Interview with Allen & Heath's CQ Project Manager Keith

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  • čas přidán 9. 07. 2024
  • 0:00 Intro
    1:09 Gain Assistant
    4:45 Outputs
    6:55 Configuring Channels
    10:45 Quick Channels
    19:45 Feedback Assistant
    26:45 FX Assist
    33:17 Recording
    38:26 Benefits
    In this podcast-style video we interview Keith Johnson from Allen & Heath about the CQ series of digital mixers.
    CQ is built on a 96kHz platform capable of smart processing and rich in connectivity,
    network, Bluetooth, wireless options, SD and USB.
    The CQ range consists of three form factors - two desktop models with hands-on control
    and a rackmount/stage box model. All use the same apps and same firmware but have a
    slightly different feature set and price point. With the CQ range, we have created a super
    portable and easy to use, but still fully featured digital mixer, suitable for technical and nontechnical
    users.
    CQ-18T -16 mic+stereo line, responsive and intuitive touchscreen control
    CQ-12T -10 mic+stereo line, reopens and intuitive touchscreen control
    CQ-20B -16 mic+2 stereo line, app-driven rackmount/stage box
    Please subscribe and follow:
    / johnbanthony
    / johnbnnthonyco
    / jbareps
    / jba_reps
    / johnbanthony
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Komentáře • 26

  • @ChrisShucksmith
    @ChrisShucksmith Před 4 měsíci

    Really useful review, one of the few to show some of the screen transitions in detail e.g. faders to sends, ch inserts to fx config etc. Had to pause and rewind to get a few details. Thanks for producing this, and great to have Enrico interviewing with solid applied mixing knowledge, helps ask relevant detailed questions.

  • @azurhandanovic8813
    @azurhandanovic8813 Před 5 měsíci

    Thanks for Vid. u asked right questions, im lucky to find 1 last A&H CQ12T in stock in my small country and comming tomorow.

  • @fluidmindorg
    @fluidmindorg Před 5 měsíci +1

    At 25m14s, he starts talking about how the feedback assistant "looks after" those feedback frequencies, that is it keeps watching them and automatically keeps reducing the gain and widening the Q as it sees fit. I've noticed, in the several gigs I've used the CQ18T for, that it can go WAY overboard with this and end up pulling down those frequencies too far and widening their Qs far too much, so that it ends up cutting out huge swaths of frequencies to the point that it starts to sound terrible. He even says, "you don't want to destroy the signal", but that's exactly what it has done to me on two separate gigs (one a 5-part a cappella group, the other a guitar, piano, and vocalist). I consider this a shortcoming of the code. It really needs to have serious limits put onto how deep and wide it can adjust these frequency notches. The whole point is to have SMALL notches rather than the kind of big notches we used to get with (yes, "old school") GEQ.

    • @fluidmindorg
      @fluidmindorg Před 5 měsíci

      (That shortcoming aside, this really is an awesome mixer! Thank you all for giving us such a great tool.)

    • @Johnbanthony
      @Johnbanthony  Před 5 měsíci +1

      It sounds like you might be leaving the FBA switched in and adding fixed filters through the show.
      I’d suggest checking through the ‘How to use the Feedback Assistant’ section of the user guide here - www.allen-heath.com/content/uploads/2023/09/CQ_User_Guide_V1_1_0_iss1.pdf#page=42&zoom=auto,-361,555
      Hopefully this will help you figure out what is happening and why, but also give you some ideas on how to get the best out of the Feedback Assistant.
      The main things I would suggest alongside that are -
      Do most of the ringing out at setup with fixed filters.
      Only leave FBA hold off and applying live filters if you know what’s going to happen.
      If using live filters, set a recovery time that works for the situation.
      Leave FBA hold on if the microphones or speakers aren’t moving around and there is no feedback (as otherwise false positives will add filters unnecessarily).

  • @jonathanramsey
    @jonathanramsey Před 3 měsíci

    I’d love to hear both Engineering and Sales’ justifications for using USB-A/B in 2023

    • @Johnbanthony
      @Johnbanthony  Před 22 dny

      We'd recommend posting this question to the Allen & Heath message board as their engineers frequently answer questions like. this.

  • @newtrack5729
    @newtrack5729 Před 7 měsíci

    I love to see 32ch of version of CQ series very important please release 😢

    • @Johnbanthony
      @Johnbanthony  Před 7 měsíci +1

      We are not Allen & Heath direct but will pass along the suggestion.

    • @PierreVilleneuve88
      @PierreVilleneuve88 Před měsícem

      I would love a 24 and 32 channel version but they wil not do it to protect their higher lines. Now that CQ has DCA, mute group, custom layers, midi control...it is a surprisingly great value.

  • @johnlane6459
    @johnlane6459 Před 7 měsíci +1

    I’m trying to buy a 12 in Europe but they’re not available anywhere 😢

    • @Johnbanthony
      @Johnbanthony  Před 7 měsíci

      Perhaps try a vendor in the USA that ships internationally such as B&H Photo.

  • @grizzly341
    @grizzly341 Před 4 měsíci

    Is there a way to use Dante with this mixer?

    • @Johnbanthony
      @Johnbanthony  Před 4 měsíci

      The CQ mixers are all self-contained so they can not connect to a dante network.

  • @azurhandanovic8813
    @azurhandanovic8813 Před 5 měsíci

    Can i get some serious answers about FBA.
    As i know its impossible to not hear feedback in order to FBA do his job. Any opinion what is better to use for live performance Fixed or Live mode?
    It make some sense for me for "fixed mode" because in live mode limits are removing automatically to old state.

    • @Johnbanthony
      @Johnbanthony  Před 5 měsíci +1

      There’s 16 bands of FBA available per output. You can use a combination of fixed and as well. What’s best will depend on the situation but when using both, you can have 4 live and 12 fixed per output. Which one is best will depend on what is causing the feedback. If it’s feedback from a mic picking up a stage monitor/wedge, fixed will likely do the job. That screen also has an rta. I would reference this to see if the feedback is moving or a static frequency(s).

  • @itsgmani
    @itsgmani Před 7 měsíci

    Keith can you do my unit next buddy 😊

  • @mikemetalobscura4948
    @mikemetalobscura4948 Před 7 měsíci +3

    YUou should have been focusing on the screens instead of all these side views.

    • @fluidmindorg
      @fluidmindorg Před 5 měsíci +2

      Great point. For future reference, @JBA, we don't need to be watching the people talking about things on the screen, we need to see the screen while they're talking about it. You should only switch to the side camera when the people are talking about something in general and not talking specifically about things on the screen.

    • @Johnbanthony
      @Johnbanthony  Před 5 měsíci +1

      Thank you for the suggestions and constructive criticism. While we agree with you, in this instance we did the best we could with the footage that was shot.

  • @dustinadair7893
    @dustinadair7893 Před 14 dny

    36:58 how? I can use the USB and do this?

    • @Johnbanthony
      @Johnbanthony  Před 14 dny

      Yes, the CQ essentially is an audio interface. You would need an adapter for your iphone/ipad to receive the signal from the CQ's USB-Type-B port. www.apple.com/shop/product/MX5J3AM/A/lightning-to-usb-3-camera-adapter?afid=p238%7Csq4ew1VFw-dc_mtid_1870765e38482_pcrid_699117475408_pgrid_162077588373_pntwk_g_pchan_online_pexid__ptid_pla-2270036488055_&cid=aos-us-kwgo-pla-btb--slid---product-MX5J3AM/A

    • @dustinadair7893
      @dustinadair7893 Před 13 dny

      @@Johnbanthony thank you!

    • @dustinadair7893
      @dustinadair7893 Před 13 dny

      @@Johnbanthony you use a standard iPhone USB charging cable for this?

    • @Johnbanthony
      @Johnbanthony  Před 13 dny

      @@dustinadair7893 No, see the link in our response.

    • @dustinadair7893
      @dustinadair7893 Před 13 dny

      @@Johnbanthony ok thank you