Dialing in Your Les Paul
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- čas přidán 21. 08. 2024
- Let's talk Les Pauls! I love them but they took me a minute to figure them out how to get the classic sounds I loved so much on my favorite recordings.
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Don’t forget Michael Bloomfield. He often gets left out, but worthy of a listen for Les Paul tones. Thanks for the tone tips.
@@creamydistortion an understatement.
He’s using a Bloomfield Drive
Fun fact: my brother plays sax, he's 19, and listens to a lot of music. Not too long ago I made him listen "Supersession" with Bloomfield playing the Les Paul. He was disgusted by the guitar sound, he said it was piercing to the ears and barely unlistenable. He didn't like the licks too. I like Bloomfield, I really enjoy his playing. I was asking to myself: is it a matter of acquired taste? When I first listened to supersession I was already trained in listening to music and go beyond the first impression. Any opinion guys and gals?
@@CarloCalcaterra92 there is no accounting for taste. Sometimes one’s taste can change with time. Your brother has his taste and nothing you can do about it any more than you can change his mind about his favorite food or color. Sometimes exposure to music will trigger a response later on. I hated certain music that now “I get”. To each his own.
My all time favorite les paul player is Duane Allman. His touch with the guitar was unmatched! A good example of him using all the different tones with the paul is in “Dreams.” He goes in between the neck and bridge a lot during his solos and the tone especially comes through when he switches to the glass slide on the second solo. He is one of the most dynamic players that ever existed!
Duane Allman was incredible. "Layla and other assorted love songs" is one of the great blues/rock albums for my money.
Dickey too!! 🤘
Love this. I am fascinated by the intricacies of how these controls interact. I’ve taken your approach in two control guitars by disconnecting the tone on the neck and dialing the amp for that. I learned all of this from you man!
🙌🏻🙌🏻🙌🏻
Agree 💯% Kieth! Hello buddy...hope u are well...there's darn good reason 5 watt 🌍..and others... regularly feature Jeff and his intros and playing and I'm sure his wisdom bleeds into the short histories...hiss playing sure has helped define them...great to be in the company of such fantastic musicians..what an age we live in...really a new golden era...❤️🤘🤔🎸☮️🌍
50’s wiring on my SG was a game changer. There’s something about it that it’s hard to put in words. It’s really amazing.
Agreed!
No question. I did the same on my SG about a year ago and that 50s wiring just woke it up even more.
@@SeabeeBuckeye Have to try it out. I have a coil tap on it that does not seem to work yet sounds awesome on my friends SG, wondering if this may wake that up as well.
Les Pauls with four knobs are extremely versatile and are so much so that most, if not all of the tones you need are in those four dials. Good tone and volume pots, great pickups, a nice setup, and a great amp are really all you need. Keeping it simple and really knowing how to use your pick and fingers for dynamics is really where it’s at for me anyway. I love your advice and your teaching Jeff. It is really helpful all of the time! Keep up the good work. Also, you are an amazing player and your hard work has paid off. Great stuff!!!
Thanks and thank you for being here!!
I installed push-pull pots that switch between 50s and modern wiring. Best of both worlds.
Great tutorial. The Les Paul has way more tones than many people realise. The fact the tones and volumes are independent give you so many switching options. Plus points for the gold top which looks absolutely amazing!
Great video Jeff! I'm learning about the idiosyncrasies of LP wiring and the timing of this video couldn't be better. I'd like to add , large pedal chains and long cable runs without buffers, messes up all of the cool tones you can get with the knob settings - it will instantly turn muddy as soon as you turn down. The less stuff between guitar and amp the better. (I learned this the hard way lol)
Thanks man! So happy you liked it. And yes that’s a great tip. I was plugged right into the amp and always use buffers for that reason. I also have learned the hard way…
So true... With a Tele you can get away with a longer pedal chain... A Les Paul for me, is about two or three tops, and then you lose some of the tones.
The les paul was the guitar I ended up keeping over all the others ...I realy appreciate others passing on tricks that can be done on the les paul...another good trck is the volume swell that gary moore would do alot ...you bend a note with the volume knob quite low then you role it up to make this swelling sound ...u tube this technique and try it out !
50s wiring is the only way to go period….. the volume and tone knob are interactive. But the value of cap you use, even though it should not be different because of the value, the type of cap can be heard. You should always try caps to “voice” your guitar for the amp and music you play and anything from .01-.047mfd will catch your ear…. And different cap values for the bridge and neck pickup can work too. .022mfd for neck and a .033mfd from bridge can make the middle position sound incredible and articulate….. let your ears decide which cap goes for the ride…… your fingers will even smile when you find it
I've owned my #1 Les Paul Standard since new(33 years now!) It came stock in 1989 with modern wiring and the worst pickups Gibson ever used("The Original" pcb Lawrence pickups) I installed a new RS Guitarworks 50's wiring harness and vintage wired toggle switch, and like you said, it's a night and day difference! I have done a few other mods like Callaham machined stainless steel Nashville conversion posts with an abr-1 and aluminum tailpiece with long steel studs and replaced my pickups (again, for the 3rd time) with Seymour Duncan 59's with nickel covers, I couldn't be happier with a real 1959 Standard! Great video, Keep on Rocking!
Thanks for the video. I am only about 15 months in to my guitar playing. I started playing my daughter’s Strat. About 3 months ago I played every guitar they had in the shop. I picked the 50’s Les Paul because I liked the feel and sound the best. I had no idea about the wiring, but I’m very happy with the tone you can get out of this guitar. I can make it bluesy, dirty, clean, county, etc. thanks for the video.
Huge fan, Jeff. Your TrueFire lessons are espresso shots, constantly re-awakening me to this instrument. Cheers from Kansas City.
Thank you!!!
@@JeffMcErlain Hi, please have a word with Teachable. I ordered 2 of your courses, then realised they were too basic for me, so I contacted Teachable straightaway with a view to cancelling them and going for something else. This was on June 8th andf have still not had a refund! They have my money!
I usually start with my neck volume on 7 and my bridge tone on 7. I really appreciate hearing your process and explaining it.
I installed 50's wiring harness into my Gibson les paul, it's been the best advice, it's immediately improved that sound & tonal options.
Thankyou mate.
Fantastic!!
So true. I lost my old Les Pauls, and eventually have been able to buy new ones. I couldn't get used to the sound of the new pots. I put Emerson wired 50's style in both of my les Pauls and fell in love with playing guitar all over again.
Me too ..so many Pauls löst ..
. getting back slow..
I just bought an R8, this video couldn't have came at a better time! I had no idea the tone and volume pots are so interactive. I can't believe turning them both down actually brightens the guitar! Amazing!
The first thing I did when I bought my 2021 LP 50s Standard was change it to 50s wiring. It amazes me that a new LP 50s Standard comes from the factory with modern wiring!!
Well said Jeff. Rolling the volume knob back just a bit really sweetens things up for me. That’s where a lot of the tone is I think. Cheers
🤟🤟
Jeff talks tone.... , Dave (me) clicks like.... just that simple . So glad I found someone that loves the exact artists, music, and guitar tone that I love..
Great minds…
To the point, well done. I spent 2 years working on my tone on a 2012 Les Paul Traditional (and amp). I ruined some PU and....bad soldering. But I reviewed soldering videos and practiced. 50’s soldering and buying quality POTS was a game changer. The same POTS don’t always have the same values so I would buy 4-5 and use the favorite. The CAPS didn’t seem to matter as much. The pickups well that’s the hard part...too many to choose, with different magnet values and expensive. DO YOUR RESEARCH! Spend time on the tone and finally get a good guitar setup.
And then there is the amp!
For me Gary Moore is my favorite guitar player of all time. His tone, feel, playing, and overall versatility set him apart from a lot of other players.
i was used to a modern 500$ slash epiphone special AFD with 2 knobs and it has this bright amazing sound on high gain and i bought a much more expensive 50s epiphone les paul standard in mettalic gold and it didnt sound the same n not as good so i got it set it up professionally n it still wasnt sounding what i wanted it to but i was looking at it all wrong.. its 50s style wiring it has covered pickups its alot heaviern chunkier and theres 2 extra knobs and so much more diversity it wasnt her it was me!! LOL, now im starting to understand her and how she works and im loving this guitar alot more now, the more i look into the difference between tones on wiring,covered/uncovered pickups, so many things, n i was getting mad because my cheaper guitar was sounding brighter n better when playing high gain metal then this 50s one... and i would have my 50s style LP on the same setting n same amp setting n it was off... id have the bridge on 10 volume n 8 tone n it wasnt bright n clear sounding my my slash lp special 2 on the same setting but i get it now this goldtop is alot more intriqte and it takes alot more effort to dial it in as opposed to:what i was used to: (select bridge,neck,middle, 1 volume 1 tone)...
thank u so much
Fantastic video. In all my years of playing no one has ever really explained 50's wiring on an LP. I always though I must be doing it wrong because I never used my "Rhythm" pickup to play rhythm. I love what you said about the numbers on the knobs being meaningless...go by what sounds good. Definitely saving this video for future reference.
Thanks!! I’m glad you enjoyed it!!
I can see why Robben likes you so much Jeff. You are a very melodic, non-flashy player, and this is what Robben digs!
Thank You!
Few instructors can make the world of musical creation via electric guitar come alive and hold my attention the way Jeff does. What a gift! (Both, his skills, and what he gives to his students.) If you haven't discovered/explored Jeff's offerings of instructional video, I highly recommend that you take the time. Best investment in my guitar experience so far (time and money). Something there for every level of player. I swear even BB (RIP), Eric, LC or Robben would find some new insights with Jeff. He certainly offers deep insights in to each of their music.
I got a Les Paul standard 60s about a month ago and I'm amazed at how useful knobs and how well the burstbuckers respond to everything . Coming from Teles I was used to the tone knob being useful, but Fender's volume pots seem to have a narrow amount of usable travel. Thanks for the tips, Jeff!
Excellent! If you want to go deep you can upgrade the knobs on the tele (unless it’s vintage) to get a better sweep. I use these and they make a big difference in both the LP and Fenders.
www.vintageinspiredpickups.com/
My Gold top is a ultra light aged Murphy Lab of the first batch. I went to buy a made too measure R9 and after trying tons of Les Paul's got my R7. It was sounding much better than all the others. Best sounding Les Paul I have ever tried. Mind you, I have never tried real Burst. I have changed all wires including pickup hook up wire with proper wire. Way less capacitance and way more tone reaching the amplifier. The funny thing is that I was not in Murphy Lab guitars, and still, I got it because it was best sounding. That elusive hunt for the Les Paul ended that day.
Btw mine is light back double gold variant.
Thanks for a great video! I recently went to 50s wiring in a 335 copy. In this video, you answered one of my major questions, “why is the volume taper so limited?” Now I know that can be expected and like in all things you take the good with the bad, you get to great tone, but you don’t get as much range on the volume knob. I noticed from 8 to 10. It sounds absolutely killer, but there’s a significant volume drop below 8. I thought something was wrong with the way I wired it, but you obviously described it to a T in this video. Thanks so much!
You’re welcome!! Yup imperfect but you get used to it!!
I love 50s wiring as well.
One of the best educators out there. Thanks Jeff.
Really nice demonstration of the 50s wiring. Especially love that setup on my single P90 guitars. It's amazingly versatile for being so simple. Paper-in-oil caps are my favorite in this situation along with black bourns pots.
50s mod is always the first mod for a Les Paul for me. Most Gibson’s used to come stock with 300k vol pots witch I prefer to replace as well. Great video to show why👌
I checked both my R9 and R7 because I wanted to be sure. Thx, for shedding light on the differences for this rookie.
My pleasure!
Your explanation was flawless. thank you Jeff.
This is an art that seems to have been lost on the more modern generation of guitar players where everything gets turned up to 10. It is a nuisance to fiddle with tone and volume knobs while playing especially if I'm covering sounds made on a studio recording where overdubs were recorded with differing guitar sounds. To cover those sounds I use a programmable pedalboard and program presets with each sound I want. It's not the same, but it is another method of dialing in sounds I desire. At least kits are available that get us as close to 50's pickups and wiring for a price that's not 6 figures! Thanks for the educational video. It's great to hear creativity using only the "natural" characteristics of the guitar.
BTW how the Volume changes true the pot range depends more on the type of the pot. Vintage taper pots have less drop off. This being that pots are all audio or log pots. Sometimes some people use linear pots and those drop volume like a brick. They follow linear change of resistance but our perception of the volume is not linear. Like smallest difference we hear is a decibel. Though 3 decibels mean twice the power. Hence we do not hear linear as in linear increase of power. Hence audio pots sound liner to our ears but actually change resistance value at logarithmic scale. BTW changing all wire feels like someone took off a blanket off the amplifier. Just more details and bit more volume. Cable that Gibson uses nowadays is single isolation higher capacitance trash cable. It literally sends signal to ground. Proper two isolation layers wire simply allows more signal to reach the amp. Though changing pickups hook up wire means dismantling pickups. Not for everyone. There is a zero need for treble bleed with proper harness.
With proper amp you can go tone at 5 in the guitar and still not lose details. That's how it should be. Tons of tones you can dail in with pots.
Keith from five watt world sent me.
Great demo and explanation.
Thank you!!
Interesting and informative video. I've always wanted a LP. I've looked to the stars and hope that I now have the winning loto numbers.. Thank you for the jam track. Digging your courses.. Looking forward to the resumption of your streams.. Best.
Thanks Sam! I’ll be back shortly! Lots going on keeping me busy!
Get yourself a used les paul special - great starter guitar.
1. Clarity, warmth and resonance/sustain are the bedrock/foundation of great tone. That has to exist independently and inherently in the guitar. It somehow exists in the combined physics of the wood, wiring/pups and other components of the guitar itself. There is no way to compensate for a foundational deficiency if one of those traits is lacking. The more you have those three independently in the guitar, the greater variation will be available to a player's unique touch (left and right hands). 2. Tactile touch is the next level of tone control/modification. When I listen to accomplished players, they sound nearly identical over a variety of good guitars, including Jeff (absent dramatic signal modification). 3. Then comes post-tactile signal modification. One can use tone modification techniques and gear to modify the signal as Jeff expertly demonstrates. But absent #1, you can only partially compensate, but not eliminate foundational deficiencies.
Great video Jeff! Love listening to you play and chat about guitar ‘nerdy’ stuff! 🔥🎸
Thanks! I can talk about this stuff all day…
Very nice! The trick about turning the tone down on the bridge pickup also works on good vintage tele pickups, which can sound like a P90 that way.
Yes it does!!
I am a Stratocaster Telecaster person. I bought a Epiphone 50s Les Paul with Ofcouse 50s wiring to have a guitar with Humbuckers. Could not get a tone I like because I didn't understand 50s wiring until I watched your video. I was going to sell it and keep my strats and Teles. But now I will keep it and experiment with the knobs. I like the woman tone.
PS This guy's lessons are awesome too. I have purchased several and I love his no-nonsense teaching style. Just good information and straight to the point.
Thank you!!
Awesome demo, Jeff - thank you. Yet another great demonstration that we should put the hours in exploring our instruments and equipment. It's not all about buying new stuff! Thanks again.
Thank you!!
Great video Jeff, deep and to the point. I’d seen references to the 50s wiring and never gave it much thought, although I have a 335 that had already been modded to that before I got it and it sounds amazing. Now I will have to modify my LP and see if I can close to that sweet tone.
Still working away on lots of pieces from your TF courses and the private lesson material. You’re one of the best educators out there, keep up the good work.
Thanks!
Thanks and I appreciate you being here!
Emerson out of Oklahoma makes a great 50's wiring kit for the Les Paul if anyone has a more modern wiring for about $120... bumble bee's, great workmanship and he's rumored to be working on a new proprietary 50's style Pot..
Thanks for this great video Jeff; you've probably saved me from buying new pickups (and still not being satisfied)!
Jeff you're a legend
Ha. In my own mind! 🙌🏻
You’re a great guitar scholar and a gentleman 🙏
Fun video, Jeff! Been a Les Paul guy for many years. Big reason for that was Jeff Beck’s Blow by Blow album and some Al DiMeola stuff. Michael Bloomfield and Gary Moore also really influenced me that way. It’s always fascinated me at how it’s possible to get so many different sounds out of a Les Paul and your video illustrates this perfectly!
Super helpful I have a recently purchased a 50’s LP with P90’s I have needed a tutorial like this. Thank you!
Glad it helped!
I did have an FGN Les Paul but I sold it, I will try this with my Aria Pro 2 TA40. Great video, thanks.
Jeff, thank you very much for your hard work and excellent Videos.
This advice is great. I converted my 60s Standard to 50s wiring and added low output OX4 pickups. I lowered the neck pickup closer to the ring. Sounds way better, at least for clean to crunch styles. Also started eqing amp more to the neck pickup like you say and rolling the tone knob down on the bridge, which cleans up midrange as well, making it less honky. I think rolling vol knob down works better into fender amps (or some use input 2) and through certain fx that work better with a less hot signal, like muff pedals. In short the approach is quite different from Fender guitars. Incidentally, I do find that Jazzmaster and Jaguars with standard 1 meg tone knobs sound better with the vol rolled down a bit vs only tone rolled down, and there is more vol range to work with than a typical strat or tele.
I prefer 50s too. I put coil-split on my LP, which is fun.
Setting pickup and pole height is still such a mystery to me. You should do a video on that!
Good idea!
Amazing video and tone as usual. The interaction of 50s wiring on a great Les Paul makes for such a variety of sounds and overall dynamics.
Love 50s wiring I changed my gold top. Also Peter Green pickup neck pickup hight. Low on low end and higher on high end. Much less muddy/wooly
Thanks Jeff, good to see you, was looking earlier to see if you had uploaded a video and here it is. Love your tone Jeff.
Thanks David!
Great stuff Jeff! Thanks very much for the insights. Time to start soldering...
Lol ! Thanks Matt. Have at it!
Thanks for this...I am going to mod my LP's now...but not before I check out the matching Strat video!
Ha!
Here is the thing. The Les Paul with 50's wiring and reissue neck heel, yes it's a bit quirky and clunky but, the tones you get from that are worth it. Especially if you're not using an amp that acts basically as on/off switch for the guitar. There's a tonal magic to be had there that makes the non intuitiveness and clunkiness worth it.
Thank you, Jeff! I need to see this 👌
Yes. Yes you do… 😂
You know how I know Jeff is a badass? He co-hosted clinics with Robben Ford. Rarified air.
I can’t believe it as well. We did a record together and I played in his band for a bit. Check out the record “Now!” In the link in my bio.
Thanks for responding Jeff! Soon you'll have as many subscribers as Rick Beato.@@JeffMcErlain
I had the same experience, I rewired my SG a few years back with quality pots and caps and 50s style and it was like a blanket came off the guitar. Ive since rewired all my two humbucker guitars to 50s style. I don't know why they don't come this way, or I never really understood the logic behind modern wiring.
Thank you for tone/volume control advice, but mostly want to compliment you on the gorgeous tones your getting from that gold top.
Thank you and you are most welcome!
When I heard “dialing in” I was thinking setup. It would be cool to have videos on that too!
I play an Epiphone Les Paul Studio and tend to like the tone knobs at 3 and the bridge coil split pulled up. Clean channel on a H&K Tubemeister 36.
So enjoying learning from you -- and your courses are great too. Thanks for walking me through this.
You are more welcome and thank you!
I've got the 50s wiring and the custom wound PAFs but you've got something special Jeff with years of refinement, it's a dream of what the Beano tone could have been. Superb.
You've helped me a lot with this video Jeff - superb - thanks a million
Thanks for the 50's wiring "schooling". I believe now that's exactly what I'm going to use with my Pearly Gates pups. Really dig your tones on that gold top! Subbed.
Thanks! I think you’ll really like it!
You have a very keen ear Jeff, well done
Ive always told people when the argument comes on about modern or vintage wiring is if you are a bedroom rocker who mainly plays at lower volumes modern wiring is more useful (with a treble bleed for the serious ones)
But if you play live, or you play at high volumes or through a cranked amp then 50s wiring is better, for as you mentioned, the ability to clean up a cranked amp with just your guitar knobs. And in my amateur opinion through a cranked amp is where you really hear the difference between the 2 wirings. And 50s wiring through a tube amp feels like the notes blossom more as they ring out.
Excellent points! Thanks for posting and being here. 🤟
Great video Jeff! Love hearing about the nuances of tone from some of the iconic players. And love the Murphy Goldtop!
Awesome video!! I’ve had many modern Les Pauls. But recently got one with 50’s wiring. Seems like a completely different animal in a good way. Feels like I have 3 guitars in one now. Re kindled my love for the Les Paul. From clean to filthy dirty with the Right Amp. Green tips!
You can also lower pickups and raise pole pieces for more clarity and top end.
Excellent content. Very well done with the explanation of details. Lots of subtleties . Definitely a master of “his” instrument. 👍🏼
Hey-oh Jeff... I love the combination of the dark rosewood and
the great carve on this Gold-Top... But most of all, I always appreciate the great finesse
you always exhibit in your plunking so thanx and Cheerios
Hey! Yeah a LP must have both of those IMO. Thanks for the compliment Jonny, I appreciate it and all your support.
Great video, I’ve got an 1984 les paul studio and I also roll back the volume and tone, I’ve got a blues junior amp that I play through.
The best Les Paul video! a Really good job!
Thanks!!
Hello Jeff, just wanted to thank you for taking the time to make this very informative video. It was/is super helpful, its incredible all that I have been fortunate enough to learn about guitars in the last few years thanks to people like you. Big 50's wiring fan myself, not a big fan of coil splitting etc. Just a quick question out of curiosity if I may, what amp were you using for this video, you sounded fantastic!
Thanks again, I'll be checking out more of your catalog.
Hey! Thank you for this! I really appreciate you letting me know and thank you so much for being here.
Nice video ! omg that Les Paul is absolutely beautiful. I find that these vintage specs react more with the amp and the fingers, that perception makes it work perfectly for me
Thanks! Yes I agree with you about the vintage specs, and the goldtop!
I bought a ‘57 LP Custom 2 pickup reissue last year it has become my #1. Still finding out all the different tones I can get with this amazing all mahogany body guitar.
Fantastic!
Terrific, thank you Jeff.
You’re welcome.
Thanks, Jeff!
I recently picked up a 2010 Les Paul gold top that had the neck pickup swapped out for a Pearly Gates.
Really digging the beast, might have to consider a little rewiring ... not unhappy with the tone at all
Fantastic video, Jeff. Love the Goldtop.
That's what I call a great video !
It kind of reminds me of a jumped Plexi, the interactions of the volumes. I can’t wait to try all these tips before my next show. Thanks Jeff!!!!
Excellent comparison! Glad you enjoyed it!!
The taper of the pots affect how quickly the volume changes. The Historic pots are a repro of the Centralab pots that were in 50’s Les Pauls, they have a 10% taper. They are great as tone controls, but the volume pot changes volume very fast.
I use to have the pickup selector in the middle position and increase the volume of the pickup I wanted to hear. The other option is to roll the tone control down a bit, turning the volume down causes the tone control not to work as effectively giving a brighter clean tone and the tone thickens up when you increase volume. I don’t think 50’s wiring lends itself to blending the levels of the two pickups, I think Danelectro wiring does a far better job of mixing pickup volumes.
Another option that works best on an SG is to have the bridge volume up full, and adjust the neck volume to get a rhythm volume. If balanced properly you get clean, rhythm and lead tone via the pickup selector.
I just recently gutted my LP Classic and put in Seymour Duncan Antiquities along with 50s wiring. I’m still getting used to it and figuring things out, but I’m definitely getting more of a Beano and early LZ sound. This video is really helpful.
I love les pauls. But the lack of tuning problems i am used to with strat floating trems gives me nothing to do for hours.
Les pauls are the devil mmmmk.
Great video Jeff!
I love the 50s wiring too, on my guitar it almost even brightens up a little when turning down the volume.
Btw. Jimmy Page also has an extended version of the wiring, which is named after him, "Jimmy Page Wiring".
Each of his pots is a Push-Pull, with which he can split each pickup separately, put both PU in series like a 4 coil Humbucker and put the neck PU out of phase with the bridge pickup.
We have a tutorial on that wiring as I have it in my 335 and we also have a video of our buddy Krenar demoing my 335 with it.
What's also a big difference with many LPs today is, that back then 500k pots were used. For quite some time Gibson used 300k pots.
It's like your tone is always rolled off 200k from what they had back then, so this is also always worth checking.
Cheers,
Martin
Thanks for the info! I know about his wiring, too involved for me!!
@@JeffMcErlain You're welcome. It's a lot of fun though to explore it, and you can always fall back to your standard positions and use the flexibility this already offers. It's like a swiss army knife. There's probably nothing you can't do with it. I especially love the out of phase positions. Peter Green, Albert King as well as early BB King recordings come to mind.
Cheers,
Martin
A fun tone with 50s wiring is with both pickups and the treble tone all the way down into something gainy like a boost pedal or fuzz. Kind of a coked wah sound.
Yup!!
Sweet tone! One I have been looking for
This is awesome Jeff! I had my R9 on my lap watching this and there were a few tricks I hadn't yet discovered and it was another light bulb moment. Thanks for this one!!
Thanks Jimmy!
Taylormade R9??
@@1cleandude nope. Gibson R9 from the custom shop. They're really putting out great guitars lately.
I have 2 LPs, none of which have 50's wiring, BUT I have a black 2011 CS-336 which does have the 50's pickups and I assume the 50's wiring, PLUS, its a hollow body!
And my (2019) 50's Les Paul Standard magically appears in my hands. Carry on......
😂
Well THAT was extremely helpful! I’ve got ‘50’s wiring and it’s always been a guessing game/trial and error, thing for me.
As always, Jeff, another great, informative and entertaining video lesson!
Awesome!! Glad I could help!
Thank you..great playing by the way.
Thank you and you are welcome.
Nice ill try it out ..thank-you
For sound goodness need a good sounding Les Paul like yours. Pickup a bad one and let’s see you getting a good tone ;)