Beethoven - Symphony No. 1
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- čas přidán 12. 09. 2024
- Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795.
The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form (particularly in the 3rd movement), and the prominent, more independent use of wind instruments. Sketches for the finale are found among the exercises Beethoven wrote while studying counterpoint under Johann Georg Albrechtsberger in the spring of 1797.
The premiere took place on 2 April 1800 at the K.K. Hoftheater nächst der Burg in Vienna. Most sources agree that the concert program also included Beethoven's Septet as well as a symphony by Mozart, but there is some disagreement as to whether the remainder of the program included excerpts from Haydn's oratorio The Creation or from The Seasons and whether Beethoven's own Piano Concerto No. 1 or No. 2 was performed.[2][3][4] This concert effectively served to announce Beethoven's talents to Vienna.
Ludwig van Beethoven
Symphony No. 1 Op. 21
1. Adagio molto -- Allegro con brio
2. Andante cantabile con moto
3. Menuetto. Allegro molto e vivace
4. Adagio -- Allegro molto e vivace
For more:
www.melhoresmus...
#MusicHistory
#ClassicalMusic
#Beethoven
Me and my lads just bought tickets...
You have some nice lads.
I am one of his lads
@@SolvingOurKreation and he played SOME OF THAT UNRELEASED SHIT and this is the once unreleased shit
bruh 💀
Gotta love that unreleased shit
You kids with your symphonies...I remember in the good old days of 25000 BC we used to just run around beating sticks and making animal sounds, now that was real music....
My school had an orchestra that told about the origin of music. We had the cavemans lmao
Not sure about the point you're trying to make - music constantly evolves and new music will be discarded by the older generation as bad music? If that's the case, epic fail friend, on so many levels. The ignorance is with you.
Seems like 25000 BC has come full circle as what you describe sounds alot like today's music!!!!!
escapee ... I do believe the original commenter was joking.
@@useresu301 How can you not see the joke ?? HOW ?
"To play a wrong note is insignificant. Touching without passion is unforgivable. "(Beethoven)
what if you rape someone
@@sirshadosuketheenlightened648 that is a different story
it's actually "To play a wrong note is insignificant; to play without passion is unforgivable." they probably got 'touching' as a mistake in translation, not sure.
anna enana I don’t know about German but in Spanish the verb ‘touch’ is used for playing an instrument, probably where the mistranslation came from
@@alexw3349 yeah im spanish
I don’t understand why this guy doesn’t do anymore tours. His music slaps
heard he died but those are just rumors 😳😳
@@rosie8236 bruh you believe everything you hear nowadays?? lmao haters gonna hate
zımba nah real shit he died
Nicholas Tate nah he’s still alive just rumors just like Albert Einstein is still alovet
all work and no play makes jack a dull boy I just got the news he’s not dead they just discovered he was black, so they tried to kill his career
5 months ago I decided to go through every Beethoven symphony in their listed order; this was the video I started on! I mostly decided to listen out of boredom and curiosity, since he was such a legendary figure and I had never heard much of his work, I wagered that it would be worth trying at least for something new. At the time I knew absolutely nothing of music and mostly had listened to it as background noise. In these past 5 months I've learned to read and write sheet music, listened to countless composers, learned about scales, chords, and the basics of harmony, recently all 5 species of counterpoint (all from Harmony and Voice Leading by Schachter and Aldwell), and I'm beginning to learn to play the piano! Beethoven's 9 symphonies elevated the importance of music in my life to first class status and opened an entirely new world up to me. His work is a testament to the truly inspirational power of art and he himself is a heroic figure. Thank you Ludwig van Beethoven!
Nerd
YOOOOO thats crazzyyy I don't remember asking
Could you point me to which Thesaurus you used?
@@oldjesus3996 Which word(s) there looks like it was fished up out of a thesaurus?
Good goin my dood. Good luck with the piano x
1. Adagio molto -- Allegro con brio 0:00
2. Andante cantabile con moto 10:02
3. Menuetto. Allegro molto e vivace 18:49
4. Adagio -- Allegro molto e vivace 22:00
thanks
DaKrotomo Beethoven never wrote minuets in his symphonies. He replaced them with scherzi instead.
This symphony's 3rd movement is indeed a minuet, but was the last of his symphonies to include one. Thereafter, he included a scherzo for his symphonies' 3rd movements. I suppose the minuet was a bit too square for someone of Beethoven's sensibilities.
DaKrotomo i
*cough* *cough* thanks *cough*
I'm convinced the mixer is specifically turning up the audience audio during the between-movements pause just to get even more of that coughing
¡Ja ja ja ja! :D
Agreed. That improved the feeling like i'm in the theater.
Anyone else here from that meme
Omg stop yes meeee 😂😂😂🤣
Yes hahhahahaahahha
Yes😂
Which
Here losing our minds to that 1799 unreleased shit
What kind of a philistine puts adverts in the middle of a Beethoven Symphony?
It isn't youtube because you need to choose where you want the ads
@עדה מוריין as a youtuber if you have the rights
@@y.rutjes245 Not always.
ADDBLOCK-PLUS
have to be a psychopath
“Your music saved me!”
Man I can't believe he hasn't released this piece officially, absolute banger!
COME TO BRAZIL !!!!!!!!
Mano...kkkkkkkkkkkkkkkkkkk
I believe Beethoven stays closer to home these days
Hahaha ded 😆
delilahjane beethoven is died
Iae kkkk
Liszt: King of Virtuosity
Bach: King of Fugue
Mozart: King of Opera
Rachmaninoff: King of Concerto
Chopin: King of Nocturne/Ballade
Debussy: King of impressionalism
BEETHOVEN: King of Sonata and Symphony!!
Puccini?
Beethoven King of Kings !!!
Brahms is king of those kings. Tchaikovsky is the lord all of those kings.
Handel: King of Oratorie
Scott Joplin: King of ragtime
It's so sad what happened to Beethoven music is what he loved I couldn't imagine not be able to hear music ever again but some of Beethoven's last words were " I shall hear in heaven" when I read that it brought me to tears
The reason why he was able to recite those concerts after being deaf was because he had the music in his mind.
Here's something worse. Beethoven was actually mixed african and german. They made him powder his face white when he performed. We all see Ludwig as a white german but actually his African. His mom was African and his dad was German.
@@deadpool1901 im pretty sure losing your hearing is much worse
@@deadpool1901 yeah, i don't get why that's worse
@@deadpool1901 He was not african-German. Its a idea they brought up which was later turned down. Noone from the Beethoven family was from africa. His mom was German and so was his dad.
I still appreciate the moments in 1966 elementary school when
Mrs Sabesta our music teacher gave us a chance to enjoy this type of music.
how old are you man
Tissaye about 70
I found the boomer
The genius and passion of Beethoven will always play through the ages.
Beethoven has a weird sense of humor. It is almost like he's telling a comedy through his music. Couldn't keep that smile off my face as I listen to this piece. It is like one long piece of stand up comedy that you get to experience over and over again except without words. To enjoy it is to underestimate it.
Most underestimate it. This and the 6th may be his most perfect symphonies.
starry2006
By almost any measure of perfection, and certainly by Beethoven’s own standards, the 1st symphony would be towards, or actually at the bottom of Beethoven’s list of 9 - assuming we were going to waste our time trying to rank them.
(Ditto Mozart and Haydn, and most other composers).
That said, he waited until he was ready, ready to write something really new and different, and his first symphony is certainly a clear post-Mozart/Haydn work of enormous importance.
🤨
You can tell it was his first symphony. It sounds like Haydn and perhaps even Mozart.... Later Beethoven would blossom as a completely independent mind.... And what a mind it was....
if you know Classical music well, you can hear that the scherzo and final movement mark this 1st. symphony out, as something which Mozart or Haydn couldn't have composed.
Mira amigo eres una mierdeishon
thebones
Generally speaking, you are correct though it should be pointed out regarding the third movement of this symphony, that Haydn had already speeded up the minuet out of all recognition.
For example:
- Haydn labelled the third movement of all six quartets Opus 33 published as early as 1782, as ‘Scherzi’ - and it is arguable that they should be played one-in-a-bar.
- The ‘Minuet’ of the Surprise symphony (1791) is marked Allegro molto (much, or very) as is that in the much earlier Symphony 28 (1765)).
- The third movements of the quartets Opus 76 No’s 1 and 6 are both marked ‘Presto’ - Haydn was writing genuine Beethovenian scherzi, but I think Haydn learnt the trick from the younger man.
- Et cetera.
In short: Haydn was writing genuine scherzi around the same time as Beethoven, though you are correct that Mozart had not gone this far; Mozart’s symphonic minuets are entirely the slightly more old-fashioned Allegretto-type (cf his last three - Symphonies 39, 40, and 41).
That said, the scherzi in the Opus 33 string quartets (astonishingly written as early as 1781), when played as genuine one-in-a-bar rapid pieces work very well.
I do think - astonishingly - that Haydn has noted Beethoven’s new scherzi, and that the younger man has prompted the older one to have a go himself.
It is with his new, aggressive, one-in-a-bar scherzi that Beethoven killed-off the old three in a bar dance* movements of his predecessors.
I do agree with your main point: it is evident that Beethoven, even from this first symphony, whilst acknowledging his roots, is clearly heading off down his own path.
* In fact, because of their irregularities, Haydn’s symphonic Minuets are virtually un-danceable (cf almost any of the genuine Viennese ball dance music of Mozart, Haydn, and Beethoven).
This is one of his great works, whether the style appeals to some or not.
starry2006
I think one of the most important aspects of Beethoven’s greatness is that with all his major first efforts he is clearly setting off down a new path and writing new, original music.
Mozart and Haydn had left enduring masterpieces of the highest level in almost every genre of music, yet Beethoven with the Opus 1 piano trios, Opus 2 sonatas, Opus 18 quartets and this 1st symphony, whilst you can hear the occasional moment reminiscent of his two great predecessors, is clearly writing something different.
To be able to take music into new areas was one of Beethoven’s greatest achievements, and as such, the 1st symphony as you say, is a great work.
I am listening from symphony no1 to 9 for 9 days as new year starting.
It's my 61st birthday today and I'm listening to symphony no1
Next year will be no2 and this way year after year
Wish me luck
@@jangutkowski7542 Good luck sir.
I love Beethoven.
Grazie
then why don’t you marry him
heard he became a farmer
*absolute beet-haven*
@@jaydens.2526 wanker
que bom
The first chord is a masterpiece, and it says "I'm not going to compose the way you want me to compose". If you don't know what I mean, then listen to the start again. This was his first Symphony and he was taking no prisoners. It's a massive finger up to the musical establishment that was listening to the chintzy blandness of Mozart and Haydn,
This comment is fine as an opinion until it starts on Mozart and Haydn about whom you clearly know next-to-nothing.
One cannot speak meaningfully about the unusual off-tonic opening chord of Beethoven’s Symphony 1 without mention of the model which is clearly the opening chord of Haydn’s string quartet Opus 74 No 1.
Have a listen to it, after which you might be in a position to comment more sensibly and meaningfully on the ‘…masterpiece’ you mention, and may even choose to edit some of the hyperbolic nonsense of your original comment.
Beethoven is the King of symphonies, period.
Bobby Wang I prefer mozart’s :-)
@@comicbutserious263 I prefer Schubert and Haydn
Ruslan Panichau well ;-)
It was a statement not a poll.
Facts
“WHO’S READY FOR SOME OF THAT UNRELEASED SHIT?”
It's been 9 years and this dude still likes comments😂 That is amazing dedication right there
A sinfonia nº 1 de Beethoven estimula fortemente a motivação e autoconfiança
En effet, je trouve aussi que Beethov est simplenent parfait pour l'étude.
2:55 that bass and cello moment 😍
Absolutely brilliant song. Playing it in my orchestra and i am so thrilled to be playing this beautiful piece
Must have caused a veritable sensation when it was played the first time. it must have been so different a type of music for which the musical world was unprepared. I love Mozart, and I am in awe of Beethoven's music.
Rajan Hariharan
You are quite right.
From the Opus 1 piano trios, Opus 2 sonatas, 1st symphony, the Opus 18 string quartets, et cetera - all his first efforts in these forms - it was quite clear that Beethoven was setting out deliberately to create a very new and different kind of music from that of his two great predecessors Mozart and Haydn.
Grosse Fuge was his magnum opus in terms of pushing boundaries.@@elaineblackhurst1509
The last movement is pure bliss...
YellowStudios
Absolutely! It's one of the first ever classical music pieces I heard as a little child, from a strange little cartoon series from the seventies about a shapeshifting object called Beethoven; and I love it still
C'est bizarre,à chaque fois que j'écoute une symphonie de Beethoven je suis bouleversé,au point que j'ai les larmes aux yeux,et ce depuis mon
adolescence à ma soixante quatrième année. J'ai une conviction profonde que Beethoven,Tolstoï et Schopenhaüer expriment la même chose,chacun dans son domaine.
France homme 🥺
I'm writing a play about Beethoven. Remember me when I'm famous- UPDATE!!! I finished the play about a year ago but haven't done much else with it yet! We'll see what God has in store for me. But, I did recently have a play of mine performed at two middle schools, so that's pretty awesome!! Thanks for all of your comments!
Exactly! It's more about his music then it is about him. His symphonies are characters!
Good point! That conflict would the best part of a genius' story. You cannot judge them using ordinary social standards. So is Van Gogh. It's sad that we have so many social rules restricting real talents.
Are you famous yet?
Amber Myers . All the best of luck in the world. let us know when it is published.
Amber Myers you famous yet?
who is listening to this in 1800!!!??????
well, you' re listening to this symphony in 2018, so i don't think that someone watching in 1800 will answer you, AND this video was posted in 2014.
you've got a time machine... LOL
Rafael Barutti it’s a joke lol
@@farrohkrossi5250 r/whooooosh
Please understand the joke😂
Did everyone desperately hold on their cough for 10 minutes?
Yeah that’s apparently concert etiquette because they’re always recording and nobody wants to hear somebody dying in the audience every time its played lol
Beethoven is for me one of the best german composers before Bach, Händel and Wagner all from Germany !!!
Germany sucks
Did you forget Georg Philipp Telemann who was greater than Bach
I like Pachelbel
@@benalthouse4189 Thats actually rascist
should we be concerned by your enthusiasm?
Starting with a V-I cadence may be one of the greatest jokes ever by Haydn and Beethoven. Brilliant 😂
I would love to see what Bach might have think of that if he was still alive. But yes starting a symphony on a dominant seventh chord is just briliant.
It isn't just a V-I cadence. It is a secondary dominant on the tonic. I believe the piece is in F Major, and it starts on an F Dominant chord. I always thought it was hilarious as well. Kind of the musical equivalent of "and now for something completely different". But also Beethoven being extremely confident, as though he was intentionally picking up where previous compositions all left off.
sultown
Good point - the model is the two opening chords of the first movement of Haydn’s String Quartet Opus 74 No1.
RmDIr Sudo Su
Haydn had already done it; listen to the first two chords of the String Quartet Op 74 No 1.
Beethoven’s is off-tonic, but that was yet another trick he took directly from Haydn (and then did his own thing).
My favorite part is at 26:31. Repeating the theme of the 4th movement, is the dialogue and echo among brass, strings, woodwind and percussion. So pictorial.
Tony Chong sugo-ae (Japanese)
I came here because I found out he wrote this when he could still hear almost perfectly.
You heard that? Or how about he could still sort of hear? He lost his hearing young because of abuse...
@@christopherrousseau1173 According to Beethoven's letters, he described beginning to hear "buzzing" noises and other sounds at age 26. Before that he could hear perfectly fine. Abuse didn't play into his hearing loss.
رائع ... الموسيقا اليوم صارت بالأرض أمام هذا المبدع
Imagine: the year is 1799, you and your lads just bought tickets to see Beethoven.
An hour in this man turns to the crowd and yells “WHOS RREADY FOR SOME OF THAT UNRELEASED SHIT”
*Symphony No. 1 plays
*Crowd loses their absolute minds
Unknown Gamer Recte: 1800.
Since I was a young child until I was more than 30 years old, I and all the Iraqi people listened to his music and we did not know that he was Beethoven. Almost every day at Saddam Hussein's military meetings it was played, and apparently it was his favorite music.
everybody fuckin coughin
its like its a prerequisite to be sick before going to a symphony
People hold their coughs during the song and then when the orchestra stops its mass coughing time
HAHAHAHAHA
Instead of applauding at the end, everyone just starts fucking coughing.
They should give out lozenges for free.
Steve Stop fuckin coffing and we’ll stop with the swearing, huh?
CZcams interrupting Ludwig Van with ads is a fucking sin
His symphonies mustn't be forgettable at all 🖤
Better than pretty much everything made nowadays. This, is music.
No. Ratio + yb better + L + fatherless +motherless + familyless + homeless + do better
no speak in inglish
Okay grandpa
so corny
Somebody said i sould listen symphony music, firstly l do but till now i dont understand this meaning of the rythm , but when i am listening and after the end my brain and my emotion feel clam down and peace, sorry my english is not good🙂🙏
That's quite all right. You appear attractive and we'll give you a pass.
@@lbowsk hilarious!
I love Beethoven
Beethovens dead, but his music lives on.
Whenever we listen to his music pieces, he indeed listens from heaven above through us. His legacy lives on.
بدايات بيتهوفن الأولى ..وفيها مازال متأثراُ بمن قبله ،هايدن ،موتسارت ..ألفها بين عامى 1798و1800م ومدتها حوالى 27دقيقة وتعد أصغر سيمفونيته .
ومكونة من أربع حركات بدأها بالأداجيو وأنهاها بالأداجيو.
+عبدالرؤوف النويهى no amigo, no puedes hacer un bomba con los decibelios de esta sinfonía.
+Brandon Montenegro jajaja! que buena!
+Brandon Montenegro xD lol jajajaj
oq vc disse q rolou entre 1798 e 1800? Bomberman is a good game lol
شكرا على المعلومة. الموسيقى تريحك من التوتر خصوصا اذا كانت جميلة و عميقة و مليئ بالمشاعر تجعلك تفكر بمئة شيء في دقيقة واحدة بأسلوب واضح و بسيط جدا
Inacreditável que o CZcams está pondo anúncio no meio do vídeo! Ter uma sinfonia do Beethoven interrompida por anúncio do ifood é um sacrilégio! Só por esse motivo não compro mais no ifood ou em qualquer empresa que ponha anúncio no meio de vídeo. E convoco outros a fazerem o mesmo pra ver se param com essa palhaçada. Anúncio no início ou no fim do vídeo ainda vai, mas no meio é imperdoável. Tudo tem limite, inclusive a ganância.
Rindo muito aqui.
concordo!!!!!!!!!!
Julio Cesar Rodrigues Cattapan na verdade vc tem que culpar o dono do canal, ele que escolhe se os videos dele terão anuncios
Julio Cesar Rodrigues Cattapan No caso quem pos nn foi o CZcams, foi o dono do canal...
Ifood ainda está bom, meu amigo. O duro é uma música dessa clave ser interrompida por um comercial com Michel Teló cantando. Lamentável.
Dude, It's crazy how he could do masterpieces like theses when he was deaf.
He wasn't deaf when he wrote this. he didn't start to lose his hearing until the 3rd symphony, and although it continued to deteriorate throughout his life, he never went 100% deaf
Oh. @@python_7179
Ok. So even though I'm young. For school I need to write a 4 page essay on Beethoven. Completely by choice. I thought it would be a great time. So no I'm starting from square one and listening to all of his symphonies. This is a nice beginning to the long road ahead.
lmao
This is one of few pieces where I can say that Beethoven is definitely using C major as a neutral key. I have listened to Beethoven's C major piano sonatas before and they sound equally as dramatic as his C minor piano sonatas. In fact, that is one of the things that I love about Beethoven is that he can make a major key sound equally as dramatic as a minor key. One of the reasons he is able to do this is because his major/minor shifts are much more frequent than they are in Mozart or Haydn. He also viewed the parallel major and minor as equals when it comes to keys which is partly why his major/minor shifts are much more frequent than in Mozart or Haydn.
My composition style might be heavily influenced by Beethoven, but outside of the orchestra, I find making a major key sound dramatic to be very hard. For example, Bb major to me sounds nocturnal in its character. Now what happens when I try to make it sound dramatic as a piano solo? I rely on the minor mode so much that it makes me question whether or not I am actually in Bb minor.
Caters Carrots
Some interesting points, however it might have been better not to quite so carelessly link together Mozart and Haydn as you have done in your comment.
Haydn’s later compositions in particular in the string quartets and trios, but also in the symphonies, sonatas and oratorios have some radically new tonal ambiguity, movement, and clashes (the E major slow movement in the E flat sonata Hob. XVI:52 for example) which went some way beyond anything in Mozart.
It was one of the things Beethoven studied carefully in Haydn and then did his own thing; for example, the 5th symphony whilst nominally being in c minor, closely mirrors Haydn’s Symphony 95 in a journey through a series of third related keys.
Haydn had being doing this sort of thing throughout his career and even back in 1772, Symphony 45 in f# minor (‘Farewell’), follows an avant la lettre Beethovenian tonal scheme and structure of radical evolutionary dimensions:
1st movement: f# minor (with the sensationally innovative and radical idea of the D major second subject not appearing in the exposition but being delayed until the development section).
2nd movement: A major
3rd movement: F# major
4th movement:
Presto - f# minor
Adagio - first section, A major
Adagio - second section, F# major.
Haydn does not always get the credit he deserves; the ‘Farewell’ symphony (1772) is the greatest work of through-composition and cyclic integration before Beethoven’s 5th (1808).
The greatness of Beethoven was that he studied both his two greatest predecessors very carefully, he took more from Haydn than is sometimes acknowledged; but he then developed music in new and different ways, radical evolutionary ways.
The difference between Mozart and Haydn however, was that for Beethoven, Mozart provided answers and solutions, but Haydn posed questions and challenges.
@@elaineblackhurst1509 Read your commentary, Haydn sounds much less complex to me than Mozart
Doug Chertoff
It’s not so much to do with complexity but density; Mozart’s music reveals the extraordinary density of his musical thought - clothed in a very magical orchestration - which is totally different from Haydn.
Complexity and density are different things but easily confused; in terms of the symphony, Mozart really only has both in his last six symphonies, Haydn has rather more of the complexity, variety and ingenuity in most of his symphonies, but less of the density judged by Mozartian standards.
With Haydn, besides what I have written in my first comment there is a much greater degree of motivic development as well, and his works are often monothematic ie the second subjects are variants of the first, rather than the contrasting ones of Mozart.
Haydn builds large-scale structures from small cells, something Beethoven took directly from Haydn and nowhere else; Mozart is a profusion of contrast.
The ingenious development of themes which occurs in Haydn is usually more intellectual but less immediately appealing than the extraordinary contrasting and cantabile lines of Mozart.
Beethoven is far closer to Haydn as a composer than he is to Mozart - as already mentioned, he took up many of Haydn’s compositional techniques and then did his own thing with them; there is generally speaking, far more of Haydn evident in Beethoven’s compositional technique and music than there is of Mozart outside a small number of works that Beethoven clearly modelled on Mozart, for example his 3rd piano concerto on Mozart’s 24th.
Neither Mozart nor Beethoven would have spent so much time studying Haydn’s works if they were ‘much less complex’ - Beethoven for example copied out a number of Haydn’s compositions such as the whole of the string quartet Opus 20 No 1 of 1772, and parts of the Symphony 99 of 1793. Beethoven studied Haydn’s compositions carefully because he could learn from them.
In short, there is no lack of complexity in Haydn’s music, it’s better to try to discover and understand exactly what it is in Haydn that so interested Mozart and Beethoven.
Think of Haydn and Mozart as a sort of musical Laurel and Hardy; totally different but very special and brilliantly effective in their own way.
I sometimes think it helps to think of Mozart and Haydn thus: Mozart was more interested in the sound the notes made, whilst Haydn was more interested in what he could do with them - again, this latter point is the essence of Beethoven’s composition technique as well.
Hope that helps.
@@elaineblackhurst1509 I will expose myself to more of Haydn's works. I'm still relatively new to you tube, so I will seek out your mentions, and seek out random works of his as well. You have to admit, the trilogy of Mozart 39, 40, 41 symphonies combined are some of the most stunning pieces of music ever produced. I personally like anything before 1820 or so, very few pieces after that I like, but that's my taste and everyone has their own likes and dislikes. Hate jazz, and a lot of modern music as well. Oh well, don't know why i mentioned that, i guess as a comparison of sorts to Mozart and Haydn
When it comes to composing music, I think Bach, Haydn, Beethoven are all on the same page, Mozart on another.
No words to describe this masterpiece...
This guy played at my school two years ago before he blew up, you could say I’m a betho-fan
The Green Cast TM I’m sorry, blew up?
Ich liebe Beethoven!
Ich auch!
ich auch!
In the old days, starting a song with a dissonant chord was an imperfect mistake. However Beethoven begins this symphony with a chord of seventh and it is possible that Mozart had turned tomb.
Milton de Rezende
Don’t really see the relevance of Mozart, but Haydn had already done something similar; listen to the opening of the quartet Opus 74 No 1, the only difference is that Beethoven’s is off-tonic - but that’s another Haydn trick as well.
Beethoven’s first symphony is specifically a *symphony,* and generally it is a great *work,* and a fantastic *piece,* but it ain’t no song (something that has words, for example ‘I walk the line’ by Johnny Cash is a song).
Annyira élvezetes, amikor a szimfónia elején, közepén és még négyszer megszólal egy lidl reklám, hát tényleg fenomenális ötlet!
So we just gon act like this isn't a bop?
This is what strict shelter-in-place orders do to your hair when all the barbershops in your area are closed due to Corona. Kudos to him that he was not afraid of paparazzi! He was just a bit upset that the picture was taken when he had just picked up his Starbucks coffee for some early morning relaxation.
waw j'ai pas les mots pour exprimer ce que les symphonies de beethoven me font ressentir. J'ai l'impression que mes tympans ont été créés pour entendre ces symphonies, son génie s'entend et s'écoute même plus de 200 ans après. ca me rend triste de voir que la musique était de l'art et qu'elle est devenue du commerce. J'ai le coeur brisé de voir ce que la musique est devenue...
Oui. Ces symphonies sont parfaites. Et l'Ode a la Joie est une des meilleures oeuvres de l'humanite!
Excusez-moi, je n'ai pas d'accents a mon portable.
I listen 9, 5 and 7 symphonies almost everyday. Today I'm going to start from the beginning. Thank U for this video.
Love those as well!
É com essa sinfonia que Beethoven dispara sua saga monumental rumo à perfeição musical que o caracteriza por toda a sua brilhante e monumental carreira musical. Louvo e enaltece este monstro imortal. Deve,sem dúvidas estar se apresentando no grande coral do céu. isso realmente é lindo e só poderia ter vindo dele.
Still bumping this 400 years later
Nathaniel Maldonado Hasn’t been THAT long
WHOS READY FOR SOME OF THAT UNRELEASED SHIT!?
oh yes, that final movement still pumps me up i remember in theory class dissecting the first movement, i miss those years man...
When i listen to Mozart = Ahhhhhh....
Beethoven = WOAH!
Zeus..with Beethoven himself, it was opposite. ;)
The music of Mozart and Beethoven - Haydn too - could be better described in terms other than primordial grunts; that said, there is more sense in your comment than many others on CZcams!
Playing this for my school club pretty nice
Beethoven’s first symphony. A lot of potential of what was to come. Unremarkable but had a unique style already.
It IS remarkable, perfect piece.
starry2006 I think you’re partly right; the remarkable thing about this work is that where Mozart and Haydn had left the symphony, for Beethoven to come up with something so astonishingly new was a sign of things to come.
Perfection is a rather more difficult thing to measure!
@@elaineblackhurst1509 'Perfection' was just a lazy way for me to say consistent high quality.
I think he very much built on Haydn but put his own twist on it.
It's a bit more consistent for me than the 2nd,. With the 3rd he want in a more epic direction, simply a different approach. Overall I think I prefer the 1st to the 8th as well, which is the only later one on a similar scale.
Too many wannabe proffesors talking rubbish It is an exquisite syphony Pure LvB and NOTHING like anything Mozart wrote Chalk and Cheese😊😊😊😊😊
What was a final symphonic achievement for Haydn became the starting point for Beethoven. Music does not stop - it is a journey through the time.
Beethoven è sempre Beethoven
Puoi dirlo forte
😀😀
9:40: Why does the break between movements always turn into a coughing free-for-all?
Ter uma sinfonia de Beethoven interrompida por anúncio é a pior coisa do mundo... Começo e final do vídeo ainda vai mas no meio não da
agree
Añade "Adblock Plus", a tu navegador Google Chrome Beta, se acabaron los anuncios indeseables.
Same
i’m playing this this year with my orchestra so it’s nice to hear how it’ll sound altogether 😁
quien Hable ESPAÑOL y le guste este tipo de música den like
Blanca Balcázar claro que si soy amante de esta musica bella y divina que nos inspira a vivir en armonia y tranquilidad ..es lo maximo lo mejos q podemos escuchar..
cierto
Eu falo português!
Me encanta esta música 😁
Dislike a wevvvvvvvvvvvvvvvvo
I loved when Beethoven toured.It was awesome.
Who's still listening to this in 2018?
I listen man
muggymug, I am!
Also!
This question is as stupid as to ask, if anybody still takes interest in Shakespeares plays. What the hell has this to do with 2018?
...with a beer 🍺
Estou sentindo uma energia diferente,nunca tinha parado pra ouvir😊
Having to listen to Justin Timberlake's latest cd brought me here as an escape.
muggymug Wich one?
Lol
Lokkiklokolol loo
One of my favorite slow-movements ever...so beautiful
the scherzo is a blast too...
Andante is more walking pace, here I think it's taken a little too slow at times.
Beethoven is ETERNAL!
Atake? I thought that was lil uzi vert..
JOHANNES BRAHMS (1896): "I always find Beethoven's C Minor concerto (the Third Piano Concerto) much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant!
I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies-these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance. Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission-his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works."
What
that was an April fool's joke from JB, we all know Vivaldi was the best composer ever existed!, even Bach copied his works!!, but still CHopin waltzes have an special place in my heart.
Only 1790s kids remember this
Dickhead
Ok
I was born on 17’s ok
Not that joke AGAIN?!!
It's so tiresome when people use other folk's jokes. So unoriginal.😩
who's listening in 2019?
Me
@@renaxerus4058 Me
Me
Not beethoven
Me and I’ll still be listening into 2099
Bugün, Beethoven’in tüm eserlerini sırasıyla dinleme kararı aldım. Araya başka bir besteciyi katmadan Beethoven’i bitireceğim.
yall ready to hear that unreleased shit !!
Wish he still went on tours I'm a big fan 😔
What's this meme people are talking about? I'm here because this is the first symphony of the greatest musical mind that will ever exist.
QuantumAlt
Arguably.
You might like to check out the opening chord of Haydn’s string quartet Op 74 No 1 (1793), and then compare it with the first chord of the 1st symphony (1800) of ‘...the greatest musical mind that will ever exist’.
Hyperbole is not helpful.
@@elaineblackhurst1509 I've heard that piece several times. Beethoven was not nearly as skilled writing this piece as later years. I never said this was the best piece. Not processing what I typed is not helpful.
QuantumAlt
I think it was quite clear that I simply questioned the status in general to which you accorded Beethoven, not this symphony in particular.
The ‘greatest musical mind that will ever exist’ - your quotation - is a personal and subjective opinion; presented as a fact as you have done reduces it to hyperbole.
Composers from different ages are not really comparable - your quotation becomes completely ridiculous if for example, you try to compare Beethoven with JS Bach in the area of counterpoint - but I agree with you that Beethoven is an absolutely special composer of the highest stature in every respect.
I did try to understand your point, hence my reply; but this first symphony whilst being astonishingly original, it does has a whiff of Haydn about it - almost inevitably.
However, whilst Beethoven was obviously aware of the Haydn quartet (he was staying at Eisenstadt for many months whilst Haydn was also there composing Opus 71/74), he did his own thing with the idea and the third and fourth movements in particular show Beethoven breaking away from the eighteenth century model more than is sometimes credited.
Beethoven is one of the greatest of all composers; I’d just leave it at that!
@@elaineblackhurst1509 People agree about the stature of momentous objective Beethoven had in redefining the era alone, that is why it is not fallacy to regard him as such.
QuantumAlt
Mozart and Haydn were together ‘redefining the era’ in which they lived to at least as great a degree than did Beethoven his era, arguably more so.
Following the end of the Baroque world of JS Bach, Handel, Scarlatti, Vivaldi et al, Mozart and Haydn established the symphony, string quartet, concerto, opera, string quintet, chamber music, mass, and almost every other form as the ways in which ‘modern’ composers expressed themselves; they wrote works of a standard by which all future composers (including Beethoven) were measured and judged.
In addition, those works were written using new forms such as sonata form, variation form, rondo et cetera, Beethoven *inherited* these things - in a way Mozart and Haydn did not - though he explored new areas in different ways, and he took a very new - sometimes radically new - look at existing forms and structures.
Like Mozart and Haydn, Beethoven too, re-defined music.
What Beethoven did do was study Mozart and Haydn intensely, and the through his particular genius, take both genre and form from his two great predecessors into different areas by doing his own highly original things with them.
At the beginning of the Classical period (c.1750), Haydn, then Mozart too, had little to work with beyond primitive pre-Classical embryonic forms, sounds and structures, with music around them composed largely by second and third rate composers; in contrast, Beethoven began from the high watermark of Haydn’s string quartets, symphonies, masses, and oratorios, et cetera; and Mozart’s quintets, late symphonies, operas and concertos, et cetera.
Mozart and Haydn to use your words, defined their era, and indeed modern classical music.
Composers throughout the nineteenth century up to the present day all used or use the forms and structures established by Mozart and Haydn, not Beethoven who like everyone else, followed Mozart and Haydn’s models, but then developed them in new and different ways.
In short; whilst not denying the very particular greatness of Beethoven which is evident, even from the Opus 1 piano trios and Opus 2 piano sonatas, your original comment, in spite of my thinking about it, remains inaccurate, unhelpful and little more than subjective hyperbole.
Thursday, November 26, 2020
If you are here listened to it is because you are a legend & you consider the best composer in history, he was the greatest musical genius
How heart broken he would've been when he had lost his ability to hear...
God took some of him, but he gave him the incredible sense of 🎼.
man i can remember it like yesterday
Mayo 2019 y sigo amando esta música
Bloody hell CZcams, I used to be able to listen to this with maybe two ad interruptions. Now its up to 10 or so... FFS.
So wonderfufull !
OMG IM YOUR BIGGEST FAN Please come to Manchester!!!!
"WHOS READY FOR SOME OF THAT UNRELEASED SHIT"
Música das altas esferas. Maravilhoso.
O quê é deplorável é a interrupção pelos anúncios., deviam aparecer só no começo e fim
its just Wonderfufull
Gaw Blimey, this German geezer's got talent. If he ever performs his stuff in Adelaide I'll buy tickets...Cheerio!
educação é quando todo mundo do teatro espera a música acabar pra tossir