Hes singing and playing one of my favourite blues songs . My friends and myself would be the wildest people in the audience. Just when people thought The Blues was out of fashion a number of artists such as Seasick Steve come along to put new life into the blues. I wish to thank them so much.
Yeah grandma keeps telling us kids that she is not able to control grandpa , that he is a severe extrovert and keeps wondering off to the River Club and playing that swamp music.... Grandma said it's in his blood and there's nothing she can do about it hahaha
Steve has excellent control over his tone. I like the beat and the tempo. It's southern black blues fingerstyle picking but it doesn't sound like that. It sounds like a guy who doesn't want his woman running around on him. There's a touch of the ominous about this lacking in the original and in the Alvin Lee version. She'd better stop running around.
You know how people announce, "This is off my album, 'Songs About Me' ". I stole this song off Univerity of Texas at Austin Professor Of The Blues Ted Hall off his stage show. He invoked artistic license and changed the words; he looked right at me and sang: "Baby please don't go Put the red dress on 'Cause it'd hurt me so To see you dead and gone He was referencing my antiwar songs; he was caliing me a communist and threatening to kill me. I noticed he was doing it southern black blues fingerpicking style, and I already knew folk/country fingerpickin'. "OK, guitar pickin' contest. I can take this punk." I used ominous vocalizations and made sure all my licks matched all my lines. When I was ready, Ted did'n't show up. Instead he sent a bunch of students to take up the front row seats. But I played to my considerable crowd sitting in the back and they responded as they often did with great gut roaring cheers. Next week Ted didn't show up again, but this time I got great gut roaring cheers from HIS students. I stole this from Ted Hall's stage show; he stole it from Robert Johnson. Robert Johnson claimed he got it from the Devil. I don'r believe him. I think HE wrote it.
Saw him play live with the Foo Fighters at Milton Keynes Bowl a few years back. So talented
Hes singing and playing one of my favourite blues songs . My friends and myself would be the wildest people in the audience. Just when people thought The Blues was out of fashion a number of artists such as Seasick Steve come along to put new life into the blues. I wish to thank them so much.
This man is a pure piece of Americana music history for sure
These guys are the Best 💯🤘🏽🍻🎵🎶
Вот таких Американцев я люблю, ценю и уважаю)))
Yeah grandma keeps telling us kids that she is not able to control grandpa , that he is a severe extrovert and keeps wondering off to the River Club and playing that swamp music....
Grandma said it's in his blood and there's nothing she can do about it hahaha
I hope I get to see this guy live. So talented his going to be a legend.
Не повторимо! Из России с признанием!!!!!
He puts his soul into his show.
J'adore 🤟🏼🕶️🥃🥃
EXCELLENT !!!!
Искусство не политика!!!!
So , my friend let's enjoy some art and forget the politics
💜💜.
How do you get from Odd,West Virginia to Paris?
By being Great!!!
Buy a ticket.
Das ist noch Hand gemacht, und nich so ein Mist wie heute🤞👍👌🍺
I beg you all night long, baby, please don't go
THe BRown Stripes
Steve has excellent control over his tone. I like the beat and the tempo. It's southern black blues fingerstyle picking but it doesn't sound like that. It sounds like a guy who doesn't want his woman running around on him. There's a touch of the ominous about this lacking in the original and in the Alvin Lee version. She'd better stop running around.
You know how people announce, "This is off my album, 'Songs About Me' ". I stole this song off Univerity of Texas at Austin Professor Of The Blues Ted Hall off his stage show. He invoked artistic license and changed the words; he looked right at me and sang:
"Baby please don't go
Put the red dress on
'Cause it'd hurt me so
To see you dead and gone
He was referencing my antiwar songs; he was caliing me a communist and threatening to kill me. I noticed he was doing it southern black blues fingerpicking style, and I already knew folk/country fingerpickin'. "OK, guitar pickin' contest. I can take this punk." I used ominous vocalizations and made sure all my licks matched all my lines.
When I was ready, Ted did'n't show up. Instead he sent a bunch of students to take up the front row seats. But I played to my considerable crowd sitting in the back and they responded as they often did with great gut roaring cheers. Next week Ted didn't show up again, but this time I got great gut roaring cheers from HIS students.
I stole this from Ted Hall's stage show; he stole it from Robert Johnson. Robert Johnson claimed he got it from the Devil.
I don'r believe him. I think HE wrote it.