Bambara - “Mythic Love” (Official Video)

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A Chemistry Creative Production
Directed by Kevin Condon and Bambara
Featuring Reid Bateh and Bria Salmena
Director of Photography: Nicholas Motyka
Lighting: Danny Ballester
Choreographer: Alexandria Giroux
Dancers: Collin Kelly, Nikkie Samreth, Lulu Soni and Madeline Wilcox
Stylist: Sandra Sou
Projectionists: John Syzonenko and Charlie Gangemi
Colorist: Nicholas Motyka
Key Grip: Anthony Montalbano
Edited: Blaze Bateh and Nicholas Motyka
Lyrics
I showed up late and tired
To party for a friend.
Parked my car on a street
Where trees grew along the fence.
Then I saw you in the brake lights,
Glowing in the limbs,
As you searched your purse for matches
Cigarette between your lips.
Inside, we sat entwined
And forgot everyone.
Our hands were fugitives in spotlights
When the dark bar lit up.
With the doors locked behind us
We scaled the fire escape
And fucked to a choir of
Screeching sunrise trains.
You said, “This feeling
It’s a dog in the mud.
It’s a blade on the tip up your tongue.
It’s a bottle smashed on the head of a TV stud.
Hearing my name when you cum,
It’s the Father, the Holy Ghost, and The Son.
It’s a mythic kind of love.”
Mythic love
I know one day when I wake up,
There’ll be a hole in the sky.
And from that hole will come angel
With bright, strobing eyes.
And in those eyes will flash the brake lights
You were bathed in that night
With the trees along street
And I’ll let loose the reigns of life.
I said, “This feeling,
It’s a web unspun.
It’s breaking the neck of a dove.
It’s a gun between your eyes when you’re talkin’ tough.
Hearing my name when you cum,
It’s the Father, the Holy Ghost, and The Son.
It’s a mythic kind of love.”
Mythic love
About 'Love on My Mind'
If the start of the breakthrough for Bambara was the radically reimagined sound of 2018’s Shadow On Everything (dubbed by NPR a “western gothic opus”), then the moment it truly arrived was on the cinematically riotous noir-punk of 2020’s Stray. In the UK, buoyed by the enthusiasm of 6Music DJ Steve Lamacq (who called the band, “one of his favourite discoveries of the year”), the band rose sharply, immediately selling out shows across the country. Meanwhile, back in their native US, KEXP’s John Richards echoed the same sentiment. Things were set. In fact, tickets had just gone on sale for their biggest show to date, a 1500 cap headliner at London’s Electric Ballroom.
Then…well, then same as for everyone. Shutdown, lockdown, hibernation, nothing. It was a hammer blow. But rather than rue their misfortune, the band desperately tried to turn it into a positive, immediately moving to try to make more, and - they were determined - better, music. The result is the career-high ‘Love On My Mind’ - a six song mini-album, mixed by Claudius Mittendorfer - that condenses all the energy and darkness that has made Bambara so compelling but rearranges them into something defiantly new.
Not that getting there was easy. With the band’s core (twin brothers Reid and Blaze Bateh, the singer and drummer, and childhood friend William Brookshire, bass) scattered across the US, they remotely pieced together an EP but as soon as it was finished, they scrapped it. In their words, it felt “dishonest”. They were striving for something new and they hadn’t hit the mark. They realized they needed to change approach so at that point they decided to reconvene in New York. Finally, things started to take shape.
By now, they had a better idea of where they wanted to head. They knew they wanted to include a couple of duets and enlisted the vocals of Bria Salmena (Orville Peck/Frigs) and Drew Citron (Public Practice). They also wanted to expand their sound palette so turned to Jason Disu and Jeff Tobias (Sunwatchers) to add trombone and saxophone respectively. They recorded again, utilizing all these new elements, sampling their recordings as they went along, in the process manipulating the sounds across the EP. The final result is something astonishing.
Opening track, “Slither in the Rain,” all hissing high-hat and spectral synthlines, is a true statement of intent. It’s minimal and atmospheric, foregrounding Bateh’s raw vocals as he introduces one of ‘Love On My Mind’s main characters, years after the events of the album are over, a lonely man who throws bottles at airplanes and dances a two-step in the pattern of a figure-8. While Bateh has always been adept at character sketches, here we are introduced to a newfound vulnerability that runs true through the entire album and causes the songs to hit on a more human level. It’s a change he readily acknowledges.
It all just contributes to the picture of something truly special. ‘Love on My Mind’ is another massive step forward for Bambara. This time though, absolutely nothing’s going to stop them following through on it.