@@meadow9441 @ approx. 1:30 - 1:40 and then @ 3:00 - 4:59 - It's most audible between the first time-scale points, with light string accompaniment to guitar and vocal; but then unfortunately at the second time-scale points, when Tutti (Full Orchestra) is actioned - the feedback is heard as a kind of unwanted drone or background hum that unchecked (Sound Engineer's job!) can begin almost inaudible to become totally sound intrusive whereby intolerable to the ear. Feedback usually is the occurrence of build up of sound refraction or echo being generated from a microphone positioned too closely to PA Speakers.
I love Laura Marling but I just don't think the orchestra is really necessary. A single cello would have been better. It's probably just me but I think the orchestra just detracts from what is already a very good song. It's a great song with just a guitar. It makes it very personal, really no need for the orchestra.. Eh. maybe I should have been there.!
laura marling with an orchestra is the best thing this year so far
#1 musical moment for the year 2017 - what a girl! Unique.
How amazing her voice sounds with the orchestra ! Great arrangements ! I love seeing how she is evolving . She´s a legend
❤😊
Laura is a beautiful English Girl singing beautiful songs beautifully
Incredible and unique performer - Laura Marling you are very special
Fantastic music and performance.......
Cheers for sharing Martin. Wonderful.
I love this song and performance!
Everythings better with an orchestra. Her with Elbow would be heavenly :)
That is outstanding! An orchestra and guitar accompanied by a cello of a voice!
Love this one!
so happy to hear again recently :)
sublime
Yes. Yes, YES!
My friend says it should be Sofia 👍
Thank you so much for sharing.
I will always love her
same
so good i cant even tell you
🎉
❤
Hay canciones que suenan más bellas sin tantos arreglos orquestales. De todas maneras, me encanta Laurita.
Comentario en español. Genial compartir música de esta mujer por el mundo.
Saludos desde Catamarca, Argentina💙
I adore this particular L.M. song; but...the onstage FEEDBACK?!!!
@@meadow9441 @ approx. 1:30 - 1:40 and then @ 3:00 - 4:59 - It's most audible between the first time-scale points, with light string accompaniment to guitar and vocal; but then unfortunately at the second time-scale points, when Tutti (Full Orchestra) is actioned - the feedback is heard as a kind of unwanted drone or background hum that unchecked (Sound Engineer's job!) can begin almost inaudible to become totally sound intrusive whereby intolerable to the ear. Feedback usually is the occurrence of build up of sound refraction or echo being generated from a microphone positioned too closely to PA Speakers.
that cello/double bass player looks well bored
I love Laura Marling but I just don't think the orchestra is really necessary. A single cello would have been better. It's probably just me but I think the orchestra just detracts from what is already a very good song. It's a great song with just a guitar. It makes it very personal, really no need for the orchestra.. Eh. maybe I should have been there.!