"Let's say I'm not a musician, and I have enough money to buy a house." Yep, makes sense, I don't know any musicians that have enough money to buy a house ;)
Homework was an awesome idea. I'll try it and then see if I can figure out. I'm not expecting to be able to do it, it's Tigran Hamasyan we are talking about.
Love what you're doing here @YogevGabay! you make this theory super interesting and accessible, even though it's way over my head, I really appreciate how you're breaking these concepts down for us!! Big Meshuggah fan, and learning more about their polyrhythmic work just deepens my appreciation for their tunes that much more. THANK YOU FOR SHARING YOUR BRAIN ON THE INTERNET!!
this was awesome! I've been listening to what about me for years and never realized why some parts sound "weird" or "not in 4/4 anymore" and now i know is due to the lack of the "host" presence! hahaha. Also I loved the breakdown of the previous vid, I always used to jam in quintuplets to that section but it seemed off at some point and it was because of that 4 notes "bridge" that conects the 2 sections! Keep it up man.
I think you may wish to check out the song "Path of Destruction" by Trail of Tears. In that song, the melody is the host and the drums are guests. But at the beginning of the song, the guests attract all attention so that the listener thinks they own the house, and only when the host kicks them out the true rhythm can be heard. And later the guests return and again try to take the house over!
Great video, as always!! Although for me, I always perceive the smaller number as the host. Take for example 3:4, angramme.github.io/polyrhythm/ helps me demonstrate it. 3:4 or 4:3 (snare and hat or hat and snare), most of the time the 3 feels like the host for me. It happens to me when I try different combinations as well... I think it might be because the notes of the 3 are more spacious on every bar, it makes you feel as if the 4 is contained in the 3. ma daatcha yogev?
I’ve never been this pumped to do homework
Best hahahaha
Cool concept.
The cards don't really seem to add much IMO, but the house analogy makes a lot of sense.
"Let's say I'm not a musician, and I have enough money to buy a house." Yep, makes sense, I don't know any musicians that have enough money to buy a house ;)
You got to be real haha
but how did he play with the snarky for 6 months if he isn't a musician
I think Dua Lipa and Paul McCartney qualify as musicians. I also think they own a house.
@@marcocavalieri6272but people like them make up for like… 0.01 percent of musicians
Incredibly thorough, expecting the next million subscribers any minute now
Thanks!
Homework was an awesome idea. I'll try it and then see if I can figure out. I'm not expecting to be able to do it, it's Tigran Hamasyan we are talking about.
I can assure you it's hard hahahahah
I found this video absolutely occasionally. And now it seems I start understand prog. Thank you a lot.
Glad it helped!
Brilliant. If I had this idea in conservatory I would have done better in orchestration class
This is amazing! Deserves more views
Yet another phenomenal video, Yogev! Thank you for producing such high quality instructional content. I cannot wait for your analysis of Double-Faced.
My pleasure!
Love the homework assignment :)
Brillant work, thank you for all. Clear, simple, with good analogies, love your work. xx
You're very welcome! Happy you like it!
Love what you're doing here @YogevGabay! you make this theory super interesting and accessible, even though it's way over my head, I really appreciate how you're breaking these concepts down for us!! Big Meshuggah fan, and learning more about their polyrhythmic work just deepens my appreciation for their tunes that much more. THANK YOU FOR SHARING YOUR BRAIN ON THE INTERNET!!
Oh man thank you so much!
Insanely awesome stuff man!
Thank you for everything that you're doing 🤘😎🥁🎵
Brilliant, well done, and entertaining all together! Fantastic methodology.
Glad you enjoyed it!
This is an awesome idea!
Awesome !!!
As usual , amazing ! fun and yet so profound and informative ! MELECH
Mode lechaaaaaa
this was awesome! I've been listening to what about me for years and never realized why some parts sound "weird" or "not in 4/4 anymore" and now i know is due to the lack of the "host" presence! hahaha. Also I loved the breakdown of the previous vid, I always used to jam in quintuplets to that section but it seemed off at some point and it was because of that 4 notes "bridge" that conects the 2 sections! Keep it up man.
That's awesome! I'm happy you're liking it!
I think you may wish to check out the song "Path of Destruction" by Trail of Tears. In that song, the melody is the host and the drums are guests. But at the beginning of the song, the guests attract all attention so that the listener thinks they own the house, and only when the host kicks them out the true rhythm can be heard. And later the guests return and again try to take the house over!
Ohhhhhhhh talkin my language! Will listen!
Man your channel it´s awesome. Keep do in it ¡¡
Glad you enjoy it!
1:42 there are 13 hearts in a standard poker deck, not 12.
Well.
You sir, are correct. OOPS
haha! genius analogy
היי יוגב! אשמח אם תוכל לנתח את absolomb של periphery 🙃
שיר מדהים עם מלא משחקים ריתמיים
בודק!
Great video, as always!! Although for me, I always perceive the smaller number as the host. Take for example 3:4, angramme.github.io/polyrhythm/ helps me demonstrate it. 3:4 or 4:3 (snare and hat or hat and snare), most of the time the 3 feels like the host for me. It happens to me when I try different combinations as well... I think it might be because the notes of the 3 are more spacious on every bar, it makes you feel as if the 4 is contained in the 3. ma daatcha yogev?
medical condition? you mean Graft versus host?
Can we... err... cheat by watching a certain David Bruce video? 😅
hahahahahaha go for it. It'll only confuse you more
Ladies and "djents"?
Love the videos, but I hope Cornelius doesn't watch this...
He's dead to me anyway.