Why are colorists chasing this film stock in DaVinci Resolve?

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  • čas přidán 16. 02. 2022
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    Film was treated in photochemical laboratories before digital developments. The look of an image was defined by this photochemical process. Production begins with a shoot and ends with a developing process for film-negative stock. The majority of these films are reissued on a specific type of film stock after development.
    The Kodak Stock 2383. A favorite of filmmakers because of its brilliant colors, rich blacks, neutral highlights, and the cinematic style we've all come to expect. Digital filmmaking has overtaken film as the major capture format, but film stocks are making a resurgence due to their nostalgic appeal and unique artistic look.
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Komentáře • 142

  • @murk.mp4760
    @murk.mp4760 Před 2 lety +115

    I thank CZcams for recommending this

  • @Cinnovations
    @Cinnovations Před 2 lety +59

    I’ve been down this whole rabbit hole already. Most plugins aren’t completely accurate and a small community of colorists/color scientists and filmmakers are finally having success emulating film enough for 99.9% of people to have an extremely hard time telling the difference. I bought (to help fund the colorist for buying all the film stock and renting an ARRI flex/ ARRI alexa to develop it) what was initially a beta power grade I use and it’s producing amazing results with minimal adjustments needed. The skin tones and blues seem so vibrant and nostalgic.

  • @joyoffilming9500
    @joyoffilming9500 Před 2 lety +45

    Fully agree! This filmprint emulation at the end of a well designed node tree knocks one out of the shoes. I just recently tried out such a grading for some stills I had taken of my wife with my Nikon D810 - I was blown away by the cinematik look of the stills - as if it where ads for a movie.

  • @aybee5908
    @aybee5908 Před 2 lety +39

    For this process I use "Filmconvert" since 2016 so far and still love it.

  • @SHDEdits
    @SHDEdits Před 2 lety +11

    0:58

  • @antoinehusser6142
    @antoinehusser6142 Před 2 lety +5

    This is fire 🔥 I love so much your videos

  • @brunogunter9008
    @brunogunter9008 Před 2 lety +1

    Thank you guys for the awesome content! I'm starting nos with Da Vinci! Thank you so much 🇧🇷

  • @Kreomedia
    @Kreomedia Před 2 lety

    Great content!

  • @MatahariLangitTotabuan
    @MatahariLangitTotabuan Před 2 lety +1

    nice...thanx for sharing this

  • @stillcinematic3163
    @stillcinematic3163 Před 2 lety +40

    Excellent! Keep these types of videos coming. I think most people really want to get close to the look of film. Even though we can't exactly reproduce digital to look like film we can come close. My goal is to focus 100% on subtractive color as I feel like this is one of the biggest indicators of the film look.

  • @alifalm
    @alifalm Před 2 lety +9

    If you ever release an audio book I'd buy two!

  • @datascienceandmore
    @datascienceandmore Před 2 lety +3

    Love it 🔥

  • @syaiful.reezal

    Nice.... thanks CZcams for suggestions this channel ❤

  • @bocharfilmmaker
    @bocharfilmmaker Před 2 lety

    Amazing video keep up....

  • @sarwozenpikir
    @sarwozenpikir Před 2 lety

    amazing information

  • @Moriarty2007
    @Moriarty2007 Před 2 lety +2

    3:54

  • @Freethewordtv
    @Freethewordtv Před 2 lety

    Does this Lut work good with BMPC6k with an 18-35 sigma 1.8 ?

  • @DanielTuriman
    @DanielTuriman Před 2 lety +2

    This is bombastic

  • @-grey
    @-grey Před 2 lety +5

    It's an orange and teal lut, and it has none of the subtlety of the kodak film stock it's emulating.

  • @felixfelix7549
    @felixfelix7549 Před 2 lety +1

    Amazing