cinematic content on an ultrawide display. Netflix mostly got this right.... mostly.
@@VideoRevealed Why would you render the video with the black bars baked in? Why not just render it in the 2.35 aspect ratio?
It's been a while and that you
That's me! 🙄