Augustin Hadelich plays both parts of Sarasate's Romanza Andaluza
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- čas přidán 3. 04. 2020
- Pablo de Sarasate - Romanza Andaluza Op. 22/1
Augustin Hadelich - violin and piano
April 3, 2020, recorded during Covid19 hiatus.
Here is another encore piece, Sarasate's Romanza Andaluza.
The piano accompaniment imitates guitar strumming in this one, creating a lovely lilting rhythm with just a little bit of rubato in each bar. It's quite awkward for the piano - in a lot of Spanish repertoire for violin and piano the piano part is just a standin for the guitar, the instrument that accompanies singers in Spanish folk music. A few years ago, I played it with the guitarist Pablo Villegas in an arrangement we made, and I remember thinking, "this is exactly how it should sound"!
I especially love the mysterious rubato section in the middle - really makes us feel like we are in Spain at night! - Hudba
This amazing soloist finds a great way of keeping himself productive during this horrible time. I admire him a lot.
Next, Augustin Hadelich plays all three parts of Bach's double violin concerto
I'll look forward to watching that!!
He has one of the most beautiful vibratoes I've ever heard - so much like an exquisite voice, living, breathing, and full of emotion.
I simply love the purity and clarity of the Hadelich's sound. Sometimes, when i don't understand what the song means, i look for a recording that he has made. I'm happy when i find, because i can finally understand it. Long life!
Yes! I do the same thing! Augustin is so generous with his sound production. He makes me understand pieces that I sometimes wonder about. I swear he teaches us while playing.
He draws the most incredible sound from himself, his violin and his bow. Total connection. What a formidable player. Heart-stopping!
Music is said to be maths, but it is much more .. This a demonstration.
Sarasate puts in this piece so much colour, frangance,& landscapes from Cordoba and Malaga. Augustin has understood very well andalusian soul.
Tan jovencito para interpretrar con tanta comprension BRAVISIMO!!!!!!Mexico
Many thanks! I'm from Pamplona and I miss my family, and your piece has remembered them.
Magnificent!!! Thank you so much for sharing your art, you are great! 😊
You’re amazing! There’s something so special about your sound, brings tears to my eyes every time.
Oh, Man...This is how to have a good time. I can just feel the people swaying on the dance floor in their beautiful clothing with dreams in their hearts, see their sparkling eyes and flushed cheeks. Even taste a little champagne!
Ah...the warmth of your playing.. It demonstrates such depth of intimacy with both the written music and your instrument. Perfect synchronicity. Such food for the soul.♡
Augustine, you are amazing. Thank you for you videos :D
It was something special... Not just perfect, it's amazing!
Aside from playing beautifully he is also one of the finest musicians among violinists today..always putting the music first!! Eric Shumsky
Thank you so much for these little concerts! I love listening to you play.
Bravo!!!!!!
Dualmente magnífico ❤
So beautiful♥ love to hear you playing♥
Many thanks from 🇨🇦 For your beautiful music
Bravo!!!
Love this piece! Love the raw power of this performance!
thank you for bring us this wonderful melody:))
So beautifully done!
Wonderful ! Thanks for sharing this jewel, maestro Hadelich.
Everytime i hearing, more and more enjoyable
Bravo Augustin!!!👏👏👏
Beautiful! Thank you!
Beautiful !!!
Augustin, you are simply amazing and miraculous! These utube vids will make you a house hold name and what great promotion. I am a total fan. I LOVE YOUR PLAYING. Ken, a violist in Fresno, CA
He's already a household name in the violin world.
@@AlexEwan1 well I didn't know about him until I saw his Video. CZcams help A lot
Thank you for producing many much appreciated home made music gems for your fans during covid ! It really helps take our mind off the grinding days and into a world of beautiful sounds.
Bravo!
wonderful!
Thank you for sharing more of you with us!
Wow Despite the quarantine getting better ... even the pianist! Bravi!
bravo maestro!
So lovely. Thanks, Augustin 🥰
Jouer à la perfection ⚘️
Thank you!
You are the best!!!
Que sonido el de este señor .... beautiful sound
the vibrato on the last note, absolutely stunning
Gorgeous 💜
Muy enamorante! ❤
Августин, твое замечательное трио (скрипка, фортепиано и мастеринг) вне конкуренции! блестяще! 🌹🎩
Hi, Augustin! Can you make us a little video, like a masterclass, to show us some basics of the violin?
Lovely :))
Amazing! Love you!
Amazing! Bravo!
Absolutamente incrível!
Grateful to hear this...MUSIC. You are a truthful artist, not only devoted to beauty but to deepness. I hoper you'll inspiring/giving/enjoying/moving/healing us for many years to come. By the way, I play a violin inspired in your Kiessewetter
Pure silk and honey tone!
In Brazil I enjoy this amazin song um this bad time.
Einfach schön! Super Darstellung und Interpretation!
Braaaaaaaaaaaavo!!!!!!!!!!!!!!
Augustin's playing is like a crystal
Wow..how talented you are...I really admire you!! I play the violin as a profession too, and I wish I have such a perfection like yours. Thank u for the inspirational playing♡
Yeah!!! Olé!!!! Genio!!!
My favorite violinist
Great! 👏
Thank you so much
Very good!
So. Good. 😁
Eccezionale come sempre. Lo ricordo in un recital a Livorno: suonò anche il concerto di Mendelssohn, aveva 9 anni. Conservo il suo autografo di quel giorno. Auguri di ogni bene
Thank you for your wonderful anecdote!
[# 5025]
Eins meiner absoluten Lieblingsstücke, in einer herzerwärmenden Interpretation! Wie ein Spaziergang durch eine Blumenwiese im Sonnenschein… 🌸 ☀️
One of my most preferred pieces, in a heart-warming performance! Like a walk through a flower.meadow in the sunshine… 🌸 ☀️
Faszinierend ; )
Sei un genio!!!!
Te admiro muito!!!
Amazing performance! I was just wondering if you could explain how you synced up the video and audio of both the parts and which one you recorded first. You didn't even have headphones on! Also what microphone did you use to record?
fantastic!!! Bravo!!!! never heard this before. the changes in key in the middle are wonderful and i love the melodies. it sounds sort of ‘gypsyish’. thanks much. sigh ~ ~
i looked up Sarasate and *i’d love to hear more of his music*. this is a quote from George Bernard Shaw (wikipedia) - “Of Sarasate's talents as performer and composer, Shaw said that he "left criticism gasping miles behind him”.”
I've had this on a loop for at least 40mins now... let's see how long it stays! 😀
Finally doing something else with my life after a little less than two hours of looping... thanks Mr Hadelich!
Thank you for coming
Goodbye
Your amazing
Nice playing augustin
Please can you record your cadenza of Mozart’s concerto k 211 as I am learning that concerto at the moment! Thank you! I love your playing!
💐💐💐💖🥰
Ídolo
꺄아아악~~~~♡♡♡
💖💖💖💖💖💖💖💖💖😊😊😊
every single composer is coming back with you...got crazy to follow and trying to understand how it hapened .I am infected with your talent and repertuar..billion thans to have yr music.
Very well done! I find this self-made corona-sanity maintenance concert "series" of the same artist playing both violin and piano parts extremely interesting and really allow for full creativity. I also find it a very unique contrast between a multi-million dollar violin and like $1,000 (or less) electric piano that such manufactures claim to be "like a real grand" (do you feel that way?)...but even with such a contrast you make it work really well. I'm quite surprised you don't have an upright Yamaha or the like given you obviously are quite talented in the piano, albeit not a virtuoso given it's not your primary instrument. As an aside--I was at your recent Houston concert where the second violinist fell while walking to his seat...as you know he turned out fine and the concerto went on, but the reaction of the people around me was all about if the "instrument was okay" and no one really concerned over the violinist who fell, lol.
Anyway--assuming you are reading these comments, with little else to do during this time, figured I'd write a bit of a longer-than-usual one in hopes maybe I'd get an answer. So under that assumption: One thing that has bothered me for quite a time, Mr. Hadelich, is that I had a relative who in his 90's a while ago--who was an old-school Russian (Kiev) concert pianist. Much more renown for his pedagogy than touring, as my great aunt, knowing he had a proclivity to womanize, strictly limited it. That said, upon his death, and the relatives all busy fighting over the Stienways he left behind (for the money sake, none of the leaches could play), no one as interested in my own modest "grab." lol. A box containing pictures and letters to him from now-dead famous artists around the world...for example, Leipold Auer (who originally taught him violin but switched him to piano) and Jasha Heifitz (dated June 14, 1914--he toured with Heifetz as a duet for a short time set up by Auer), and many (too many for here) very famous pianists. They may be worth a lot of money (or not, given they are so specialized), but I don't feel (in fact, never really have) felt it's right just having them sitting on them in my attic (I have one of Rachmaninoff in my piano room, but turn it face-down when I play...saves him the trouble of doing it in his grave). So, jeez--if you are reading this stuff, maybe someone like you would have an idea--what do I do with all this stuff? There is absolutely historic musical value in all these (and also includes his own cello concerto, that I have no idea of the quality or even it was finished). This stuff is possibly priceless on some level, but honestly, these are more museum-type pieces and I don't want to profit off it. Just want to get it into hands where it actually contributes or provides value to, well, people who find value in such a niche. A classical (possibly academic--there is one place) institution. If you could use your influence to assist (maybe in one I can think of), well, it would be a really good deed for you, and likely appreciated by many. Thank you.
that does sound really fascinating -- I think there might be museums interested in this sort of collection, although I'm actually not sure exactly where to start about this. Perhaps even the conservatory where your relative taught might be interested in this material since this is a part of its history as well?
One thought I had: if you have trouble finding a home for the whole collection, and are ok with splitting the collection up, the Rachmaninoff letter could go to a Rachmaninoff collection, the Heifetz one to a Heifetz collection (for example at Colburn school where they have recreated his studio) and so on -- it may be easier getting at least some of them seen and appreciated that way. But of course, once they are separated, the letters that remain don't have as much value.
If you'd want to discuss this further, you can write to the email address on the contact page of my website (augustinhadelich.com/contact) and I can think whether I could put you in touch with somebody with experience about these things...
You might contact the Frederick Collection: www.frederickcollection.org The owner was my elementary school music teacher half a century ago. It is mainly a collection of instruments, but there is room on the walls for pictures and letters. They have a concert series there, and the many visitors would probably be a great audience for your collection. Just tell Pat that Elaine sent you!
너무 멋있다
Which playing have you recorded primarily? To me, it feels that violin is the first one.
🥰
😀😀
Happy birthday by the way
Next August playing symfonic orcestra piece, all parts😇