Run for Cover - Marcus Miller Transcription - Alleva Coppolo LG5 - Robert Schulenburg
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- čas přidán 2. 01. 2019
- Download the PDF file here: www.robertschulenburgtranscrib...
This Transcription of the main theme and solo by Marcus Miller took me some time ... To get all the nuances right within these complex and highly advanced Slap Riffs is quite a task. The transcription you see in the video is available as PDF. Just send me your Email, i'll forward it to you.
Alleva Coppolo LG5 in passive Mode into the Rheingold BP-2 PreAmp into the Diamond Bass Comp into the Laptop.
The LG5 Bass has 60's PU Spacing but nevertheless it sounds amazing. Marcus himself played his legendary Fender 4 String with a Maple Neck, 70's Spacing and the Sadowsky Onboard Preamp. - Hudba
Yeah Robert !!! Great job !!!
That is killer! Congratulations, great video!
thank u for PDF！
Nice job and congrats.
Du machst einfach saugute Videos, Respekt!
great tone
Extremely good! Nice and tidy
This cat has been practicing! Really well done with the playing and articulation. I've struggled with this track for months! The section I find driving me nuts is 1:42 to 1:48. I never knew ~6 seconds could take so long to learn properly. Thanks for the inspiration.
Hey Wayne, thx for your kind words. Funny thing is, that the exact section you mentioned got a tiny update and i uploaded a new version of this song with a more proper choice of bass, a 73 jazz with maple neck. Its just a nuance with the open g-string, which is more involved than played in this version. Feel free to check out the new one, maybe with the slow down function it will work out eventually!
czcams.com/video/IME84cAQXO0/video.html
@@RobertSchulenburg thanks a million. I'm literally about to warm up the bass right now and play this. That section's been driving me nuts. I stopped playing it and feel the need to complete it properly now.
That‘s in the pocket!
Nice bro!!!!
Thx Bro!
굿 👍 nice
Sounds Perfect!! And Alleva Coppolos are awesome basses!
Thx, and yes, theres something magical about these basses!
Robert Schulenburg How would you compare them to Laklands? I've never played an Alleva Coppollo, but they look and sound fantastic!
@@Surfer8652 There are different Lakland Models out there - The AC Basses are very close to vintage fender basses, maybe similar to the Darryl Jones or Joe Osborn Models from Lakland. The 55-94 Laklands are a bit more modern i think, due to the Humbucker Pickup. AC Basses also only have a 34 Scale, Laklands tend to have 35 - I think you can get awesome Basses from both brands. AC Basses are a bit more expensive but also have a good value when you are selling them again.
Thanks Robert. I'm very familiar with Laklands and own several different models but have never played an AC. My question is more about comparing similar models like your AC LG5 vs. a Lakland Joe Osborn 5 or a 55-AJ. Aside from the shorter scale length, how would you compare the fretwork, neck dimensions, neck finish, and overall build quality (keeping in mind that a Joe Osborn 5 has a neck virtually identical to your 55-94)? Which models do you find easier to play?
@@Surfer8652 I like the Neck of my AC more than the 55-94. The AC Neck is a little slimmer but on the 55-94 you could reach the higher register easier than on the AC due the the lower horn. Jimmy Coppolo had some build quality issues over the years, you can research it in forums like talkbass. My AC is from 2008 and has some cosmetic issues, like a crackling poly finish which you shouldnt cope with in this price register BUT overall it feels and sounds amazing that eventually i sold my lakland ...
Sounds amazing. How do you do the fast triplet? thumb + pop1 + pop2 , or a combination of just Thumb + Pop?
Thanks
muy bueno Roberto que sonido tan impresionante, que juego de cuerdas utilizar? hace poco probe unas DR Hi Beams y su Brillo es muy bueno, aun asi siento que al tacto son muy tensas, busco unas cuerdas mas flexibles y que conserven buen brillo. claro que pueda usar comodamente con una altura baja hacia el mastil. Un abrazo!!
Hola David. Creo que DR es genial. También puede probar las cuerdas Dunlop de Marcus Miller. Tengo la impresión de que el fabricante realmente no importa, lo principal es que las cuerdas todavía están relativamente frescas, después de unas semanas o incluso más rápido dependiendo de los conciertos, todos los fabricantes suenan un poco aburridos.
You seem to be "popping" the strings so effortlessly ... I always have to work so hard ... it is your setup or your bass or are your hands just so strong that I can't see the effort?
Neobop3 You are right about the setup. I usually play with a very low string setup combined with a soft touch. Gary Willis is a good example and teacher for this method. You could try to even the neck and get the string height down to the point that it would begin to buzz a little bit when you push harder and with a normal attack it would be without buzzing.
@@RobertSchulenburg You made my guideline to grasp this MM-track. Can you please send met your transcription? gerard@xs4all.nl
That was aggressive
You really should create an e-book and sell it. I'd buy it. Your choice of songs is really good. I'd love a copy, mark@lowe.digital.
Download the PDF file here: www.robertschulenburgtranscribes.com
@@RobertSchulenburg Thanks Robert, and will be sure to include well deserved gratitude.
Parabéns pelo solo de baixo. Foi muito bom. Você me envia a partitura e tablatura de chão? euestudo10@gmail.com
What's your bass made of? Wood wise?