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Prokofiev: Piano Concerto No. 3 / Petrenko · Wang · Berliner Philharmoniker
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- čas přidán 14. 08. 2024
- Full-length concert: www.digitalcon...
Sergei Prokofiev: Piano Concert No. 3 (1st movt) / Yuja Wang, piano · Kirill Petrenko, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 13 April 2018.
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Dear God. Such a talent. Her skills are beyond imagination. I love you Yuja Wang!!
The unison at the end with the violins was just unbelievable!
Masterpieces that stayed in the mainstream repertoire for a long time tend to be played slower and slower over the years. But not here. Towards the end they really went for the tempo Prokofiev himself used in his own recording of this concerto! Amazing!
Heather I don’t think that’s true at all. I think conductors push tempos in both directions. Look at Baroque pieces that today are played at almost twice the pace that we heard them in the first available recordings. I think any good conductor should be in a sense a historian and a performer as well and be able to feel the tempo that makes the most sense to serve the music. And as someone who conducts myself, I like music that feels it should go fast should go Fast.
"Baroque pieces that today are played twice the pace that we heard them in the first available recordings" does not imply they are played twice the pace they were when they were premiered. Playing Baroque pieces the way we do today is a relatively new development and the fact that they were played that slowly when recordings first became available before people became aware of historical practices exactly underlined my comment. Prokofiev and Rachmaninoff piano concertos are played slower today than the masters themselves played them; the same is true for Wagner and Strauss operas where we do have timing information over the years.
I mean, I’m not here to argue with you. Historically Informed Performances may not have even been the best argument here. After all, composers and pianists of Prokofiev’s time had to perform as as fast as they could for recordings to fit in the discs. Rachmaninov had to make extra cuts.
In the case of Prokofiev, he did not need to play as fast as he did. His performance ran about 25 minutes and was presented on 6 sides of 78 rpm records, where each side was about 4 minutes and a half, so he had time to spare.
Fastest I have ever heard. And to my surprise it sounds coherent. Amazing.
I wish i could agree.
Ugh.... why ... why is she so amazing every time!!!
absolutely beyond me--- she is the BEST OF THE BEST , SHE DROWNS ONE IN AND WITH SOUND AND WATERFALLS OF NOTES .
Yes! Well-said.
Just see it live in Salzburg. Stunning performance. Spot on... Bravo petrenko and yuja wang..
Heard and seen it at Digital Concert Hall and three weeks ago in Verbier.
The best interpretation I ever heard, Yuja has surpassed great Martha Argerich!
This is beyond me. Wow Yuja!
Electrifying and magnificent!
I absolutely love Petrenko and his style of conducting!
One thumb down???? One person has no ears and no soul....
A half year ago she played this piece in Tel Aviv with Petrenko. This was without any doubt the best interpretation ever.......this performance is even a little bit better.....unbelievable!
Michael Schefold 🤐who are you？how do you know better than others???
Michael Schefold 17 now 😕. I’m w you! 😢
You'd be surprised. For example, this is what the super sophisticated Berlin critic Andreas Göbel has to say:
"Das dritte Klavierkonzert von Sergej Prokofjew enthält aberwitzige Schwierigkeiten - eigentlich genau das Richtige für die chinesische Virtuosenspielerin Yuja Wang. Zu Brahms oder Beethoven hat sie wenig Zugang, aber Prokofjew sollte doch eigentlich ihr Ding sein. Technisch bewältigt sie alles ohne Mühe (so dass sogar - selten in Philharmoniker-Konzerten - schon nach dem ersten Satz applaudiert wird), aber musikalisch bleiben fast alle Wünsche offen.
"Gerade einmal zwei grundverschiedene Spielarten zeigt sie: Entweder donnert sie in die Tasten oder es wird farblos und nichtssagend. Wo das Konzert mal auf Technik verzichtet, wirkt es hilflos. Das ist ein reines Technik-Abliefern. Als Akrobatik und Artistik kann man das noch akzeptieren, als ernsthafte musikalische Gestaltung nicht. Wie Yuja Wang mit diesen Defiziten eine solche Weltkarriere starten konnte, bleibt ein Rätsel."
Heather Andreas Göbel is an ignorant, jealous fifthclass pianist. Look at his page and see him playing " Gartenfreunde" and you will know all about him.......
No wonder he works as a critic at a radio station.
Yuja Wang, you are amazing!
Unbelievable, the Orchestra and conductor are amazing..and Yuja...it seems to me everytime exceeding herself...unbelievable performance!
Going to see this programme at the BBC Prom on the 1st of September, can't wait :)
She is a genius
Luminosa come sempre YUJA WANG 👏👏❤️
She can make you feel the joy of playing the piece.
EXPRESSION OF GENIUS
Expression of genius expressed in the face
pure exhilaration, euphoric joy joining in
discovering the music’s divine origins, that
moment of brief clarity, caught in twinkling
eyes, furtive smile, concentrated discipline
focused, unfolding the pure beauty of sound.
© Jan G. Otterstrom F.
October 12, 2019
Yuja Wang playing Prokofiev’s 3rd piano concerto
bro copyrighted his own yt comment
Awesome pianist and astounding composer.
She's Flying!! A Gift from God to Us!
Vždy brilantní výkon.❤
Grandios begleitet. Ein sicherer Rückhalt für die Pianistin.
Me encanta!!!!
Fantastic performance,TYSM ♫♪☺
😱OMG😱 💥yuja crush everything💥
Sonido limpio y compacto. Genial !!
Excellent!
Bravo!!!
Yuja Wang es un fenómeno mundial !!!
she is THE piano!
Despite being members of arguably the best orchestras in the world musicians of the Berlin Phil could barely keep up with Yuja's electrifying fingers...😂
petrenko💖
Unbelievable!
The beginning of the video sounds like the only time the Berliner ever was not in time with the soloist
Bravo!!!!!
You have to give Stravinsky, Shostokovitch and Prokofiev A for effort, I prefer the calm
and beauty of baroque music, I love Tchaikovsky, and sit enthralled by this Prokofiev on the edge of my seat
But would not take it for my desert island disk collection.
👍👍👍👍👍👍👍👍superb!
ammAAAzIng
羽佳姐和柏林爱乐的普三，想看到哭，什么时候能有幸看到啊！
注册下柏林爱乐网上音乐厅的账户吧，应该赠送三天的票，就可以看了
王羽佳居然沒看譜？？
Elate
Sensed she wanted to
Push, giving herself
Expressions, you cannot read
Smallest gesture of affection
She grasps
Our attention, interactions
She is happy
"Flying fingers"
" twitter.com/YujaWang"
©...Aronne
Dude
If my preferred P3 is the unsurpassed Argerich/Previn/LSO (it's here on YT on film), I actually liked this. Not so much because of Wang who, as I said, cannot surpass Argerich, but because of the very good, very musical and very responsive and idiomatic conducting and playing by the orchestra. One can hear here Prokofiev's signature wit, playfulness and sarcasm/irony. Wonderful. Previn/Argerich strike me as more serious and sombre, even emotional, all also valid, of course.
Bartoli
maybe yes. maybe noo ? 😅😅
1:53 = how it feels to look at your credit score
Fitness bajnoknő testű Yuya, a zongorázása is.
never mind the piano. what is going on with that weird looking trumpet?!?!
They're rotary trumpets, commonly used in most German/Austrian orchestras. They have a slightly darker sound than piston trumpets at offer some advantages when hitting certain high notes in the form of the pinky levers.
Piano is a little bit faster than the entire orchestra.
Yes, but a top and experienced orchestra and conductor will always slow down the speed a little bit when a soloist is too ambitious and too passionate. The same thing also happened when Mutter was recording the Mendelssohn concerto with Gewandhausorchester accompanied.
倪天心 GC
Como esta sufriendo esta gente
Orientals talent. Occidentales cannot play so fast!
seems that all she wants to do is play as fast as possible!!!! this is crazy this is like presto or something! where is the music!
apparently, beyond your ken.
It's all around you, my friend.
Ethan nonsense