One of my absolutely all time favorite films. Cinematography, Production design, Score, Acting.....everything working together so beautifully. Really great breakdown and analysis, man. I think you should just breakdown EVERY damn shot in this film. C'mon, it's not like you've got anything else going on right now ; )
Thank you. This is one of my favourite movies and I enjoyed this closer look at the cinematography part a lot. I could learn some and also make my own notes and perhaps make my own essay on this movie later on. Please keep up the good work, it is inspiring.
Glad to have discovered your channel! Just watched this film, my first from this director and cinematographer, and I wanted to pinpoint what made it so visually memorable. Cheers!
Great video! Just curious - how do we know which images in the film were lensed by Doyle? I know he shot a lot of the early footage when the film had a more playful tone, but from my understanding, he left production at a certain point and was replaced by Mark Lee Ping-bing, who finished the film. I've seen the movie some 30+ times, and I ask the question because I genuinely cannot tell who shot what (a testament, I think, to Wong's guiding hand).
Thats a great question, but honestly I can't tell either but much like a show where a DP does the first episode, the look has to be carried throughout, So a lot of the key decisions must of been made by Doyle and Wong at the outset.
One of my absolutely all time favorite films. Cinematography, Production design, Score, Acting.....everything working together so beautifully. Really great breakdown and analysis, man. I think you should just breakdown EVERY damn shot in this film. C'mon, it's not like you've got anything else going on right now ; )
Haha I don't think I will. But really appreciate your enthusiasm man 👍
Ben Sharples lol. look forward to the next film then.... 😉
This frame by frame series is INCREDIBLE. Thank you man. Your and @wanderingdp my major mentors. Thank you.
Thank you. This is one of my favourite movies and I enjoyed this closer look at the cinematography part a lot. I could learn some and also make my own notes and perhaps make my own essay on this movie later on. Please keep up the good work, it is inspiring.
This is Pro++++Analysis.♥️♥️
bless from Taiwan filmmaker, i love this video so much coz it does so well in so much detail ! thanks and keepgoing!
Really appreciate it!
THANK YOU FOR THIS VIDEO!!!!
No problem 😉
PLEASE DO MORE LIKE THIS !! Love it
Working on one about Phantom Thread ;)
Glad to have discovered your channel! Just watched this film, my first from this director and cinematographer, and I wanted to pinpoint what made it so visually memorable. Cheers!
I'll never forget the first time I saw it as well.
Awesome postmartem
Great video! Just curious - how do we know which images in the film were lensed by Doyle? I know he shot a lot of the early footage when the film had a more playful tone, but from my understanding, he left production at a certain point and was replaced by Mark Lee Ping-bing, who finished the film. I've seen the movie some 30+ times, and I ask the question because I genuinely cannot tell who shot what (a testament, I think, to Wong's guiding hand).
Thats a great question, but honestly I can't tell either but much like a show where a DP does the first episode, the look has to be carried throughout, So a lot of the key decisions must of been made by Doyle and Wong at the outset.
in some scenes you can clearly see the kinetic movement of doyle and in others the restrained framing of marke lee ping-bing
This is an amazing analysis. Thank you for this video !
BANGER
reeeeally really awesome work i love the casual way u explain things like a really really smart friend would
Appreciate that, I figure this stuff is all subjective so why not explain it in that way. Just my estimations. Glad you enjoyed it.
Thanks for you analysis of move
Too good! 👌
loved this video! A really nice insight to composition and lighting. would love it even more if you'd enable subtitles, at least automatic ones please
Got it, thanks for the feedback!
It's not just shot by Doyle, Doyle quit pretty sure because they had to reshoot and he didn't like that
what size of lenses you think he used?
shotonwhat.com/in-the-mood-for-love-2000