I never realized that the D major to b flat minor in the first subject of the finale was just a neo-riemannian LPL transformation! Thank you so much, very informative :)
Even though I am completely crap at music theory, wanting to learn Bruckner’s compositions so bad, these videos are really educational! I would love to see an analysis on the 9th symphony (especially the third movement)
@@firstsightanalysis7814 there are two famous dissonances in the Adagio of the 9th, firstly the melodic leap of a minor ninth at the very opening (okay a leap is not a dissonance, but you know what I mean) and then the climactic chord containing, I believe, all seven tones of the minor scale...at least these are to the layman's ears the most dramatic and non-traditional passages of the movement.
Thank you, I find this type of harmony very expressive and use it frequently in my music. Interestingly, I don’t have a well worked our theoretical construct for it other than the idea of expressive mediant harmonic movement. It’s been more of an intuitive process. I was wondering if I could share with you a short cello/piano piece that is constructed along these lines? Paul Alexander
What an awesome video my friend!
Well the most obvious excerpt for a fascinating analysis is the coda of the 1st movement of the 6th Symphony starting at rehearsal Letter "W".
Great video, please continue!!
I never realized that the D major to b flat minor in the first subject of the finale was just a neo-riemannian LPL transformation! Thank you so much, very informative :)
Great video, this is a very interesting topic!
Even though I am completely crap at music theory, wanting to learn Bruckner’s compositions so bad, these videos are really educational!
I would love to see an analysis on the 9th symphony (especially the third movement)
Listening to it right now :) Were you thinking of a particular passage in the 3rd movement, or just curious in general?
@@firstsightanalysis7814 there are two famous dissonances in the Adagio of the 9th, firstly the melodic leap of a minor ninth at the very opening (okay a leap is not a dissonance, but you know what I mean) and then the climactic chord containing, I believe, all seven tones of the minor scale...at least these are to the layman's ears the most dramatic and non-traditional passages of the movement.
could you look into wagner tannhauser ouverture , please :)
That's a great idea! Logged in :)
Chords called power chord used in rock music can be understood as major and minor key 😝
Thank you, I find this type of harmony very expressive and use it frequently in my music. Interestingly, I don’t have a well worked our theoretical construct for it other than the idea of expressive mediant harmonic movement. It’s been more of an intuitive process. I was wondering if I could share with you a short cello/piano piece that is constructed along these lines? Paul Alexander
Of course, send it along :) (how can you share things on CZcams?)