Bland Chord Progressions? Try The NEAPOLITAN Chord
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- čas přidán 15. 06. 2024
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If you play a major triad and a minor triad to most people, and you ask them which of the two is more 'tense' and less 'happy', then the overwhelming majority will tell you that minor triads are more tense.
So it stands to reason that if you want to create more tension in your chord progressions, you should use more minor triads and less major triads.
This is a clear, reasonable, even obvious deduction... and it's wrong.
Why?
Because it does not take into account that the quality (major or minor) of the chords is not the only factor that determines tension.
Another important factor for instance is how the chords in the progression relate to the tonic chord in the key.
In this video we are going to see how changing two triads from minor to major (counterintuitively) can substantially increase the tension in a chord progression - and how you can do it too in your music
In the process we'll also learn about the Neapolitan chord - this is a 'secret weapon' for songwriter, and it is worth watching the video if only to learn about it ;)
If you like this video, share, like, comment & don't forget to subscribe for more content!
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«If you like this video». 'If'? Are you kidding? Man, your explanations are great!
Thanks! 😃
Ya
Maestro, You are a brilliant teacher. I’m a 71 year old semi-retired keyboard player. The need for understanding the Neapolitan chord was never crucial for a blue collar musician like me. So out of curiosity I thought I would research it. I went to different CZcams videos explaining the Neapolitan chord and came away feeling more stupid at the end of the videos.
But your video, good Sir, explained so concisely and in terms understandable to a mere mortal like myself.
Bravissimo, Maestro.
Your channel is wonderful.
The best part of your videos is that not only you explain how stuff works, but also explains the reason for it to work the way it does, just like in books, but you do it in a much easier way to understand
I tried the Napoleon chord, ended up nearly conquering all of Europe.
I think I did this wrong.
I should have titled the channel "military strategy for guitar"...
@@MusicTheoryForGuitar LOL! I've been watching some documentaries and Epic History TV youtube channel (highly recommend) on Napoleon Bonaparte. I came here and saw how similar Neapolitan spelling is to Napoleon and that's all I could think of.
Napoleon was an absolute genius on the battlefield and to think his downfall was his own doing not that other European nation got smarter and defeated him.
Other than that, great content on your channel. I'm learning alot.
History, music theory and dad joke - this comment has it all. Well done sir.
Dude, wait until you discover the Hitler chord... :-)
Have you tried playing the chord at Trafalgar square ?
Wow, I was playing Chopin’s Nocturne op 9 no 1 and he does this A LOT
Yes!
He invented it?
@@rebelquadronfpv1065 probably not
@@rebelquadronfpv1065 If he had, why would it be called the Neapolitan chord?
@@SpaghettiToaster It's clearly named after the ice cream
excellent tutorial. I understand it now. So many videos are over complicated this chord. this is simple. thank you.
This is quite simply the best and most easily understood bit of music theory I have ever been shown. Normally I struggle to follow music theory, but this poured into my brain like a cool beer.
Most grateful, I am off right now to experiment with the accordo Napolitano :)
The explanation at the end with half above and half below is great
Made me hear moonlight sonata section.
I love how your explanations are simple and they make sense. Most music theory teachers/ytbers don't go into the detail you go or just handwave it. Or when they do try to go into detail they just go off on crazy tangents. Auguri!
The quality of this video is amazing. Brilliantly done!
Your exposés are always top notch: incredible depth of content coupled with very practical simplicity, together they make for instant applicability! Thanks again!
Dude i really love the Chord videos man, you could even make a series out of it. I love Chords and love discovering new, your videos is perfect so is your channel. Stay safe.
Doing this is Am sounds very much like the Hans Zimmer score from the "Dark Phoenix" movie. I mistook it as being written in A Phrygian Dominant, but now I realize that it's just in A minor using an N6 chord. Highly recommend you listen to the score, specifically the piece called "Gap" within the score. Thanks for a fantastic video and content. Love this channel
I believe emphasize the " starting " of a mode , is to acclimate you ears to the color of the mode , a reference point like you were doing with the short chord melody in 'a ' minor
I read tons of harmony books, but you've done the easiest explanations here. Cheers!
I'm just loving these videos, and I hope this will reach a million before the end of this year. Stuff like this should be rewarded bigtime.
This Video has finally fully explained a type of progression I have used for years in various songs but still struggled t understand what I was harmonically doing with my limited theory knowledge. Thank you, I have been enlightened as to why it works.
I don't even understand music on this level but I couldn't stop watching
The Neopolitan chord is just a first inversion bII chord. Very easy to remember. 😃
I just discovered your channel and I must say that is truly amazing, your explanations are so clear and your examples are great, keep going like that man, you're awesome
Your channel is a invaluable music theory resource. Thanks for your hard work.
That double chromatic thing, with notes both a half note sharp and a half note flat of the tonic, it gives a very strong pull towards the root. Another interesting thing with the progression is that it also has a half note "climb"; A, Bb, B, C. So the resolution is very strong, both because of the pull toward the root and the climb toward the third.
I'm writing this not to mansplain it to the teacher but because this is the first video that gave me this Eureka-feeling where things just came together in my head, and I want to say thank you for this.
Dig “tension profile” phrase. Its hard to talk about extended harmonic music theory without sounding like its about a new better set of harmonies. When really its just a new color to paint with in the so ic space. If thats what you want to do. Explaining it as a tension profile seems like a good way to avoid the more complicated is better snob effect. Anyways thanks for the video. I was just thinking of looking up the neopolatin chord because i couldn’t remember exactly what it was but I remembered liking its effect when i first learned about, and now I remember. Cheers.
Love everything about this video/explanation, very clear and concise with easy to follow examples! Well done!
I appreciate the extra information you put in the video description. There was no need to crowd the video with it, but it's a nice bit of context!
Your videos are so helpful, educational and very entertaining. Thank you!
I play the piano not the guitar. I found this to be a very clear explanation of the near Politan chord. Thank you.
You explain this for knuckle-head guitar-players so well...
"How do you get a guitar-player to shut up?"
"Put some sheet music in front of him."
You must be so smart
@@MusicTheoryForGuitar Thank-you but too much proof to the contrary...
how do you make him leave? write notes on it ... ha!
Just noticed there's a chromatic rise (I don't know how it's called in english... "chromatic ascension"? anyway...) going from A to C in the Am progression.
There's A, Bb, B and C.
It's pretty cool.
Well spotted!
@@MusicTheoryForGuitar I actually though you were about to talk about that while commenting the progression... Then it was about the A, Bb, G#, A. ^^
But yeah, definitely a great tension trick.
Both things are going on at the same time in the progression. The best progressions always have on or more lines (diatonic or chromatic) moving 'through' the chords.
@@MusicTheoryForGuitar Yep, definitely agree with that. This way you can listen to it several time and hear a different thing each time.
This explanation is better than the one given to me by my classical harmony professor at the music academy..
Best naepolitan sixth explanation on CZcams, a big thanks you man
Great.. detailed and comprehensive lesson.....Grazie Tomaso❤
nice to see you in action keep safe during these difficult and dangerous times
You explained the way constructed Neapolitan chord so well.
Thank you
Fantastic explanation of the Neapolitan
That made perfect sense, and every other description of the Neapolitan (Sixth) chord eluded me, despite an otherwise good grasp of music theory. This made the explanation more conceptual, which suits me better than explanations that are more based on memorization. Thank you also for explaining away the term Neapolitan Sixth, as a remnant of figured bass notation.
Keep it up sir. I am learning a lot. Such a fun way to learn.
Always enlightening AF. Mercy.
Very clear and concise explanation. I learned a lot.
damn every time i had a question, the video proceeded to ask and answer the question for me 3 seconds later. much psychic, much wow
I'm getting out the guitar right now...thank you 🎸👍
Great video, as always! The fact that you tackle the “weak” notes is a very eye opening concept, at least for me. It explains why some chord movements feel bland and not very interesting!
Great explanation. I'm learning tons from your videos!
this is all stuff i know and use and still i watched and enjoyed the entire presentation. you are teaching with relish! i'll be back to watch more.
this videos help me a lot with the theory from my music course, thank you!
Sir you are amazing! Thank you so much!
Finally I do understand what the neapolita chord is ! Although I am not a guitarist !Thank you for sharing !
Thank you for explaining this so simply, Tommaso! I was able to use this chord in a hard rock/metal style in a song for my band and it was very effective. Hadn't heard anyone else use it in this style (at least not that I can recall), so I'm glad it worked. Thank you!
en.wikipedia.org/wiki/Neapolitan_chord#In_popular_music
this was good it reminds me of the age old trick of 'when in doubt lead it out' where you 'fix' the chord progression by always maintaining a semi tone lead in for the next chord..this is best when it's part of the melody as well like a 'pick up note'...play with the lead note being ascending or descending...you can 'fix' otherwise awkward sounding progressions by a strategic sharp and flat here and there, using this way of thinking brings light to why there are many sharps and flats in many classical music melody lines.. ;)
BEAUTIFULLY EXPLAINED THANK YOU SO MUCH
I am a piano player, you explain theory so simple ! you are a great teacher. Thank you.
I'm not a guitarist but what a fabulous, clear explanation! Thank you for making these videos!
great video. im so grateful that i found this. thanks!
Bellissima spiegazione!
That's great. Thank you so much for the lesson!
brilliant explanation, great video!
Superb info. Thanks a lot. Thanks once again.
simply perfect. Smashed that like button :)
Really nice lesson. Thank you! I love your explanation of the "weak" notes. It makes sense. I haven't been able to use the IV chord as much as I would like, but I didn't understand why until now. So I hope I can start sounding better with the Neapolitan chord.
This is a very well explained lesson on the Neapolitan chord! It always seemed so confusing and mysterious in my undergrad music theory classes. Thanks!
Thanks again for your educational videos!
Love these videos.
explanation is clear and well done. thank you so much.
Always interesting and informative.
Thank you! Your explanation was really helpful!! 😎
very very nice. Clear presentation. Very generous thank you so much!
I play piano and I really find your lessons valuable.
Congratulations this is perfectly explained!
Excellent explanation thank you much!
Great explanation! It's been awhile since I've seen someone talk about the Neapolitan chord. Subscribed!
I only took two semesters of music theory in college, and the concept of the Neapolitan 6th cadences really confused me and I could not figure out how it works, you finally explained it in a way that makes sense to me. You are a good teacher Tommaso!!!
Instantly Subscribed!
As well as the enclosure around A, there is the sequence A - Bb - B - C
Thanks, just watched two of your videos, which were both great! Such and interesting and unique ay of teaching. And I love your accent! Plus it looks like you're writing with your finger, which is magic. :) Ciao!
useful topic and wonderfully explained.
I've been doing this for years and never had a name for it.
Muchas gracias, muy buena explicación, voy a usar este acorde y su progresión. Muchas gracias
Excellent explanation!
Nicely done. Thanks.
Genial está explicación, un saludo desde Colombia!
Very useful website. Thanks a lot. Thanks once again.
Amazing...learning ! thank you !
Just great, thank you!
Good way to teach! As a numb, I would like to hear the chords more often.
Totally forgot about the Neopolitan voicing. Great video, thanks!
I've always loved playing Major7 and b2 around the root in melody lines or solos, or even rhythm type riffs, especially mixing them with harmonies in thirds with or without an occasional 7, et cetera, using the double harmonic minor scale. Now I know how to use it in a great sounding chord progression too. Thanks for that. Until next time, enjoy your days too. ^-^
Aylbdr Madison I like that idea of making harmonies in 3rds using maj7b2 sounds! Gonna try it!
Xsuperbly explained bro!!! Thx!
More options!!! Thanks!
Very nice and clear!
Best explanation 👍👌
This makes me want to buy your chord book. So many ways to rework chords and make more it interesting.
I knew about it... But now I finally understood it.... Thanks Tommaso
Benissimo! Grazie.
Thank you very much! Very clear explanation. I am not a guitarist. I play the keyboard. I am now convinced of the efficiency of the Neapolitan chord in a minor key (sounds chromatic, fluent and logical) but I m not convinced of its efficiency in a major key. (What I sometimes do in a major key is to raise the dominant chord by a semitone. It sounds over the top, I know, but sometimes I can t help it!!! 😉). I ll have to try the Neapolitan chord in major more often....
Many many thanks!
In the key of A major, I IV V I sounds like a good A D E A 😜😜😜😜😜
HAHAHA
I Am an ACE
i’m D E A D 😂
i'm D E A F 😂
I'm DAD.
one of the most beautiful examples is bwv 582 the Fugato finale, in which Bach reaches the height of tension with a Neapolitan chord followed by a sudden pause
Excellent
Wow. Wanna try this one.
Nice explanation
I just about followed this bit of theory in real time. Stopped a couple of times to absorb a few things. Of course don’t ask me anything now that I finished watching it. I’m gonna have to watch it a few times. But fantastic video, great lesson thank you!
Bravissimo!