I just came from watching the wonderful Lucia Popp with Georg Solti, and It's hard to imagine the same piece could sound so different and make such a different effect. First of all, the scale of this performance and the size of the voice in this repertoire are just overwhelming. Whereas Popp has a beautiful, expressive, conversational quality in the songs, Leontyne elevates them to a thing of wonder as a result of her vocal prowess. The power and clarity of the voice in the upper register is in a class by itself.
No doubt about it. The lady can sing! We are blessed. Thanks for this great posting! THE American Soprano bar none! Such beauty and no trickery in a studio. ARTIST.
Price Produces: Mother Earth, Mystery, Beauty, Culture, and the Peak of Human Civilization. I add an expression of Gratitude for this recording which soars far above all others I have heard.
Miss Price was 52 years old here, singing these brutally difficult songs (wide ranged, long phrased, and often very high lying) with a youthful effortlessness and steadiness which sopranos 20 years younger can’t match let alone surpass. As of 2022 there isn’t a single soprano alive who can even sing them anymore. Effortless, pitch-dominant, shimmering singing seems to have been permanently replaced now by forced vibrato/wobble-dominant singing. She also recorded these in the RCA studio with Leinsdorf about 5 years before this performance.
She is peerless. I was blessed to hear her at Ohio State Univ. Didn’t sing one note that wasn’t nigh perfect. We were in tears at the end of the concert. I miss her.
As far as I know it's not a cycle, never was planned as a cycle, Strauss didn't even put these beautiful songs together under the name "Vier letzte Lieder". So it is correct to applaud after each single song.
The best is Flagstad, for whom these songs were written, of course. It is sung by a soprano with a thick strong, lower-middle voice. Leontyne has that beautiful top.
Leontyne is known for her Verdi and Puccini, but shes undoubtedly a great Strauss soprano. Strauss wrote for a soaring sound, and this is pass Price's prime. But she delivers!
There is nothing “past her prime” in this performance. It was breathtakingly gorgeous throughout. This was a part of her prime period!! I’m sure she’d have select thoughts towards your statement….
@silvanero every singer has a height to their singing, there is no moment of bad singing. The voice has entered its mature singing years here. Her singing is marvelous and untouched to this day. At 70, her Bb was better than most sopranos today.
@@dantewalston2755 Yes I agree but you said such wonderful things about her singing and then had to ruin it by saying, “and this is past Price’s prime.” It wasn’t very nice because you are negating her singing here. I think she would tell you that she was still in her prime era. Who are we to judge such a singer?? Those kinds of comments are unjustified and not necessary. Furthermore, Strauss’ vocal masterpiece requires the depth of beauty and technical prowess which Price possesses here in this performance.
So sehr ich Leontyne Price schätze und liebe, aber das war keine allzu gute Interpretation. Zu abstandslos gesungen. Trotzdem eine Strauss-Sängerin par excellence.
The voice is without doubt very great, fabulous but i don't think this interpretation is like her voice...a little bit like the orchestra..they all make notes perfect but there is no particular soul ....listen to Norman sing and you understand the difference...with Kurt Masur...and the public stay silent between each piece ! Not like here...
La voce di Leontyne Price e' luminosissima. Quella della Norman no, piuttosto cupa e massiccia e molto poco duttile. Sembra che pontifica su ogni nota. La Price quando vola sopra di tutti coloro che l'ascoltano. Spesso la Norman era piuttosto noiosa.
Yes, Jessye is more emotionally immediate and expressive but not as vocally assured, especially in the 1st and 3rd songs. I saw Jessye sing them in 1984, and she was not at all vocally convincing in Fruehling (lots of trickery and fakery), and sang flat quite a lot on top in "Beim Schlafengehen." However, her "September" and "Im Abendrot" were revelatory. I remember the last note of "September" pulsing like something alive and filling the entire auditorium despite the fact she was singing pianissimo!
@@PatateRoussoiste Certes, mon commentaire n'est pas très élégant mais malgré toute l'admiration que j'ai pour cette admirable chanteuse, je maintiens que son interprétation n'est pas des plus subtile. Une grande voix sans aucun doute mais parfois ce n'est pas un avantage; toutes ne sont pas Jessye Norman.
I just came from watching the wonderful Lucia Popp with Georg Solti, and It's hard to imagine the same piece could sound so different and make such a different effect. First of all, the scale of this performance and the size of the voice in this repertoire are just overwhelming. Whereas Popp has a beautiful, expressive, conversational quality in the songs, Leontyne elevates them to a thing of wonder as a result of her vocal prowess. The power and clarity of the voice in the upper register is in a class by itself.
What a WARM /Buttery voice; a LEGEND!
Her repose and stillness, total focus, no tricks or divaisms. Perfection.
This was stunning in every way. The legato singing, controlled, emotional, perfection. A performance to cherish .
Leontyne Price gives a master class in legato.....ravishing!
I've been listening to these songs for years. I've never hear a singer able to pipe out the top like this. Also, the large intervals - effortlessly.
No doubt about it. The lady can sing! We are blessed. Thanks for this great posting! THE American Soprano bar none! Such beauty and no trickery in a studio. ARTIST.
Sings it out perfectly, and live! What a miraculous voice and singing.
Price Produces: Mother Earth, Mystery, Beauty, Culture, and the Peak of Human Civilization. I add an expression of Gratitude for this recording which soars far above all others I have heard.
Miss Price was 52 years old here, singing these brutally difficult songs (wide ranged, long phrased, and often very high lying) with a youthful effortlessness and steadiness which sopranos 20 years younger can’t match let alone surpass. As of 2022 there isn’t a single soprano alive who can even sing them anymore. Effortless, pitch-dominant, shimmering singing seems to have been permanently replaced now by forced vibrato/wobble-dominant singing. She also recorded these in the RCA studio with Leinsdorf about 5 years before this performance.
Fleming could still do them, I bet!
Quelle ligne de chant, quel souffle, quel Art...Enorme voix, très grande voix. In Abendrot waouh !
Made me start crying immediately. Magnificent woman and the songs inspired by visions of Strauss' own mortality. A genius at his most profound.
Gorgeously sung and such wonderful compositions I've know and loved for decades! Incredible to think that Leontyne is now 97 years of age.
She is peerless. I was blessed to hear her at Ohio State Univ. Didn’t sing one note that wasn’t nigh perfect. We were in tears at the end of the concert. I miss her.
What year was that at Ohio State?
@@liedersanger1 I believe it was ‘81 or ‘82. NEVER saw such a deep bow. Perfection.
My favorite song from Straus
Marvellous, a fine artist !
אין דברים כאלו 🎉
Glorious performance! Shocking that this audience applaud between the items of a song cycle!
International U.N. diplomatic corps. Unused to western concert etiquette. Or maybe used to applauding a LOT. 🤔
As far as I know it's not a cycle, never was planned as a cycle, Strauss didn't even put these beautiful songs together under the name "Vier letzte Lieder". So it is correct to applaud after each single song.
Что-то невероятное !!!!❤❤❤❤❤❤❤
She hailed originally from Laurel, Mississippi
Perfect!!!
Thank You very Much
Прекрасное пение!
Ravishing!
grandissima!!!!!!!!!!!!!!!
Lovely, just lovely!
Ich danke dir
Das du auch in deutsch singst
Es ist so schwer
Aber du klingst fabulous
Fantastic! The best of all? Could be...
probably
The best is Flagstad, for whom these songs were written, of course. It is sung by a soprano with a thick strong, lower-middle voice. Leontyne has that beautiful top.
Happy 95th Anniversary Of Life
February 10, 2022
Her Royal Highness,
Queen Leontyne Price
Grandest Of Them All!
Her’s and Jessye Norman’s are my favorites
Una maravilla, la música y la interprete
Unglaublicht..! let's face it..
MAGNIFICA
At this stage in her career, she had those bluesy scoops, which were so endearing!
Bluesy scoops?
Leontyne is known for her Verdi and Puccini, but shes undoubtedly a great Strauss soprano. Strauss wrote for a soaring sound, and this is pass Price's prime. But she delivers!
she claimed Richard Strauss was her "good friend."
There is nothing “past her prime” in this performance. It was breathtakingly gorgeous throughout. This was a part of her prime period!! I’m sure she’d have select thoughts towards your statement….
@silvanero every singer has a height to their singing, there is no moment of bad singing. The voice has entered its mature singing years here. Her singing is marvelous and untouched to this day. At 70, her Bb was better than most sopranos today.
@@dantewalston2755 Yes I agree but you said such wonderful things about her singing and then had to ruin it by saying, “and this is past Price’s prime.” It wasn’t very nice because you are negating her singing here. I think she would tell you that she was still in her prime era. Who are we to judge such a singer?? Those kinds of comments are unjustified and not necessary. Furthermore, Strauss’ vocal masterpiece requires the depth of beauty and technical prowess which Price possesses here in this performance.
Why clap in between songs??
Im Abendrot... speed 100 🤦♂️
sharp half the time?
You are deaf.
Oh dear.
You OK?
@@liedersanger1 I think I'll survive. Just a brief episode of Straussangulation.
Not the best but fantastic!
So sehr ich Leontyne Price schätze und liebe, aber das war keine allzu gute Interpretation. Zu abstandslos gesungen. Trotzdem eine Strauss-Sängerin par excellence.
The voice is without doubt very great, fabulous but i don't think this interpretation is like her voice...a little bit like the orchestra..they all make notes perfect but there is no particular soul ....listen to Norman sing and you understand the difference...with Kurt Masur...and the public stay silent between each piece ! Not like here...
I have listened to Norman sing Die Vier Letzten Lieder, many times. She is indeed fabulous. I prefer Price.
Agreed 100% Norman is far superior here.
When a classical song cycle is performed the applause is at the end of the cycle.
La voce di Leontyne Price e' luminosissima. Quella della Norman no, piuttosto cupa e massiccia e molto poco duttile. Sembra che pontifica su ogni nota. La Price quando vola sopra di tutti coloro che l'ascoltano. Spesso la Norman era piuttosto noiosa.
Yes, Jessye is more emotionally immediate and expressive but not as vocally assured, especially in the 1st and 3rd songs. I saw Jessye sing them in 1984, and she was not at all vocally convincing in Fruehling (lots of trickery and fakery), and sang flat quite a lot on top in "Beim Schlafengehen." However, her "September" and "Im Abendrot" were revelatory. I remember the last note of "September" pulsing like something alive and filling the entire auditorium despite the fact she was singing pianissimo!
Le "chant" du loup , le soir au fond des bois. Ce n'était pas indispensable...
C’est votre commentaire qui ne l’était pas.
Le chant du loup c quoi ?
@@PatateRoussoiste Certes, mon commentaire n'est pas très élégant mais malgré toute l'admiration que j'ai pour cette admirable chanteuse, je maintiens que son interprétation n'est pas des plus subtile. Une grande voix sans aucun doute mais parfois ce n'est pas un avantage; toutes ne sont pas Jessye Norman.
@@pilouetmissiou C'était un commentaire pas très avisé de ma part.
@@paddydesetoiles Pas son meilleur jour, je vous l’accorde ;)
awful style and diction
Indeed
Haters got to hate, that is all they can do.
countrysideking As a German-speaker, I found her diction quite good.