Raag Abhogi Kanhra (Khayal & Tarana) -by Nazakat~Salamat Duet
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- čas přidán 27. 01. 2013
- Raag Abhogi Kanhra (Khayal & Tarana)
Vocalists : Ustad Salamat Ali Khan & Ustad Nazakat Ali Khan
Tabla Player : Allah Ditta Khan
Sarangi Player : Zahoori Khan
A Syed Wajid's Presentation
*It is said that the "Sham Chaurasi Gharana" was founded in the 16th century by Hazrat Data Shajlal Shah , a contemporary of Miyan Tansen . He was born in 1556 and lived till 1605. Legend has it that the Rajput Raja Shyam Singh, at that time, ruled over 84 villages. Eighty Four, in Hindi, is 'Chaurasi'. So, it all started from this small village in the state of Punjab in Mughal India.
However, there is no written proof about the founder of the Gharana or how long this tradition goes. The Wikipedia page suggests that the Gharana was founded by a certain duo Miyan Chand Khan & Miyan Suraj Khan.
Whatever maybe the case, it is upto the historians to find out. For the music lovers of today's time, Sham Chaurasi can be related to only one collective being of Ustad Nazakat & Salamat Ali Khan. After the demise of the amazing duo, Sharafat Ali Khan and Shafqat Ali Khan carried forward the Sham Chaurasi tradition!
--------------- - Hudba
This is the great Ustad. Nowadays many low level fakes are running around with title of Ustad murdering our music
15:56 to 16:03 took my breath away!
Meendh
Most scintillating and mesmerizing rendition of raag Aboghi by the Ustad Duet. What an amazing voice modulation and control over sruthi and layam. Expansive and exhaustive sangathis depicting the true essence of Abighi. Its a typical Carnatic Ragam that will inspire confidence. Abhoghi is indeed the personification of courage combined with conviction, portrayal of directors enriched with devotion and a depiction of determination emboldened with dedication. The artists exploring Mind bowling depth and width of Aboghi. One of best and memorable rendition of Aboghi. Listening to such raga is an aesthetic experience that is beyond expression. Hats of the musicians🙏
Sye Waji Saheb thank you very much for your reply. May God bless you. When I was working in Delhi one of my friends from Pakistan Dr. Abid Ali Dost gifted me a few tapes of Ali Brothers which contained various raagas rendered by them like Saraswathi, Gorak Kalyan, Gavati etc. Each peace is worth its weight in gold. I first heard Ali brothers sometime during late 60s. Since then I had fallen flat for their Music. Insha Allah I hope to hear more music of Ali brothers through you. May God bless you for ever
for some months i m listening salamat ali nazakat alu sahab...and evrytime i listen a diifrnt creation and finds a wonderful feeling and amazing way of gayaki...really both are so admirable that i have no words to express what they are nd what i feel...just amazing...wah wah
truly indeed,...
Although its is truly scintillating to hear the one who renders the super sonic speeded brigas and taans, it is equally extraordinary of the one that renders the real jeevan of the raag aabhogi, with his subtle, powerful abhogi raaga essence in the calm yet impactful outpouring. Yes , that's is what this Gandhara duo has gifted us with.
Wonderful, excellent and unparalleled
word less 🙏🏻🙏🏻❤️❤️🎶
શામ ચોરાસી ઘરોને કો ધન્ય વાદ ધન્ય વાદ🇮🇳
Too melodious
Superb presentation. Music is not Indian or Pakistani it belongs to world of peace where there are no boundaries and no hatred . God bless nazakat and salamat Ali’s soul.
truly indeed,...
one most beautifully rendered abhogi I have ever listened.
It's proved how melodious the classical songs could be!
Kya Baat hai. Thank you Shah jee
buhut shukria,...
extraordinary
raag Abhogi kanada
subhanallah
kia bat hai waaaaaaawawawawawawawawawawawawawawaw
waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
Vaahji Vaah Kya Baat Hai !Aadab !
If someone achieved the higher consciousness through music it was them two Khan Sahibs. I wish they lived longer.
Actually I beg to make small difference in the persecption of samirji. When a person had asked the great sage of south India Bhagawan Ramana Maharishi , whether it was Music that made Shri Thyagaraja Swami,( the great saint composer and one of the trinity composers of carnatic music), attain self realisation( Mooksha), The Bhagawan replied " pettradai paadinaar" , meaning , the composer had already attained self realisation and it was from that dimension of existence , outpoured all the monumental compositions. I gave this preamble , because, Indian classical music (particularly) is one of the many , perhaps the easier, modes of vehicles that will help ( only if it is approached from the spiritual bent of mind) to reach higher levels of consciousness . if this Divine art is approached from just art point of view , meaning , from a view point of skill, craft, virtuosity, angling to impress or dazzle the listeners, then it remains at only that level. It will get one, all the name, fame, etched in history, none like him name, lots of admirers, may be students and all that is, of this material world only. But for elevating both the musician and the listener, to the higher levels of it requires the musician to completely self sacrifice, at the feet of The Art, which will/ may result in -Very few "fans", very little recognition, almost none of the material world benefits I have listed above . the two things that certainly happen is, firstly the " need" portion of the musician's basic existence will definately be taken of. Secondly, there will be a complete transformation of the heart and mind of the musician and because of that , the listener too. this will be the vehicle that will take both the musician and his/her listeners on their individual journeys toward the higher levels of consciousness, resulting in their attitudenal change in their mind toward love, generosity, help ever hurt never, brotherhood of mankind and fatherhood of The God Almighty. There will be no competition, no misunderstanding or rift throughout the musicians' lives.
So, going by the history reporting about the duo brothers, they were v great musicians, period.
@@anuradhakrishnamurthi9852 superb spell bound reply.🙏🙏🙏
Music especially Indian classical is pathway to God.
If you are serious student then it becomes a conveyor belt without your knowledge.
This state of being is also transmitted to listeners.
The Raga, the singer ,the listener become ONE.
This is becoz of potency of Raga plus the musician who is a sadhaka.
@@sria8163 extraordinary expression of your understanding sir🙏🙏. So so so true, what you have said. Music leads to the advaitha bhava feeling wise. We may indian music in particular, because, of the lyrical content....which is a lovely way of the naaman rupa form of contemplation. Having said that, I do believe that raagaa aalaapana being designed the way they are( only vowel content), is to focus the singing mind and the listening mind to both become the "Saamaanya aadyaathmika Saadhaka", becoming one , toward the Oneness.
@@sria8163 I love your expression "conveyer belt"" ..... soooooo appropriate
Shukriya Shah Sahab
buhut nawazish,...
Wahahah wahahah wahahah Kiya bat he Khan sb ke especially komal Gandhar ka use ye Kam in ka he ha bhaie subhanallah❤
Sublime... Purest gold... breathtaking rendition, nothing but sheer bliss 14th min onwards and divine multi orgasmic experience at 16th min, 20.30th min, 24th to 26.30th min and at several places...Divine..
I am lucky to be born in a family of classical music singers/instrumentalists, Carnatic music is the specialization.Had a very early exposure to all forms of classical music including Hindustani. Heard every one, these two gentlemen are simply incomparable.Thanks, Syed Wajid saab. These days I listen to a lot of Abhishek Raghuram in carnatic music, followed by sanjay subramaniam and TM Krishna.
truly indeed Ramesh Chandra Saab, Carnatic music has its own charisma as well.
Keep it up dear
एक ही शब्द है अदभुत ...प्रणाम
What a rendering... Thanks for the upload
It is said that the Sham Chaurasi Gharana was founded in the 16th century by Hazrat Data Shajlal Shah , a contemporary of Miyan Tansen . He was born in 1556 and lived till 1605. Legend has it that the Rajput Raja Shyam Singh, at that time, ruled over 84 villages. Eighty Four, in Hindi, is 'Chaurasi'. So, it all started from this small village in the state of Punjab in Mughal India.
Thank you so much for this beautiful backstory :-)
The story of "Rajput Raja Sham Singh ruling over 84 villages" is nonsensical as the village Sham Chaurasi's (in the present day district of Hoshiarpur) history doesn't bear it out.
The gharana is believed to have been founded in the 16th century by Chand Khan and Suraj Khan who were contemporaries of Tansen at the court of Mughal emperor Akbar. Successive generations of musicians in the gharana specialised in the dhrupad form of singing and evolved a tradition of duet vocal (jugalbandi) performances. Meer Baksh and Khairdeen, Karam Elahi Khan, Vilayat Ali and Hadayat Khan, Ghulam Shabir Khan and Ghulam Jafar Khan, Nazakat Ali and Salamat Ali are noted practitioners of jugalbandi from this gharana.
The gharana is centred at Shamchaurasi in the Hoshiarpur district of Punjab, India; alternate spellings include Shamchurasi. An explanation of the name is that sham is taken from the name of the Sufi saint, Sant Shami Shah and (chaurasi =84) was named after a cluster of 84 villages which constituted a land revenue unit. According to one legend, the founders were given a parcel of land here as a grant to them by Mughal Emperor Akbar. In an alternative version of the origin, the Mughal Emperor Muhammad Shah "Rangila" was said to have been so impressed by the gharana that he gave all income from the 84 local villages, known as 'Chaurasi', to the Sufi saint Sant Shami Shah.
ये साहब लोग तो महान कलाकार थे ही लेकिन इन हस्तियो की रीकार्डिग को यूट्यूब मे हम साधारण लोगो तक पहुँचाने वाले हिन्दुस्तानी शास्त्रीय संगीत के रुची रखने वाले को कोटि कोटि प्रणाम
Pranam aur Aap ka buhut buhut shukria,....
syed saab thanks
Do anmol heere punjabi maa boli de sache spoot....love you both of you khan sahab
યુટ્યુબ વાલે સાહબો કો ધન્ય વાદ🇮🇳 ધન્ય વાદ
Thank you dear Wajid Sahab.WONDERFULL ABHOGI !!!!!!!!!!!!!!
Thanks Mr. Syed Wajid for this posting. May Prabhu bless you with eternal peace of mind.
Great and very emotional singing. They were great masters of Vilambit, Drut and Tarana. These artists have kept behind very big emotional treasures for humanity.
rightly said,...
Such virtuosity demonstrated in taans such as 25:50. The organic nature of this Abohgi is really something worth appreciating. Simply a fantastic, soulful rendition.
Thanks a lot for your observation & appreciation ,....
matchless ; as NazakatAli SalamatAli always reside in my heart ;
With the limited knowledge of classical, I am showered with bliss.
Here I specially liked the development of the rag (badhat ? perhaps)
the way in which it starts with serenity and then unfolds in numerous ways
touching the super-conscious level again and yet again and yet ....and....
I do not know how people listen to such great renderings without floods of tears
May God bless you too Syed.
wahh, MashaAllah nice tribute to this matchless duo M Dayal Saab
Wahh miyan Wajid,
kya baat hai, you have ignited something in me.
Let me share with you some personal matters.
It was some 30 years ago.
I was frustrated for some intimate personal matters. So I purchased a real high-end music system of 'Sonodine' brand
(sort of a revenge).
Along with that I purchased some LPs.
This was one of those LPs, and Abhogi Kanhda was the raga which made the DUO reside in me permanently.
I feel myself very close to you.
May god shower blessings on you.
M Dayal ji ji farmayein
Ruhdaari, Laykaari, Raagdaari ... sab kuch hai is mai.... 😍 subah kay waqt sunnay pr bhi iska alag suroor hai ...
Wajid Syed Sahib all music lovers are indebted to you for providing this and many more recordings of classical music.
wow!
Gratitude my elders for having blessed me with enjoying this great music of the phenomenally talented Ustads of the divine Abhogi Kanhra!
Thanks a lot DINAKAR G PAI Sb
ADBHUTH ADBHUTH...DEVINE...DEVINE...
This take years and years of practice to reach at this level uuuufffff
What a divine blessing that mankind has been gifted with this Gandharva Duo!!! This aboghi all though sung in the hindustani system of indian music, there are so many many phrases that these mahaan vidwans sing , that are typically Carnatic music phrases(we call it pidigal) . Listening to these phrases from the Divine voices is indeed an inexpressible feeling. It tugs at one's heart !! It is so humbling to listen to this oneness of theses two mighty systems.
excellent tribute paid to legendary duo,...
aisa kahi na suna
21:18 starts the drut bandish 😊
નજાકત અલી સલામત અલી સાહબો કો સત સત નમન.
Sir such a wonderful feast of Abhogi. Both the Ustadjis are unparalleled. I bow to them and their music. My sincere gratitude to you for sharing 🙏🏼
Superbly rendered Abhogi. Thank you Wajid sir. :)
Sangeeth ke bhagwan hai ye dono. aaj tak aisa gaana mehsoos nahi kia mai ne. GHANDHARV GAAYAN thanks for uploading sir ji 🙏🙏🙏🙏🙏
nice tribute,...
I am grateful to you , Wajid saab, for giving us an opportunity to experience such a fine performance.
May the ALMIGHTY shower you with HIS blessings.
The Shamchaurasi (or Shamchurasi) gharana is believed to have been founded in the 16th century by Chand Khan and Suraj Khan who were contemporaries of Tansen at the court of Mughal emperor Akbar. Successive generations of musicians in the gharana specialised in the dhrupad form of singing and evolved a tradition of duet vocal (jugalbandi) performances. Meer Baksh and Khairdeen, Karam Elahi Khan, Vilayat Ali and Hadayat Khan, Ghulam Shabir Khan and Ghulam Jafar Khan, Nazakat Ali and Salamat Ali are noted practitioners of jugalbandi from this gharana.
The gharana is centred at Shamchaurasi in the Hoshiarpur district of Punjab, India; alternate spellings include Shamchurasi. An explanation of the name is that sham is taken from the name of the Sufi saint, Sant Shami Shah and (chaurasi =84) was named after a cluster of 84 villages which constituted a land revenue unit. According to one legend, the founders were given a parcel of land here as a grant to them by Mughal Emperor Akbar. In an alternative version of the origin, the Mughal Emperor Muhammad Shah "Rangila" was said to have been so impressed by the gharana that he gave all income from the 84 local villages, known as 'Chaurasi', to the Sufi saint Sant Shami Shah.
Simply mesmerising... matchless
What a great treasure and the wide range without any variation in the voice quality across all three octaves by ustsd salamat khan 🙏🙏🙏🙏
What celestial singing
Unbelievable beauty. Soooo good. Thanks for uploading.
Thanks,...
बहुत बहुत धन्यवाद!
So happy to listen
Beyond any comment for a simple music connoisseur.
Simply Great...
Devine 🙏🙏🙏
Thank You for blessing my ears with heaven.
The reverencial bhakti that they had toward their Divine is so evident even in their swara phrases. Every swara is sung with an utter prayerful humble with so much bhayabhakthi, as in mindful of the sacraedness of every swara, as one would approach their esteemed Guru!! In South india , the term bhayabhakthi is used to denote / express utter complete surrendered careful approach toward Divinity. In this instance, it is Naada Beahmam Itself! ! . Humble salutations to the Gandarvas
how nicely you paid your tribute to both maestros,.. very thanks.
Awesome.
Thanks a lot Wajid saab for sharing this excellent gem. I am really indebted.
Wah Wah Syed Wajid Sahib, kya kehne aapke hussn-e Zauq ke, Ustad salamat Ali Khan aur Ustad Nazakat Ali Khan Sahibaan ne ye raag boht dilnasheen andaaz mein gaya hai, jis ki tareef ke liyay lafz naheen hein! Ye dono Ustadaan -e-Fun iss daur ke Mian Taan sain thay,,aur hamaisha rahein gay, Itna achha intkhaab upload kerne per aapka bohut bohut Shukeriya ji. 😊💞💞💞💞💞👏👏👏👏👏🌷🌷🌷🌷🌷👍
Buhut nawazish @Naqvi Sahab. Yeah aap hi ka channel hei, aate jaate raha karein,..
It's so divine iam blessed to hear
I have a strong belief that Ustad SAK was even above Mian Tansen....I mean the improvisations and sheer pace in taans is just not seen or experienced with other classical singers. I have listened to all the Kings and Queens of Classical music but USAK was above all.....Even Ustad Amir khan who knew more than 300 Shrutis didn't show such capabilities as USAK. BGAK is also one of my favorites but Salamat ali Khan went above all of these great names. It really disappoints and saddens me when I look at Sham churasi gharana, especially Shafqat and his kids are just making a fool out of themselves.
Wow
Brother you have the best collection
Thanks,...
nawazish ,... Mian Saheb
Beautiful, sublime music
❤❤❤
I am really thrilled to find this recording on You Tube, what I grew up listening to from teen years in 70's, sitting in Vellore, Tamil Nadu, who was a great fan of Hindustani Music and had a fine collection of those 72RPM records in his big Streogram. They are truly divinity in human form. I am looking for their Gavati and a bunch of Thumris they had sung. Has the duo sung Marwa together? .
Thanks for appreciation, I will search the desired recording in my collections...
Ashok Subramaniam pranaam sir ji. Both marwa and gaavathy are avilable in you tube.
Unbelievable, never deviates from the prayer of Abhogi, even in extreme drut tankaris.
very nice,...
Thanks a lot for your info , biswajit Saheb. I will include this in the description.
এমন সুরেলা গান, আহাঃ
Aahhh mein sab kuch hei,...
Dear Wajid Sahib, Thanks for uploading a clear recording of this wonderful rendition. Do you have their Marwa and Shri? If so, kindly please share and oblige. Thanks in advance.
Bemisaal
SubhanAllah.
InshaAllah, I will check Vishnu Saheb
Ma sha allah nice very nice ustad bava selanat nezswut ko allah psk jebatul firdos main jegga atts kersy our derjat bukend jeray iur nerray ustad baba arbab aki jhab jhosi ko bhi allah paj jdnatul firfos nain jegga atta jersy our derhat bukend jersy
Ameen summa Ameen,...
The Rag is the same as Kalavati by which name it is more popular in Northern India. A great work of Art.
Thanks for your observation,...
This is a different Raga. It is not the same as Kalavati.
Abhogi and Kalawati are the different ragas
With moorchhana from Abhogi’s Madhyam we can have the scale of Kalawati
Means Madhyam of Abhogi is Shadaj of Kalawati
And Pancham of Kalawati is Shadaj of Abhogi
Abhogi: Sa Re ga ma Dha Sa
Sa Dha ma ga Re Sa
Kalawati: Sa Ga Pa Dha ni Sa
Sa ni Dha Pa Ga Sa
Kalavathi is altogether a different raga. It is equivalent of malayamarutha of South Indian style. And abhOgi is karnataki origin raaga.
Superb singing. Thanks for uploading. Please try to listen carnatic abhogi, expecially "Sabapathikku" by Madurai Mani Iyer or Sanjay Subramanian. you would love it. Regards.
InshaAllah, I will listen to it, Krishnan Sb.
.
Whatever maybe the case, it is upto the historians to find out. For the music lovers of today's time, Sham Chaurasi can be related to only one collective being of Ustad Nazakat & Salamat Ali Khan. After the demise of the amazing duo, Sharafat Ali Khan and Shafqat Ali Khan carried forward the Sham Chaurasi tradition!
H. M. V. રૅકોર્ડ કો ધન્ય વાદ ધન્ય વાદ
Syed Waji Saheb May God bless you - Ali brothers were and are one of the greatest exponenets of Hindustani Style of music. They have rendered Raaga Kalavathi If possible please bring the same to CZcams It is only the blessings of elders we in this generation could hear and enjoy music from such esteemed Ustads Thankyou Once again May God bless you
InshaAllah, i will search that recording in my collection and will upload so soon. ~be blessed always Nrayanan Seshadri Saab
Sun.ke.rab.nal.jud.janda..eisi.riazi.avaz.sun.k
Such kehya hei @Harmesh ji
Seems to be bordering towards Kalavati. There is of course sur-based relationship between them.
Syed ji- if you remember I had once asked you about khan sahebs autobiography..main aur mausiqui …would you have any idea about its availability. Probably you are well connected with Ud. Shafqat ji..hence checking 🙏
Apka shukriya kaise karein bhai
yeah bhi shukriye ka aik andaaz hei 🙂
5:54
Sayed Wajid ji,18:44 pe jo pic hai uski original pics de skte hain aap hume,me sanam khan music director of doordarshan,hum ustad banne khan saheb sarangi Nawaz pe el program kr rhe hain,to is feature me aapka naam likha jayega
Aap ki buhut nawazish,...mein collection mein check kerta hon. Aap apna email share ker dein.
@@swajidz21 Bohot Shukriya bhai
@@swajidz21 bhai jan picture dekhi aapne
However, there is no written proof about the founder of the Gharana or how long this tradition goes. The Wikipedia page suggests that the Gharana was founded by a certain duo Miyan Chand Khan & Miyan Suraj Khan.
Its so unfortunate that in Pakistan all original Hindustani classical songs originally in Braj Bhasha were forcibly 'converted' into urduised renditions as this was actually in Braj Bhasha - the raga is dedicated to Lord Krishna as are all ragas in the vedic system devoted to a particular vedic God i.e. Raga Malkauns is dedicated to Goddess Parvati etc This duo is in fact my favourite, a versatile couple of classical singers originally from India who remained in partitioned India ( Pakistan) - what a shame really that they had to sing part of this song in urdu.
extraordinary